The Kids Aren’t Alright (1988) – The Offspring

The Offspring in April 2025
From left to right: Brandon Pertzborn, Todd Morse, Dexter Holland, Jonah Nimoy, and Noodles (Wikipedia)

This American punk rock song The Kids Aren’t Alright by The Offspring hits all the right buttons for me – from the shredding guitar to Dexter Holland’s urgent vocals and that breakneck, driving rhythm. The music video matches the frenzy of the song and the stark reality of its images, adding to its poignant message.

Everything has turned quite desolate for his generation and local community, as the hopes and dreams of youth have faded and become worn down much like the neighbourhood itself, cracked and torn. Dexter Holland wrote the song after visiting his hometown of Garden Grove and discovering that many of his old acquaintances had faced serious problems.

We all start off our lives with aims, but things can easily get in the way. The song tells the story of several people and the problems they faced growing up, including unplanned pregnancy, unemployment, drug addiction, and suicide. It paints a bleak picture where hope has been worn away by poor choices, and it also serves as a warning that life doesn’t give handouts.

Although the subject matter is bleak, there is still some light in how the song confronts these realities. It bursts with energy and defiance (as is the nature of punk), and it seems to push the idea that people can still pick themselves up and move forward. It also serves as a warning to young people to stay strong and remain on the right path, and to be vigilant so they don’t fall by the wayside. There are always dangers lurking in the background.


Mostly from Wikipedia:

The Kids Aren’t Alright was released on the band’s fifth studio album, Americana. It is the fifth track and was released as the third single. It became a top 10 hit on the US Modern Rock Tracks chart.

During their long career, The Offspring have released multiple studio albums and sold over 40 million records, making them one of the best-selling punk rock bands. They are often credited, alongside bands like Green Day, NOFX, Bad Religion, Rancid, and Pennywise, with helping revive mainstream interest in punk rock in the mid-1990s.

As you can see by the photo above, they are still going strong. At the time of writing this, they have upcoming shows in places including Daytona Speedway, California and Germany.

When we were young the future was so bright
The old neighborhood was so alive
And every kid on the whole damn street
Was gonna make it big and not be beat

Now the neighborhood’s cracked and torn
The kids are grown up but their lives are worn
How can one little street
Swallow so many lives

Chances blown
Nothing’s free
Longing for, used to be
Still it’s hard
Hard to see
Fragile lives, shattered dreams

Jamie had a chance, well she really did
Instead she dropped out and had a couple of kids
Mark still lives at home cause he’s got no job
He just plays guitar and smokes a lot of pot

Jay committed suicide
Brandon OD’d and died
What the hell is going on
The cruelest dream, reality

References:
1. The Kids Aren’t Alright – Wikipedia
2. The Offspring – Wikipedia

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El Saber (2024) – Gaby Moreno

I couldn’t wait any longer to present today’s featured ‘El Saber’ (Eng: Knowing) by Gaby Moreno. I find it such a profound and enlightening song. I discovered her a few months ago on the film & arts channel performing at The Troubadour, and I featured her wonderful live performance of Solid Ground.

The Guatemalan singer wrote today’s song El Saber for the Mexican movie Radical. The film portrays what citizens experience at a peak moment of the “war on drugs,” and Eugenio Derbez brings to life a teacher who does everything he can to help his students learn. Gaby fuses elements of folk, soul and blues in El Saber to create an atmosphere that complements the film’s story.

Gaby Moreno moved to Los Angeles in her late teens to pursue music and has built a career blending blues, jazz, soul and Latin influences, often singing in both English and Spanish. She has won a Grammy Award for Best Latin Pop Album and two Latin Grammy Awards. Gaby also made her Broadway debut in March 2026 as Persephone in Hadestown.

I have presented two versions of El Saber below. The first is the version from her album Dusk, and the second is from the film Radical.

I hope you enjoy El Saber.

[Verso 1]
Como llama que agita el viento / Like a flame stirred by the wind
Es la arena que va subiendo / It’s the rising sand
La dolencia que cura el tiempo / The ailment that time heals
Y el saber (Saber), saber (Saber), saber (Saber), saber / And knowing (Knowing), knowing (Knowing), knowing (Knowing), knowing
Que el sol saldrá al amanecer
/ That the sun will rise at dawn

[Verso 2]
Como el ángel del destino / Like the angel of destiny
Pone piedras en el camino / He places stones in the path
Es mi voz, mi luz, mi latido / It’s my voice, my light, my heartbeat
Y el saber (Saber), saber (Saber), saber (Saber), saber / And knowing (Knowing), knowing (Knowing), knowing (Knowing), knowing
Que el sol saldrá al amanecer
/ That the sun will rise at dawn

[Coro]
La risa quе endulza la vida / The laughter that sweetens life
La lucha que abrazo cada nuevo día / The struggle I embrace each new day
Todas еsas perlas están escondidas / All those pearls are hidden
En la penumbra seguirán / They will remain in the shadows
La-la-la-la

[Puente]
Vamos empujando contra la corriente / We keep pushing against the current
Por mares y ríos, que olas revienten / Through seas and rivers, let the waves crash
Un fuerte estallido de fe es suficiente / A powerful burst of faith is enough
¿Qué rumbo tendrá?
/ What course will it take?

[Interludio]
La-la-la-la (La-la-la-la)
La-la-la-la (La-la-la-la)
La-la
¿Qué rumbo tendrá? / What course will it take?
La-la-la-la

[Outro]
La luz nos mira serena / The light gazes at us serenely
Inquieta al despertar / Restless upon waking
Un canto que vive y resuena / A song that lives and resonates
Y el saber (Saber), saber (Saber), saber (Saber), saber / And knowing (Knowing), knowing (Knowing), knowing (Knowing), knowing
Que el sol saldrá al amanecer / That the sun will rise at dawn
Saber, saber, saber, saber / To know, to know, to know, to know
Que el sol saldrá al amanecer
/ That the sun will rise at dawn

References:
1. Gaby Moreno – Wikipedia

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Tweeter And The Monkey Man (1988) – Traveling Wilburys

Tweeter and the Monkey Man” was really [written by] Tom Petty and Bob [Dylan]. Well, Jeff [Lynne] and I were there too, but they were just sitting there around in the kitchen, and he was for some reason talking about all this stuff that didn’t make much sense, you know, and we got a tape cassette and put it on and then transcribed everything they were saying.

– George Harrison (The True History of the Traveling Wilburys)

In yesterday’s article, I mentioned all songs bar one would be presented here from Born in the U.S.A.. The exact same goes for this supergroup wonder record – Traveling Wilburys Vol. 1 – such is my fascination with it. Very few records have I covered as extensively as those two, so you could say they are amongst my top ever records. Not just that, but there is a very close Bruce Springsteen connection with today’s featured song, which we will discuss below.

Tweeter and the Monkey Man‘ is a special entry since it marks the last song from the record to be presented here. It is a roots rock / heartland rock song that feels part film noir, part road movie. The music has a steady, stomping rhythm and clean rhythm strumming. It sounds earthy and kind of unpolished, mirroring the song’s grittiness and street-story vibe. It also unfolds linearly, almost like a newspaper report. Each chorus contains a cymbal crash after they sing “and the walls came down,” representing the impending fate of these nefarious characters.

Although Harrison said it was cowritten between Dylan and Petty, the lyrics do seem distinctly Dylan-esque in tone and context. The video almost confirms it here at 6:19 in the video. Nearly the whole song entails the story of two drug traffickers who are on the run – one who appears to be a transexual named ‘Tweeter’ and the other a criminal Monkey Man. An unrelenting undercover cop is in hot pursuit who is the brother of a lady named Jan who is having an affair with the Monkey Man and is the female fatale in the story.

The setting is a gritty urban tale with the characters high-tailing it for New Jersey. It appears to contain heavy nods to Bruce Springsteen’s storytelling style, especially in Jungleland. ‘Magic Rat and ‘Barefoot Girl’ feel like cousins to ‘Tweeter’, ‘the Monkey Man’, and ‘Jan’. Also there are many Springsteen song title references include: ‘Stolen Car’, ‘Mansion on the Hill’, ‘Thunder Road”, ‘State Trooper’, ‘Factory’, and ‘The River’.

[Verse 1]
Tweeter and the Monkey Man were hard up for cash
They stayed up all night selling cocaine and hash
To an undercover cop who had a sister named Jan
For reasons unexplained, she loved the Monkey Man
Tweeter was a boy scout ‘fore she went to Vietnam
And found out the hard way nobody gives a damn
They knew that they’d find freedom just across the Jersey Line
So they hopped into a stolen car, took Highway 99

[Chorus]
And the walls came down, all the way to hell
Never saw them when they’re standing, never saw them when they fell

[Verse 2]
The undercover cop never liked the Monkey Man
Even back in childhood, he wanted to see him in the can
Jan got married at fourteen to a racketeer named Bill
She made secret calls to the Monkey Man from a mansion on the hill
It was out on Thunder Road, Tweeter at the wheel
They crashed into paradise, they could hear them tires squeal
The undercover cop pulled up and said “Everyone of you’s a liar
If you don’t surrender now, it’s gonna go down to the wire”

[Verse 3]
An ambulance rolled up, a state trooper close behind
Tweeter took his gun away and messed up his mind
The undercover cop was left tied up to a tree
Near the souvenir stand by the old abandoned factory
Next day, the undercover cop was hot in pursuit
He was taking the whole thing personal, he didn’t care about the loot
Jan had told him many times “It was you to me who taught
In Jersey, anything’s legal as long as you don’t get caught”

[Verse 4]
Someplace by Rahway Prison, they ran out of gas
The undercover cop had cornered ’em, said, “Boy, you didn’t think that this could last”
Jan jumped up out of bed, said, “There’s someplace I gotta go”
She took a gun out of the drawer and said, “It’s best if you don’t know”
The undercover cop was found face-down in a field
The Monkey Man was on the river bridge using Tweeter as a shield
Jan said to the Monkey Man, “I’m not fooled by Tweeter’s curl
I knew him long before he ever became a Jersey girl”

[Verse 5]
Now the town of Jersey City is quieting down again
I’m sitting in a gambling club called A Lion’s Den
The TV set was blown up, every bit of it is gone
Ever since the nightly news show that the Monkey Man was on
I guess I’ll go to Florida and get myself some sun
There ain’t no more opportunity here, everything been done
Sometimes I think of Tweeter, sometimes I think of Jan
Sometimes I don’t think about nothing but the Monkey Man

References:
1. Tweeter and the Monkey Man – Wikipedia

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Bobby Jean (1984) – Bruce Springsteen

I have Bobby Jean in my project more for what it holds on a sentimental level now. I still like to hear it on occasion, but my fondness for it isn’t what it once was. Bruce was easily the most popular music artist among our small league of friends at high school, and one of the very few whose music had a big impact on my adolescence.

I’d consider Bobby Jean a lower-tier Born in the U.S.A. (BITUSA) track – but as we know, a lower-tier BITUSA song is better than 95% of the stuff out there. The album had seven Top 10 singles, for heaven’s sake. Where would you rank it on the record? Every song bar one will be presented here from the album (a great majority already have). If you can guess which one I left off, you get a virtual high-five and on the flip-side.

Although not released as a single, Bobby Jean reached number 36 on the Billboard Mainstream Rock chart. I always thought it was one of the most personal songs on the album, and that it was about a girl the narrator had missed – hence, “I miss you, baby / Good luck, goodbye, Bobby Jean.”

But many suggest (as in the articles below) that it’s actually a tribute from Bruce Springsteen to his long-time friend Steven Van Zandt. How “baby” comes into the mix – I have no idea. Wikipedia notes that when the song is played live, close-ups of Van Zandt are often shown on the big screens. Also, the song is one of Springsteen’s more popular concert staples, with well over 700 performances through 2024.

Van Zandt and Springsteen met in 1966; he played in Bruce’s early bands Steel Mill and the Bruce Springsteen Band. He officially joined the E Street Band on the 1975 Born to Run tour. Van Zandt would leave the E Street Band in 1984 to work on solo material. Springsteen later disbanded the E Street Band in 1989 after recording Tunnel of Love largely on his own. They came back in 1999 for the Reunion tour.

Springsteen biographer Dave Marsh suggests that Springsteen was not just singing a farewell to Van Zandt, but also to his own Nebraska-era self. To me, that does seem a bit of a stretch.

[Verse 1]
Well, I came by your house the other day
Your mother said you went away
She said there was nothing that I could have done
There was nothing nobody could say
Now, me and you, we’ve known each other
Yeah, ever since we were sixteen
I wished I would have known, I wished I could have called you
Just to say “Goodbye, Bobby Jean”

[Verse 2]
Now, you hung with me when all the others
Turned away, turned up their nose
We liked the same music, we liked the same bands
We liked the same clothes
Yeah, we told each other that we were the wildest
The wildest things we’d ever seen
Now I wish you would have told me, I wish I could have talked to you
Just to say “Goodbye, Bobby Jean”

[Bridge]
Now, we went walking in the rain
Talking about the pain from the world we hid
Now, there ain’t nobody, nowhere, nohow
Gonna ever understand me the way you did

[Verse 3]
Well, maybe you’ll be out there on that road somewhere
In some bus or train traveling along
In some motel room there’ll be a radio playing
And you’ll hear me sing this song
Well, if you do, you’ll know I’m thinking of you
And all the miles in between
And I’m just calling one last time, not to change your mind
But just to say “I miss you, baby
Good luck, goodbye, Bobby Jean”

References:
1. Who Is Bruce Springsteen’s “Bobby Jean”? – Culture Sonar
2. Bobby Jean – Wikipedia

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Dizzy Miss Lizzy (1965) – The Beatles

There are few rousing rockers where I’ve heard John Lennon sound so unleashed. On Dizzy Miss Lizzy, he taps back into early rock ’n’ roll and really flexes his vocal muscles, almost shredding them in the process. So raw, man.

John decided to bring back a couple of songs The Beatles had played in their Cavern and Hamburg days but hadn’t touched in years. As it happened, the session fell on Larry Williams’s birthday, so they recorded both Bad Boy and Dizzy Miss Lizzy.

You can also hear clear similarities to Little Richard’s 1958 single Good Golly, Miss Molly.

Dizzy Miss Lizzy was written and recorded by Larry Williams in 1958. It’s well worth checking out the original – it’s a doozy too. Although now seen as a genuine rock ’n’ roll classic, it only had modest chart success, peaking at No. 69.

Dizzy Miss Lizzy is one of two non-Beatles songs on their 1965 album Help!. The other is Ringo Starr’s country-leaning Act Naturally. When sequencing the album, they didn’t want to close with Yesterday, so they finished side two with this full-throttle rocker.

For a more detailed breakdown of the song, I point you to the marvellous “everything you wanted to know” article over at Beatles Music History.

[Verse 1]
You make me dizzy, Miss Lizzy
The way you rock and roll
You make me dizzy, Miss Lizzy
When you do the stroll
Come on, Miss Lizzy
Love me before I grow too old

[Verse 2]
Come on, give me fever
Put your little hand in mine
You make me dizzy, dizzy Lizzy
Oh, girl, you look so fine
Just a-rocking and a-rolling
Girl, I said I wish you were mine

[Verse 3]
You make me dizzy, Miss Lizzy
When you call my name
Ooh, baby
Say you’re driving me insane
C’mon, c’mon, c’mon, c’mon, baby
I want to be your loving man

[Verse 4]
Run and tell your mama
I want you to be my bride
Run and tell your brother
Baby, don’t run and hide
You make me dizzy, Miss Lizzy
Girl, I want to marry you

References:
1. Dizzy, Miss Lizzy – Wikipedia
2. Dizzy Miss Lizzy – Beatles Music History

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Dimming Of The Day (2011) – Alison Krauss & Union Station

The most adorable voice I’ve heard in country music is back once again with a beautiful ballad called Dimming of the Day. The song was written by the English singer-songwriter Richard Thompson and first recorded with his then-wife Linda Thompson on their 1975 album Pour Down Like Silver.

Alison Krauss & Union Station released their version of Dimming of the Day on their 2011 album Paper Airplane. The English folk and Celtic vibes are strong here, not only in the lyrics – where love and nature are closely tied – but also in the melody. It’s a song about love, longing, and quiet dependence, with a narrator who feels fragile and worn down (“This old house is falling down around my ears”) and who needs their lover close as the day fades into night.

I’ve never heard the slide guitar sound so perfectly matched to someone’s voice as I have with Alison’s music – and once again on Dimming of the Day. That combination evokes such ache and tenderness – it’s so deeply affecting. I’m a latecomer to Alison Krauss, but when I first heard her sing, it was love at first listen – just so pure and authentic. Just about everything I’ve heard from her has gone straight into my music library project, so I’ve had some catching up to do.

The song has been covered by more artists than you can poke a stick at. So many, in fact, that a large portion of the Wikipedia page is devoted to listing versions – including those by Mary Black, Emmylou Harris, and David Gilmour, to name just a few. Richard and Linda don’t exactly get their just due there.

[Verse 1]
This old house is falling down around my ears
I’m drowning in the fountain of my tears
When all my will is gone you hold me sway
I need you at the dimming of the day

[Bridge]
You pull me like the moon pulls on the tide
You know just where I keep my better side

[Verse 2]
Now days have come to keep us far apart
A broken promise or a broken heart
Now all the bonny birds have wheeled away
I need you at the dimming of the day

[Bridge]
Come the night, you’re only what I want
Come the night, you could be my confidant

[Verse 3]
Now I see you on the street in company
Why don’t you come and ease your mind with me?
I’m living for the night that we steal away
Oh I need you at the dimming of the day
I need you at the dimming of the day

References:
1. Dimming of the Day – Wikipedia

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I Don’t Wanna Go On With You Like That (1988) – Elton John

I Don’t Wanna Go On With You Like That is a lively dance-rock number from that “Reg” guy, who features quite prominently here. What I like most about the song is the bouncy and audacious piano playing, and that’s probably what tipped it over the line for me to include it in the music project. There are some great bursts of piano throughout, which I still enjoy, even if the overall sound is a bit tinny and carries that very 1980s synthetic quality.

Around this time, post Too Low for Zero, listeners were starting to grow a bit lukewarm toward Elton’s output. In terms of quality, it was a noticeable dip from his magnificent early ’70s run. This song may well have been seen as modest in comparison to his earlier classics, and that’s probably fair. Also, that glossy 80s synth production – complete with its familiar popping textures – was never going to age as gracefully as his earlier work.

It might come as a surprise, then, that I Don’t Wanna Go On With You Like That became Elton John’s highest-charting US hit of the 1980s, peaking at No. 2 on the Billboard. The song and Sacrifice, which came a year later, marked a little late-80s resurgence for him.

Released on the 1988 album Reg Strikes Back, the song deals with the singer’s frustration on realising his partner doesn’t want a committed, monogamous relationship:

And I don’t wanna go on with you like that
Don’t wanna be a feather in your cap

It’s a statement of self-respect – refusing to settle for being just another option. There’s something bold and defiant in that stance. Even in the music video, with Elton strutting around with a kind of upright confidence, you get the sense of someone drawing a line. In that sense, it really does feel like “Reg striking back.”

Wikipedia: Elton played it in his tours during the album tour, Sleeping with the Past Tour and the rest of 1990s before he retired it in 2000 as the One Night Only concert in Madison Square Garden remains the most recent performance of it.

[Verse 1]
I’ve always said that one’s enough to love
Now I hear you’re braggin’ one is not enough
Well, somethin’ tells me you’re not satisfied
You got plans to make me one of four or five

[Verse 2]
I guess this kind of thing’s just in your blood
But you won’t catch me carvin’ up my love
I ain’t no puzzle piece that needs to fit
If it takes more than me, let’s a-call it quits

[Chorus]
‘Cause I don’t wanna go on with you like that
Don’t wanna be a feather in your cap
I just wanna tell you, honey, I ain’t mad
But I don’t wanna go on with you like that

[Post-Chorus]
Oh-oh-oh
Whoa-oh
Whoa-oh
Oh yeah

[Verse 3]
It gets so hard sometimes to understand
This vicious circle’s gettin’ outta hand
Don’t need an extra eye to see
That the fire spreads a-faster in a breeze

[Chorus]
And I don’t wanna go on with you like that
Don’t wanna be a feather in your cap
I just wanna tell you, honey, I ain’t mad
But I don’t wanna go on with you like that
No, I don’t wanna go on with you like that
One more set of boots on your welcome mat
You’ll just a-have to quit ’em if you want me back
‘Cause I don’t wanna go on with you like that

[Post-Chorus]
Oh-oh-oh
Whoa-oh
Whoa-oh
Oh yeah

[Bridge]
Oh, if you wanna spread it around, sister, that’s just fine
But I don’t want no second hand a-feedin’ me lines
If you wanna hold someone in the middle of the night
Call out the guards, turn out the light

[Chorus]

References:
1. I Don’t Wanna Go On with You Like That – Wikipedia

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30/03/26 – 5/04/26 – Larry the Gentile, Mark Twain & ABS Challenge System

news on the march

Welcome to Monday’s News on the March – The week that was in my digital world.

Curb Your Enthusiasm: Larry the Gentile
Video extract at Curb YourTube

Being a Curb and Seinfeld fan – as most of you will know – I occasionally slip scenes from these shows into my music posts whenever there’s even the slightest connection to the subject matter. It’s my thing. Anyhow, this scene from Curb popped up in my feed last week, and it made me chuckle and reminisce about the show – which, by the way, I haven’t watched in quite a while.

In this particular episode (Season 5, Episode 10, “The End”), Larry David – who is Jewish – mistakenly learns that he is actually a gentile. What follows is a series of scenes in which he takes on stereotypical Anglo-Protestant activities – things anyone familiar with Larry up to this point would never imagine him partaking in, even in his wildest dreams. Take, for example, a grease-covered Larry repairing a vehicle: no complaints, no snide small talk – just quietly and skillfully doing the job with a kind of understated Anglo-Protestant dignity.

There is another very funny scene here, comparable to the one above, in which Larry and his wife Cheryl pretend to be card-carrying Republicans in order to gain admittance to an exclusive country club. Larry’s savvy, nuanced comedic acting chops are on full display here.

Mark Twain Documentary to Fall Asleep To
Documentary at Mind Palace

Sometimes when I wake up – as I did last night at around 3 a.m. – and can’t fall back to sleep, I’ll put on an ad-free documentary to ease myself into a gentle slumber. It usually works, but not with this week’s featured documentary. No matter – I’d gone to bed early anyway.

As someone aptly remarked, the documentary was simply too good to fall asleep to. I’d read The Adventures of Tom Sawyer (1876) and its sequel Adventures of Huckleberry Finn (1884) as a youngster, and watched TV adaptations of them, but I was largely ignorant of the man behind the pages. Well, blow me down – like the great American author Ernest Hemingway, I found Mark Twain’s life just as captivating as his most celebrated work.

Video description:

Discover the complete life of Mark Twain with other name Samuel Langhorne Clemens, the iconic American author and humorist known for classic works like “Adventures of Huckleberry Finn” and “The Adventures of Tom Sawyer”. We explore Twain’s early years, literary career, personal struggles, and lasting impact on American literature and culture. Dive into the fascinating story of Samuel Clemens, his wit, social commentary, and influence on 19th-century writing and humor. Learn about Twain’s legacy as a master storyteller, satirist, and one of the greatest voices in literary history‘.

CB Bucknor missed 20 calls in one game, a breakdown

Well, we are well into the 2026 Major League Baseball season, and I’m quite the happy camper – especially since they’ve introduced the Automated Ball-Strike (ABS) Challenge System, something I argued for strongly in one of the first articles I wrote on my blog back in 2014, Baseball Romanticism and Perfecting the Strike Zone.

The ABS Challenge System allows players to challenge ball and strike calls made by home plate umpires using Hawk-Eye tracking technology. Each team starts with two challenges per game and retains a challenge if the call is overturned, but loses the ability to challenge after two unsuccessful attempts.

To say it has been a success would be an understatement. It has not only removed a great deal of human error from umpiring, but it has also added a whole new layer of entertainment and intrigue to the game. Spectators now cheer just as loudly for the result of a challenge as they might for a home run.

To demonstrate its effectiveness in a single game, I point you to this video: CB Bucknor missed 20 calls in one game, a breakdown

That’s all for now – until next time. Thanks, as always, for reading.

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Turn! Turn! Turn! (To Everything There Is a Season) – The Byrds

I don’t know what’s worse to look at – Roger McGuinn’s glasses or The Byrds’ haircuts. Put both on the same album cover and you’ve got yourself a real treat. Arghhh. Don’t mind me – I’m just in a silly mood on this frigid, overcast morning in Bogotá.

I first heard this on the US coming-of-age show The Wonder Years, where it featured in three episodes. While the song became closely associated with the show, it wasn’t the main theme – that went to Joe Cocker’s cover of With a Little Help from My Friends. I’ve mentioned this series often because it left such an impression on me, and a lot of its soundtrack has made its way in here.

Now, back to today’s featured track – the sermon-like, old lefty peace song, Turn! Turn! Turn! Pete Seeger adapted the first eight verses of Chapter 3 of the biblical Book of Ecclesiastes into the song. Apart from the repeated title and the final two lines, the lyrics come directly from that passage.

Seeger recorded his own version, but it was The Byrds who turned it into a hit – something they had a knack for, especially with Bob Dylan songs. Their version reached No. 1 on the US Billboard and No. 26 on the UK Singles Chart.

From Wikipedia: The Biblical text posits there being a time and place for all things: birth and death, killing and healing, sorrow and laughter, war and peace, and so on. The lines are open to myriad interpretations, but Seeger’s song presents them as a plea for world peace with the closing line: “a time for peace, I swear it’s not too late. This line and the title phrase “Turn! Turn! Turn!” are the only parts of the lyric written by Seeger himself”

Pete Seeger gave 45% of the royalties from Turn! Turn! Turn! to the Israeli Committee Against House Demolitions, a group critical of Israeli state policy. Seeger also had long ties to socialist and communist circles, which is reflected in the fact that his handwritten lyrics were later donated to New York University through the Communist Party USA in 2007.

To everything (Turn, turn, turn)
There is a season (Turn, turn, turn)
And a time to every purpose under heaven

[Verse 1]
A time to be born, a time to die
A time to plant, a time to reap
A time to kill, a time to heal
A time to laugh, a time to weep

[Chorus]

[Verse 2]
A time to build up, a time to break down
A time to dance, a time to mourn
A time to cast away stones
A time to gather stones together

[Chorus]

[Verse 3]
A time of love, a time of hate
A time of war, a time of peace
A time you may embrace
A time to refrain from embracing

[Chorus]

[Verse 4]
A time to gain, a time to lose
A time to rend, a time to sew
A time for love, a time for hate
A time for peace, I swear it’s not too late

References:
1. Turn! Turn! Turn! – Wikipedia

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Turn the Lights Back On (2024) – Billy Joel

Anybody who has really lived, must have regrets. I owe a thousand apologies to a thousand people
– Billy Joel on the Howard Stern show

Turn the Lights Back On is a recent release by the Piano Man, Billy Joel. It’s a bit of a shout out to the world – ‘Hey I’m Still Around‘. Talk about a long hiatus too – it was his first entry on the charts since his 1997 cover of Hey Girl and is his first new single since Christmas in Fallujah in 2007. So, he decides to give it another crack as 74 year-old. Good on him.

It’s an emotive outpouring on redemption and forgiveness, where he goes back to the fundamentals as an ageing star – delivering a lovely, melodic piano ballad and letting his heart do the talking in an attempt to save a relationship. He also performed it at the 2024 Grammys, so it’s nice to see older artists still getting exposure among younger audiences.

It doesn’t quite reach the dizzy heights of some of his top-tier and more original work, but I don’t think that matters. He’s not trying to be flashy or reinvent the wheel. It’s more of a direct and honest statement – owning past mistakes and recognising he may have fallen short. There’s a sense of quiet pleading running through it, especially in lines like:

You’ve had enough, but I won’t give up
On you


Joel explained in a Howard Stern interview that the song is partly about a relationship (he wouldn’t reveal who) and partly about his life as a music artist:

‘I’m putting out a new record..wait a minute do I get a second chance’?

The music video is heavily AI-rendered and shows Joel singing the song at different stages of his career. Some might see it as a nice sentiment, but personally I’d prefer to see him as he is now. That said, the final third does show Billy the 74 year-old and shifts to more personal footage, including moments with his children, which I found quite touching.

Recently, Billy Joel has been recovering from normal pressure hydrocephalus (NPH), a condition where fluid builds up in the brain and creates pressure. He must be doing well since he has returned to touring, with upcoming shows in Las Vegas.

[Verse 1]
Please open the door
Nothing is different, we’ve been here before
Pacing these halls, trying to talk
Over the silence
And pride sticks out its tongue
Laughs at the portrait that we’ve become
Stuck in a frame, unable to change
I was wrong

[Chorus]
I’m late, but I’m here right now
Though I used to be romantic
I forgot somehow
Time can make you blind
But I see you now
As we’re layin’ in the darkness
Did I wait too long
To turn the lights back on?

[Verse 2]
Herе, stuck on a hill
Outsiders inside the homе that we built
The cold settles in
It’s been a long winter of indifference
And maybe you love me, maybe you don’t
Maybe you’ll learn to and maybe you won’t
You’ve had enough, but I won’t give up
On you

[Chorus]
I’m late, but I’m here right now
And I’m tryin’ to find the magic
That we lost somehow
Maybe I was blind
But I see you now
As we’re layin’ in the darkness
Did I wait too long
To turn the lights back on?

[Chorus]
I’m late, but I’m here right now
Is there still time for forgiveness?
Won’t you tell me how?
I can’t read your mind
But I see you now
As we’re layin’ in the darkness
Did I wait too long
To turn the lights back on?

[Outro]
I’m here right now
Yes, I’m here right now
Looking for forgiveness
I can see as we’re layin’ in the darkness
Yeah, as we’re layin’ in the darkness
Did I wait too long
To turn the lights back on?

References:
1. Turn the Lights Back On – Wikipedia

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