Volví a Nacer (2012) – Carlos Vives

Volví A Nacer (Eng: I Was Born Again) is a song by the Colombian recording artist Carlos Vives. It is a romantic song with strong elements of Colombian vallenato and pop music. I remember it saturating the Colombian airwaves when it came out and being completely taken by it. Even today, I still love hearing it whenever it comes on.

Vallenato originated in Colombia’s Caribbean region and literally means “born in the valley”. The name is linked to the people of Valledupar, the city most associated with the genre, whose name comes from Valle de Upar (“Valley of Upar”).

It is traditionally performed by a trio featuring the diatonic button accordion (melody), the caja vallenata (a small single-headed drum providing rhythm), and the guacharaca (a ribbed scraper).

Volví A Nacer is one of my desert island Colombian vallenato songs, along with the classic Los Caminos de la Vida (Eng: The Paths of Life). They may share the same genre, but their themes are worlds apart.

Los Caminos de la Vida is a more traditional style of vallenato and deals with the hardships of life, including poverty and the absence of a father figure.

Today’s featured track, Volví A Nacer, was inspired by and dedicated to Carlos’ third and current wife and former Miss Colombia, Claudia Elena Vásquez. Through her love, he feels capable of doing anything for her – whether it is “not snoring in the mornings”, “being her chauffeur”, or even “climbing the Himalayas”. Essentially, through her love he feels reborn after a turbulent past.

My favourite part of the song is the high-spirited and inspiring chorus. You do not get much more fantastically romantic and direct than this: I want to / Marry you / Stay by your side / Be blessed with your love.

The song was the lead single from Carlos’ 13th studio album, Corazón Profundo, and it became a massive hit, reaching No. 1 in Colombia, Mexico and Venezuela. It also won Song of the Year and Best Tropical Song at the Latin Grammys.

The music video was filmed in Tlacotalpan, a historic Spanish colonial river port founded in the mid-16th century on the banks of the Papaloapan River in Veracruz, Mexico

I hope that despite the language barrier for most of you (English subtitles below), you will enjoy Volví A Nacer.

[Verse 1]
Puedo no roncar por las mañana / I can not snore in the mornings
Puedo trabajar de sol a sol / I can work from sunup to sundown
Puedo subirme hasta el Himalaya / I can climb to the Himalayas
O batirme con mi espada / Or fight with my sword
Para no perder tu amor
/ So I don’t lose your love

[Pre-Chorus]
Puedo ser, tu fiel, chofer, mujer / I can be your faithful one, chauffeur, woman
Todo lo que te imaginas puedo ser / Everything you can imagine, I can be
Y es que por tu amor volví a nacer / Because for your love I was reborn
Tu fuiste la respiración / You were my breath
Y era tan grande la ilusión / And the hope was so great
Pero si te vas que voy a hacer / But if you leave, what will I do?
Planchar de nuevo el corazón / Iron my heart again
Se pone triste esta canción
/ This song gets sad

[Chorus]
Quiero / I want to
Casarme contigo / Marry you
Quedarme a tu lado / Stay by your side
Ser el bendecido con tu amor / Be blessed with your love
Por eso yo quiero / That’s why I want to
Dejar mi pasado / Leave my past behind
Que vengas conmigo / Come with me
Morir en tus brazos dulce amor / Die in your arms, sweet love
Por eso yo quiero
/ That’s why I want to

[Verse 2]
Puedo boxear en las olimpiadas / I can box in the Olympics
Puedo mendigar por tu perdón / I can beg for your forgiveness
Puedo mudarme a la Castellana / I can move to La Castellana
Agua fría por las mañanas / Cold water in the mornings
Y alinear en el Unión
/ And play for Unión

[Pre-Chorus]

[Chorus]

[Outro]
Puedo boxear en las olimpiadas / I can box in the Olympics
Puedo trabajar de sol a sol / I can work from sunup to sundown
Puedo tantas cosas en mi vida / I can do so many things in my life.
Por tu amor
/ Because of your love.

References:
1. Volví a Nacer – Wikipedia

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Waka Waka (This Time for Africa) 2010 – Shakira

How timely this song should appear in the alphabetical listing since we are now just 27 days away from the commencement of the 2026 World Cup. Waka Waka (This Time for Africa) was the official theme song for the 2010 World Cup and I have fond memories of both the song and the whole occasion.

As you can see below, such was my anticipation for the tournament that I collected all the player stickers and placed them in my official Panini sticker album. While it may no longer be in top condition after so much use, it still adorns my little bookcase as a reminder of that wonderful event.

Shakira is Colombia’s biggest musical export and she has enjoyed a long association with the world’s biggest sporting event. Waka Waka is such an infectious tune and perfectly matches the excitement and fervour of the occasion. I have always found it animated, inspiring and uplifting. The African rhythms and groove from the South African band Freshlyground are simply spectacular. Shakira certainly struts her stuff here and completely brings it home.

Shakira also performs with Burna Boy on Dai Dai, the official song for the upcoming 2026 FIFA World Cup. She will also make an appearance during the half-time ceremony of the World Cup Final.


Wikipedia:

The selection of Shakira to sing the song generated controversy after numerous South Africans argued that a native artist should have been assigned the role. 

It peaked at No. 1 on the record charts of numerous countries worldwide and was the most successful song of 2010 in seven countries. In the United States, it peaked at No. 38 on the Billboard and was later certified platinum.  

It sold 15 million downloads worldwide, becoming one of the best-selling digital singles of all time. It earned a song a Guinness World Record, certified as the most streamed FIFA World Cup song on Spotify.

The chorus of the song and the words “waka waka” are borrowed from “Zangaléwa”, a 1986 song recorded by Cameroonian band Golden Sounds, which was a hit not only across Africa but also in Colombia.  

Shakira performed “Waka Waka (This Time for Africa)” at the 2010 FIFA World Cup opening ceremony on 10 June at the Orlando Stadium in Johannesburg, South Africa.

[Intro]
Ohh-ehh
Uh, zangalewa (Otra, otra)
Uh, zangalewa (Otra, otra)
Uh, zangalewa (Otra, otra)
Uh, zangalewa (Otra, otra)

[Verse 1: Shakira]
You’re a good soldier, choosing your battles
Pick yourself up and dust yourself off, get back in the saddle
You’re on the front line, everyone’s watching
You know it’s serious, we’re getting closer, this isn’t over

[Pre-Chorus: Shakira]
The pressure’s on, you feel it
But you got it all, believe it
When you fall get up, oh-oh
And if you fall get up, eh-eh
Zamina-mina, zangalewa?
‘Cause this is Africa

[Chorus: Shakira]
Zamina-mina, hé-hé
Waka, waka, hé-hé
Zamina-mina, zangalewa?
This time for Africa

[Verse 2: Shakira]
Listen to your God, this is our motto
Your time to shine, don’t wait in line y vamos por todo
People are raising their expectations
Go on and feed ’em, this is your moment, no hesitations

[Pre-Chorus: Shakira]
Today’s your day, I feel it
You paved the way, believe it
If you get down, get up, oh-oh
When you get down, get up, eh-eh
Zamina-mina, zangalewa?
This time for Africa

[Chorus: Shakira]
Zamina-mina, hé-hé
Waka, waka, hé-hé
Zamina-mina, zangalewa?
Anawa, ha-ha
Zamina-mina, hé-hé
Waka, waka, hé-hé
Zamina-mina, zangalewa?
This time for Africa

[Verse 3: Zolani]
Awabuye lamajoni ipikipiki mama wa A to Z
Bathi susa lamajoni ipikipiki mama from East to West
Bathi waka-waka, mah, hé-hé, waka-waka, mah, hé-hé
Zonk’ izizwe mazibuye, ’cause this is Africa

[Bridge]
Zamina-mina
Anawa, ha-ha
Zamina-mina
Zamina-mina
Anawa, ha-ha

[Chorus: Shakira]
Zamina-mina, hé-hé
Waka, waka, hé-hé
Zamina-mina, zangalewa?
Anawa, ha-ha
Zamina-mina, hé-hé
Waka, waka, hé-hé
Zamina-mina, zangalewa?
This time for Africa

[Post-Chorus: Shakira]
Django, hé-hé
Django, hé-hé
Zamina-mina, zangalewa?
Anawa, ha-ha
Django, hé-hé
Django, hé-hé
Zamina-mina, zangalewa?
Anawa, ha-ha

[Outro: Shakira]
This time for Africa
This time for Africa
We’re all Africa (Zama qhela)
We’re all Africa (Kwela, kwela)
(Zama qhela)

References:
1. Waka Waka (This Time for Africa) – Wikipedia

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Waitin’ On A Sunny Day (2002) – Bruce Springsteen

Waitin’ On A Sunny Day is a song from The Rising, released by Bruce Springsteen in 2002 after the terrorist attacks in the United States on September 11th, 2001. The record was dedicated to the victims, survivors and spirit of that terrible day.

The Rising was symbolically named to honour the heroism of the firefighters and emergency workers climbing the stairwells of the Twin Towers before they collapsed.

In another sense, one could say The Rising also represented Bruce’s own resurgence after his long break away from recording with the E Street Band, apart from the 1999 reunion tour, and his largely solo acoustic work throughout the 1990s.

The Rising is such a great record and felt like an amazing return to form, though that is not to dismiss his 1990s output, which contains plenty of fine songs, many of which have featured here. It was Springsteen’s first studio album in seven years and became his first to top the US Billboard chart since Tunnel of Love in 1987.

After the album’s release, a live concert film from Barcelona for The Rising tour was released shortly afterwards. It remains one of my favourite live performances and, such is my fascination with it, I have presented today’s featured track, Waitin’ On A Sunny Day, from that very show.

Waitin’ On A Sunny Day is about a man in a low emotional state, expressed through the imagery of gloomy weather, hoping his spirits will be lifted by someone special – a girl who means everything to him and whom he hopes will stay and pull him out of his despair. The lyrics are simple:

I’m waitin’, waitin’ on a sunny day
Gonna chase the clouds away
Waitin’ on a sunny day.

Despite the downbeat subject matter, the music is bright, catchy and uplifting, representing a ray of hope, much like the girl in the song who helps break the man out of his negative frame of mind. The track combines a fairly simple arrangement powered by drums, acoustic guitars and Soozie Tyrell’s violin. I really like Clarence Clemons’s saxophone solos here, along with the backing vocals singing the “oohs” and “aahs”.

I always assumed the song was written about somebody affected by the 2001 attacks, but Waitin’ On A Sunny Day was actually written earlier. Springsteen wrote and recorded the song around 1998 or 1999, though that original recording has never been officially released. The song was reportedly used during soundchecks on the E Street Band reunion tour.

Springsteen described the song as “a good example of pop songwriting” and also as the type of song he often wants to “throw out… directly into the trash can” until former producer Jon Landau talks him out of it.

The song was not released as a single in the United States, but it was released across Europe and became a modest hit in Sweden, reaching No. 15, while also charting in Australia at No. 51.

[Verse 1]
It’s raining, but there ain’t a cloud in the sky
Must have been a tear from your eye
Everything will be okay
Yeah, funny, I thought I felt a sweet summer breeze
Must have been you sighing so deep
Don’t worry, we’re gonna find a way

[Chorus]
I’m waiting
Waiting on a sunny day
Gonna chase the clouds away
Yeah, I’m waiting on a sunny day

[Verse 2]
Without you I’m working with the rain falling down
I’m half a party in a one-dog town
I need you to chase these blues away
Without you I’m a drummer girl that can’t keep a beat
Ice cream truck on a deserted street
I hope that you’re comin’ to stay

[Chorus]

[Verse 3]
Hard times, baby, well, they come to us all
Sure as the ticking of the clock on the wall
Sure as the turning of the night into day
Your smile, girl, brings the morning light to my eyes
Lifts away the blues when I rise
I hope that you’re coming to stay

[Chorus]

References:
1. Waitin’ on a Sunny Day – Wikipedia

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Cafe Society (2016) – Woody Allen (Friday’s Finest)

I hadn’t had as much fun watching a movie for a good while as I did watching Cafe Society by Woody Allen yesterday. Someone once wrote that you either get Woody or you don’t, and judging by the sharply contrasting opinions from both critics and audiences, I can certainly relate to that sentiment.

On IMDb, it especially criticised the film’s “weak writing,” which made me wonder if I’m living in a cinematic multiverse, given how much I found myself in awe of the writing. Although I’m not exactly a fan of some of the principal actors, and despite what I felt was some miscasting – especially in the roles played by Kristen Stewart and Steve Carell – there still wasn’t a dull scene in the movie. This was due in part to the glorious cinematography and production design, but above all, the witty and enriching writing.

Woody has not made it a secret that one of, if not his biggest inspiration as a director is the Swedish filmmaker Ingmar Bergman, and I can wholeheartedly share in his deep admiration since Ingmar’s movies have featured here a bunch. I can see how Woody fuses the massive existential questions and then acutely wires them into his movies, as he does with Match Point, Blue Jasmine, Magic in the Moonlight to name but a few, and they have all featured here as well despite receiving less than ravenous praise, bar Jasmine.

Below is the IMDb story line, though this is a film best consumed like a strong Martini – slowly, and without knowing too much beforehand. And believe you me, nearly every drink in this earlier period drama of 1930s Hollywood is on the menu, but the less you know about it the better, so I’d hesitate before reading it if that’s what you’re going to do:

IMDB Storyline:

In 1930’s Hollywood, the powerful agent, Phil Stern, is attending a party and receives a phone call from his sister living in New York. She asks for a job for her son and Phil’s nephew, Bobby, who decided to move to Hollywood. Three weeks later Phil schedules a meeting with Bobby and decides to help him. He asks his secretary Veronica “Vonnie” to hang around with Bobby, showing him the touristic places. Bobby immediately falls in love with Vonnie, but she tells that she has a boyfriend, a journalist that travels most of the time. However, Vonnie’s boyfriend is indeed a married man that is also in love with her and soon she has to make a choice between her two loves.

Towards the end of this great film, which I found myself applauding through the end credits while wondering as usual how Woody did it, the movie somehow raises the most fantastic existential concerns and shines such a wondrous light on them, but in such a darkly comical way. Take for example (small spoiler alert) …..this gem of a line when the Jewish family reflect on how dismayed they are that their gangster brother, sentenced to death in the electric chair, decides to turn to the Catholic faith because it offers an afterlife.

It’s delivered by the character Rose Dorfman: Too bad the Jewish religion doesn’t have an afterlife. They’d get a lot more customers.”

It’s the small acting parts in this movie that give it all its juice, and you realise it’s the sum that becomes bigger than the whole, and Woody gets that. I gotta tell ya, there is a side story involving the protagonist’s Jewish sibling, magnificently played by Sari Lennick, who was also the wife in Serious Man, which I featured here by the Coen Brothers.

She is just so good here, as she is in A Serious Man, and embodies what is so nuanced and special about the movie aside from all the shenanigans of the convoluted plot. Her and her husband’s side story, brilliantly played by Stephen Kunken, is as authentic and loving as a story you’ll see in cinema, and the aftermath of having told on their neighbour’s abhorrent behaviour is one for the movie annals.

I could go on and on about this movie, but you should just go and watch it. Thanks as usual for reading. I would love to know your thoughts on this movie if you’ve seen it.

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Waiting For You (2019) – Nick Cave and The Bad Seeds

In the aftermath of the tragic death of Nick Cave’s son Arthur at just 15 years old in 2015, Nick Cave dedicated the 2019 record Ghosteen to processing his grief. Three other songs from that remarkable album have appeared here before, including the stand-out track Bright Horses, which remains one of my highest-viewed music posts. I’m thankful for that and feel privileged because that song is one of the most powerful and beautiful meditations on mortality I’ve ever heard.

Today’s track Waiting for You is almost a sister song to Bright Horses because it is another moment where Nick simply lets his heart do the writing as he grieves for his son. Sadness has a voice. As a listener, you feel the depth of his pain as he clings to faith and hope during a time of extraordinary suffering. So many tears can be felt in this song. It’s beautiful, yet haunting. You can almost feel these songs summoning the ghost of his son.

Your soul is my anchor, I never asked to be freed
Well, sleep now, sleep now, take as long as you need

Nick Cave is renowned for exploring dark themes through music that can feel gloomy, pulsating and deeply penetrating. He has always had a productive and pragmatic way of confronting bleaker moments and difficult realities. His music does not shy away from loss, grief and acceptance, but there is also an overriding sense of beauty, togetherness and renewal throughout Ghosteen because the album feels so personal.

You get the feeling Cave wants the listener to believe there is still salvation and hope out there. One can come away from Ghosteen feeling lifted and strengthened.

Upon its release, Ghosteen was met with widespread critical acclaim. It received several perfect review scores and became one of the highest-rated albums of 2019 on Metacritic. The album also arrived during the 40th anniversary period of Nick Cave’s recording career.

[Verse 1]
All through the night we drove, and the wind caught her hair
And we parked on the beach in the cool evening air
Well, sometimes it’s better not to say anything at all
Your body is an anchor, never asked to be free
Just want to stay in the business of making you happy
Well, I’m just waiting for you

[Chorus]
Waiting for you, waiting for you
Waiting for you, waiting for you
Waiting for you

[Verse 2]
A priest runs through the chapel, all the calendars are turning
A Jesus freak on the street says, “He is returning”
Well, sometimes a little bit of faith can go a long, long way
Your soul is my anchor, I never asked to be freed
Well, sleep now, sleep now, take as long as you need
‘Cause I’m just waiting for you

[Chorus]
Waiting for you, waiting for you
Waiting for you, waiting for you
Waiting for you to return
To return, to return

References:
1. Ghosteen – Wikipedia

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Hold My Hand (1994) – Hootie & The Blowfish

In my post on Wagon Wheel the other day, my friend Ashley at The Gentle Chapter told me how much she enjoyed the Darius Rucker version of the song. In a follow-up comment, Ash mentioned that her mind was blown when she learned Darius was the lead singer of Hootie & the Blowfish, which in turn blew me away.

Are You Hootie?

I had completely forgotten about them despite owning their debut album Cracked Rear View, which became one of the best-selling albums in U.S. history, certified 22 times platinum. They’d be pretty rich, wouldn’t they? So I revisited the album to see if there were any songs I wanted to restore and share here. And boom!

Hold My Hand was one of my favourites from the record and I was remiss to let it slip away over the years. Anyway, I’m now trying to make amends. I suppose it’s a given that a lot of music is going to fall through the cracks as so much time passes. Speaking of which, the other song I will present from Hootie down the track will be their song – Time.

I find Hold My Hand to be such an inspiring love song with that escapist, ‘let’s run away together’ romantic spirit almost like a Bob Seger song. The part I enjoy most is definitely the refrain leading up to the chorus – it’s short, but so stirring and exciting to listen to each time:

“’Cause I got a hand for you, oh
‘Cause I wanna run with you


Hootie’s music has this ‘good times’ vibe and, through their squeaky clean charm, I almost get a Christian outreach music feel from some of their uplifting sensibilities. Their music evokes emotional responses through its inspiring messages and catchy yet sensitive sound. But they are not a Christian group per se, although Jim “Soni” Sonefeld is a devout Christian who has released several solo contemporary Christian music projects.


Wikipedia:

Hold My Hand was the debut single from the group. All four members wrote the song in 1989. The song also includes backing vocals by David Crosby. It reached No. 10 on the Billboard Hot 100.

It was nice to be reunited with some of their music. Thanks for reading.

[Verse 1]
With a little love and some tenderness
We’ll walk upon the water, we’ll rise above the mess
With a little peace and some harmony
We’ll take the world together, we’ll take ’em by the hand

[Refrain]
‘Cause I got a hand for you, oh
‘Cause I wanna run with you

[Verse 2]
Yesterday, I saw you standin’ there
Your head was down, your eyes were red, no comb had touched your hair
I said, “Get up and let me see you smile
We’ll take a walk together, walk the road awhile,” ’cause

[Refrain]
‘Cause I got a hand for you (I got a hand for you)
‘Cause I wanna run with you (Won’t you let me run with you? Yeah)

[Chorus]
(Hold my hand) Want you to hold my hand
(Hold my hand) I’ll take you to a place where you can be
(Hold my hand) Anything you wanna be because
I wanna love you the best that, the best that I can

[Verse 3]
See, I was wasted and I was a-wastin’ time
‘Til I thought about your problems, I thought about your crimes
Then I stood up and then I screamed aloud
I don’t wanna be part of your problems, don’t wanna be part of your crowd, no

[Refrain]
‘Cause I got a hand for you (I got a hand for you)
‘Cause I wanna run with you (Ah, won’t you let me run with you?)

[Chorus]
(Hold my hand) Want you to hold my hand
(Hold my hand) I’ll take you to the promised land
(Hold my hand) Maybe we can’t change the world, but
I wanna love you the best that, the best that I can, yeah

References:
1. Hold My Hand (Hootie & the Blowfish song) – Wikipedia

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Waiting For The Miracle (1992) – Leonard Cohen

I like this solemn and meandering song from Leonard, which whisks you away with its personal chant and reflection on love, its prodding medieval-like sound, and the sense that the thoughts are just appearing to him there and then. On the surface it can sometimes feel like clichés strung together, but after a few listens nearly all the deficiencies seem to vanish. So much that is complicated is stated and implied through what seem like deceptively simple lines.

Take for example: “I didn’t see the time / I wasted half my life away.” As the article below describes it – it’s not like he’s saying, “I thought it was 4:00, but it’s really 4:30” here; this is the much more powerful “I thought I was 20, but I’m really 55.” It’s like time has swept away anything that could ever have been while you’re just waiting for a miracle to come.

Example 2: “I know you really loved me, / but, you see, my hands were tied.” This is really chilling; wasting your life away through perfectionism while great chances wait for you – is that what “having your hands tied” means here?

For a more in-depth distillation of the lyrics I point you to the illuminating article below from Michael and Steven Dube.

Familiarity breeds admiration, as is often the case with Leonard’s music. There’s also a profundity to it, showing how time simply passes by, the bleakness and weariness to which the human soul can descend, and how you can preach patience as if it’s a form of asceticism. Sure, patience may outlast hunger, but I’m not sure it outlasts love. Love conquers all. It’s like he’s waiting for a sort of divine love – a probably unattainable miracle cure.

Waiting for the Miracle was written as Cohen approached his 60th birthday and was released on his ninth studio album, The Future. The song was co-written by Sharon Robinson and also features her soothing background vocals. They frequently collaborated over the years, including co-writing and duetting on one of my all-time Leonard favourites – Alexandra Leaving.

According to Genius Lyrics – the song was influenced by Cohen’s relationship at the time with actress Rebecca De Mornay, who was also co-producer of the album.

For movie buffs out there – Waiting for the Miracle was used prominently on the soundtrack to Natural Born Killers by Oliver Stone. It also appeared in Wonder Boys starring Michael Douglas, which featured here on Friday’s Finest in 2021. 

[Verse 1]
Baby, I’ve been waiting
I’ve been waiting night and day
I didn’t see the time
I waited half my life away
There were lots of invitations
And I know you sent me some
But I was waiting
For the miracle, for the miracle to come

[Verse 2]
I know you really loved me
But, you see, my hands were tied
I know it must have hurt you
It must have hurt your pride
To have to stand beneath my window
With your bugle and your drum
And me I’m up there waiting
For the miracle, for the miracle to come

[Verse 3]
Yeah, I don’t believe you’d like it
You wouldn’t like it here
There ain’t no entertainment
And the judgements are severe
The Maestro says it’s Mozart
But it sounds like bubble gum
When you’re waiting
For the miracle, for the miracle to come

[Interlude]
Waiting for the miracle
There’s nothing left to do
I haven’t been this happy
Since the end of World War II

[Chorus]
Nothing left to do
When you know that you’ve been taken
Nothing left to do
When you’re begging for a crumb
Nothing left to do
When you’ve got to go on waiting
Waiting for the miracle to come

[Verse 4]
Yeah, I dreamed about you, baby
It was just the other night
Most of you was naked
Ah, but some of you was light
The sands of time were falling
From your fingers and your thumb
And you were waiting
For the miracle, for the miracle to come

[Verse 5]
Ah, baby, let’s get married
We’ve been alone too long
Let’s be alone together
Let’s see if we’re that strong
Yeah, let’s do something crazy
Something absolutely wrong
While we’re waiting
For the miracle, for the miracle to come

[Chorus]
Nothing left to do
When you know you’ve been taken
Nothing left to do
When you’re begging for a crumb
Nothing left to do
When you’ve got to go on waiting
Waiting for the miracle to come

[Verse 6]
When you’ve fallen on the highway
And you’re lying in the rain
And they ask you how you’re doing
Of course you say you can’t complain —
If you’re squeezed for information
That’s when you’ve got to play it dumb:
You just say you’re out there waiting
For the miracle, for the miracle to come

References:
1. Waiting For the Miracle by Michael Dube with Steven Dube – Leonard Cohen Files
2. The Future (Leonard Cohen album) – Wikipedia

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Wagon Wheel (2004) – Old Crow Medicine Show

Such is my fascination with this song, I wrote about Wagon Wheel just after the inception of my blog back in 2014, but today we take a proper look at this Americana gem written by Bob Dylan and Ketch Secor of Old Crow Medicine Show. Well, it was Bob who first recorded a rough demo titled Rock Me, Mama during the Pat Garrett and Billy the Kid sessions in 1973.

If you listen to Dylan’s demo, Ketch used the original Dylan melody and chorus and built upon it. As usual, I’m surprised Dylan could leave such a sublime tune and chorus by the wayside and never properly flesh it out. Around 25 years later, Ketch added his own verses and what magnificent verses they are too, steeped in atmospheric Americana imagery.

The song describes a hitchhiking journey south through the eastern United States, from New England down through Roanoke, Virginia, with the intended destination of Raleigh, North Carolina, where the narrator hopes to reunite with his lover.

I think Bob would have been proud of how his song turned out in the end. Ketch turned it into a certified hit for his band, Old Crow Medicine Show. He had first heard Dylan’s demo played by his school friend and future bandmate Chris “Critter” Fuqua. He couldn’t get the tune out of his head, although he could barely make out Dylan’s mumbled lyrics (I think we’ve all been there).
A few months later, he added verses about hitchhiking and trying to emulate the beat poets, especially Dylan himself. You can read about his securing of the creative rights to the song in the reference below.

Of course, there are more versions of this song out there than you can poke a stick at, but I first became familiar with it through watching Josh Turner’s stripped-down, masterful version at the end of this post. As stated at the beginning, such was my awe of Josh’s version, I featured it near the inception of my blog way back in 2014.

Josh was a guitar prodigy in his youth and released his own videos out into the world on YouTube. Now, as a fully fledged grown-up, his channel is still going strong with many videos raking in millions of views. Anyhow, I’ve always been more partial to his version of Wagon Wheel (Take 2) than any other, although I enjoy Old Crow Medicine Show’s version a lot too.

So without further ado, I present to you Wagon Wheel from both Old Crow Medicine Show and Josh Turner respectively. Thanks for reading.

[Verse 1]
Headed down south to the land of the pines
I’m thumbin’ my way to North Caroline
Starin’ up the road
And pray to God I see headlights
I made it down the coast in seventeen hours
Pickin’ me a bouquet of dogwood flowers
And I’m a-hopin’ for Raleigh
I can see my baby tonight

[Chorus]
So, rock me mama like a wagon wheel
Rock me mama any way you feel
Hey, mama rock me
Rock me mama like the wind and the rain
Rock me mama like a south-bound train
Hey, mama rock me

[Verse 2]
Runnin’ from the cold up in New England
I was born to be a fiddler in an old-time string band
My baby plays the guitar
I pick a banjo now
Ah, the north country winters keep a-gettin’ me
And I lost my money playin’ poker so I had to up and leave
But I ain’t a-turnin’ back
To livin’ that old life no more

[Chorus]

[Verse 3]
Walkin’ due south out of Roanoke
I caught a trucker out of Philly
Had a nice long toke
But he’s a-headed west from the Cumberland Gap
To Johnson City, Tennessee
And I gotta get a move on before the sun
I hear my baby callin’ my name
And I know that she’s the only one
And if I die in Raleigh
At least I will die free

[Chorus]

References:
1. Wagon Wheel (song) – Wikipedia

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Vivir Mi Vida (2013) – Marc Anthony

I can’t think of a bigger celebratory Latin song, or one more universally adored by both Latin and Anglo audiences, than Vivir Mi Vida (Eng: Live My Life). The spectacular video below encapsulates just how massive it is, and I can’t get enough of it. Even Marc – Jennifer Lopez’s old flame – is driven into the sequence with a police siren escort. We are talking big stuff here and although the police thing is a bit ridiculous, this song definitely deserves all the accolades it gets.

I first heard it while watching a Los Angeles Dodgers game and it coming on at the stadium and I was besotted. Talk about hitting a song out of the ballpark! Geez Louise. This song encapsulates the whole Latin commercial vibe in just one track. I haven’t heard many better. You’ve got to hand it to Marc – he definitely knows how to sell a song. It reminds me of when Michael Jackson was at his peak and everyone was in awe. Such was the impact of this song across Latin America and also in the US.

I don’t have much more to say, but this is the ant’s pants and I’ve been waiting to present it for so long.

[Intro]
Voy a reír, voy a bailar
Vivir mi vida, la-la-la-la
Voy a reír, voy a gozar
Vivir mi vida, la-la-la-la

[Coro]
Voy a reír (¡Eso!), voy a bailar
Vivir mi vida, la-la-la-la
Voy a reír, voy a gozar
Vivir mi vida, la-la-la-la

[Verso 1]
A veces llega la lluvia
Para limpiar las heridas
A veces sólo una gota
Puede vencer la sequía

[Pre-Coro]
Y para qué llorar, ¿pa’ qué?
Si duele una pena, se olvida
Y para qué sufrir, ¿pa’ qué?
Si así es la vida, hay que vivirla, la-la-le

[Coro]
Voy a reír, voy a bailar
Vivir mi vida, la-la-la-la
Voy a reír, voy a gozar
Vivir mi vida, la-la-la-la

[Interludio]
¡Eso!

[Verso 2]
Voy a vivir el momento
Para entender el destino
Voy a escuchar en silencio
Para encontrar el camino

[Pre-Coro]
Y para qué llorar, ¿pa’ qué?
Si duele una pena, se olvida
Y para qué sufrir, ¿pa’ qué?
Si duele una pena, se olvida, la-la-le

[Coro]
Voy a reír (¡Toma!), voy a bailar
Vivir mi vida, la-la-la-la
Voy a reír, voy a gozar
Vivir mi vida, la-la-la-la

[Interludio]
¡Mi gente!
¡Toma!

[Puente]
Voy a reír, voy a bailar
¿Pa’ qué llorar? ¿Pa’ qué sufrir?
Empieza a soñar, a reír
Voy a reír, voy a bailar (¡Toma!)
Siente y baila y goza
Que la vida es una sola
Voy a reír, voy a bailar
Vive, sigue
Siempre pa’lante, no mires pa’trás

[Interludio]
¡Eso!
¡Mi gente!
¡La vida es una! Jaja
¡Toma!

[Coro]
Voy a reír, voy a bailar
Vivir mi vida, la-la-la-la
Voy a reír, voy a gozar
Vivir mi vida, la-la-la-la

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Old Man (1972) – Neil Young

Old Man might be one of Neil’s most quintessential and recognisable songs. I liked it most for its plodding acoustic rhythm which settles in after the introduction. I have to hand it to Neil – he sure could create these infectious acoustic cadences that seemed to come ‘puff’ out of the musical heavens. Other good examples are Heart of Gold and Helpless (especially the Last Waltz version).

Old Man comes from Neil’s iconic 70s album Harvest, which topped the US Billboard charts as well as the UK and Australian charts, and was the best-selling album in the US in 1972. The album has since remained Neil Young’s signature and best-selling work. Harvest featured guests such as Crosby, Stills, Nash & Young, Linda Ronstadt and James Taylor, with Ronstadt and Taylor providing backing vocals on today’s song, while Taylor also played banjo. The single Old Man peaked at No. 31 on the Billboard Hot 100.

Old Man could be seen to have a two-pronged meaning, which adds to its intrigue and breadth of interpretation. In one sense, it is about a young man searching for an older man’s perspective on maturity, wisdom and ultimately love. In another, it reflects on lessons learnt and love lost, before blending the young and old selves together like two images in a mirror pond becoming one essence. It shows that the young man, to some extent, has the same needs and longings as the old one.

In the film Heart of Gold, Young introduces the song as follows:

About that time when I wrote (“Heart of Gold”), and I was touring, I had also – just, you know, being a rich hippie for the first time—I had purchased a ranch, and I still live there today. And there was a couple living on it that were the caretakers, an old gentleman named Louis Avila and his wife Clara. And there was this old blue Jeep there, and Louis took me for a ride in this blue Jeep. He gets me up there on the top side of the place, and there’s this lake up there that fed all the pastures, and he says, “Well, tell me, how does a young man like yourself have enough money to buy a place like this?” And I said, “Well, just lucky, Louis, just real lucky.” And he said, “Well, that’s the darnedest thing I ever heard.” And I wrote this song for him.

[Intro]
Old man, look at my life
I’m a lot like you were
Old man, look at my life
I’m a lot like you were

[Verse 1]
Old man, look at my life
Twenty-four, and there’s so much more
Live alone in a paradise
That makes me think of two

[Verse 2]
Love lost, such a cost
Give me things that don’t get lost
Like a coin that won’t get tossed
Rolling home to you

[Chorus]
Old man, take a look at my life, I’m a lot like you
I need someone to love me the whole day through
Ah, one look in my eyes and you can tell that’s true

[Verse 3]
Lullabies, look in your eyes
Run around the same old town
Doesn’t mean that much to me
To mean that much to you

[Verse 4]
I’ve been first and last
Look at how the time goes past
But I’m all alone at last
Rolling home to you

[Chorus]
Old man, take a look at my life, I’m a lot like you
I need someone to love me the whole day through
Ah, one look in my eyes and you can tell that’s true

[Outro]
Old man, look at my life
I’m a lot like you were
Old man, look at my life
I’m a lot like you were

References:
1. Old Man (Song) – Wikipedia

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