To me Tears of Rage always seemed one of the most haunting and lamenting songs Bob and The Band had recorded. It captures in both the sorrowful lyric and mournful melody – a deep sense of betrayal, disillusionment, and mourning over lost ideals. During the time this song was written and first recorded (1967), America was in a state of turmoil and rapid change. There seems a sense here that America, once guided by noble principles, had fallen under the spell of charlatans who preach unity and justice while advancing their own agendas. The song could also be registering the pain of betrayal felt by many of America’s Vietnam war veterans.
We carried you in our arms on Independence Day
And now you’d throw us all aside and put us on our way
It also could be seen as a critique of a society increasingly obsessed with material wealth. The post-war economic boom and the rise of credit culture in America enabled people to acquire possessions more easily, but at what cost?
And now the heart is filled with gold as if it was a purse
Oh, but what kind of love is this which goes from bad to worse?
According to the Wikipedia article below: In an interview promoting the release of the complete Basement Tapes, Dylan cited the dropping of China’s first hydrogen bomb as an impetus for the song. Dylan further said: I looked for ideas and the TV would be on with “As the World Turns” and “Dark Shadows”. Any old thing would create a beginning to a song. These songs weren’t meant to be recorded by anybody. I just felt like writing”.
Tears of Rage with lyrics written by Bob Dylan and music by Richard Manuel was not released until 1975 on The Basement Tapes album.
Before his death, Robbie Robertson related what actually happened on a Facebook post. “When Bob Dylan typed out the words to ‘Tears of Rage,’ he handed it to Richard Manuel and said ‘See if you can do something with this.’ Richard nailed the perfect melody and chords to go with those heart-wrenching lyrics. He played it for Bob, who thought it sounded just right”
In 1968, the Band recorded it for their debut album Music from Big Pink. According to his official website, Dylan has played the song 81 times in concert total between 1989 and 2008. He also rehearsed the song for the Rolling Thunder Revue in 1975 but did not play it on the tour proper.
We carried you in our arms on Independence Day
And now you’d throw us all aside and put us on our way
Oh, what dear daughter ‘neath the sun would treat a father so
To wait upon him hand and foot, yet always answer no?
Tears of rage, tears of grief
Why am I always the one who must be the thief?
Come to me now, you know we’re so alone
And life is brief
It was all pointed out the way to go and scratched your name in sand
Though you just thought that it was nothing more than a place for you to stand
Now I want you to know that while you were watched, discovered that there was no one true
That I myself really thought
It was just a childish thing to do
It was all very, very painless when you ran out to receive
All that false instruction which we never could believe
And now the heart is filled with gold as if it was a purse
Oh, but what kind of love is this which goes from bad to worse?
References:
1. Tears of Rage – Bob Dylan
2. For the Sake of the Song: Bob Dylan & The Band “Tears of Rage” (Bootleg Version) – Americana – UK

To be honest I prefer The Band’s version. Music From Big Pink was a great album, which I played to bits!
I see, I was unfamiliar with the Band’s version until researching the song. But I have been listening to Bob’s take here forever and always loved it.
Great song that wasn’t on my radar screen, even though I previously (though not recently) listened to The Band’s “Music From Big Pink” and, as such, could/should have remembered “Tears of Rage.” I like both versions. Your post is also a good reminder I should take a closer look at “The Basement Tapes.” Dylan’s catalog is so enormous. It’s hard to get your arms around it!
Hi there Christian. I have always enjoyed listening to this song. The wailing harmonies behind Dylan’s voice really do it for me as well.
On another matter, I saw ‘A Complete Unknown’ over the weekend with my kids. I don’t remember anticipating a movie as much (or over as long a period) as I have with this one, which I believe in some regard was to my detriment.
I liked the movie of course. The attention to detail, the music production (to replicate the actual sound from that era) and acting was exemplary. Having said that I thought it ran about 15 minutes too long because there were a few moments which I found tedious. Also as impressive as Chalamet’s singing was, I still missed the timbre, intonations and inflections of the real Dylan voice. The voice interpretation that really hit me for six was Joanies. The actress did a wonderful job there. I’ll probably see it again in the theatre without the distractions of my children; not that they ran amok or anything, but they had to often be reliant on the subtitles and as young children that can be a daunting task in a 140 minute movie. Cheers.
Not even Dylan consistently sounds like Dylan. This is especially true in concerts where sometimes it seems he sounds different in each gig.
Also, I know you’ve been waiting to see this biopic for a long time. Meanwhile, you saw other folks marvel about it. I wonder whether this may have raised your expectations to such a high level Chalamet couldn’t meet.
I wonder how you will feel about it when you watch it for a second time.
I think you misunderstood me. I couldn’t be more in awe of what Chalamet achieved in this movie and how close he got Dylan’s voice down (and his playing too). Just after messaging you yesterday I sent news of Chalamet’s best actor award at SAG. He couldn’t be more deserving.
I think we’ll leave it at that.
Cool, looks like I did misunderstand you.
A friend thought the same as you: that by way of my response that the movie or Chalamet didn’t impress me, but I had to clarify that it did.