If you don’t mind, I’ll take the meandering route to today’s song by tracing a little circle of coincidences. The other day there was a small art fair in the bottom floor of the building where I train. As I was wandering the tables of the various art on offer, there was a young girl and her beau quietly sitting there surrounded by this girl’s paintings. Three small paintings of a night scene stood out to me (see image inset), and I couldn’t look away. I told the girl how they reminded me of a David Lynch film called Lost Highway. I showed her images of a film by him she did recognise called Mulholland Drive which I featured here at Friday’s Finest back in 2021.
So I asked her much they would cost and she told me $35,000 Pesos (US $10.00) and so I snapped them up. She even tied a neat little string to cojoin and enable me to hang them. I asked her to sign the back, which she did – and if my reading serves me right, it’s signed “Hanari-Andrade.” We said our goodbyes, and now the three-piece set hangs on my living room wall beside my son’s Rocky IV poster-gift, an artwork of Jesus Christ called Forgiven by Thomas Blackshear II, and a Superman 3D jigsaw.
Naturally, ever since buying those paintings, both they and the film Lost Highway have been swimming around in my head. Then, by coincidence, today’s song appeared next in the alphabetical listing of my music project to share here – Lou Reed’s This Magic Moment, which just happens to feature in Lynch’s film (you can find the full clip below). So there’s some truth in the old saying: what goes around comes around. Lou Reed is of course no stranger to this blog, and somehow today’s track and his earlier release with the Velvet underground called Sweet Jane (also the last to appear here by him) are musically quite similar in their minimal representation and technique (seemingly deceptively simple) but both resonate more than what they let on.
Lou’s This Magic Moment was originally written by Doc Pomus and Mort Shuman, and first recorded by The Drifters in 1960 and became a Top 20 hit. Lou’s version is from a Doc Pomus tribute album, Till the Night is Gone and was released in the Lynch film as aforementioned in 1997 and thereafter in 1998 on the tribute album by Forward/Rhino. Reed’s rendition stands out for its stripped-down rock and roll style, showcasing his deep affection for R&B and his distinctive guitar work – the dirtiest guitar and I mean that in the best sense, with two contrasting guitar parts accompanied by Fernando Saunders on bass and George Recile on drums. The album features a stellar lineup of artists, including Bob Dylan, B.B. King, Brian Wilson, and Dr. John, among others.
[Verse 1]
This magic moment
So different and so new
Was like any other
Until I met you
[Verse 2]
And then it happened
It took me by surprise
I knew that you felt it too
I could see it by the look in your eyes
[Pre-Chorus]
Sweeter than wine
Softer than a summer´s night
Everything I want I have
Whenever I hold you tight
[Chorus]
This magic moment
While your lips are close to mine
Will last forever
Forever till the end of time
So why won´t you dance with me? Hey baby
Why won´t you dance with me?


The version of “This Magic Moment” that I know best is by Jay & the Americans. I never knew that Lou Reed did a cover of it ~ I really like it ~ it’s so very Lou Reedish LOL. I love Lou Reed.
I’m listening to the version of Jay and the Americans atm. It’s very good – way better than the Drifter’s for mine.
Fantastic you liked Lou’s too. It has the dirtiest guitar lol.
I had known The Drifters’ recording of “This Magic Moment,” an early ’60s song I’ve always liked. Lou Reed’s rendition is kind of cool. BTW, I love “Sweet Jane.”
The guitar work in Reed’s ‘The Magic Moment’ seems deceptively simple, but upon close listen (to my ears at least) – it’s quite gnarly and dirty with great distortion. Yeh, ‘Sweet Jane”s fantastic. I must admit I wasn’t taken too much with the Drifter’s original.
I like this version of Magic Moment by Reed, I’m picking up some Dylan vibes. First time hearing this. Thank you.
Hey, yeh the Dylan vibes seem strong through a lot of his music. Lou Reed’s version of Dylan’s ‘Foot of Pride’ at Dylan’s 30th anniversary concert is just about the best cover version of a Dylan song I’ve heard. He more than nailed it.
He definitely picked up his vibe in some of his music
Absolutely wonderful, Magic…very cool
I thought it would right be up your alley Tom. You got me onto his ‘Satellite of Love’ a few years back. Big fan of that one.
Lou was one of kind, he always was outspoken and kinda a rebel…