I first heard Indiana Road through Christian’s post The Sunday Six in February 2025. It stopped me in my tracks. This is pure country-rock storytelling – long, slow-burning, and unapologetically rough around the edges. The song tells the story of…
I first heard Indiana Road through Christian’s post The Sunday Six in February 2025. It stopped me in my tracks. This is pure country-rock storytelling – long, slow-burning, and unapologetically rough around the edges. The song tells the story of…
We return to one of Bob Dylan’s most impactful political songs, Only a Pawn in Their Game. You could be forgiven for thinking you’re listening to the gravelly voice of a world-weary old man, but Dylan was just 22 years…
Two years ago, almost to the day, I wrote about the soundtrack to the Spanish film Sin Fin (Not the End), composed by Sergio de la Puente (pictured inset). As part of my ongoing Music Library Project, my favourite track…
1973 is an unusual but easygoing pop song built around nostalgia. The English recording artist James Blunt looks back on his club-going days, remembering Saturday nights spent with his muse, Simona, as youth, music and time all ran together. I…
I remember learning Annie’s Song on keyboard in my youth. I was completely swept up in it, and the melody never grew old to me. My favourite chords arrive in the second line – even now, when I sing it…
Thunderstruck opens with one of the most recognisable riffs in hard rock history. It’s impossible to confuse with anything else. Add the chant – that tribal “ah-ah, ah-ah-ah” – and the song feels less like a track and more like…
This cheeky little song from Hank is meant to get a chuckle. The writing is just so relatable, easy to just gel with, and if you pair it with the gospel number I Saw the Light, recorded at the same…
Salchichas y Huevos (Eng: Sausages and Eggs) by Jimmy Sabater doesn’t exactly hide what it’s cooking. It’s risqué, audacious, and can easily be read as chauvinistic – or worse. Much of that comes down to the wordplay and the stack…
She Belongs to Me is a gentle song, sung with Dylan’s relaxed phrasing and a lightly swaying accompaniment that feels easy. On the surface, it sounds warm and affectionate, almost carefree. The woman he sings about is an “artist” too,…