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Don’t Let The Sun Go Down On Me (1991) – Elton John (Ft. George Michael)

I became more familiar with this expansive, but vulnerable ballad during its 1991 resurgence, when it was recorded live as a duet between Elton John and George Michael and reached number one in both the UK and the US. It

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Si No Te Hubieras Ido (1984) – Marco Antonio Solís

Someone once described today’s featured song as “one of those tracks Hispanic mothers play while cleaning the house on a Sunday.” Which gave me my first proper belly chuckle of the day – and, to be fair, there’s probably a

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Oxygène, Pt. 2 (1976) – Jean Michel Jarre

‘Hi-fi shops played it as an example of state-of-the-art music. I didn’t tell them I made it with Sellotape in my kitchen’– Jean Michel Jarre You know you’re onto something when a director like Peter Weir picks your music for

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Don’t Be Stupid (You Know I Love You) 1997 – Shania Twain

Sometimes when we’re head-over-heels, our minds start inventing problems that aren’t there. Today’s featured song is Shania’s blunt retort, Don’t Be Stupid (You Know I Love You) – basically her smiling, eyebrow-raised reply to that kind of romantic paranoia. I

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Miserlou (1962) – Dick Dale

I heard this gnarly piece again the other day and realised I’d somehow never added it to my music library project. What surprised me was learning that Dick Dale’s explosive surf-rock take on Miserlou (often spelled Misirlou) traces back to

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Sunshine of Your Love (1967) – Cream

If you’re coming to Sunshine of Your Love fresh, you could easily think it’s a Hendrix tune. It carries that raw, slightly wild tone Hendrix was known for, but the riff was actually Jack Bruce’s creation on bass. Eric Clapton said

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Thunder On The Mountain (2006) – Bob Dylan

There’s Bob and then there’s everyone else. Today’s featured song comes from what is probably my least favourite Bob Dylan album – Modern Times from 2006 (image inset). The irony is that Thunder on the Mountain is still one of

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Swan Lake (1875) – Pyotr Ilyich Tchaikovsky

As I get older, my appreciation for classical music only grows stronger. The spark that set it off when I was young came from my grandmother, Dorothy Walton (pictured), who was a classical pianist. Her love for the music –

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Highway to Hell (1979) – AC/DC

Staying with the recent Australian trend, we take a detour down what Lou Reed once called the Dirty Boulevard – and he’s not even Australian nor does his song’s inference equate, but that hardly matters – you get the gist.So,

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A New Day Has Come (2024) – Kasey Chambers

My favourite Australian country artist is back. I’ve been following Kasey Chambers since her 2002 breakout record Barricades and Brickwalls, which still sits comfortably in my top five Australian albums. I’ve seen her live in Melbourne, and her music has

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