I had left Mendelssohn’s The Hebrides out of my music project, perhaps because I’d heard its opening so often in popular culture that I dismissed it as just another overplayed classical motif – much like his famous Wedding March. But…
I had left Mendelssohn’s The Hebrides out of my music project, perhaps because I’d heard its opening so often in popular culture that I dismissed it as just another overplayed classical motif – much like his famous Wedding March. But…