How Deep is Your Love (1977) – Bee Gees

Yesterday afternoon, I watched the Bee Gees documentary How to Mend a Broken Heart. Apart from their music, breakout performances in Australia during their youth, their disco heyday, and the early passing of twins Robin and Maurice, I realised I knew surprisingly little about their full story as a group. What really struck me was how, after their initial run of hits, they became something of a musical pariah – pushed aside and doing the rounds on the has-been concert circuit by the early to mid 70s. Then, almost out of nowhere, things turned around. Inspired by Eric Clapton’s success recording at 461 Ocean Boulevard in Miami, they packed up and relocated to Florida. The sunny climate reminded Barry of his childhood in Australia, and it seemed to ignite something. Teaming up with record producer Arif Mardin, they began weaving elements of soul, funk, and American pop culture into their sound and lyrics.

Then came Saturday Night Fever, which blew the doors off everything – it became the highest-grossing album of its time and launched the Bee Gees into the stratosphere, with a string of US Billboard Top 10 hits that rivalled even Beatlemania. And let’s not forget – a big part of their success came down to Barry discovering that unforgettable falsetto voice. He didn’t even know he had it until he was messing around in the studio one day. But once the others heard it, they knew they were onto something. From then on, they milked it for all it was worth and pretty much built their sound around showcasing that voice. But……

Their meteoric rise had a strange backlash. As disco fever took hold, every Tom, Dick, and Harry jumped on the bandwagon, often with laughable results, and the genre quickly became a punchline. The Bee Gees, unfortunately, were lumped in with it. Radio stations and record companies wouldn’t go near them with a barge pole. So, left with few options, they reinvented themselves as behind-the-scenes hitmakers – and to remarkable effect. They wrote a slew of massive hits for other artists, including:

  • “Woman in Love,” Barbra Streisand (1980)
  • “Heartbreaker,” Dionne Warwick (1982)
  • “Chain Reaction” Diana Ross, and
  • Islands in the Stream,” Dolly Parton and Kenny Rogers (1983)

How Deep Is Your Love is one of the first songs I remember hearing in my life. We had the Saturday Night Fever album – like just about every other Australian family at the time. I have vivid memories of it playing during family and friend get-togethers, so saying I feel sentimental when I hear it now would be an understatement. I always found this song kind of a couplet with Chicago’s If You Leave Me Now (1976), which came out just before and was also on heavy rotation during the family outings and social gatherings we went to.

Funny thing is, I didn’t really warm to either song for years. Maybe it’s because they felt a bit too grown-up for my younger ears. But now, when I hear them, I find myself drifting off with a kind of revived appreciation – finally understanding what the adults were swooning over. Both songs don’t just share soft, melodic arrangements and bittersweet themes of love and longing – they really did dominate the airwaves around the same time, almost like musical siblings of the same mood.

The following was condensed from the Wikipedia article below:

How Deep is Your Love was ultimately used as part of the soundtrack to the film Saturday Night Fever. It was a number-three hit in the United Kingdom and Australia. In the United States, it topped the Billboard and stayed in the Top 10 for 17 weeks. It is listed at No. 27 on Billboard‘s All Time Top 100. Alongside Stayin’ Alive and Night Fever, it is one of the group’s three tracks on the list. How Deep Is Your Love is ranked number 375 on Rolling Stone‘s list of the 500 Greatest Songs of All Time

This track was written mainly by Barry, Robin and Maurice Gibb. Barry worked out the structure with keyboard player Blue Weaver. Co-producer Albhy Galuten later admits the contribution of Weaver on this track, “One song where Blue [Weaver] had a tremendous amount of input. There was a lot of things from his personality. That’s one where his contribution was quite significant, not in a songwriting sense, though when you play piano, it’s almost like writing the song. Blue had a lot of influence in the piano structure of that song“.

Weaver tells his story behind this track:

“One morning, it was just myself and Barry in the studio. He said, ‘Play the most beautiful chord you know’, and I just played, what happened was, I’d throw chords at him and he’d say, ‘No, not that chord’, and I’d keep moving around and he’d say, ‘Yeah, that’s a nice one’ and we’d go from there. Then I’d play another thing – sometimes, I’d be following the melody line that he already had and sometimes I’d most probably lead him somewhere else by doing what I did. I think Robin came in at some point. Albhy also came in at one point and I was playing an inversion of a chord, and he said, ‘Oh no, I don’t think it should be that inversion, it should be this’, and so we changed it to that, but by the time Albhy had come in, the song was sort of there

[Verse 1]
I know your eyes in the mornin’ sun
I feel you touch me in the pourin’ rain
And the moment that you wander far from me
I wanna feel you in my arms again

[Pre-Chorus]
And you come to me on a summer breeze
Keep me warm in your love, then you softly leave
And it’s me you need to show
How deep is your love?

[Chorus]
How deep is your love? How deep is your love?
I really mean to learn
‘Cause we’re livin’ in a world of fools
Breakin’ us down
When they all should let us be
We belong to you and me

[Verse 2]
I believe in you
You know the door to my very soul
You’re the light in my deepest, darkest hour
You’re my saviour when I fall

References:
1. How Deep Is Your Love (Bee Gees song) – Wikipedia

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“The more I live, the more I learn. The more I learn, the more I realize, the less I know.”- Michel Legrand

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7 comments on “How Deep is Your Love (1977) – Bee Gees
  1. I watched “How to Mend a Broken Heart” in December 2020 and wrote a four-part series about the Bee Gees on my blog at the time. I like many of their songs, especially from the first 15 years – essentially the period from their beginning in 1965 through “Saturday Night Fever”.

    One thing I’ve always loved about the Bee Gees was their incredible harmony singing. “How Deep is Your Love” is a nice illustration and a great song.

    It’s very sad and frankly was pretty frightening that the Bee Gees became the main target of “disco haters.” They even received bomb threats, which is what made them stop perform in the early ’80s and stop recording and instead focus on songwriting for others.

    By the time they retuned with “E.S.P.” in 1987, their sound had notably changed. One has to imagine that wasn’t a coincidence!

    • Congratulations on completing your four-part series on the Bee Gees’ history — that’s a great achievement. I wish I’d mentioned in my own article the bomb threats Maurice confirmed they received in the documentary. I can’t begin to imagine how tough that post-disco period must have been for them. It’s a testament to their resilience that they managed to push through it all and reignite their brand, culminating in that legendary Las Vegas concert in 1997.

  2. I saw “How Do You Mend a Broken Heart” a few years ago & I loved it.

    I remember the BeeGees from my childhood. I loved that song “Massachusetts”. I was 8 when that song came out. I’m a lot older than you are.

    “Jive Talkin” came out when I was 15 & everyone loved it. It was their big come back & it was a big hit.

    I couldn’t stand any of the Saturday Night Fever stuff but I was a real punk in the late 70s. Disco seemed so fake to me. I never saw how fake punk was until I was much older LOL

    I used to go to discos with other punks & we’d laugh at the dressed-up dancers & steal their drinks when they were dancing. This was when everyone was drinking pina coladas & I would get so sick from them. Throwing up sick. I wouldn’t drink one now if you paid me.

    I drank 75 cent pitchers of Labatts Blue beer in the punk palaces I went to & sweated out the alcohol on the dance floor jumping up & down doing the pogo dance that everyone did in those days. Smoking reefer outside during the breaks. We thought we were SO MUCH COOLER than those disco jerks.

    BUT one night I went to the movies with my siblings & saw Saturday Night Live & I GOT IT. The whole disco thing. & as much as I made fun of it, I REALLY wanted to be able to dance like that.

    A year later, I got a job as a “go-go” dancer ~ what the Buffalo News called exotic dancers in their want ads ~ & of course most of the music being played in the clubs was disco ~ & some oldies ~ & I had to learn how to move like that. & I DID. Because nobody wants to see a girl jumping up & down like a punk ~ that’s not sexy! Basically, it’s about moving in a horizontal fashion instead of vertically ~ that’s how I thought about it. Like TVs used to have a horizontal hold & a vertical hold ~ now I’m really showing my age LOL

    I didn’t know that the Bee Gees wrote so many songs for so many other people but it makes sense when you think about it. I loved dancing to “Islands in the Stream” ~ what a great song.

    I was never a fan of the falsetto voice ~ I used to say that it was like someone put a vice grip on Barry’s balls. I said the same thing about Frankie Valli LOL. But it’s certainly distinctive & made him a star.

    • The disco phase of the Bee Gees is not my favourite music from them, although I like ‘You Should Be Dancing’, ‘Jive Talking’ and ‘Stayin’ Alive’. As you alluded, Barry’s falsetto voice can get a bit grating after a while. We listened to my parents ‘Saturday night Fever’ album, but the most impactful release by them, for me at least, was their 1997 concert in Las Vegas, where they brought all their best music together in one package.
      I also like ‘Massachussets’ and their other early hits: ‘I’ve Gotta Get A Message To You’ and ‘To Love Somebody’.
      Your vivid recollections about your brash ‘punk’ days and conflicts with the disco scene were entertaining. It put me right there! I mentioned the ‘Pogo dancing’ recently in my ‘Safety Dance’ article. Hehe.
      The funny thing is I have never seen the Fever movie and to be honest I never really had the desire. It’s not my thang, which is not to take anything away from the sweet moves Travolta and company pull off on the dance floors. I love the movie ‘Airplane”s parody of Stayin’ Alive’.

  3. Janis Joplin did a reasonable cover of “To Love Somebody” on her Kozmic Blues album, although it’s a tad slow IMHO

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