A Passing Ship (1986) – Gordon Lightfoot

Gordon Lightfoot’s specific wish was for his song “A Passing Ship” to be played at his funeral.

I have a real penchant for songs and stories about ships and the sea, and this one by Gordon Lightfoot ticks all the right boxes – and then some. His strong, native Orillia, Ontario accent grounds the romantic storytelling, and when it combines with that open-to-the-wind, free-sailing ambience, it creates such a pure and aesthetic listening experience. It really puts you there, as if you’re about to set sail and embark on a quest of exploration and surrender to wherever the winds may take you.

The song also feels like a homage to seafaring ventures of the past – those told in books and songs that still captivate the senses and stir a sense of wonder about what lies far beyond the horizon, in that great unknown. When I served in the Navy as a young and impressionable person, with my future ahead of me, I often remained largely ignorant – obfuscated even (as we all were) – of what lay ahead on our journey.

So now, when I hear songs like “A Passing Ship”, I find it difficult, with time under my belt, not to feel overly sentimental and nostalgic. The experience of being at sea, as described in this song, is not just part of my own history – it also serves as a metaphor for the uncertainty and bewilderment of youth, with life still stretching out before you. It can feel disconcerting, but exhilarating at the same time.

If you’ll forgive me for getting a little trippy – my favourite part in the whole song, comes in the third line of the second verse (at 0:55 exactly), where he sings “How many ships”, followed by that very short instrumental phrase. It absolutely blew me away. Allow me to explain.

It’s like when you catch a scent that suddenly transports you to another time and place – a common enough phenomenon. That brief instrumental passage sent me straight to the introduction of an incredible cover of “Song to the Siren” by Tim Buckley, which ranks among the greatest ballads I’ve ever heard. And what’s more – lo and behold – it too is a romantic piece set against the imagery of ships and the sea.

So that fleeting instrumental moment in Gordon’s song carried me into a kind of romantic, transcendent recall – right into the opening of Paul Charlier & Paula Arundell’s version of “Song to Siren”. I’d be curious to know if anyone else hears that connection as well.

[Verse 1]
A passing ship
I have found the open ocean
Give me no lip
The waves roll by as I press on
A sunlit sea
On the first day in April
How fresh the wind
Will you miss me when I’m gone?

[Verse 2]
How many words
How many songs still unwritten?
How many ships
Of the line have come and gone
In the good old days?
May they never be forgotten
They had heavy wind
Or they had no wind at all

[Verse 3]
A passing ship
It is midnight on the ocean
Had a real long trip
I have been at sea all winter
When my ship came in
I was giving up the ghost
I think I should be
Leaving those passing ships alone

[Verse 4]
When the sea runs high
The sea runs wild and I’m unsteady
And I think of you
In the warmth of your home and family
When love is true
There is no truer occupation
And may this gale
Blow us to the ones we love

[Verse 5]
Another day
Another ocean
Give me no lip
But stand aside as I press on
A sunlit sea
On the last day in October
How fresh the wind
Will you miss me from now on?
I guess I should be
Leaving passing ships alone

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“The more I live, the more I learn. The more I learn, the more I realize, the less I know.”- Michel Legrand