Charcoal Lane (1990) – Archie Roach

‘I’m a Survivor of Charcoal Lane’

Archie Roach

Australian Aboriginal singer Archie Roach can certainly tell a good yarn through song and Charcoal Lane is evidence of that. This title track is the third song to appear him from his 1991 debut album Charcoal Lane. I was a fascinated by this album as a young adult and still cherish it.
From the 1960s through to the 1980s, the inner-city Melbourne suburb of Fitzroy was a meeting place for Aboriginal people who had left missions, Aboriginal reserves, and other government institutions and drifted to the city in a bid to trace their families. and Roach was one of these. A street behind a factory was a meeting and drinking place known to the community as Charcoal Lane.

Side by side
We walk along
To the end of Gertrude Street
Then we topple in muster for a quart of wine

Thick or thin
Right or wrong
In the cold or in the heat
We cross over Smith Street to the end of the line

And we laugh and sing
And do anything
To take away the pain
Trying to keep it down as it first went round
In Charcoal Lane

Spinning yarns
And telling jokes
Now the wine is tasting good
As its getting closer and closer to it’s end

Archibald William Roach (1956 – 2022) was an Australian singer-songwriter and Aboriginal activist. Often referred to as “Uncle Archie“, Roach was a Gunditjmara (Kirrae Whurrong/Djab Wurrung) – Aboriginal Australian people of southwestern Victoria, Australia. He was a Bundjalung elder who campaigned for the rights of Aboriginal and Torres Strait Islander people. His wife and musical partner was the singer Ruby Hunter (1955–2010) who wrote and sung with him on the magnificent Down City Streets.

Vika and Linda Bull were backing vocalists on the album, and they will feature here when we reach the ‘W’ songs in the alphabet listing with When Will You Fall For Me. They already appeared here as backing vocalists of Paul Kelly’s live performance of Leaps and Bounds played at the Melbourne Cricket Ground. It’s a small world since Paul was a coproducer of Charcoal Lane.

The album Charcoal Lane was released in May 1990 and peaked at number 86 on the ARIA Charts in April 1991. Rolling Stone said, “In the best singer-songwriter tradition, Charcoal Lane is deeply moving in both personal and political terms“. The album was certified gold in 1992. A 25th Anniversary Edition of the album was released in 2015; including the original disc plus new interpretations by Australian artists (including Paul Kelly, Courtney Barnett and Gurrumul).

References:
1. Charcoal Lane – Wikipedia

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Nocturne Op.9 No.2 (1832) – Frédéric Chopin

Nocturne op.9 No.2 is the third composition from Chopin to be presented here after the last entry – Prelude, Op. 28, No. 15. A friend sent me this piece a few years ago and I was captivated. For that reason, I bought my daughter this children’s book (image inset) which included a CD of 15 of some of Chopin’s greatest compositions. This was our first ‘proper’ taste hearing Chopin’s music. Interestingly, it doesn’t include today’s exquisite piece, but it does have Nocturne No1.

Below are some cool excerpts from the book and my humble attempt to translate it for you:

Do you feel like going on a big trip? So get ready to go with your friends Do and Mi to know the life of Chopin. No need to pack: just start your magic CD and you will travel to another time. Have fun!

The siblings landed in Poland in the middle of a palace garden where Chopin lived in his childhood. ‘How lucky, so much space to play’. Over there is Chopin. ‘Let’s see what he is drawing’, said Do approaching the child composer.

Son of a Frenchman and Polish woman, Chopin was born 22 de February, 1810. Before he could learn to read he wanted to compose melodies. When he was 8-years old he played for large audiences and at 15 he was considered the finest pianist in Warsaw. A huge round of applause for him!

Chopin wanted tranquility but in Warsaw large marching bands and the yells from angry people annoyed him. So, he decided to move to Paris where he discovered fame, luxury and high fashion. He was so vain that he spent a fortune on tailors and hairdressers.

In Paris everyone celebrated the arrival of Chopin. ‘Who wants to play the game – To see who can catch the most top-hats’? He was renowned as the ‘Prince of Pianists’. Chopin fell in love with a Baroness and writer who signed his books with the name: George Sand. The artist couple moved to the Mediterranean Island Mallorca where they lived surrounded by water, art and music.

Chopin died in Paris at age 39. His last wishes were that they play Mozart at his funeral and let his heart rest forever in the Warsaw Cathedral. ‘He loved his country, like we love ours. Let’s go back home’.
Mi opened his arms like they were wings of an airplane.

Wiki article below:

The Nocturnes, Op. 9 are a set of three nocturnes for solo piano written and 1832, published in 1832, and dedicated to Madame Marie Pleyel. A Nocturne is a short composition of a romantic nature, typically for piano. These were Chopin’s first published set of nocturnes. Today’s piece the second nocturne of the work is often regarded as Chopin’s most famous piece.

References:
1. Nocturnes, Op. 9 (Chopin) – Wikipedia

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No Time to Think (1978) – Bob Dylan

No Time To Think is the fourth song to appear here from Bob Dylan’s 18th studio album Street – Legal. I wrote in the last entry New Pony – ‘To say, Street – Legal is ‘complex’ is an understatement. To get my mind and ‘ear’ tuned to it, required a lot of time, but once my senses adjusted, I found it a treasure box of contemporary music – the likes, I realise I’m doubtful to ever hear again in one package‘.

Today’s epic track contains 18 verses, but I have relayed just the first six below. You can read the remainder here. Comparable to Changing of the Guards, No Time To Think transports me to a medieval age because the music atmosphere exudes all senses revealing. It has a frolicsome, catchy, repetitive melody, but don’t be led under false pretenses. The man in the song is clearly struggling. As Freud referred to: His ego is tortured by the the ‘Id’ – underlying biological forces (impulsive actions and urges), but also severely limited and repressed by the Super Ego (civilization / society).

Edited 11/9/23 – I wish I had seen the following when I was researching this. For a detailed breakdown of this song I point you to this video – Lyrical Review of Bob Dylan’s “No Time To Think” (1978).

[Verse 1]
In death, you face life with a child and a wife
Who sleep-walks through your dreams into walls
You’re a soldier of mercy, you’re cold and you curse
“He who cannot be trusted must fall”

[Verse 2]
Loneliness, tenderness, high society, notoriety
You fight for the throne and you travel alone
Unknown as you slowly sink
And there’s no time to think

[Verse 3]
In the Federal City you been blown and shown pity
In secret, for pieces of change
The empress attracts you but oppression distracts you
And it makes you feel violent and strange

[Verse 4]
Memory, ecstasy, tyranny, hypocrisy
Betrayed by a kiss on a cool night of bliss
In the valley of the missing link
And you have no time to think

[Verse 5]
Judges will haunt you, the country priestess will want you
Her worst is better than best
I’ve seen all these decoys through a set of deep turquoise eyes
And I feel so depressed

[Verse 6]
China doll, alcohol, duality, mortality
Mercury rules you and destiny fools you
Like the plague, with a dangerous wink
And there’s no time to think

Background:

From Wikipedia:
Dylan spent the first half of 1977 engaged in divorce proceedings and a custody battle with his first wife, Sara, while editing Renaldo and Clara, an ill-fated film shot during the fall of 1975 on the first leg of his Rolling Thunder Revue tour. With the summer approaching, Dylan took a break from the film and returned to his farm in Minnesota, where he was accompanied by his children and Faridi McFree, with whom Dylan had started a relationship. There he began writing a new set of songs, including Changing of the Guards, No Time to Think, and Where Are You Tonight?

More from Untold Dylan:

According to reports Dylan was at his most difficult in the studio, distracted and not ready to work.  And how could he be?  Well, ok, some brilliantly creative people manage it – I recall the descriptions of Woody Allen working during the time when Mia Farrow was making all her allegations.  He could separate life and work.  I can’t in the slightest.  And it seems, at least on this occasion, Dylan couldn’t.  But he didn’t need to.  He put it all in this song.

Reference:
1. No Time To Think – Bob Dylan Song Analysis
2. “No time to think” – the meaning of the music and the lyrics – Untold Dylan
2. Street-Legal (Album) – Wikipedia

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No One (2007) – Alicia Keys

I was thinkin’ ’bout Alicia Keys, couldn’t keep from crying
But she was born in Hell’s Kitchen, I was living down the line
I’m wondering where in the world Alicia Keys could be
I been looking for her even clear through Tennessee

Bob Dylan – Thunder on the Mountain

It was Keys’ record label mate John Mayer that initially told her about the song.

He texted me saying, ‘You’re never gonna believe this…Bob Dylan wrote a song about you.It’s a mind-blower and an honor. And then another part of me is wondering what he was thinking,” Keys tells Mojo magazine.

Maybe he read something about me and it said when I was born and he got to thinking where he was in his life back then,” she continues. “I’m not sure what line he was living down then, but I know he knows, and he knows what it all means.

The media-shy Dylan hasn’t exactly been quick to clarify exactly how or why Keys became such a central part of ‘Thunder On The Mountain‘. In an interview with Rolling Stone, he told the magazine that after having been on a Grammy Awards show with Keys, he reportedly told himself ‘There’s nothing about that girl I don’t like.‘”

Being a Dylan fan, Keys was humbled with his paying homage to her.  She even covered his 1980 song ‘Pressing On‘ (from ‘Saved‘) for a music documentary.

I’m glad I’m in Bob Dylan’s songbook…I hope to meet him one day.

A bit like how Dylan was impressed, I was gobsmacked when I heard Alicia Keys sing this song. I still love hearing it. It was recorded for her third studio album As I Am.

From Wikipedia in the article below:

“No One” topped the US Billboard Hot 100 for five consecutive weeks and also reached number one in Croatia, Hungary and Switzerland, while charting within the top ten in 18 additional countries. It was the third most successful song of 2008 in Brazil and the United States, and was the most listened song on US radio, with 3.08 billion listeners. It was also the sixth most successful song of the 2000s decade in the US. 

[Verse 1]
I just want you close
Where you can stay forever
You can be sure
That it will only get better

[Pre-Chorus]
You and me together
Through the days and nights
I don’t worry ’cause
Everything’s gonna be alright
People keep talking, they can say what they like
But all I know is everything’s gonna be alright

[Chorus]
No one, no one, no one
Can get in the way of what I’m feelin’
No one, no one, no one
Can get in the way of what I feel for you, you, you
Can get in the way of what I feel for you

[Verse 2]
When the rain is pouring down
And my heart is hurting
You will always be around
This I know for certain

Alicia Augello Cook (born January 25, 1981) in the Hell’s Kitchen neighborhood of Manhattan, New York City, known professionally as Alicia Keys, is an American singer and songwriter. A classically trained pianist, Keys started composing songs when she was 12 and was signed at 15 years old by Columbia Records. Keys made her film debut in the action-thriller film Smokin’ Aces and performed the theme song to the James Bond film Quantum of Solace, with the single “Another Way to Die” (with Jack White) a year later….Keys has sold over 90 million records worldwide, making her one of the world’s best-selling music artists.

Keys spent more time in Harlem during her teenage years. She connected with the cultural and racial diversity in the neighborhood, where she expanded upon her musical exploration, and her character was also solidified:

“Harlem raised me in a lot of ways. “[It] taught me how to think fast, how to play the game … taught me leadership, how to get out of bad situations when you need to, how to hold my own.”

References:
1. No One (Alicia Keys song) – Wikipedia

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Uh Oh, Methane Evidence Suggests We Entered Ice Age Termination Event – Anton Petrov

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Manchester by the Sea (2016) – Kenneth Lonergan (Friday’s Finest)

Anyone who has seen Manchester by the Sea will understand how gruelling it is to watch. I believe I saw it for the first time at the cinema. I love the stand – alone music in the movie but they introduced the music of Tomaso Albinoni’s – Adagio in G Minor showcased in Gallipoli for the harrowing scene in Manchester By the Sea which left me perturbed. Why did they need to revisit this music so strongly associated with the Australian cinematic masterpiece Gallipoli?
It threw me off despite my admiration for Manchester By the Sea. Since then, I have seen Manchester by the Sea a few more times on cable tv and my appreciation of it has only intensified, but not with that ‘1’ scene featuring the music of Adagio in G Minor.

IMDB Storyline:

Lee Chandler is a brooding, irritable loner who works as a handyman for a Boston apartment block. One damp winter day he gets a call summoning him to his hometown, north of the city. His brother’s heart has given out suddenly, and he’s been named guardian to his 16-year-old nephew. As if losing his only sibling and doubts about raising a teenager weren’t enough, his return to the past re-opens an unspeakable tragedy.

Manchester by the Sea is a 2016 American drama film written and directed by Kenneth Lonergan that stars Casey Affleck, Michelle Williams and a wonderful support cast. It revolves around the themes of depression, guilt, grief, responsibility, dysfunctional families, and post-traumatic stress disorder. So let’s just say, it’s no picnic. What it achieves is putting the viewer in the shoes of someone who has suffered an unspeakable tragedy, and it appears the fault lied with his neglect for his family while in a drunken stupor. There are two scenes for me in Manchester by the Sea which stand out above all in this:

The one where Lee Chandler is at the police station where he answers questions of the events of the night and the second is presented below with his former wife Randi Chandler played by Michelle Williams.

From Wikipedia:

Staying in Manchester is still painful for Lee, as he is surrounded by reminders of his past. One day, Lee runs into Randi with her newborn child. A sobbing Randi expresses remorse for her treatment of Lee during their divorce and asks him to have lunch. He deflects her apology, feeling that he does not deserve it. When she insists they reconnect and pleads with him not to “just die”, Lee is overwhelmed with emotion and has to leave before he breaks down.

There are two movies I love Michelle Williams in: This one and Brokeback Mountain. Casey Affleck won best actor for his role here.

References:
1. Manchester by the Sea – Wikipedia
2. Manchester by the Sea – IMDB

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Njósnavélin (The Nothing Song) (2002) – Sigur Rós

I came across ‘The Nothing Song‘ song some years ago when I watched the final scene in the movie Vanilla Sky.  Cameron Crowe, the director of Vanilla Sky has such a great taste in music as seen by the song selections in his movies. He wrote and directed a very underappreciated movie called Almost Famous which is semi-autobiographical as Crowe himself was a teenage writer for Rolling Stone.

Good on Cameron Crowe for selecting this little-known Icelandic music phenomenon – Sigur Rós to bring home his movie. The version used in the movie is from a never-released concert which took place in Denmark in 2000. The last 15 minutes of Vanilla Sky always moves me, mainly because of how effectively The Nothing Song captures the final lucid-dreaming epiphany of the protagonist.
This is music making at its finest. Njósnavélin (Nothing Song) sounds otherworldly and truly transcendental. It’s one of the most beautiful songs I’ve ever heard.

Essil on
Essil on erifet al
Essil on
Essil on eriftel al
Essil on

(I travelled through light)
(I travelled through light; I am not afraid)
(In this lake of souls)
(In this lake of souls, I lose all fear)

Sigur Rós (Icelandic pronunciation: [ˈsɪːɣʏrous] (listen) is an Icelandic post-rock band that formed in 1994 in Reykjavík. It comprises lead vocalist and guitarist Jón Þór “Jónsi” Birgisson, bassist Georg Hólm and keyboardist Kjartan Sveinsson. Known for their ethereal sound, frontman Jónsi’s falsetto vocals, and their use of bowed guitar, Sigur Rós incorporate classical and minimal aesthetic elements. Jónsi’s vocals are sung in Icelandic and non-linguistic vocalisations the band terms Vonlenska. They have released eight studio albums, and attracted critical and commercial attention with their second album Ágætis byrjun.

References:
1. Sigur Rós – Wikipedia

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Ninety Miles an Hour (Down a Dead End Street) – Bob Dylan

Ninety Miles an Hour (Down a Dead End Street) is a song from Bob Dylan’s 25th studio album Down in the Groove in 1988. The album is one of Dylan’s most unfavourably received albums amongst critics and fans. It was Dylan’s second consecutive album (after Knocked Out Loaded) to receive almost unanimously negative reviews. Released during a period when his recording career was experiencing a slump, sales were disappointing. In 2007, even Rolling Stone labeled Down in the Groove as Bob Dylan’s worst album. Ouch.
I could think of a couple worse, but any-hows I like the following five songs from the record:

  • Let’s Stick Together
  • When Did You Leave Heaven?
  • Silvio
  • Ninety Miles an Hour (Down a Dead End Street)
  • Shenandoah

Ninety Miles an Hour (Down a Dead End Street) is the second song presented here from the album Down in the Groove after the previous entry Let’s Stick Together. The remaining three songs will be presented here when we get to them in the alphabetical listing.

Ninety Miles has fantastic lyrics. It was written by Don Robertson and Hal Blair, recorded by Hank Snow. In October 1963, it reached No. 2 on the country charts, and spent 22 weeks on the charts. Dylan’s gospel-oriented version of Ninety Miles couldn’t be more contrasting from the Hank Snow country version.

[Verse 1]
I took you home from a party and we kissed in fun
A few stolen kisses and no harm was done
Instead of stopping when we could we went right on
Till suddenly we found that the brakes were gone

[Verse 2]
You belong to someone else, and I do too
It’s just crazy bein’ here with you
As a bad motorcycle with the devil in the seat
Going ninety miles an hour down a dead end street
Ninety miles an hour down a dead end street

[Verse 3]
I didn’t want to want you, but now I have no choice
It’s too late to listen to that warning voice
All I hear is thunder of two hearts beat
Going ninety miles an hour down a dead end street
Ninety miles an hour down a dead end street

[Verse 4]
You’re not free to belong to me
And you know I could never be your own
Your lips on mine are like a sweet, sweet wine
But we’re heading for a wall of stone

The album features several guest appearances for the first time. Most prominent was the appearance of The Grateful Dead, who provided the album with one of its enduring tracks with the single Silvio.

References:
1. Ninety Miles and Hour (Down at a Dead End Street) – Wikipedia
2. Down in the Groove – Wikipedia

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1999 (1982) – Prince

The 80’s sound so many detest is here in all its glory. Can you imagine how good this might have sounded with crisper synth sounds, but I suppose music technology was still catching up. I’ll look for a live version with superior instrumental sound…. It didn’t happen but I found a cool 2011 version at the end of this post. Anyhow, It’s Newmannium! I do like the vocals a lot in this. 1999 is the title track from his 1982 album of the same name. Originally peaking at number 44 on the Billboard Hot 100, a mid-1983 re-release later reached number 12 in the US.

[Intro: Prince]
Don’t worry, I won’t hurt you
I only want you to have some fun

[Verse 1: Prince, Lisa, Dez, All]
I was dreamin’ when I wrote this
Forgive me if it goes astray
But when I woke up this morning
Could have sworn it was judgement day
The sky was all purple
There were people runnin’ everywhere
Tryin’ to run from the destruction
You know I didn’t even care

[Chorus: Prince and All]
‘Cause they say
2000, zero-zero, party over, oops, out of time
So tonight, I’m gonna party like it’s 1999

Prince shares lead vocals on the track with members of his band the Revolution, namely Dez Dickerson, Lisa Coleman and Jill Jones. Originally conceived to be a three-part harmony, it was later decided to separate out the voices that started each verse. Distinct scratching and explosion noises heard in the track were to cover mistakes during recording of a good take.

References:
1. 1999 (Prince song) – Wikipedia

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Nightminds (2004) – Missy Higgins

If there’s one thing, I took away from this song it is this:

But I will learn to breathe
This ugliness you see
So we can both be there
And we can both share the dark

That we don’t have to be alone and can fight it together and see the light at the end of night. It reminds me of Christina Perri’s The Lonely which is also so good!

The Sound of White is the debut studio album by Australian pop singer-songwriter Missy Higgins. It won the 2005 ARIA Music Award for Best Female Artist. Higgins released her first single from the album, Scar on 2 August 2004; it entered the ARIA Singles Chart at No. 1.

[Verse 1]
Just lay it all down
Put your face into my neck, and let it fall out
I know, I know, I know
I knew before you got home

This world you’re in now
It doesn’t have to be alone, I’ll get there somehow
‘Cos I know, I know, I know
When even springtime feels cold

[Chorus]
But I will learn to breathe
This ugliness you see
So we can both be there
And we can both share the dark

And in our honesty
Together we will rise
Out of our nightminds
And into the light at the end of the fight

Higgins learned to play classical piano from age six, but realised she wanted to be a singer at about 12. She found that piano practice helped her cope with living at boarding school. At 15, while attending Geelong Grammar’s Timbertop, she wrote “All for Believing” for a school music assignment, completing it just hours before the deadline. The assignment earned an A and she performed her song in front of classmates. She approached a Melbourne record company and was told that they wanted more than one song. She wrote more songs and in 2001, Missy’s sister Nicola entered “All for Believing” on her behalf in Unearthed, radio station Triple J’s competition for unsigned artists. The song won the competition and was added to the station’s play list. The rest as they say is history.

References:
1. The Sound of White – Wikipedia

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