Ashes to Ashes is a follow-up to Space Oddity and it reinterprets its iconic stranded spaceman Major Tom as a drug addict lost in the throes of substance abuse. Bowie partially based the lyrics on his own experiences with drug addiction throughout the 1970s. Ashes to Ashes is art-pop and new wave; recorded at the dawn of the 1980s. Like much of his music, today’s featured track took me decades to unpack and appreciate, but I now regard Ashes to Ashes as one of his most innovative and intriguing accomplishments. Its experimental sound continues to challenge my ears, yet it never fails to provide a deeply satisfying experience – the unique musical structure a true technical achievement. ‘A mind bender’ basically.
Ashes to Ashes was released as the lead single from Bowie’s 14th studio album, Scary Monsters (and Super Creeps). It became Bowie’s second No. 1 single in the UK and his fastest-selling single. It was recorded from February to April 1980 in New York and London and features guitar synthesiser played by Chuck Hammer. Hammer, who dubbed his work “guitarchitecture” created an unique choral effect using four guitar synthesizers playing inverted chords. It recorded in the studio’s back stairwell to add extra reverb and creating an immersive, futuristic atmosphere that perfectly complements the song’s lyrics.
The music video below was just as innovative. Directed by Bowie and David Mallet, this short film became one of the most expensive and ambitious of its time. The images, loaded with symbolism and pop culture references, transport us to a dreamlike and decadent universe. Bowie, dressed as Pierrot, shares the scene with members of London’s Blitz scene, creating a unique visual aesthetic that reflects the spirit of the era. The most iconic moment of the video is, without a doubt, the scene in which Bowie and the Blitz boys walk toward the camera in front of a bulldozer. This image, charged with latent violence, has become, it’s said… one of the most iconic in the history of music videos.
The combination of lyrical introspection, musical innovation, and avant-garde visual aesthetics make Ashes to Ashes a masterpiece that has transcended fashion and remains relevant today.
[Verse 1]
Do you remember a guy that’s been
In such an early song?
I’ve heard a rumour from Ground Control
Oh, no, don’t say it’s true
They got a message from the Action Man
“I’m happy, hope you’re happy too
I’ve loved all I’ve needed, love
Sordid details following”
[Pre-Chorus]
The shrieking of nothing is killing
The shrieking of nothing is killing
Just pictures of Jap girls in synthesis
Just pictures of Jap girls in synthesis
And I ain’t got no money and I ain’t got no hair
I ain’t got no money and I ain’t got no hair
But I’m hoping to kick, but the planet is glowing
But I’m hoping to kick, but the planet is glowing
[Chorus]
Ashes to ash and funk to funky
We know Major Tom’s a junkie
Strung out in heaven’s high
Hitting an all-time low
[Verse 2]
Time and again, I tell myself
I’ll stay clean tonight
But the little green wheels are following me
Oh, no, not again
I’m stuck with a valuable friend
“I’m happy, hope you’re happy too”
One flash of light, but no smoking pistol
[Pre-Chorus]
I’ve never done good things
I’ve never done good things
I’ve never done bad things
I’ve never done bad things
I never did anything out of the blue, whoa whoa
I never did anything out of the blue, whoa whoa
Want an axe to break the ice
I want an axe to break the ice
Wanna come down right now
I want to come down right now
References:
1. Ashes to Ashes (David Bowie song) – Wikipedia
2. “Ashes to Ashes” de David Bowie: el regreso de Major Tom y un hito en la música pop – Concierto











