Superstar (2010) – James Blunt

“I guess the title is misleading because people think it has to do with my experience in the music business. Instead, it’s the way a lot of people will look at the world today. If we asked children twenty years ago what they wanted to be, they would say a doctor, or fireman, or race car driver. Now if you ask, they just want to be famous. You turn on the TV and you see images that tell you success is measured by fame. If you open magazines, they tell you what clothes you should wear or what music you should listen to. The song is the story of a teenager who is saying he doesn’t want to be force-fed who I should be, this notion of freedom is not freedom at all. I want to be myself.”

– Blunt in an interview with Mike Ragnoga of Solar Powered KRUU-FM – Songfacts

Before I discuss today’s featured song, I would like to wish everyone a Happy New Year 2025 with open arms. ‘Hurray’! I hope it brings you happiness, health, and prosperity. 

I was surprised to learn Superstar is the 6th song to be presented here from James Blunt after his previous entry – Goodbye My Lover. It is a track from British singer-songwriter’s third studio album, Some Kind of Trouble (see image inset). The album was recorded largely in London with members of James’ touring band. The album cover depicts an image of YouTuber Shay Carl Butler throwing his daughter Emmi up in the air. The original photo was taken by Butler’s wife, Colette, with an iPhone.

The album’s reception by critics wasn’t kind receiving a meagre aggregate score of 45/100 from Metacritic. Ouch. Even still, I like today’s song along with three others from the record, namely: I’ll Be Your Man, Best Laid Plans and Stay The Night. They may not reach the heights of some of his other big hits, but I enjoy listening to them on occasion. Blunt described the album, saying “It’s got a certain innocence to it, which my last album didn’t have. It doesn’t sound like the current popular electro sound; it sounds like the late 70s / early 80s when the US electric guitar bands came to the UK. What I really like about it is its energy and optimism..”

The album debut at number four on the UK Albums Chart, with first-week sales of 100,000 copies. On the Billboard 200, the album debuted at number eleven, with sales of 26,000 copies. To date, the album has sold over 1 million copies worldwide.

[Verse 1]
There is an empty space in the chair tonight
Cause he don’t feel right
There are stormclouds brewing at the back of his mind
As he steps outside
He will be twenty in a week
But he’s old for his years
He’s had many of those
To confront his own fears
But his father’s not the man he’d like to grow up to be
And his mother isn’t growing old gracefully

[Chorus]
He says times like these I don’t want to be a superstar
Cause reality tv killed them all in America
Though the sun always shines in the magazines
Tonight can we be free to be who we really are

[Verse 2]
There is an empty space between the lines tonight
And it burns so bright
And the angry silence that he throws on the floor
Says he don’t care anymore
He had money for the truth
But love’s a lot more
And the answer’s is not the one he was looking for
His father’s not the man he’d like to grow up to be
And his mother is his mother reluctantly

References:
1. Some Kind of Trouble – Wikipedia

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The Phantom Thread’s New Year’s Eve Party

To share and celebrate making more cherished memories in 2025, I present to you; what has become a New Year’s Eve tradition here at Observation Blogger: The New Year’s Eve party scene from Phantom Thread which currently sits at No. 23 on my all-time favourite movie list. If you would like to read my review of The Phantom Thread (2017) by Paul Thomas Anderson you can do so by clicking the reference at the end of this post.

Apart from The Phantom Thread scene below, three other notable mentions for me are the following auld lang syne movie scenes:

I always felt that Paul Thomas Anderson’s There Will be Blood was a homage of sorts to Orson Welles and Citizen Kane and The Phantom Thread an attempt to honor and pay tribute to Ingmar Bergman. Regarding the latter, I think the New Years event below captures perfectly the awkwardness and melancholic nature of Reynolds Woodcock. It’s an insanely romantic scene although Reynolds and Alma don’t kiss at the stroke of midnight and he scorns at her for making him go out of his way and pulls her out of the ballroom. But, the fact remains that he is there with her. Is that what Alma finds charming about him? Is this is what being in love is like? I think Reynolds realises that finding himself being there is a revelation and reinforces how much he needs Alma and dare I say, truly loves her.

I’m so grateful my friends are here to celebrate the coming-in of the New Year in good cheer! To quote Bob Dylan at his Oscar acceptance speech in 2001:

God bless y’all with peace, tranquillity and goodwill.

Related Articles:
1. The Phantom Thread (2017) – Paul Thomas Anderson (Friday’s Finest)

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Super Trouper (1980) – ABBA

Saxophonist Ulf Andersson, who toured with Abba during the late 1970s around the time Super Trouper was penned, revealed in a 2020 interview that mentioning Glasgow was a secret love message from Bjorn to wife Agnetha Faltskog (Second couple from left to right in image above). At the time, their marriage was teetering – mere months after the song’s release, they would indeed file for divorce – yet the track was penned during a period of reflection on the brighter days.
– ABBA’s Super Trouper – Daily Record (UK)

Super Trouper is an opportune song to oil our rusted joints and get primed for the coming of the New Year. Really, is there a better group with all of their 48 hits to strut one’s stuff on the New Year’s Eve dance floor? To quote George Constanza from Seinfeld – ‘You’re not in the mood? Well you get in the mood‘!
It is said after ABBA left the music scene, it would be impossible to find two female voices which replicated their superior harmony. Still that statement holds true; despite the musicals and movies this group has produced, that harmony which the two ladies forged is irreplaceable. ABBA remains a bit of an enigma because their talent as music artists and songwriters of producing pure ‘Hits’ was immense although the Bee Gees were nothing to scoff at.

Super Trouper is one of the group’s most addictive pop numbers and remains one of the most played songs of ABBA on YouTube. It might not hit the heights of some of the band’s earlier hits (3 of which I have presented here), but there’s still glimpses of pure ABBA Gold. At first called “Blinka lilla stjärna” (Swedish version of popular nursery rhyme ‘Twinkle Twinkle Little Star’, this hit single was the title track from ABBA’s 1980 studio album Super Trouper. It is also part of the ABBA Gold: Greatest Hits compilation, as well as in the Mamma Mia! musical.

Super Troupers are huge spotlights used in stadium concerts and events. As popular ABBA was, the foursome were not really fond of performing onstage and liked performing in studios rather than going on tour. The idea is reflected in this song, which has an upbeat tempo while the lyrics take a more lonely approach to fame; it’s really about the drudgery of pop stardom. ABBA weren’t the first, nor the last, band to write a song about how terrible it is being famous. But somehow they manage to do it without the message grating.

‘All I do is eat and sleep and sing, Wishing every show was the last show…‘

[Intro: Frida & Agnetha]
Super Trouper beams are gonna blind me
But I won’t feel blue
Like I always do
‘Cause somewhere in the crowd, there’s you

[Verse 1: Frida]
I was sick and tired of everything
When I called you last night from Glasgow
All I do is eat and sleep and sing
Wishing every show was the last show
(Wishing every show was the last show)

[Pre-Chorus: Frida]
So imagine I was glad to hear you’re coming
(Glad to hear you’re coming)
Suddenly I feel all right
(And suddenly it’s gonna be)
And it’s gonna be so different
When I’m on the stage tonight

[Chorus: Frida & Agnetha, Benny & Björn]
Tonight, the Super Trouper lights are gonna find me
Shining like the sun (Sup-p-per Troup-p-per)
Smiling, having fun (Sup-p-per Troup-p-per)
Feeling like a number one
Tonight, the Super Trouper beams are gonna blind me
But I won’t feel blue (Sup-p-per Troup-p-per)
Like I always do (Sup-p-per Troup-p-per)
‘Cause somewhere in the crowd there’s you

[Verse 2: Frida]
Facing twenty thousand of your friends
How can anyone be so lonely?
Part of a success that never ends
Still, I’m thinking about you only
(Still, I’m thinking about you only)

[Pre-Chorus: Frida]

[Chorus: Frida & Agnetha, Benny & Björn]

[Bridge: Frida]
So I’ll be there when you arrive
The sight of you will prove to me I’m still alive
And when you take me in your arms and hold me tight
I know it’s gonna mean so much tonight

Super Trouper (the title track) was released in November 1980 as the album’s third single, reaching number one in several countries. It was the group’s ninth and final number one on the UK Singles Chart and the fourth best-selling single in the UK that year, selling over 700,000 copies in that country alone. Parts of the music video below were later reused in the clip for the song Happy New Year (which also features on the Super Trouper album.

References:
1. ABBA’s Super Trouper Glasgow reference explained as they mark 50 years since Eurovision win – Daily Record
2. Super Trouper (song) – Wikipedia

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Superman (It’s Not Easy) 2001 – Five For Fighting

Superman is the third song on Five for Fighting’s sophomore album, America Town (see image inset) and the second single released from it. It became a huge radio hit after the horrific 9/11 attacks and was used to honor the victims, survivors, police, and firefighters involved in the attacks. It peaked at No.14 on the Billboard, and was nominated for a Grammy in 2002. The single was a major hit in Australia (because we are more sentimental and mushy) and New Zealand, reaching number two on both countries’ national charts.

The lyrics focus on the iconic hero Superman; specifically, how, in the opinion of the singer, his life as a hero is surprisingly difficult despite his immense power. The song was featured in an episode of Smallville, which chronicled the life of a young Clark Kent/Superman. The American singer-songwriter Vladimir John Ondrasik said the song is about “frustration about the inability to be heard.”
At the end of the song’s music video (below), Ondrasik lies in bed with his own wife and son. Rob Thomas from Matchbox Twenty also makes a cameo appearance.

John Ondrasik also known by his stage name Five for Fighting was born (January 7, 1965), in Los Angeles, California, a child of a musical family. He is of Slovak descent. His mother was a piano teacher who taught at John F. Kennedy High School in Granada Hills, Los Angeles, where he graduated. He learned the piano as a child. In his teens, he learned to play the guitar and started to write music. You can read more about Ondrasik’s musical career here.

[Verse 1]
I can’t stand to fly
I’m not that naive
I’m just out to find
The better part of me

[Chorus]
I’m more than a bird, I’m more than a plane
I’m more than some pretty face beside a train
And it’s not easy to be me

[Verse 2]
I wish that I could cry
Fall upon my knees
Find a way to lie
‘Bout a home I’ll never see

[Chorus]
It may sound absurd, but don’t be naive
Even heroes have the right to bleed
I may be disturbed, but won’t you concede?
Even heroes have the right to dream
And it’s not easy to be me

[Bridge]
Up, up, and away, away from me
Well, it’s alright
You can all sleep sound tonight
I’m not crazy or anything

[Verse 3]
I can’t stand to fly
I’m not that naive
Men weren’t meant to ride
With clouds between their knees


I’m only a man in a silly red sheet
Diggin’ for kryptonite on this one-way street
Only a man in a funny red sheet
Lookin’ for special things inside of me

References:
1. Superman (It’s Not Easy) – Wikipedia

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Corleone (2024) – Nathy Peluso

Nathy Peluso performing Corleone on the
The Tonight Show Starring Jimmy Fallon Dec 3, 2024

On 21 of November this year I wrote about Nathy Peluso’s big night at this year’s Latin Grammys winning 3 for Best Rap/Hip Hop Song, Best Alternative Song and Best Long Form Music Video – Grasa. One of the songs from her recent album – Grasa (Fat) that I keep coming back to is today’s featured song – the 50s Italo-ballad – Corleone. In keeping with the album’s themes from which it resides; the song explores growth, crisis, and the pressures of fame. I wrote in response to her official release video how Corleone felt like ‘Tarantino in Music‘ in the sense it would have been a perfect fit on the soundtrack Pulp Fiction or about any other one of his releases.

The Argentine-Spanish singer-songwriter is no stranger to this blog having appeared here 7 times. She is so versatile, being able to immerse herself in any genre and leave her mark in an indelible way. For me, she is one of my favourite artists of the current generation. I have admired watching how she has transfigured her artistry and changed the music landscape as we speak with such brashness and authenticity. I’ll continue to follow Nathy Peluso’s development as an artist with much attentiveness as I do all my favourite singer-songwriters. Below I have included an audio version of the song and her very recent performance of the The Tonight Show Starring Jimmy Fallon.

After releasing her new album ‘Grasa‘, Nathy Peluso announced last summer her world tour in 2025 in which she would travel through the United States, Europe and the United Kingdom. Before continuing her tour through Miami, Washington and Los Angeles, among others. Despite the tremendous success of the album, the Argentine singer received a lot of criticism from her fans for not including Spain and Argentina among the countries on the tour.

‘Grasa‘ is an unusual album and the singer has decided to make a long half-hour video in which she has integrated all the video clips instead of a different video for each song. “The magic is that it is very theatrical, it is almost all a sequence shot and everything happens in the same space, the characters change… It is a story” she explains.

The following is a crude English translation of Corleone:

[Verse 1]
“This ambition is killing me”
I told my friend Tatiana
Stuck in the airport
Video call connection (Ah-ah-ah)
I wonder if it’s God
The ray of sunlight coming through the window (Stiff!)
Every day at 6 a.m. in the morning

[Chorus]
I smoke a cigarette, tears and sorrow, glory and peace
And even if I get it all, I always want more
I count money, I count loves, I brush my hair
And I ask the waiter for a sweet Martini to be calm (La-la-la-la)

[Verse 2]
I have an empire
A brilliant palace and a very deep sorrow (Oh-oh-oh)
Listen to me whoever wants
Drown the bitterness that comes, I’ll invite you a round
Baby, I assure you
If tomorrow I die, I won’t be calm
I have to close deals
And leave the will to my sister Sofia

References:
1. Nathy Peluso representa ‘CORLEONE’ y ‘EL DÍA QUE PERDÍ MI JUVENTUD’ en The Tonight show – XMAG

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2000 Miles (Pretenders) – Megan Washington (from Carols by Candlelight 2024)

I was reminded of this beautiful song by Meg Washington’s stellar performance on Christmas Eve – Carols by Candlelight 2024 (from 57:30: in the video below). I have written a lot about the significance of this occasion in my recent Christmas Countdown and after my children and I ate our Christmas Dinner which I’m proud to exclaim I prepared and consisted of the following:

Turkey with plum sauce, Asparagus, Mashed Potatoes, Sun-dried Tomatoes and Capsicum (image inset) and Desert (drum roll) – Chocolate Cake – sugar free but still delicious.
It may well have been the first Christmas meal I prepared, but the votes are in and the computer says ‘Yes’. The kids devoured it like there was no tomorrow.

So where was I going with all this? Oh yes, after dinner we watched the highlights of Melbourne’s Christmas Carols which were presented Christmas Eve – Australian time. I have watched this presentation since I was wee-tacker and I think that the ‘2024 carols’ was the best I have seen. There were so many fantastic versions of the Carols which most of us are accustomed hearing, but the one that made the greatest impression on my son and I was Megan Washington’s – 2000 miles by the British-American rock band Pretenders. I have presented both versions below. Megan it seems, well at least to my senses, found the epicentre of this ballad and let it ride. I am still enamoured with it and for that reason I wanted to post it as soon as I could.

[Verse 1]
He’s gone
2,000 miles
Is very far
The snow is falling down
It’s colder day by day
I miss you

[Chorus]
The children were singing
He’ll be back at Christmastime

[Verse 2]
And these frozen and silent nights
Sometimes in a dream
You appear
Outside, under the purple sky
Diamonds in the snow
Sparkle

[Chorus]
Our hearts were singing
It felt like Christmastime

[Bridge]
2,000 miles
Is very far through the snow
I’ll think of you
Wherever you go

The following was extracted from the Wikipedia references below:

2000 Miles is a song by British-American rock band Pretenders and written by lead vocalist Chrissie Hynde. It was released on 18 November 1983 as the second single from their third studio album, Learning to Crawl. It was most popular in the UK, where it peaked at No. 15 on the UK Singles Chart. Influenced by Otis Redding’s “Thousand Miles Away“, the song was written a year after the band’s guitarist, James Honeyman-Scott, had died of a drug overdose in 1982. Hyde has noted that she thinks “the sense of distance in the lyrics” refers to Honeyman-Scott.

Megan Alexanda Washington (born 7 January 1986) – a fellow Capricorn – YAY… is an Australian musician, songwriter and voice actor who has worked mononymously as Washington. Originally performing jazz music, her style shifted to indie pop and alternative rock. From her four albums, two albums I Believe You Liar and There There reached the top 5 on the ARIA Albums Chart. Megan Alexanda Washington was born on 7 January 1986 in Port Moresby, Papua New Guinea to Australian parents. She grew up with her father, Rick Washington, a part-time DJ for “weddings, parties and balls“; her mother, Karen Amos, and an older sibling.

References:
1. Megan Washington – Wikipedia
2. 2000 miles – Wikipedia

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Sunrise (2004) – Norah Jones

Let’s kick it off with singer-songwriter and pianist Norah Jones who I dug from the get-go since she burst on the scene in 2002 with her chart-topping and award-winning debut album Come Away With Me. Initially focused on lounge jazz, Jones has since evolved and infused elements of blues, country, folk and pop in her music. Sunrise, co-written by Jones and Lee Alexander, is from her sophomore release Feels Like Home (see image below) from February 2002. It also appeared as a single and became her first to top Billboard’s Adult Alternative Airplay chart.

– Chris & Max Pick …songs from 2004 (Christian’s Music Musings)

I felt indifferent to Norah Jones initially because one of her big songs (perhaps Don’t Know Why) saturated the radio waves. I pigeon-holed her into lounge jazz music – a genre of music I wasn’t particularly fond of. Some in jest even called her ‘Snorer’ Jones. However, my blogger friend Christian introduced me to some of Norah’s music that I hadn’t encountered before, including today’s featured song – and I liked them a lot. Her breezy, catchy sound and relaxed demeanour bring to mind the Mexican singer-songwriter Julieta Venegas, whom I recently featured.

The following information was extracted from the Wikipedia reference below:

In 2004, the folk ballad reached number four in Canada and number 30 in the United Kingdom. Despite failing to chart on the US Billboard, the single was certified gold by the RIAA for sales of 500,000 copies. The song won Best Female Pop Vocal Performance at the 2005 Grammy Awards. The American singer-songwriter and musician Norah Jones born Geethali Norah Jones Shankar has sold more than 53 million records worldwide. As stated above, she launched her solo music career with the release of Come Away with Me.

Jones is the daughter of Indian sitarist and composer Ravi Shankar, and is the half-sister of fellow Indian musicians Anoushka Shankar and Shubhendra Shankar. She was born in1979, in Manhattan, New York City. After her parents separated in 1986, Jones lived with her mother, growing up in Grapevine, Texas. As a child, Jones began singing in church and also took piano and voice lessons. Her music took its first form early on in the local Methodist Church where she regularly sang solos. While in high school, she sang in the school choir, participated in band, and played the alto saxophone. At the age of 16, with both parents’ consent, she officially changed her name to Norah Jones.

Jones always had an affinity for the music of Bill Evans and Billie Holiday, among other “oldies”. She once said, “My mom had this eight-album Billie Holiday set; I picked out one disc that I liked and played that over and over again“. She attended Interlochen Center for the Arts during the summers. While at high school, she won the Down Beat Student Music Awards for Best Jazz Vocalist. Jones attended the University of North Texas (UNT), where she majored in jazz piano and sang with the UNT Jazz Singers.

In 1999, Jones left Texas for New York City. Less than a year later, she started a band with Harris, and her recordings with them were bestsellers. Jones was a lounge singer before becoming a recording artist. Before releasing her first studio album, she performed with Wax Poetic, Peter Malick, and jazz guitarist Charlie Hunter.

[Verse 1]
Sunrise, sunrise looks like mornin’ in your eyes
But the clock’s held 9:15 for hours
Sunrise, sunrise couldn’t tempt us if it tried
‘Cause the afternoon’s already come and gone

[Chorus]
And I said, “Hoh, ooh, hoo, ooh
Hoo, ooh, hoo, ooh
Hoo, ooh, hoo, ooh”
To you

[Verse 2]
Surprise, surprise, couldn’t find it in your eyes
But I’m sure it’s written all over my face
Surprise, surprise, never something I could hide
When I see we made it through another day

[Chorus]

[Bridge]
Now, the night will throw its cover down
Mm, on me again
Ooh, and if I’m right, it’s the only way
To bring me back

References:
1. Sunrise (Norah Jones song) – Wikipedia

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The Small One – A Christmas Story by Charles Tazewell (Narrated by Bing Crosby)

The Small One

Happy Christmas all! It has become a Christmas Day ‘festive tradition’ at Observation Blogger to present the story called The Small One. It is about a young boy living in ancient Israel who must part with his beloved, ageing donkey, Small One, as the family can no longer afford to keep him. Despite his father’s insistence, the boy is determined to find a kind and caring buyer for his loyal companion.
This and Oscar Wilde’s The Happy Prince which accompanies it on the LP (see image above) are two of the most touching and poignant short stories I have ever had the privilege to hear.

According to Wikipedia: The Small One is a Charles Tazewell story with musical accompaniment from Victor Young and his Orchestra. Charles Tazewell was a radio playwright and children’s book author, whose work has been adapted multiple times for film…..

At Observation Blogger, I’m fortunate to have a small yet dedicated group of readers. To those of you who connect with me—whether it’s daily, weekly, or whenever you can—I want to take a moment to wish you and your loved ones a truly joyful and Merry Christmas. Your thoughtful insights and engagement have been the heartbeat of this journey; without them, I might have stepped away long ago. So, thank you from the bottom of my heart, and here’s to you—cheers, my dear friends! Merry Christmas.

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O Holy Night (Aled Jones / David Hobson) – Christmas Countdown No. 1

Happy Christmas Eve (Esp. La vispera de Navidad) everybody!
I wrote in my ‘Christmas Countdown’ description how the songs were shared in no particular order, but I make an exception with today’s sacred song. We have arrived at the Christmas song I consider ‘the cream of the crop’, ‘the crown jewel’, ‘the summit’, and my ‘Desert Island’ XMAS choice. This is the fifth time I have referred to it in my blog. Put simply, nothing jolts me more into the religious and festive spirit of Christmas than listening to ‘O Holy Night‘.

I have presented below my two favourite versions of the song. They are from the singers pictured above, namely Aled Jones and David Hobson; the latter having appeared two times already in the top 10 Christmas Countdown list with No. 8 Oh Come, All Ye Faithful and No. 4 Holy City.

Aled Jones is a Welsh Christian singer. The version below shows when he was a teenage chorister prodigy and as a fully – grown adult. It splices the two ‘selves’together at the end which enriches the occasion and cements Jones’ legacy as a grandiose multi-generational British entertainer.

David Hobson is hands down my favourite Christmas Carols singer. The Australian tenor and composer has lavished Australian households with his impeccable voice on Christmas eve in Melbourne for decades now. I agree with Mum…I haven’t heard his equal sing at Carols.

[Verse 1]
O Holy night!The stars are brightly shining
It is the night of our dear Savior’s birth
Long lay the world in sin and error pining
‘Til He appeared and the soul felt its worth
A thrill of hope the weary world rejoices
For yonder breaks a new and glorious morn
Fall on your knees; O hear the Angel voices!
O night divine, O night when Christ was born
O night, O Holy night, O night divine!

[Verse 2]
Led by the light of Faith serenely beaming
With glowing hearts by His cradle we stand
So led by light of a star sweetly gleaming
Here come the Wise Men from Orient land
The King of kings lay thus in lowly manger
In all our trials born to be our friend
He knows our need, to our weakness is no stranger
Behold your King; before Him lowly bend
Behold your King; before Him lowly bend

[Verse 3]
Truly He taught us to love one another;
His law is love and His Gospel is Peace
Chains shall He break, for the slave is our brother
And in His name, all oppression shall cease
Sweet hymns of joy in grateful chorus raise we
Let all within us Praise His Holy name
Christ is the Lord; O praise His name forever!
His power and glory evermore proclaim
His power and glory evermore proclaim

Two other versions I really like of O Holy Night are the following:

  • Patti Smith’s introspective version – Live at the Vatican! The violin instrumental is sublime.
  • The Wiggles – This version could make the Carol traditionalist cry in their weetbix, but what the heck, we were kids once too.

The following is an extract from the Wikipedia reference below:

“O Holy Night” (original title: Cantique de Noël) is a sacred song for Christmas performance. Originally based on a French-language poem by poet Placide Cappeau, written in 1843, with the first line “Minuit, Chrétien, c’est l’heure solennelle” (Midnight, Christian, is the solemn hour) that composer Adolphe Adam set to music in 1847. The English version (with small changes to the initial melody) is by John Sullivan Dwight. The carol reflects on the birth of Jesus as humanity’s redemption.

References:
1. O Holy Night – Wikipedia

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Happy XMAS (War is Over) John Lennon – Christmas Countdown No. 2

Happy XMAS (War is Over) is one of my family’s favourite secular Christmas songs. The song appears on John Lennon’s posthumous compilation The John Lennon Collection shown inset. I don’t know how many times I put the needle down on this record as a kid, but it was a lot. We had one of those old wooden turntables which look like a dresser, and I remember sitting at the front of the fireplace and listening to it. I have to add here, Yoko’s vocals in the chorus – A very merry Christmas / And a happy New Year are magnificent and make the hairs on my arms stand up on end.

Happy XMAS (War is Over) was released as a single by John & Yoko/The Plastic Ono Band with the Harlem Community Choir in 1971. Lennon became the first Beatle to release a Christmas song after the band’s demise and it was his seventh single outside his work with the Beatles. The song reached number four in the UK, where its release was delayed until November 1972, and has occasionally re-emerged on the UK Singles Chart, most notably after Lennon’s murder in December 1980, when it peaked at number two. 

John Lennon said he wrote it “because I was sick of White Christmas,” but this song also serves as a powerful protest song against the Vietnam War. This song came on the heels of two years of activism by John Lennon & Yoko Ono. They had already been spreading the message “WAR IS OVER! If You Want It – Happy Christmas from John & Yoko” on posters and such around the world (as seen above). Backing vocals on the song are also provided by the Harlem Community Choir — a powerful choice of using children to deliver an anti-war message.

[Intro: Yoko Ono & John Lennon]
Happy Christmas, Kyoko
Happy Christmas, Julian

[Verse 1: John Lennon]
So this is Christmas
And what have you done?
Another year over
And a new one just begun
And so this is Christmas
I hope you had fun
The near and the dear ones
The old and the young

[Chorus: Yoko Ono & Harlem Community Choir]
A very merry Christmas
And a happy New Year
Let’s hope it’s a good one
Without any fear

[Verse 2: John Lennon & Harlem Community Choir]
And so this is Christmas(War is over)
For weak and for strong(If you want it)
The rich and the poor ones (War is over)
The road is so long (Now)
And so happy Christmas (War is over)
For black and for white (If you want it)
For yellow and red ones(War is over)
Let’s stop all the fight(Now)

[Verse 3: John Lennon & Harlem Community Choir]
And so this is Christmas (War is over)
And what have we done? (If you want it)
Another year over (War is over)
And a new one just begun (Now)
And so happy Christmas (War is over)
We hope you have fun (If you want it)
The near and the dear ones (War is over)
The old and the young (Now)

References:
1. Happy XMAS (War is Over) – Wikipedia

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