Arcadia (2021) – Lana Del Rey

Arcadia is the second song posted here by Lana Del Rey after the first entry Radio. It amongst other songs were recommended to me by Madeleine at Classic Film and TV Corner:

Lana is one of my favourite singers. I think she is possibly the most unique artist working at the moment. I love how she mixes modern and vintage imagery in her music videos. What a talent.

Based on what I’ve heard so far by Lana (although I’m still just scratching the surface of her extensive discography) I can understand why Madeleine expressed such high praise for her artistry. Lana’s individuality and transparency in ‘presentation’, melodic and lyrical lucidness and originality (analogous to how I would describe Argentinian artist Nathy Peluso) is seemingly re-landscaping the modern music scene as we speak. Rolling Stone UK named Lana Del Rey – The Greatest American Songwriter of the 21st Century.

As some of you will know I normally forward an extract of the lyrics of songs in my articles, but such is my intrigue and admiration for the lyrics for Arcadia I have presented all of them below. She has crafted atmospheres that feel both intimate and expansive. Lana seems to be expressing herself as if she was a by-product of her place and the inherent materialism associated with our age, but will forge to develop upon her individual talents, expression and sexuality. In an interview with Rolling Stone, she mentioned that Arcadia was conceived during a period of introspection, when she was searching for a sense of peace amidst the chaos of the world.

When Lana sings, ‘America, America‘ I stop and pause and find myself windswept in feelings associated with Musica Americana which are hard to describe. Oh and don’t mention when she sings: ‘America, I need a miracle‘ which almost turns me into a blubbering mess. Other songs by hers will be presented here showcasing what I believe is her innate ability to capture Musica Americana: Wild at Heart and Yosemite.

Arcadia was released as the second and final single from her 2021 album Blue Banisters. The song was written and produced by the singer alongside Drew Erickson. The song is named after Arcadia, California. Although it could also be reference to the idyllic vision of pastoral harmony, derived from the ancient Greek region of Arcadia.
The song received critical acclaim from critics. In an article for the Los Angeles Times, Christi Carras described the song as a “languid new ballad” and music video as “love letters to Arcadia and Los Angeles“. The music video for Arcadia was directed by Del Rey, although the singer stated on Twitter that it was “directed by nobody“.
I love how they transform the song into another beast towards the end by being a Tarantino-esque ‘rap-marriachi‘ motif. To my sensory, it is most excellent.

[Verse 1]
My body is a map of LA
I stand straight like an angel with a halo
Hangin’ out the Hilton Hotel window
Screamin’, “Hey, you, baby, let’s go”
My chest, the Sierra Madre
My hips, every high and byway
That you trace with your fingertips like a Toyota
Run your hands over me like a Land Rover

[Chorus]
In Arcadia, Arcadia
All roads that lead to you as integral to me as arteries
That pump the blood that flows straight to the heart of me
America, America
I can’t sleep at home tonight, send me a Hilton Hotel
Or a cross on the hill, I’m a lost little girl
Findin’ my way to you, Arcadia

[Verse 2]
My body is a map of LA
And my heart is like paper, I hate you
I’m not from the land of the palms, so I know I can’t stay here
I’m not native, but
My curves, San Gabriel all day
And my lips like the fire licks the bay
If you think that you know yourself, you can come over
Lay your hands on me like you’re a Land Rover

[Chorus]

[Outro]
They built me up three-hundred feet tall just to tear me down
So I’m leavin’ with nothing but laughter and this town
Arcadia
Findin’ my way to you
I’m leavin’ them as I was, five-foot-eight, Western belt
Plus the hate that they gave
By the way, thanks for that, on the way, I’ll pray for you
But you’ll need a miracle, America

References:
1. Arcadia (Lana Del Rey song) – Wikipedia

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Kiss the Bride (1983) – Elton John

I can’t believe I let this upbeat and brassy hit from Elton John’s classic 80’s record – Too Low For Zero pass under the radar. So we are backtracking today in the alphabetical listing to present Kiss the Bride. I loved the song growing up and I didn’t make it any secret at school what I thought about it. Allow me to digress…. One of my best friends at school Gary did a caricature of my family which resides in my reflection menu, and he just happened to be a huge Billy Joel fan. We used to have it out, because my musical tastes were oriented towards Elton John and his Billy. I remember when today’s featured track Kiss the Bride came out and he would chastise me singing the chorus, ‘I want to kiss the bridegroom‘! Like his caricature, it was a pretty smart retort.

I know Elton John deservedly gets a lot of plaudits for his 70’s output and I couldn’t be more in accordance, but as far as my musical apreciation goes I consider his 1983 Too Low For Zero record one of his greatest musical feats perhaps since Goodbye Yellow Brick Road. Kiss the Bride emerged during a creatively fruitful period for Elton John and his longtime collaborator, lyricist Bernie Taupin. The early 1980s marked a return to form for John, who had been experimenting with different sounds and styles.

The title track is one of my top 5 favourite songs by Elton and I consider the opening track Cold as Christmas and Crystal presented here back here in 2021 examples of lesser-known gems from his extensive discography. Not to mention: I’m Still Standing and I Guess That’s Why They Call It the Blues which propel this album into the stratosphere of ‘classic contemporary albums’. The album also marked the reunion of John’s classic band lineup from the 1970s, including Davey Johnstone on guitar, Dee Murray on bass, and Nigel Olsson on drums. This reunion infused the album with a familiar energy that resonated with fans.

Kiss the Bride written by John and Bernie Taupin was released as the third single from the record and was a top 40 hit in many countries. It reached No. 20 on the UK Singles Chart, No. 25 on the US Billboard Hot 100 chart, and No. 25 in Australia to name just a few countries. John played this song on setlists from 1984 until the 1989 leg of his Sleeping with the Past Tour. The video below characteristic of the 1980s MTV era, contributed to the song’s visibility and popularity.

[Verse 1]
Well, she looked a peach in the dress she made
When she was still her mama’s little girl
And when she walked down the aisle, everybody smiled
At her innocence and curls
And when the preacher said, “Is there anyone here
Got a reason why they shouldn’t wed?”

[Pre-Chorus]
I shoulda stuck up my hand
I shoulda got up to stand
And this is what I should have said

[Chorus]
I wanna kiss the bride, yeah!
I wanna kiss the bride, yeah!
Long before she met him, she was mine, mine, mine
Don’t say, “I do”, say, “bye, bye, bye”
And lemme kiss the bride, yeah!
I wanna kiss the bride, yeah!

[Verse 2]
Underneath her veil, I could see a tear
Tricklin’ down her pretty face
And when he slipped on the ring, I knew everything
Would never be the same again
But if the groom woulda known, he’d have had a fit
About his wife and the things we di

References:
1. Kiss the Bride (song) – Wikipedia

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River (1971) – Joni Mitchell

I adored the raw emotion and introspection of River ever since I first heard it. I wrote a post about it in 2013, which was my first foray into blog writing. Penned and performed by Canadian singer-songwriter Joni Mitchell, this haunting ballad continues to move me. Originally released on her legendary record Blue it made me yearn for this place of solace. I have never skated on a river, but did skate on the ice rinks way back when. Come to think of it I haven’t seen one in decades, but that poignant imagery of skating on a river..that’s something.

Blue marked a pivotal moment in Mitchell’s career establishing her as not only a gifted musician but also a discerning lyricist capable of laying bare the complexities of human emotions. River was never released as a single but reveals one of Mitchell’s most vulnerable moments in songwriting, opening up about a breakup and the deep bond that’s difficult to shake. The lyrics of River are thought to have been inspired by the end of Mitchell’s relationship with musician Graham Nash; the two dated from 1968 through 1970.

[Verse 1]
It’s coming on Christmas
They’re cutting down trees
They’re putting up reindeer
And singing songs of joy and peace
Oh, I wish I had a river I could skate away on

[Verse 2]
But it don’t snow here
It stays pretty green
I’m gonna make a lot of money
Then I’m gonna quit this crazy scene
I wish I had a river I could skate away on

[Chorus]
I wish I had a river so long
I would teach my feet to fly
Oh, I wish I had a river I could skate away on
I made my baby cry

[Verse 3]
He tried hard to help me
You know, he put me at ease
And he loved me so naughty
Made me weak in the knees
Oh, I wish I had a river I could skate away on
(Read the remainder here)

River holds second place among Mitchell’s songs most recorded by other artists. Everyone from Mitchell’s former beau James Taylor to Barry Manilow, Sarah McLachlan, Judy Collins, Idina Menzel, Travis, Cee Lo Green, Ellie Goulding, and even Olivia Rodrigo and Harry Styles, have covered River. In 2021, it was ranked at No. 247 on Rolling Stone’s “Top 500 Best Songs of All Time”.

References:
1. River (Joni Mitchell song) – Wikipedia
2. The Meaning Behind the 1971 Holiday Classic “River” by Joni Mitchell – American Songwriter

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Rise (2007) – Eddie Vedder

Today’s track Rise is the second song to appear here from Eddie Vedder’s visceral Into the Wild (2007) soundtrack after the previous entry Guaranteed. The film and its music had a big impact on me when it came out and I continue to enjoy it when it comes on cable. It’s a confounding movie and I imagine most readers here would be familiar with it.
The film, based on Jon Krakauer’s book of the same name, tells the true story of Christopher McCandless, a young man who abandons his material possessions and ventures into the Alaskan wilderness in search of deeper meaning. Vedder’s involvement in the project stemmed from his admiration for McCandless’s quest and Penn’s vision for the film. My biggest take-away from it was after all of the soul-searching the American wanderer Christopher McCandless did, he could only arrive at one conclusion – Happiness is only real when shared (as recorded in his journal).

Director Sean Penn hand-picked iconic Pearl Jam frontman Vedder to provide the music for the film and said that as soon as he heard Vedder’s songs he “just felt that for sure this is the musical voice of (actor) Emile (Hirsch’s) character.” There is an intriguing Charlie Rose interview here with Sean Penn and Eddie Vedder about the movie and their collaboration. Eddie Vedder said about his writing of the soundtrack: ‘I wouldn’t want to romanticize my input of the process, but..two weeks or three weeks went by and I kind of woke up and it was done. And I don’t really remember a whole lot about it…it was from some place and I’m not really sure where it was.

At the 2009 Grammy Awards, Rise received a nomination for Best Rock Vocal Performance, Solo. Through Vedder’s deep and resonant voice it encapsulates the spirit of personal growth and the journey towards self-realization. That is what makes Eddie Vedder truly unique. When one hears his voice, it can’t be mistaken for another. I have always been drawn to it since hearing the debut album masterpiece Ten which has featured here time and again.

[Verse 1]
Such is the way of the world
You can never know
Just where to put all your faith
And how will it grow?

[Chorus]
Gonna rise up
Burning black holes in dark memories
Gonna rise up
Turning mistakes into gold

[Verse 2]
Such is the passage of time
Too fast to fold
Suddenly swallowed by signs
Lo and behold

[Chorus]
Gonna rise up
Find my direction magnetically
Gonna rise up
Throw down my ace in the hole

Reference:
1. Into the Wild (Soundtrack) – Wikipedia

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Ring Them Bells (1989) – Bob Dylan

When I listened to Ring Them Bells growing up it cast me into visions of an Amish existence akin to that portrayed in the Peter Weir movie Witness. You know: fortress, bells, plows, cows, iron, valleys, willow and lilies. I believe I got my game name ‘SacredCow‘ from this song, although some read it ‘scaredcow‘. I always wondered if that was done in jest or not. To quote Dylan from Not Dark Yet: ‘Why should I even care‘?
Ring Them Bells solders the modern to the ancient: ‘Ring them bells, ye heathen / From the city that dreams and Oh, it’s rush hour now / On the wheel and the plow.

When it’s all said and done, Ring Them Bells is a contemporary spiritual masterpiece. Bob Dylan never left gospel. It’s actually within him. It displays the poetic depth and spiritual fervor that has come to define much of his later work. It’s just so darn underappreciated even in Dylan fan circles because it comes from that …. wait for it….drum rolling….maligned Dylan 80’s decade. Give me a break. Its symbolic use of bells, which represent various calls to consciousness, spiritual awakening and communal responsibility is other worldly.

And here’s some cool trivia… Bruce Springsteen, in an appearance on The Late Show with Stephen Colbert in 2020, cited Ring Them Bells as one of his three favourite Dylan songs (along with Like a Rolling Stone and Visions of Johanna).

Bob Dylan released Ring Them Bells in 1989 as part of his critically acclaimed album Oh Mercy and it’s the third song so far to feature here from it after the previous entry Most of the Time. The recording of Oh Mercy took place in New Orleans with producer Daniel Lanois, whose atmospheric production style added a haunting, almost mystical quality to the album. Lanois, known for his work with U2 and Peter Gabriel, helped craft a sonic landscape that perfectly complemented Dylan’s vision. Reflecting on the album, Dylan mentioned, “I wanted to make a record that was more for the present time, more relevant to the state of the world.” (Bob Dylan: Chronicles, Volume One).

[Verse 1]
Ring them bells, ye heathen
From the city that dreams
Ring them bells from the sanctuaries
’Cross the valleys and streams
For they’re deep and they’re wide
And the world’s on its side
And time is running backwards
And so is the bride

[Verse 2]
Ring them bells St. Peter
Where the four winds blow
Ring them bells with an iron hand
So the people will know
Oh, it’s rush hour now
On the wheel and the plow
And the sun is going down
Upon the sacred cow

[Verse 3]
Ring them bells Sweet Martha
For the poor man’s son
Ring them bells so the world will know
That God is one
Oh, the shepherd is asleep
Where the willows weep
And the mountains are filled
With lost sheep

[Verse 4]
Ring them bells for the blind and the deaf
Ring them bells for all of us who are left
Ring them bells for the chosen few
Who will judge the many when the game is through
Ring them bells, for the time that flies
For the child that cries
When innocence dies

[Verse 5]
Ring them bells St. Catherine
From the top of the room
Ring them from the fortress
For the lilies that bloom
Oh, the lines are long
And the fighting is strong
And they’re breaking down the distance
Between right and wrong

References:
1. Ring Them Bells (song) – Wikipedia

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Rikki Don’t Lose that Number (1974) – Steely Dan

“The song’s about a girl that I knew in college. It doesn’t really matter who the girl is, it’s just about a girl.”
— Donald Fagen, co-founder of Steely Dan

Rikki Don’t Lose that Number is another song we had just been discussing and low and behold it appears here surreptitiously. I first heard it in the 1989 Cameron Crowe movie Say Anything, in which the lyrics were sung by actor John Mahoney seen here. By the way, Say Anything is a really good teen romance movie which I should have already presented on Friday’s Finest. The chorus in this song always wowed me, just like it did with John Mahoney’s character where I feel compelled to sing it at the top of my lungs.

Other than this song, I’m afraid I never warmed to Steely Dan’s music but that is not from my lack of trying. I understand how their musicianship has bolstered quite the following as some here can attest.

According to Donald Fagen, the song is inspired by a real-life encounter during his time at Bard College. The Rikki in question was reportedly Rikki Ducornet, an artist and writer who shared a moment with Fagen at a party. The use of jazz influences is a hallmark of Steely Dan’s style, and here it seamlessly blends with pop rock elements, making it accessible while still maintaining depth and complexity.

[Verse 1]
We hear you’re leavin’, that’s okay
I thought our little wild time had just begun
I guess you kind of scared yourself, you turn and run
But if you have a change of heart

[Chorus]
Rikki, don’t lose that number
You don’t wanna call nobody else
Send it off in a letter to yourself
Rikki, don’t lose that number
It’s the only one you own
You might use it if you feel better
When you get home

[Verse 2]
I have a friend in town, he’s heard your name
We can go out driving on Slow Hand Row
We could stay inside and play games, I don’t know
And you could have a change of heart
(Read the remaining here)

Rikki Don’t Lose That Number became Steely Dan’s highest-charting single, peaking at No. 4 on the Billboard Hot 100. Its success marked a high point for the band, cementing their reputation not just as studio wizards but as hitmakers. The song made its live debut during Steely Dan’s 1974 tour, immediately becoming a crowd favorite. Over the years, it has remained a staple in their live performances, beloved for its catchy hooks and lyrical intrigue.

References:
1. Rikki Don’t Lose That Number – Wikipedia

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Right Here (1987) – The Go-Betweens

I can remember hearing The Go-Betweens for the first time on the radio the hairs went up on my arms and the back of my neck – Australian singer songwriter Paul Kelly.

As a prelude to discussing today’s featured track Right Here from one of my favourite Australian groups The Go-Betweens, I would like to pay special mention to the acclaimed 2017 music documentary of the same name (see image above). You can find further information about it at the IMDB page The Go-Betweens: Right Here and / or view the trailer here. You can also find this brief report from BBC Newsnight – The 80s band that never conquered the world.

Such is my fondness for their music, The Go-Betweens have already appeared 8 times which is comparable to the numbers of another stellar, but cruelly underrated Australian group – My Friend the Chocolate Cake. Some of you who follow here have also expressed your appreciation for The Go-Betweens. As alluded to above this group never really got a top 40 hit or became a household name, but you ask other music artists and music aficionados familiar with the inner sanctums of the Australian music industry to remark on the influence and legacy of The Go-Betweens and many couldn’t be more complimentary.

Right Here was released as the first single off their 5th album Tallulah. A promotional video was made for the single and prominently features joint band founder Grant McLennan and violinst Amanda Brown. The cover for the single was from a painting by McLennan (see wiki reference below). The song reached No. 82 on the UK Singles Charts but failed to chart elsewhere.

In the liner notes for the band’s compilation album, 1978-1990, McLennan writes that the song is about two friends of his, who worked in a funeral parlour and the constant exposure to the chemicals used in the preparation of the bodies turned them into addicts. Stating “I thought this would be a good subject to write about in a pop song.”
Forster had a different interpretation of McLennan’s lyrics, describing it as, “a declaration of love. Amanda had been won and he was proud.”

It rains for days
So you stay inside and lock your door
Cryin’ all the time
Crying for, you don’t know what for

You say, you’re undone by his kiss
But don’t you think
That for once in your life
It should be like this

Your hands are tired
Your eyes are blue

I’m keepin’ you right here
Right here, right here
Right here, right here
Whatever I have is yours
And it’s right here
(Read the remainder here)

Kristi Coulter at Allmusic stated about Right Here:
It’s one of the best love songs in the Go-Betweens’ not-inconsiderable catalog of them” and the “melody is one of Grant McLennan’s most memorable and the lyrics among his most heartfelt.” She goes on to state that “”Right Here” is that rarest of things, a love song that promises rescue while also strongly hinting that its subject take some responsibility for herself.”

References:
1. Right Here (The Go-Betweens song) – Wikipedia

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Right Down the Line – Ron Sexsmith (Gerry Rafferty)

The moment I heard Ron Sexsmith’s version of Gerry Rafferty’s hit Right Down the Line I knew I had to listen to more of this guy’s catalogue. He has sung Dylan covers and that was fun to delve into.
My mother’s maiden name is ‘Smith’, so Sexsmith is quite the intriguing surname for me at least, and clearly my father got a handle on it although I’m almost certain he never knew of Ron. Neither here nor there, I arrived to write about this song for you homies today. Not to linger too long on this point Sexsmith did say in the article below: ‘I had girlfriends in different cities‘ but he shares his birthday with David Bowie, so all is forgiven.

Right Down the Line is a song written and recorded by Scottish singer-songwriter Gerry Rafferty. Released as a single in July 1978, it reached No 12 on the U.S. Billboard Hot 100. It’s just a fantastic restrained tune. Its easy-going rhythm, catchy melody, and relatable lyrics helped it endure as a staple on soft rock radio stations. As music critic Stephen Thomas Erlewine aptly noted, “The beauty of ‘Right Down the Line’ is in its unpretentious honesty, a rare quality that makes it timeless.”

Released in 1978 as part of his second solo album, City to City, this song stands out as a tender ode to unwavering love and dedication. After the disbandment of Stealers Wheel, known for the iconic hit “Stuck in the Middle with You,” Rafferty embarked on a solo career that showcased his ability to blend rock, folk, and pop into something uniquely his own. More will come from Gerry Rafferty in this blog, so stay tuned.

[Verse 1]
You know I need your love
You’ve got that hold over me
Long as I’ve got your love
You know that I’ll never leave
When I wanted you to share my life
I had no doubt in my mind
And it’s been you, woman
Right down the line

[Verse 2]
I know how much I lean on you
Only you can see
The changes that I’ve been through
Have left a mark on me
You’ve been as constant as a Northern Star
The brightest light that shines
It’s been you, woman
Right down the line

[Chorus]
I just wanna say this is my way
Of telling you everything
I could never say before
Yeah this is my way of telling you
That every day I’m loving you so much more

[Verse 3]
Cause you believed in me
Through my darkest night
Put something better inside of me
You brought me into the light
I threw away all those crazy dreams
I put them all behind
And it was you, woman
Right down the line

[Verse 4]
If I should doubt myself
If I’m losing ground
I won’t turn to someone else
They’d only let me down
When I wanted you to share my life
I had no doubt in my mind
And it’s been you, woman
Right down the line

Reference:
1. Right Down the Line – Wikipedia
2. Ron Sexsmith: ‘I had girlfriends in different cities … it was stressful’ – The Guardian

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Rhapsody On A Theme Of Paganini (1934) – Sergei Rachmaninoff 

I am excited to present to you the fourth piece from Sergei Rachmaninoff to appear so far in the music library projectRhapsody On A Theme Of Paganini. I was a relative latecomer to appreciating Rachmaninoff, but I now consider him one of my favourite classical music composers. I first heard of Rachmaninoff when academy award winner Geoffrey Rush wowed audiences playing pianist David Helfgott in the Australian movie Shine which appeared in my Friday’s Finest feature back in 2021.

Rhapsody is one of those timeless compositions that continues to captivate audiences with its emotional depth and technical brilliance. There are more versions of it than you can spoke a stick at (made for piano and orchestra), but the version I like most is this piano version (at the end of this post) which starts off with unspecified (at least to my ears) gorgeous melody then at 1:32 launches into the slow 18th variation which is by far the best known, and it is often included on classical music compilations without the rest of the work.

The inception of the Rhapsody took place in the summer of 1934, during Rachmaninoff’s retreat at his summer home in Switzerland (according to the score, from 3 July to 18 August 1934). The idea of reimagining Paganini’s iconic theme had long fascinated him, offering a perfect canvas to showcase his skills both as a composer and a pianist. The project was ambitious; Paganini’s Caprice No. 24 is known for its challenging technical demands, but Rachmaninoff saw beyond this to the thematic and emotional possibilities it held.

Rachmaninoff himself, a noted performer of his own works, played the piano part at the piece’s premiere on 7 November 1934, at the Lyric Opera House in Baltimore, Maryland, with the Philadelphia Orchestra conducted by Leopold Stokowski (see image at top).

References:
1. Rhapsody on a Theme of Paganini – Wikipedia

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Requiem in D Minor K. 626 (1791) – Wolfang Amadeus Mozart

If I was restricted to choose just one piece of music (of all the music I have had the privilege to hear in my life) to take with me to a Desert island it would be Requiem in D Minor. I first heard it in the movie Amadeus that tops my 100 favourite movies list. A lot of the music that appears in the soundtrack has already appeared here and will continue to grace my blog. The movie has one of the most emphatic endings in all of cinematic history and features a monumental segment of Mozart’s Magnum Opus played at his death.

Wolfgang Amadeus Mozart’s final Masterpiece was commissioned in mid 1791 by the Austrian count Franz Von Walsegg, as a Tribute to the passing of his young wife Anna. Mozart began his final composition in Prague, suffering from an undetermined illness, which would eventually take his life and rob him of the chance to see the completion of his Magnum Opus. After Mozart’s death, his understudy ‘Franz Xaver Süssmayr’, at the behest of Mozart’s wife, completed the missing parts of the Requiem.

Requiem Mass was first performed on January 2, 1793, in a private concert for the benefit of Mozart’s grieving wife, Constanze Mozart.

The Following are the lyrics, translated from their Original Latin:

Grant them eternal rest, Lord,
and let perpetual light shine on
them.
You are praised, God, in Zion,
and homage will be paid to You in
Jerusalem.
Hear my prayer,
to You all flesh will come.
Grant them eternal rest, Lord,
and let perpetual light shine on
them.

Lord, have mercy on us.
Christ, have mercy on us.
Lord, have mercy on us.

Day of wrath, day of anger
will dissolve the world in ashes,
as foretold by David and the Sibyl.
Great trembling there will be
when the Judge descends from
heaven
to examine all things closely.

The trumpet will send its wondrous
sound
throughout earth’s sepulchres
and gather all before the throne.

Death and nature will be
astounded,
when all creation rises again,
to answer the judgement.
A book will be brought forth,
in which all will be written,
by which the world will be judged.
When the judge takes his place,
what is hidden will be revealed,
nothing will remain unavenged.
What shall a wretch like me say?
Who shall intercede for me,
when the just ones need mercy?

King of tremendous majesty,
who freely saves those worthy
ones,
save me, source of mercy.

Remember, kind Jesus,
my salvation caused your
suffering;
do not forsake me on that day.
Faint and weary you have sought
me,
redeemed me, suffering on the
cross;
may such great effort not be in
vain.

Righteous judge of vengeance,
grant me the gift of absolution
before the day of retribution.
I moan as one who is guilty:
owning my shame with a red face;
suppliant before you, Lord.
You, who absolved Mary,
and listened to the thief,
give me hope also
.

My prayers are unworthy,
but, good Lord, have mercy,
and rescue me from eternal fire.
Provide me a place among the
sheep,
and separate me from the goats,
guiding me to Your right hand.

When the accused are confounded,
and doomed to flames of woe,
call me among the blessed.
I kneel with submissive heart,
my contrition is like ashes,
help me in my final condition.

That day of tears and mourning,
when from the ashes shall arise,
all humanity to be judged.
Spare us by your mercy, Lord,
gentle Lord Jesus,
grant them eternal rest. Amen.

Lord Jesus Christ, King of glory,
liberate the souls of the faithful,
departed from the pains of hell
and from the bottomless pit.
Deliver them from the lion’s
mouth,
lest hell swallow them up,
lest they fall into darkness.
Let the standard-bearer, holy
Michael,
bring them into holy light.

Which was promised to Abraham
and his descendants.

Sacrifices and prayers of praise,
Lord,
we offer to You.
Receive them in behalf of those
souls
we commemorate today.
And let them, Lord,
pass from death to life,
which was promised to Abraham

and his descendants.

Lamb of God, who takes away
the sins of the world,
grant them eternal rest.
Lamb of God, who takes away
the sins of the world,
Grant them eternal rest.
Lamb of God, who takes away
the sins of the world,
grant them eternal rest forever.

Let eternal light shine on them,
Lord,
as with Your saints in eternity,
because You are merciful.
Grant them eternal rest, Lord,
and let perpetual light shine on
them,
as with Your saints in eternity,
because You are merciful.

Reference:
1. Requiem (Mozart) – Wikipedia

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