Mississippi (2001) – Bob Dylan

Mississippi is the first song to be presented here from Bob Dylan 2001 album – Love and Theft. I would hesitate to guess that if you were to compile a list of music critics top 10 post 2000 Bob Dylan songs, Mississippi would make the list of most of them. Gee wizz that would be a difficult list to create, and a lot of excellent tracks would not make the cut, just because you can’t have a bigger list of say, 50 songs. Like Leonard Cohen, Bob’s produced so much great material in this period and he is still going at it. Shadow Kingdom, his 40th studio album and second soundtrack album was released on June 2, 2023. It is Dylan’s first album of new studio recordings since his 2020 album Rough and Rowdy Ways.

I think lyrically Mississippi is a kind of throwback to his 1997 masterpiece Not Dark Yet and musically foreshadowing where he would go on his 2006 – Thunder on the Mountain, although Mississippi is more of a country rock song whereas Thunder is a bluesy rock epic. But readers may have better suggestions as to Mississippi correlations in Dylan’s discography. Wikipedia wrote the song features a pop chord progression and has a riff and lyrical theme similar to “Stuck Inside of Mobile with the Memphis Blues Again“. The song was originally recorded during the Time Out of Mind sessions (demo sessions in Fall 1996; official album sessions in January 1997) but was ultimately left off the album. Dylan rerecorded the song for Love and Theft in May 2001.

[Verse 1]
Every step of the way we walk the line
Your days are numbered, so are mine
Time is piling’ up, we struggle and we scrape
We’re all boxed in, nowhere to escape

[Verse 2]
City’s just a jungle; more games to play
Trapped in the heart of it, tryin’ to get away
I was raised in the country, I been working’ in the town
I been in trouble ever since I set my suitcase down

[Verse 3]
Got nothing’ for you, I had nothin’ before
Don’t even have anything for myself anymore
Sky full of fire, pain pourin’ down
Nothing you can sell me, I’ll see you around

[Verse 4]
All my powers of expression and thoughts so sublime
Could never do you justice in reason or rhyme
Only one thing I did wrong
Stayed in Mississippi a day too long

From the Wikipedia reference below:
Mississippi was the last track recorded for Love and Theft, and according to drummer David Kemper, it was added almost as an afterthought. As Kemper explained in an interview with Uncut magazine: “We thought we were done with Love And Theft, and then a friend of Bob’s passed him a note, and he said, ‘Oh, yeah, I forgot about this: “Mississippi”‘. And then he made a comment, ‘Did you guys ever bring the version we did down at the Lanois sessions?’ And they said, ‘Yeah, we have it right here’. And he said, “Let’s listen to it’. So they put it up on the big speakers, and I said, ‘Damn – release it’! But it was just me and Tony [Garnier], and Larry [Campbell] wasn’t on it, and Charlie [Sexton] wasn’t on it. And so we all just said, ‘Wait a minute. And Daniel is producer on it. Let’s re-record it’. So we did our version of it”.

Dylan indicated in another interview that he felt he could re-record the song precisely because the earlier versions had not leaked and were not circulating among bootleg collectors: “I’ve been criticised for not putting my best songs on certain albums but it is because I consider that the song isn’t ready yet. It’s not been recorded right. With all of my records, there’s an abundance of material left off – stuff that, for a variety of reasons, doesn’t make the final cut…Except on this album, for which we re-cut the song ‘Mississippi’. We had that on the Time Out Of Mind album. It wasn’t recorded very well but thank God, it never got out, so we recorded it again. But something like that would never have happened ten years ago. You’d have probably all heard the lousy version of it and I’d have never re-recorded it. I’m glad for once to have had the opportunity to do so.”

References:
1. Mississippi (Bob Dylan song) – Wikipedia

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Honnold’s Solo Climb – El Capitan – 2017

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Posted in Sport and Adventure

As Tears Go By (1964) – Marianne Faithfull (The Rolling Stones)

I had almost forgotten of this song until I read about it – not too long ago at Max’s blog – PowerPop. His principal version was by The Rolling Stones, but I slightly prefer the version by Marianne Faithfull. Both are wonderful of course.

This was one of the first songs written by Mick Jagger and Keith Richards. The Stones manager gave it to a singer he also managed named Marianne Faithfull, who released it in 1964. It was going to be the B-side of her first single, but the record company decided to make it the A-side and it became her first hit. The Stones recorded it a year later. In 1966 Faithfull became Jagger’s girlfriend and that would last 3-4 years.

Max – PopwerPop

It is the evening of the day
I sit and watch the children play
Smiling faces I can see
But not for me
I sit and watch as tears go by


My riches can’t buy everything
I want to hear the children sing
All I hear is the sound
Of rain falling on the ground
I sit and watch as tears go by

Marianne Faithfull version peaked at number nine on both the UK and Irish singles charts.

Wikipedia: By one account, Rolling Stones manager Andrew Loog Oldham locked Jagger and Richards in a kitchen in order to force them to write a song together, even suggesting what type of song he wanted: “I want a song with brick walls all around it, high windows and no sex.” The result was initially named “As Time Goes By”, the title of the song Dooley Wilson sings in the film Casablanca. It was Oldham who replaced “Time” with “Tears”.

According to Jagger biographer Philip Norman, the song was mainly created by Jagger, in co-operation with session guitarist Big Jim Sullivan, although Jagger claims he was responsible for the lyrics while Richards wrote the melody.

In her own autobiography, Faithfull (1994), written together with David Dalton, she says “‘As Tears Go By’ was not, contrary to popular folklore, written for me, but it fitted me so perfectly it might as well have been”.

References:
1. As Tears Go By (song) – Wikipedia

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Where Does Hair Come From?

When I mean hair, I mean all hair: facial, head, chest, arms, legs, ears, nose, toes and yeh, those places at the epicentre. Obviously, strands of thousands of metres of hair aren’t lying dormant inside our bodies just being pumped out incrementally. How does this hair magically appear? I am 49 years old, and I have no idea the answer to this question.

The reason I pondered this, apart from being a bit ‘loco’ is I have noticed in the early mornings I sometimes feel my cheeks scratch as if hair is threading its way through. And I imagine they are, little by little; just piercing their way through and I don’t like how it feels. It’s prickly. After a week I find I have to shave because the itchy feeling on my cheeks and neck drives me crazy.

Nasal, eyebrow and ear hair seem to bloom like flowers in the spring. I’m sure everyone wanted to know that, but it is what it is. Where am I going with this? I have no idea, but shortly will answer this question: Where does hair come from? I even considered getting waxed all over, so I didn’t need to keep shaving; here, there and everywhere. The price I found was exorbitant even though over the long term I probably would have saved a bucket-load…on hair and electricity costs.

I’m sorry to put my readers through this. Anyhow, so let’s find out where hair comes from, which I’ve never searched for or looked at my entire life. I always thought hair was bad on me, but so it goes; hair protects your skin and traps particles like dust around your eyes and ears. So why does it make me want to shave after about a week? The reason that I don’t understand where hair comes from is because of this:

Hair is a protein filament that grows from follicles found in the dermis.

Comments are welcome.

Reference:
1: Hair – Wikipedia

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Mighty to Save (2006) – Hillsong

Mighty to Save is the title track off Hillsong’s 2006 album. This is the third song to appear here from Hillsong. The quality and vibrance of this performance are nothing short of spectacular to my senses. The performer of today’s track is Reuben Morgan who I had the good fortune to meet for dinner at Mornington Baptist church and present the lyrics during his show. More songs will appear from both Hillsong and Reuben Morgan as a solo artist from his first album – World Through Your Eyes.

Reuben Timothy Morgan (born 9 August 1975) is an Australian worship pastor at Hillsong Church and one of several worship leaders and songwriters in Hillsong Worship group. Prior to this he was a worship pastor at Hillsong Church in Sydney, Australia. He has written songs such as “Eagles Wings“, “Hear Our Praises“, “I Give You My Heart“, “My Redeemer Lives” and “Mighty to Save” (today’s song), which won the Worship Song of the Year at the 40th GMA Dove Awards.

[Verse 1]
Well, everyone needs compassion
A love that’s never failing
Let mercy fall on me
Well, everyone needs forgiveness
The kindness of a Saviour
The hope of nations

[Chorus]
Saviour, He can move the mountains
And my God is mighty to save, He is mighty to save
Forever, Author of Salvation
He rose and conquered the grave
Jesus conquered the grave

Mighty to Save was released in what many suggest was the golden era of Hillsong – the early 2000’s. I wrote about a previous album they released For All You’ve Done (2004) which hasn’t got a mediocre track on it. Mighty to Save is the fifteenth album in the live praise and worship series of contemporary worship music by Hillsong Church. It was released in July 2006, at the annual Hillsong Conference. The album peaked at No. 25 on the ARIA Albums Chart.

References:
1. Reuben Morgan – Wikipedia
2. Mighty to Save (Hillsong album) – Wikipedia

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Mia & Sebastian’s Theme – La La Land (2016) – Justin Hurwitz

This look by actress Emma Stone and this song combined is one of the most impactful and romantic scenes I’ve seen in cinema. Well, there are actually three of those scenes in the movie. How is that? I’ll lay it out below. And those familiar with the film will know where I’m going. This short theme plays a lot in the film; more than three times and it’s never dull.

I just see her ‘look’. You can’t teach that. In terms of romantic chemistry between lead actors (Ryan Gosling and Emma Stone) La La Land is on par with Remains of the Day (Anthony Hopkins and Emma Thompson). I’ve never seen their equal.

The composer of the music Justin Hurwitz was a friend of director Damien’s Chazelle at Harvard University. Damien won best director for La La Land at 32 years old, making him the youngest to win the award. It’s Damien’s Chazelle’s ‘Citizen Kane’. It was his passion project which he was able to make after Whiplash became such a big success. You can find a lot more information about La La Land in my previous three posts of the movie. Ok, here goes…. Musicals are not my go-to genre in movies and I wasn’t expecting much from the movie when I saw the trailer.

Remember the trailer? She watches him with that look in the same place (parallel universe), but they kiss just after he is fired. Anyone who had watched the trailer and walked into the movie thought they knew what was going to happen after she had entered for the first time. It’s brilliant how they concocted it to deceive the audience’s expectations upon first viewing. I’ve never seen that done before and it worked a charm. So, he brushes her off as seen below and as a movie-goer we are left thinking…wait…what!!!! That’s not what I saw.

Now for the three scenes with the same look by Emma Stone and this music:
The first is when she first hears the theme music and walks into the bar and he shrugs her off. The next is the parallel universe scene as presented in the epilogue and trailer which I wrote about in December, 2021. Then if that wasn’t enough, it’s presented again at the end of the film and each time her ‘look’ and this music is ‘movie magic’. I love this movie.

To quote artsy1987 in the YT comments below:

This movie is a masterpiece. Ive never seen a movie so aesthetic. If only there were more like this. You know, jazzy music, beautiful aesthetic colours, comfound cinematic movie capture. Its just, like a piece a diamond. This movie deserves more attention even after years of released.

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Messiah (1741) – George Frideric Handel

The Messiah is the second composition from George Frideric Handel to feature here. The previous was the exquisite opening aria from his 1738 opera Serse also known as Ombra mai fu and Largo from Xerxes or Handel’s Largo. The Messiah premiered 3 years later in Dublin on 13 April 1742. I have presented below two of the most famous pieces from it, namely Hallelujah and The Pastoral Symphony. Most of the information contained in this article was sourced from the Wikipedia article below.

Messiah is an English-language oratorio. An oratorio is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece. 

Handel’s reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; Messiah was his sixth work in this genre. The text was compiled from the King James Bible and the Coverdale Psalter by Charles Jennens. Jennens’s text is an extended reflection on Jesus as the Messiah called Christ. The text begins in Part I with prophecies by Isaiah and others, and moves to the annunciation to the shepherds, the only “scene” taken from the Gospels. In Part II, Handel concentrates on the Passion of Jesus and ends with the Hallelujah chorus. In Part III he covers Paul’s teachings on the resurrection of the dead and Christ’s glorification in heaven.

The composer George Frideric Handel, born in Halle, Germany in 1685, took up permanent residence in London in 1712, and became a naturalised British subject in 1727. By 1741 his pre-eminence in British music was evident from the honours he had accumulated, including a pension from the court of King George II, the office of Composer of Musick for the Chapel Royal, and—most unusually for a living person—a statue erected in his honour in Vauxhall Gardens.

In July 1741 librettist Charles Jennens sent Handel a new libretto for an oratorio; in a letter dated 10 July to his friend Edward Holdsworth, Jennens wrote: “I hope [Handel] will lay out his whole Genius & Skill upon it, that the Composition may excel all his former Compositions, as the Subject excells every other subject. The Subject is Messiah“.
During the 1750s Messiah was performed increasingly at festivals and cathedrals throughout the country. Individual choruses and arias were occasionally extracted for use as anthems or motets in church services, or as concert pieces, a practice that grew in the 19th century and has continued ever since. After Handel’s death, performances were given in Florence (1768), New York (excerpts, 1770), Hamburg (1772), and Mannheim (1777), where Mozart first heard it.

References:
1. Messiah (Handel) – Wikipedia

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Memory (1981) – Elaine Paige & Betty Buckley’s rendition (Andrew Lloyd Webber)

I knew the hardest thing writing this post was deciding which version of Memory to feature at the end. Would I go with the version from Cats the Musical (image above), or another Elaine Page version at the Royal Albert Hall. I even considered The Three Tenorsversion in Rome, 1990…. You know Plácido Domingo, Luciano Pavarotti and the other guy. I decided to go with Elaine’s version (not Elaine from Seinfeld – ‘it’s really you‘) at the Royal Albert Hall. Perhaps you have another version you prefer, which I would love to hear.

I’m enamoured with the lyrics of Memory that Trevor Nunn wrote so I have pasted more than I usually do. Plus, I like to fill in white space with stuff and “The rest is just scribbling and bibbling“. If anyone can guess where that quote is from without referring to the link deserves my highest appreciation. I really mean that.
Andrew Lloyd Webber composed this show tune and for all you young folk out there did some pretty good stuff.  He is an English composer and impresario of musical theatre. Several of his musicals have run for more than a decade both in the West End and on Broadway.

[Verse 1]
Midnight, not a sound from the pavement
Has the moon lost her memory?
She is smiling alone
In the lamplight, the withered leaves collect at my feet
And the wind begins to moan

[Verse 2]
Memory, all alone in the moonlight
I can smile at the old days
I was beautiful then
I remember the time I knew what happiness was
Let the memory live again

[Bridge 1]
Every streetlamp seems to beat
A fatalistic warning
Someone mutters and the streetlamp gutters
And soon
It will be morning

[Verse 3]
Daylight
I must wait for the sunrise
I must think of a new life
And I mustn’t give in
When the dawn comes, tonight will be a memory too
And a new day will begin

I have never seen in entirety an Andrew Lloyd Webber production, but I was always a fan of this show piece. To quote Jim Carrey in Dumb and Dumber: ‘I like it a lot‘. Elaine Page is such a wonderful performer. Her rendition of Bette Midler’s The Rose always wow’d me and her expressions and manner of delivery are simply first class. If you want to hear someone raise the register of voice in an already difficult song to sing then hear Elaine’s version of The Rose.
Elaine Paige originated the role of Grizabella in the West End production of Cats and was thus the first to perform the song publicly on stage. Memory was named the Best Song Musically and Lyrically at the 1982 Ivor Novello Awards.

In 2020, Jessie Thompson of the Evening Standard wrote:
Paige’s version set the standard and enabled Memory to become one of the most recognisable musical theatre songs of all time.

If you want to see just what a class act Elaine Paige is then watch these videos:

Elaine Paige On Susan Boye. They eventually did sing together in I Know Him So Well.

Updated (12/10/23) – Jeff at Eclectic Music Lover wrote below in the comments:
I saw a touring production of ‘Cats’ in 1985 in Los Angeles and loved it. Looking back, I’m not quite as fond of the musical overall, however, I think “Memory” is one of the most beautiful and heartbreaking songs ever written. I cannot listen to it without tearing up, and the lyrics “I can smile at the old days, I was beautiful then. I remember the time I knew what happiness was. Let the memory live again” really hit hard.

I also love Betty Buckley’s rendition from the original Broadway cast production, which is the one I heard first. Here’s her performance at the 1983 Tony Awards: 

References:
1. Memory (Cats Song) – Wikipedia

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Memories (2019) – Maroon 5

Two songs in a row featured here recommended by my children. What is going on? Sometimes after hearing ten’s of the crappiest songs there comes along a diamond in the rust. That’s a Joan Baez reference for all you kids out there, although she actually wrote Diamonds and Rust, a song you would undoubtedly be familiar with.
I like to give credit where it’s due. Today’s song Memories by Maroon 5 has only about 1 billion views of their video, and yet it’s still a pretty good song! It makes everyone cry I’ve been told from unspecified sources. A song presented here two days ago Leave (If You Want To) by My Friend the Chocolate Cake has 7 views in 6 months. Now that wants to make me cry.

[Chorus]
Here’s to the ones that we got
Cheers to the wish you were here, but you’re not
‘Cause the drinks bring back all the memories
Of everything we’ve been through
Toast to the ones here today
Toast to the ones that we lost on the way
‘Cause the drinks bring back all the memories
And the memories bring back, memories bring back you

[Verse 1]
There’s a time that I remember when I did not know no pain
When I believed in forever and everything would stay the same
Now my heart feel like December when somebody say your name
‘Cause I can’t reach out to call you, but I know I will one day, yeah

Memories is a song by American band Maroon 5 and was the lead single from the band’s seventh studio album Jordi. Memories is based on Canon in D Major by German composer Johann Pachelbel which featured here July, 2020. The single peaked at number two on the US Billboard Hot 100 chart and at number one on the international music charts.

The band’s lead singer, Adam Levine, explained:

This song is for anyone who has ever experienced loss. In other words, this song is for all of us.” The song is based on the loss of the band’s manager and Levine’s friend, Jordan Feldstein who died in December 2017. According to guitarist, James Valentine: “It’s a different kind of song for us…It’s an important song for us. You know, we experienced some loss in the last couple of years. We lost our longtime manager, Jordan Feldstein. We heard the skeleton of this song and thought it matched where we were at.”

References:
1. Memories (Maroon 5 song) – Wikipedia

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Me Hace Daño Verte (2020) – Fresto

Me Hace Daño Verte (It Hurts Me to See You) is another song my kids recommended to me. It didn’t take me much time to decide to add this spectacular Salsa song to the Music Library Project. Cuban singer – songwriter Freddy Ernesto Gamboa Pérez is better known as Fresto. After crying and missing the person he loved, Fresto decided to fill himself with courage and, in the middle of his “tusa” (extreme sadness for a lost love), he composed Me Hace Daño Verte (It Hurts Me to See You); the song that went viral and has become today’s salsa hymn. It is part of his first album called ‘Trovando el son‘.

A crude English translation of the opening stanzas of Me Hace Daño Verte (It Hurts Me to See You):

It hurts me to see you
I would like you to leave
I would give everything to have the power
that you disappeared

I try to forget you
either way
But it’s getting impossible for me
if you go out anywhere

If you go out wherever I’m walking
and a couple who are kissing
In the rainbow with which you make up
if you’re not crying

The lyrics of the song were born out of the purest spite. The person who inspired the song, I will never say the name, I’ll take it to the grave, but it really was such a situation. One love, that we all go through in our lives and stormy at times. I saw her everywhere and one day I went out with a lot of anger, and I made the song for her and here it is. It came out just the way it came out and that’s how it stayed, because it has become a hymn for many for what I consider is no longer mine, it belongs to the entire public”, explained the Cuban.

Although Me Hace Daño Verte (It Hurts Me to See You) was created three years ago, only now is it being played in all corners of the world, where they sing and dance to it non-stop. It is said it became the most popular Salsa song in 2022. Now Fresto lives with his wife and children in Cuenca, Ecuador. When interviewed on the Pereira Diversa program, he said that he began his path in music at the age of 10 and made his debut as a composer at the age of 16. The grandson of a piano teacher, Fresto learned about the flute, piano, percussion, and guitar. “My other vocation is to teach the little ones” he comments when posting about his participation in musicals.

References:
1. Quien es Fresto? – Que Noticias
2. Fresto y la historia detrás de su tema viral ‘Me hace daño verte’ – El Universal

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