Lodi (1969) – Creedence Clearwater Revival

This is the first song to appear here from Creedence Clearwater Revival. They were formally named the Golliwogs and I’m not kidding. The band’s most prolific and successful period was between 1969 and 1971 and performed at the 1969 Woodstock festival as the first major act signed. CCR disbanded acrimoniously in late 1972 after four years of chart-topping success.

Like the ‘Dude’ from The Big Lebowsky I would classify myself more a Creedence fan than the Eagles:

Come on, man. I had a rough night and I hate the fuckin’ Eagles, man!

But, I do think Don Henley’s solo output is the bee’s knees, but any-hows where were we? Oh yeh, Creedence. Lodi was released four months before the album Green River, as the B-side of Bad Moon Rising. I was reminded of today’s song from Max’s post at his blog PowerPop.

[Verse 1]
Just about a year ago
I set out on the road
Seekin’ my fame and fortune
And lookin’ for a pot of gold
Things got bad and things got worse
I guess you know the tune
Oh Lord, stuck in Lodi again

[Verse 2]
Rode in on the Greyhound
I’ll be walkin’ out if I go
I was just passin’ through
Must be seven months or more
Ran out of time and money
Looks like they took my friend
Oh Lord, I’m stuck in Lodi again

Lodi is a city in California located in the central valley, about 38 miles south of Sacramento and 87 miles away from Oakland. John Fogerty (founder and lead singer) later said he had never actually visited Lodi before writing this song, and simply picked it for the song because it had “the coolest sounding name.”

References:
1. Lodi (Creedence Clearwater Revival song) – Wikipedia

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Whiplash (2002) – Damien Chazelle (Friday’s Finest)

I mentioned J.K Simmons (image above) imposing bit part in the movie Up In the Air two weeks ago. Today we get to revel in what he is truly capable of as an actor. This independent psychological drama is as brutal to watch as it is engrossing in nearly every scene. Damien Chazelle (pictured left) is one of the most astute and admired young directors going around. He wrote the script of Whiplash in 2013 when he was just 28 years old. He drew upon his experiences in a “very competitive” jazz band in high school.

IMDB Storyline:

Andrew Neiman, a 19-year-old jazz drummer is determined to rise to the top of the country’s most elite music conservatory. Plagued by the failed writing career of his father, Andrew hungers day and night to become one of the greats. Terence Fletcher (J.K. Simmons, Juno), an instructor equally known for his teaching talents as for his terrifying methods, leads the top jazz ensemble in the school. Fletcher discovers Andrew and transfers the aspiring drummer into his band, forever changing the young man’s life. Andrew’s passion to achieve perfection quickly spirals into obsession, as his ruthless teacher continues to push him to the brink of both his ability and his sanity.

There is a very fine line between mentor / motivator and abuser. This movie seems to draw that line and expose it for all its worth. I lived as cadet in a Military Academy run by other cadets. Lord of the Flies if you will. I think what this film achieves is a good thing, but since perhaps 2000 I believe our educators have gone too soft and there exists an ‘Everyone is a winner‘ mentality in Education that started from Herbert Marcuse’s ‘Repressive Tolerance‘ book and thereafter Paulo Freire’s push towards critical pedagogy. Meritocracy has in many respects been shown the door. AI such as Chat GPT 4.0 and other such information intelligences could render Meritocracy obsolete in months / years.

Whiplash was initially sponsored as a short film but was backed by the production companies Right of Way Films and Blumhouse Productions to be made into a full feature. It premiered at Sundance in 2014 and won the Audience Award and Grand Jury Prize for drama. The film ended up grossing grossed $49 million on a $3.3 million budget making it Chazelle’s highest grossing feature until La La Land (2016). It was shot in just 19 days.

There are other absorbing facts below from the Wikipedia article:

While attending Princeton High School Damien Chazelle was in the “very competitive” Studio Band and drew on the dread he felt in those years. He based the conductor, Terence Fletcher, on his former band instructor (who died in 2003) but “pushed it further”, adding elements of Buddy Rich and other band leaders known for their harsh treatment. Chazelle said he wrote the film “initially in frustration” while trying to get his musical La La Land off the ground.

Early on, Chazelle gave J. K. Simmons direction that “I want you to take it past what you think the normal limit would be,” telling him: “I don’t want to see a human being on-screen anymore. I want to see a monster, a gargoyle, an animal.” Many of the band members were real musicians or music students, and Chazelle tried to capture their expressions of fear and anxiety when Simmons pressed them. 

Having taught himself to play drums at age 15, the protagonist Teller performed much of the drumming seen in the film. Supporting actor and jazz drummer Nate Lang, who plays Teller’s rival Carl in the film, trained Teller in the specifics of jazz drumming; this included changing his grip from “matched” to “traditional”. For certain scenes, professional drummer Kyle Crane served as Teller’s drum double.

References:
1. Whiplash (2014 film) – Wikipedia
2. Whiplash – IMDB

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Lluvia (1970) – Eddie Santiago

We have been going down a path of classic songs from Latin artists and today’s featured track ‘Lluvia‘ (Rain) won’t disappoint listeners. This is pure ‘Salsa Rosa‘ music which means Salsa music romantical which garnered notoriety since the mid-1980s.

I wrote a post of Puerto Rican Jerry Rivera’s hit Amores Como el Nuestro (‘Loves’ like Our One) which is also a pure ‘Salsa Rosa‘ song. Eddie Santiago (born Eduardo Santiago Rodríguez, 1955) like Jerry Rivera is a salsa singer from Puerto Rico (see map left).

There are few followers of Salsa music who don’t know the words of ‘Lluvia‘ interpreted by Eddie Santiago. ‘Lluvia‘ was composed by the Argentine writer Luis Ángel and he deserves big accolades here because these words in any language are A1 Masterclass level.

(A crude English translation follows)

[Verse 1]
Don’t tell me anything, I already knew
That our romance would end
Don’t tell me anything, I don’t want any more words
Because even being yours they hurt me

[Pre-Chorus]
Don’t tell me anything and go away
Don’t call your hypocrisy love
Don’t tell me anything, the fool here was me
They hurt me, rose, your thorns

[Chorus]
Rain Rain
Your cold kisses like rain (Rain)
That drop by drop they were cooling (Rain)
My soul, my body and my being
Rain Rain)
Your hands cold as rain (Rain)
That day by day they were cooling (Rain)
My burning desire and my skin

The song is inspired by a story of heartbreak by Luis Ángel, in which he captures how the woman he loved used to treat him very badly and could not understand how, after so much mistreatment, he was still by her side, but the answer seems to be very simple: he believed was the love of his life.

When the Argentine writer was asked about the identity of this woman who made him suffer, he was silent. Which is already irrelevant with the success that was ‘Lluvia‘, a song that marked the sensual and romantic sauce and that was engraved in the hearts of inveterate romantics.

References:
1. Eddie Santiago: Conoce la historia detrás de ‘Lluvia’ – Radio Mar

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The AnkiDroid Collection (Part 39) – Cuplé, Cortisol & The Teacher’s Slogan

Ankidroid additions related to Science, History and Philosophy. More information about Anki can be found in this article.

Cuplé

The cuplé is a Spanish musical style, light and popular, which could sometimes be risqué and spicy by the standards of the time. I featured Nathy Peluso’s version yesterday of The Violetera (The Woman who sells Violets) which is quintessential Cuplé music and a homage to Sara Montiel and the film of the same name (see above).

Cortisol

This is related to last week’s pituitary gland post.
Cortisol is a steroid hormone. It is located in the adrenal glands which lie above the kidneys. It is released in response to stress and low blood glucose and released with a circadian cycle which regulates the sleep – wake cycle every 24 hours.

The Teacher’s Slogan

Jordan Peterson said in the video below:

‘You need to learn to think! Thinking makes you active in the world. It makes you win the battles you undertake and those could be battles for good things. If you can think, and speak, and write you are absolutely deadly. Nothing can get in your way. It’s the most powerful weapon you can provide someone with’

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La Violetera (Los Goya 2021) – Nathy Peluso

Argentinian Nathy Peluso sings drama, salsa, jazz, reggaeton, boleros, tango, soul, trap, hip – hop.
Peluso featured here before with her infamous rap song Nasty Girl which hasn’t won me any friends. I don’t care. I can’t get enough of it, like her other rap – hip hop song Sana Sana and her salsa composition Pure Venom. She is so fresh and daring.

It’s Peluso’s manner of delivery, transparency and conviction which I admire so highly. She has shown that she can interpret any musical style because she has talent in abundance. Anyone who at the age of 16 can perform classic songs by Frank Sinatra or Nina Simone at hotels and restaurants in Torrevieja, Spain knows their stuff!

Todays song ‘La Violetera‘ (The Woman who sells Violets) is a classic Spanish track and the Argentine singer interprets the iconic ‘cuplé’ (The cuplé is a Spanish musical style, light and popular, which could sometimes be risqué and spicy by the standards of the time), which achieved great popularity with Sara Montiel and the film of the same name.

(A loose English translation follows):

Like birds heralding spring
Violeteras appear in Madrid
that proclaiming swallows look like
that they are chirping, that they are chirping

take it, sir
That is not worth more than a real
buy me this bouquet
buy me this bouquet
To show it off in the buttonhole

It’s her happy eyes, her smiling face
What is said a type of Madrid
Net and castiza that if she closes her eyes
She sears you, she sears you

The flowers give the song its name and also adorn Peluso’s dress, who in the days leading up to the gala promised “devotion, flavor and heart” in this performance and assured that performing at the Goyas is “a great dream come true.” Nathy is one of the few stars with her own style and one of the most creative queens of hip-hop and trap at the moment as aforementioned.

Nathy Peluso sings in her own way and gives the song her particular sensual style. Images of Sara Montiel appeared at the back of the stage, whom one identifies with this song, and Charles Chaplin, who used it in his film “City Lights“.

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Llorandote (1970) – Luis Felipe Gonzalez

Luis Felipe Gonzalez’s father Pascual was a great musician, composer and serenader dedicated to the music popular in Latin America. He bequeathed all his musical heritage and his artistic influence to Luis Felipe and his brother Nelson. Luis Felipe sang with his father’s quartet and composed romantic songs on the guitar from an early age.

Luis Felipe was born in Caracas, Venezuela, on December 31, 1949. At the age of four he began in the world of music playing the ‘cuatro‘. The Cuatro guitar is used throughout Latin America, but it acquires an important role in the musical ensembles of countries such as Puerto Rico, Cuba, the Dominican Republic, and Venezuela, where it is part of folklore and accompanies popular dances and songs. Here you can see it played.

He made his mark in New York in 1967 with the song “Kikiriwí” and later at the Cali Festival in Colombia in 1972 with the signature festival song ‘Payaso‘. Today’s song Llorandote (Crying to You) I have always enjoyed listening to since I came to Colombia in 2009. It has a fantastic melody and rhythm, and Luis Felipe’s voice raises the bar from this just being another Salsa track. This is the more traditional and distinguished Salsa which I prefer over the modern material.

(A crude English translation follows)

I have cried the unspeakable
For being the owner of your love
And to make a dream come true
It seems impossible

I think you so infallible
Like the god of passion
You live in my heart
cute meadow lily
And came to know about it
only the
day of passion

give me a kiss of love
angel of my future
And don’t let me die
Between bitterness and pain

In 1979 he toured abroad, making many presentations and recording a new album in Los Angeles, California, a place where Luis Felipe also deepened his knowledge of folk music and the harp. He also made a recording of an album with the tenor Placido Domingo. In September 2008, maestro González celebrated 45 years of artistic life, with 105 albums and more than a thousand songs in his musical arsenal.

References:
1. Biografía de Luis Felipe González – Buena Música

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Llegaremos a Tiempo (2009) – Rosana

On April 14, 2009 Rosana Arbelo Gopar released her seventh album, ‘A las Buenas y a las Malas‘ (The Good and the Bad). In the words of the Canary Islander, it is her work “more electric, more direct, more pop-rock from top to bottom, more uniform and less Latin.” For the cover of this new work, the singer appears with a large peace symbol painted on her face along with two red stripes (seen above), the pre-war symbol of the Comanches. An aesthetic that she maintains in the video of today’s featured track Llegaremos a Tiempo (We’ll Arrive on Time).

A crude English translation follows:

[Verse 1]
If they tear off you the child we carry inside
If they take your breast and change your story
Do not swallow it because we’re not dead
We’ll be on time, we’ll be on time

[Verse 2]
If your wings were anchored in the dock of the wind
I wait for you a second on the edge of time
Got here when you go beyond the attempt
We’ll be on time, we’ll be on time

[Pre-Chorus 2]
Better slow than standing, unzip the heart
Don’t let your imagination get tied up
Do not stay waiting for the occasion to paint
That life is two strokes and a blur

[Chorus]
I’m afraid that hope is broken
Let freedom run out of wings
I’m afraid you have a day without morning
I’m afraid that fear gave you a pulse and could more
Don’t give up, don’t sit back and wait

The first three minutes of Llegaremos a Tiempo contain some of my favourite ballad-music in Spanish although it’s clearly an ‘activist’ message. It gets a bit muddled and lost after that, but the first 3 minutes alone deserve a place in the Music Library Project. Rosana began composing music after moving to Madrid in the early 1980s. She won first place in the Benidorm International Song Festival in 1996 with her song “Fuego y Miel” (“Fire and Honey” in English), which led her winning a recording contract with MCA Records. 

References:
1. Rosana – Wikipedia
2. A Las Buenas y las Malas – Wikpedia

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Living Proof (1992) – Bruce Springsteen

Bruce performing ‘Living Proof’ in the MTV plugged concert recorded in 1992.

Living Proof is lyrically one of my favourite songs from Bruce. It is about the birth of his first son Evan James, born in the summer of 1990. The song also explores the duality of fear versus love, the dusky room pierced by the Lord’s light, the innocence of a child in a hard and dirty world.
This is the fourth song to appear from Bruce’s double release albums Human Touch / Lucky Town. I always agreed with the Rolling Stones review of the double release that argued ‘the aims of the two albums would have been better realized by a single, more carefully shaped collection’. There at least ten songs from both albums that could have been combined to form one classic Springsteen album.

Bruce’s voice seems a bit haggard on Living Proof and perhaps that’s intentional given its subject matter. The dual-record was seen by some as evidence his voice was shot or at least no longer possessed the same ferocity heard on the Born in the USA tour. Well everyone gets older, I say. He’s only human.

[Verse 1]
Well now on a summer night in a dusky room
Come a little piece of the Lord’s undying light
Crying like he swallowed the fiery moon
In his mother’s arms it was all the beauty I could take
Like the missing words to some prayer that I could never make

[Chorus]
In a world so hard and dirty
So fouled and confused
Searching for a little bit of God’s mercy
I found living proof

[Verse 2]
I put my heart and soul, I put ’em high up on a shelf
Right next to the faith, the faith that I’d lost in myself
I went down into the desert city
Just tryin’ so hard to shed my skin
I crawled deep into some kind of darkness
Lookin’ to burn out every every trace of who I’d been

[Chorus]
You do some sad sad things, baby
When it’s you you’re tryin’ to lose
You do some sad and hurtful things
I’ve seen living proof

Lucky Town is the tenth studio album by Bruce Springsteen. The album was released on March 31, 1992, the same day as Springsteen’s Human Touch album. Compared to Human Touch, Lucky Town has a more stripped down, folk-based sound and is more personal in its songs’ lyrics such as today’s featured track Living Proof.

“The night my son was born, I got close to a feeling of real, pure, unconditional love with all the walls down. All of a sudden, what was happening was so immense that it just stomped all the fear away for a little while and I remember feeling overwhelmed. But I also understood why you’re so frightened. When that world of love comes rushing in, a world of fear comes with it. To open yourself up to one thing, you’ve got to embrace the other thing as well… My music over the last five years has dealt with those almost primitive issues; it’s about somebody walking through that world of fear so that he can live in the world of love.”  –Bruce Springsteen to David Hepworth, Q Magazine, August 1992

Reference:
1. Lucky Town – Wikipedia
2. Roll of the Dice – Living Proof – Estreet Shuffle

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About a Boy (2002) – Paul Weitz and Chris Weitz (Friday’s Finest)

I had an animated discussion about this movie recently and assumed I had written about it here at ‘Friday’s Finest‘. When About a Boy comes on cable I find myself compelled to watch it. I don’t know how many times I have seen it, but it’s a bucket load. I related a lot to Will, played by Hugh Grant because of my own circumstances and disposition. Will: ‘I am an island. I am bloody Ibiza!’.

There isn’t a scene in the film which I don’t enjoy watching. About a Boy constantly walks a tight rope constantly between witty and frivolous light comedy and serious drama. I think what I admire most about it, despite the fantastic performances and clever dialogue; is its salient message. And the movie delivers it in such a way as not to bludgeon the audience with ‘Dah, no man is an Island‘, but demonstrate through realistic and uncomfortable interactions (many of which are darkly funny) that we humans ARE social creatures. We require connection with other people even if some may be our polar opposite and be bothersome like 12-year-old Marcus is to Will.

IMDB Storyline:

Will, a rich, child-free and irresponsible Londoner in his thirties who, in search of available women, invents an imaginary son and starts attending single parent meetings. As a result of one of his liaisons, he meets Marcus, an odd 12-year-old boy with problems at school. Gradually, Will and Marcus become friends, and as Will teaches Marcus how to be a cool kid, Marcus helps Will to finally grow up.

About a Boy is an adaptation of the 1998 novel of the same name by Nick Hornby and nominated for an Academy Award for Best Adapted Screenplay. With a budget of US$30 million, the film grossed a worldwide total of $130.5 million. On Rotten Tomatoes the film holds an approval rating of 93% based on 187 reviews, and an average rating of 7.7/10.

Actors Hugh Grant and Toni Collette were nominated for a Golden Globe and a BAFTA Award, respectively, for their performances. When Toni followed this up after her immensely moving performance in The Sixth Sense (1999), I realised my fellow Australian was now in the big leagues. I also reviewed the movie Hereditary (2018) which she starred in and blew audiences away.

IMDB Trivia:

  • The shot of Will reflected in the mirror when he is depressed was actually taken when Hugh Grant was taking a break. The directors noticed him doing this and from behind he looked depressed, so they shot it without him knowing.
  • Brad Pitt turned down the lead role of Will Freeman on the grounds that it was implausible that someone so attractive would need to pretend to be a single father to meet women. He nevertheless appears in the film (sort of) – he is on the cover of an issue of “Esquire” magazine that Will is reading in his flat.
  • As Will describes web-based research as a “unit of time” in his day, he types the URL supermodelswithseethroughtops.com. This is an active Web site, consisting of a picture of Pope John Paul II in his “Pope-mobile”.
  • The quote “No man is an island” which Will jokingly attributes to Jon Bon Jovi, was actually written by John Donne in 1624, in his work “Meditation XVII”.

The scene I have presented below is one of many that make me chuckle called ‘A Depression free Life‘. Let me know what you thought of the movie. Thank you for reading.

References:
1. About a Boy (Film) – Wikipedia
2. About a Boy – IMDB

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Live it Up (1985) – Mental as Anything

I was with my Mom in Western Sydney when I was about 13 and we had to go the vet and while we visited I saw Greedy Smith, the lead singer of today’s track Live it Up. I believe it was the first time I saw someone famous in person. I was chuffed to put it mildly. Anyhows…It’s weird, but I like Live it Up more now than when when I first heard it.

Live It Up is a great Australian hit song. When I look back it seems more of a 60’s milkbar song than a song from the mid 80’s, but it hits all the right buttons for me. As is often the case the verses supersede the chorus, and you just wish for more verse time and less chorus; at least that is my appreciation of the song.

[Verse 1]
How can you see looking through those tears?
Don’t you know you’re worth your weight in gold?
I can’t believe that you’re alone in here
Let me warm your hands against the cold

[Verse 2]
A close encounter with a hard-hearted man
Who never gave half of what he got
Has made you wish that you’d never been born
That’s a shame ’cause you got the lot

[Chorus]
Hey there, you, with the sad face
Come up to my place and live it up
You, beside the dance floor
What do you cry for? Let’s live it up

Live it Up was released in 1985 in Australia and then Europe and America. Later it appeared in the movie Crocodile Dundee. I love the production of this song below in the milk bar setting. It’s really crafty and lends so much to the song. It even features the famous Australian ‘meat pie‘ which like ‘vegemite‘ I have been craving for over 14 years.

Greedy Smith said of the song:

“You know when I felt that was going to be a hit? When we finished mixing it. It took about half an hour to write in my head. But then two years to get it right. We had no idea of how big it would be.”

Live It Up appears on the band’s 1985 album, Fundamental. It was released in Australia as the album’s second single in May 1985. It spent 12 weeks in the Top 10, becoming the fourth biggest-selling single of 1985 in Australia. It reached top 20 in many countries. Greedy also recalled when Live It Up went to number three in the UK… ‘that was a special moment. It had been a hit in Australia but nobody was interested over there and in Europe. Then, when Crocodile Dundee came out, our record company over there said ‘Let’s put the poster on the single pack. After that, it was a huge hit‘.

References:
1. Live It Up (Mental As Anything song) – Wikipedia

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