Inside Out (1990) – Traveling Wilburys

I think Inside Out is one of the 2 most congenial efforts by the Traveling Wilburys from their 2 albums. It might not reach the heights of Orbison’s solo contribution of You’re Not Alone or Dylan’s Tweeter and the Monkey Man, but as a group this and Handle Me With Care are their best collaborative songs for mine. The song is playful, humorous and expertly written and delivered. These songs appeal to a wide audience base because they incorporate so many genres of music and are appealing to even the most novice afficionado (ie a younger music audience).

Look out your window
That grass ain’t green
It’s kinda yellow
See what I mean?

Look up your chimney
The sky ain’t blue
It’s kinda yellow
You know it’s true

It’s so hard to figure what it’s all about

When your outside’s in (Inside out)

Inside Out was written by all 4 members of the band and was the first they worked on for the Vol 3. Traveling Wilburys record. The song was issued as a promotional single in the United States, where it peaked at number 16 on Billboard‘s chart. Following the death of Roy Orbison in December 1988, the group gathered at a private house they dubbed “Camp Wilbury“, in Bel Air, Los Angeles. George Harrison recalled that he, Tom Petty, Jeff Lynne and Bob Dylan had the musical part of the song finished “within an hour” of starting work. He said this encouraged him to realise that the band would be able to continue as before, despite the loss of Orbison.

Bob or Tom came up with the idea: “Look out your window, the grass ain’t green …” and I said, “It’s kinda yellow …” then somebody else said, “See what I mean?” So then we got the next bit: “Look up your chimney, the sky ain’t blue, it’s kinda yellow …” 

I’m not normally a fan of how ‘bridges‘ sound in songs, but George hit the ball out of the park in this song. Just spectacular music.

Reference:
1. Inside Out (Traveling Wilburys song)

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31/10 – 6/11/22 – Fiona Hill on Russia & Perpetual Cultural Revolution

news on the march

Welcome to Monday’s News on the March – The week that was in my digital world.

Fiona Hill: Vladimir Putin and Donald Trump | Lex Fridman Podcast #335
Video podcast interview at Lex Fridmen

Fiona Hill is a presidential advisor and foreign policy expert specializing in Russia. Some of the topics in this fascinating discussion include: How she started from humble beginnings, what the Soviet Union was like before it collapsed, advice to Lex Fridman for interview with Vladimir Putin, Why Putin invaded Ukraine, and is Putin Good or Bad for Russia. (Watch entire interview here)

Paulo Freire’s Perpetual Cultural Revolution – James Lindsay
Audio podcast at New Discourses

This episode of the New Discourses Podcast continues a long miniseries exploring Paulo Freire’s landmark 1985 book The Politics of Education: Culture, Power, and Liberation. In this episode, James takes up the seventh chapter of The Politics of Education, wherein Freire outlines the need for and process of “conscientization.” That is, in this chapter, Freire makes it clear that the neo-Marxist consciousness-raising process is what education is actually about. Join him to understand that for Freire, education is about becoming a Marxist and a radical explicitly in the mold of revolutionary guerrillas like Che Guevara. (Listen to audio presentation here)

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Innocent When You Dream (1987) – Tom Waits

Innocent When You Dream is the second song here from Tom Wait’s 10th studio album Franks Wild Years. If anyone wanted to find out what an imaginative composer Tom Waits is, in style presentation and substance, then look no further than this song. I like what someone said about this song at songmeanings: ‘this song will be playing while my friends & family inebriate themselves around my casket.’

Running through the graveyard
We laughed my friends and I
We swore we’d be together
Until the day we died
Until the day we died

It’s such a sad old feeling
The fields are soft and green
It’s memories that I’m stealing
But you’re innocent when you dream
When you dream
You’re innocent when you dream

Apart from the polyphony minstrel performance, the lyrics really struck me. It seems to be about dying alone with regret. The song was used as the soundtrack to the closing sequence, Auggie Wren’s Christmas Story, in the 1995 film, Smoke.

Barry Pomeroy at his web site wrote about Waits 80’s transition in music:

The piano-playing hard-drinking and smoking Waits of The Heart of Saturday Night and Nighthawks at the Diner settled down into the much stranger magician and carnival roustabout of the eighties. Drawing upon three-penny opera, vaudeville, classic blues and industrial music, Waits began to experiment with non-traditional instruments, bagpipes, marimba, pump organs, and odd percussive “instruments” such as brake drums, a damaged Chamberlin, and a Stroh violin.

Reference:
1. Innocent When You Dream (song) – Wikipedia
2. Innocent When You Dream: Narrative in Tom Waits’ Songs – Barry Pomeroy

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Independence Day (1980) – Bruce Springsteen

Springsteen Live in Dublin 2016 singing Independance Day.

Recently, I wrote about X – and their 4th of July song and now we have another which has nothing to do with today’s date. This was one of the first melancholy songs I heard from Bruce that made a big impact. I didn’t really understand it back then but listening to it now; Springsteen is alluding to his father’s life. It reminds me of what he sings about in Factory from the record Darkness on the Edge of Town: ‘I see my daddy walking through the factory gates in the rain. Factory takes his hearing; the factory gives him life‘.

Bruce Springsteen discussed that his father was a mill worker, then a soldier, and later in life between shifts at the Ford Motor plant in New Brunswick and other jobs, He was a heavy drinker, someone who suffered from mental health problems and lacked appropriate care or understanding for his family. “My father was my hero, and my greatest foe,” said Springsteen.

Well Papa, go to bed now, it’s getting late
Nothing we can say is gonna change anything now
I’ll be leaving in the morning from St. Mary’s Gate
We wouldn’t change this thing even if we could somehow


‘Cause the darkness of this house has got the best of us
There’s a darkness in this town that’s got us too
But they can’t touch me now and you can’t touch me now
They ain’t gonna do to me what I watched them do to you

Independence Day is the hardened and stoic immediate reality that finalises the break. There’s no celebration or triumph or even relief, just understanding that separation is necessary for survival. Its roots can certainly be found in the real-life relationship between Bruce and Dutch Springsteen.

Reference:
1. Independence Day (Bruce Springsteen song) – Wikipedia
2. The Story Behind The Song: How Bruce Springsteen created ‘Independence Day’ – Far Out Magazine

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Romancing the Stone (1984) – Robert Zemeckis (Friday’s Finest)

Last Friday featured the soundtrack of another Robert Zemeckis film – Cast Away. Zemeckis was originally working on the movie Cocoon but was pulled off it after an early screening of today’s featured film – Romancing the Stone failed to impress studio executives. Romancing the Stone won critics praises with 86% positive feedback, but audiences weren’t as affirming with just a 69% rating, but it did earn over $115 million worldwide at the box office and allowed Zemeckis to make Back to the Future. I have a strong affinity with Romancing since it is set in Colombia where I have lived for the past 13 years, but in reality, was mainly filmed in Mexico.

IMDB Storyline:

Joan Wilder, a mousy romance novelist, receives a treasure map in the mail from her recently murdered brother-in-law. Meanwhile, her sister Elaine is kidnapped in Colombia and the two criminals responsible demand that she travel to Colombia to exchange the map for her sister. Joan does, and quickly becomes lost in the jungle after being waylayed by Zolo, a vicious and corrupt Colombian cop who will stop at nothing to obtain the map. There, she meets an irreverent soldier-of-fortune named Jack Colton who agrees to bring her back to civilization. Together, they embark upon an adventure that could be straight out of Joan’s novels.

This was the only produced screenplay for writer Diane Thomas. She had been working as a waitress in Malibu when producer/star Michael Douglas optioned her script for $250,000, allowing her to quit her job. Sadly, Thomas died in a car accident, while working on a new movie project with Steven Spielberg the following year. She was a passenger while her boyfriend was driving a Porsche that Douglas had bought for her as a thank you gift.

Michael Douglas and Danny DeVito were roommates during their time in NYC when starting out in show business. Additionally, DeVito notes that Douglas got his break first with the TV series The Streets of San Francisco (1972) but continued to pay his share of the rent even after leaving their apartment in NYC for Hollywood. He would later, as producer and reluctant lead character, Jack T. Colton, offer the part of ‘Ralph’ to DeVito which DeVito admits was good exposure and helpful to his career.

In the famous dance scene of Romancing below, Michael Douglas was not aware that he was being filmed. He was dancing with Kathleen Turner and some extras and was surprised to find Robert Zemeckis had been filming the entire time. You can see Michael Douglas talk about his experience working on this movie here. As stated in the previous post about Cast Away, this film marked the beginning of director Robert Zemeckis’s partnership with composer Alan Silvestri.

References:
1. Romancing the Stone – Wikipedia
2. Romancing the Stone – IMDB

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Don’t Stop Believin’ (1981) – Journey

We are full steam ahead on the 80’s track. ‘Choo-Choo’! Don’t Stop Believin’ was released by another LA Band ‘Journey‘ at the dawn of the decade in the October 1981. It starts with a catchy keyboard riff by then new band-member Jonathan Cain who collaborated in the writing of this song reflecting on the encouragement his father gave him as a struggling musician living on Los Angeles’ Sunset Boulevard. Steve Perry’s vocals are excellent here.

You don’t get much more quintessential 80’s than what this song produced. I imagine it was a trendsetter for many other bands, since I’ve heard so many songs which resemble Don’t Stop Believin’ especially in movie soundtracks like The Karate Kid or Rocky IV etc. A Christian singer Kenny Marks whose music – a school-friend put me onto also captured this kind of sound in his 80’s releases.

Just a small-town girl, livin’ in a lonely world
She took the midnight train goin’ anywhere
Just a city boy, born and raised in South Detroit
He took the midnight train goin’ anywhere


A singer in a smoky room
The smell of wine and cheap perfume
For a smile, they can share the night
It goes on and on and on and on

The song is unusual in that its chorus does not arrive until the song is nearly finished. The verses are what appeal to me here. The Pre-chorus’ don’t ‘wow’ me at all. The band recorded the song in one take. It was a top -10 worldwide hit and became the group’s signature song. Decades after its release, it became the best-selling digital track from the twentieth century, with over seven million downloads. Rolling Stone ranked it among its 500 Greatest Songs of All Time.

Reference:
1. Don’t Stop Believin’ – Journey

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Burning House of Love (Live at Farm Aid 1985) – X

See the source image

I became familiar with this band from Max’s articles at Powerpop and I wrote about one song from them recently – 4th of July (1987). I’m not sure how I came across today’s featured song Burning House of Love, but it was probably recommended by Max. Their live concert performance below at Farm Aid really does it for me. It’s just so raw, brash and quintessential hard 80’s rock. Sometimes it’s out of tune and just bizarre, but that’s what I like about it. If you want to hear them in the same concert hit the ball out of the park listen to ‘Breathless‘ which will also feature here.

Drive by my house late at night
You can see from the freeway above
No silhouette, but a light left on
Burning there for love
Smoke is rising from the fire
Coming out my back door
I’m inside, sound asleep
Cigarette on the floor
Burning there for love
You were the one who imagined it all
All those years ago

I just love Cervenka’s back – up voice in this live version. The original track doesn’t have that same input from Cervenka and I replaced that with this one. X – the band is an American punk rock band formed in Los Angeles, but I don’t hear Punk here (apart from being out of tune and f&ckin weird), just brute 80’s rock’n roll. Burning House of Love, the first single from Ain’t Love Grand, was a minor hit on the Billboard Top Rock Tracks chart, where it peaked at #26.

X- Is still out and about in 2022. They achieved limited mainstream success but influenced various genres of music, including punk rock, Americana. In 2003, X’s first two studio albums, Los Angeles and Wild Gift, were ranked by Rolling Stone as being among the 500 greatest albums of all time.

Reference:
1. X (American Band) – Wikipedia

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The Marriage of Figaro Act IV Ah Tutti Contenti (Ah, All Content) (1786) – Wolfgang Amadeus Mozart

Kiri Te Kanawa as the Countess in The Marriage of Figaro.

This is the second piece to feature here from one of Mozart’s most adored Operas – The Marriage of Figaro. More background information about the Opera’s conception and story and can be found in my post Ecco la Marcia Act III. I became a great admirer of the music of Mozart from seeing the biographical film – Amadeus.
I have researched about his life and music here and what has struck me is how director Milos Forman and playwright Peter Shaffer depicted his life so accurately on film. Sure, they used Salieri as the mediocre ‘us’ (audience) portrayed as the villain, which I wrote about in the article Axur, re d’Ormus, but chronologically the movie seems a historically precise representation of his career and life.

This piece from Marriage of Figaro Act IV is the end scene of the Opera where the Count kneels and pleads for forgiveness (“Contessa perdono!” – “Countess, forgive me!”). The countess replies that she does forgive him (“Più docile io sono e dico di sì” – “I am kinder [than you], and I say yes”). Everyone declares that they will be happy with this (“A tutti contenti saremo cosi”) and set out to celebrate.

In the first video below filmed during the Pandemic, New Camerata Opera sings the finale of Mozart’s Le Nozze di Figaro, with Joseph Martin on piano. Performed from 9 remote locations. Below that is the music conducted and supervised by Neville Marriner for Amadeus.
“This was no composition by a performing monkey! This was a music I’d never heard. Filled with such longing, such unfulfillable longing, it had me trembling. It seemed to me that I was hearing the voice of God”.

References:
1. The Marriage of Fiagaro – Britannica
2. The Marriage of Figaro – Wikipedia

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24/10 – 30/10/22 – Bringing it All Back Home, Colombia & An Immigrant’s Love Letter to the West

news on the march

Welcome to Monday’s News on the March – The week that was in my digital world.

Bringing it All Back Home
Article by Richard Williams at the bluemoment

Last night I was on my way to see Bob Dylan in concert in my home town for the first time, at a venue a few hundred yards from where, almost 60 years earlier, my girlfriend and I had listened to Freewheelin’ all the way through, squeezed together in a record-shop listening booth, before buying it, taking it to her parents’ house, and listening to it all the way through again. And then again.

Walking through Nottingham to reach the Motorpoint Arena, as the refurbished ice stadium is now known, I saw a chip shop in the Lace Market, formerly a coffee bar called the Jules et Jim, where three schoolfriends — Ian Taylor, Jeff Minson and I, a sort of Peter, Paul and Peter — had sung “Blowin’ in the Wind” in 1963….’ (Read entire article here)

Bret and Heather 147th DarkHorse Podcast Livestream: Why Musk Matters
Video podcast at Bret Weinstein

American biologists Bret and Heather feature here a lot in News on the March because I have found them unique ‘voices of reason’ during, and post pandemic and it turns out many of their hypotheses (scoffed by nearly all) are now being taken more seriously. Although this video is titled ‘Why Musk Matters‘ (and you can see Elon Musk entering Twitter HQ in San Franscisco with literally a sink); the reason I am forwarding this video is because Brett spoke at length of his very recent visit to Colombia – my adopted home. He reflects a lot on Colombian society and the natural environment (from 25:30 in the above video).

When I considered his ‘limited’, but insightful perceptions of Colombia, I wrote the following response to the video:

I live in Colombia and Brett got it right for the most part. He failed to mention that almost all are Catholic. So, a leaning towards authority and rules are almost a given. But the bureaucratic demands on citizens is crazy and if you get yourself beyond that, then you can live a life and people will make the most of that space afforded to them.. Just like the woman with her kid on a motorcycle. You have to make ends meet. She has to work, and he has to go to school.‘ (Watch video podcast here)

Konstantin Kisin Defends Book in Battle of Ideas Debate
Video presentation at Triggernometry

Konstantin is a superb communicator, and great questions from the audience. A thoroughly interesting and enjoyable discussion.
This episode was recorded at the 2022 Battle of Ideas festival. Konstantin defends his book, ‘An Immigrant’s Love Letter to the West’ and answers questions from a live audience.(Watch video here).

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All Those Years Ago (1981) – George Harrison

It’s between John Lennon and George Harrison as to my favourite Beatle. What they did post – Beatles really impressed me and how they carried themselves. We have John Lennon writing in the latter years of his life ‘Watching the Wheels‘ symbolic of ‘The Wheel of Fortune‘ seen in a lot of Gothic cathedrals which I wrote about here. And George was this mystical-Eastern thinker that incorporated a lot of his worldview into his music and influenced others including of course the Beatles. Today’s song All Those Years Ago is from his 1981 album Somewhere in England which served as a personal tribute to former bandmate John Lennon.

Living with good and bad
I always looked up to you
Now we’re left cold and sad
By someone, the devil’s best friend
Someone who offended all


We’re living in a bad dream
They’ve forgotten all about mankind
And you were the one they backed up to the wall
All those years ago
You were the one who imagined it all
All those years ago

I have written a lot about George especially with respect to his forming and moulding The Travelling Wilburys. Since then, I looked for other songs by George because his musical acumen and vocal is so potent, but not in an invasive way. He seems like someone you would just want to hang-around with or at least be in your corner when the sh&t hits the fan.
All Those Years Ago single spent three weeks at number 2 in the US Billboard Hot 100, behind Bette Davis Eyes.

Prior to Lennon’s death, Harrison originally wrote the song with different lyrics for Ringo Starr to record. Although he recorded it, Starr felt the vocal was too high for his range and disliked the lyrics. Harrison took the track back and, after Lennon’s death, the lyrics were changed to reflect a tribute to him. In the song, Harrison makes reference to the Beatles song All You Need Is Love and the Lennon song Imagine.

If you want to hear one of the greatest songs in Contemporary Music, I point you another one of George solos called Give Me Love.

Reference:
1. All Those Years Ago – Wikipedia

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