Sacrifice (1989) – Elton John

Sacrifice inaugurates all ‘current’ (yet subject to change) 161 songs starting with ‘S’ in the music library project. That’s a lot of music, which will take at least the rest of the year to unpack. You thought that was a lot? Can you imagine songs starting with ‘T’ total – 183! That gives you a glimpse of what I will be doing (and hopefully you will be listening to) in 2025. Oh and a ‘heads-up’….another Elton song is due for release here in the upcoming days. If you can guess which one that will be, you will receive an Observation Blogger virtual ‘high five and on the flip-side‘. (Hint: the song naturally starts with ‘Sa……’ and it’s not Saturday Night’s Alright (For Fighting)‘). Good luck folks.

Elton had a resurgence in the early 90’s with hits like Sacrifice, Healing Hands both from his 1989 record Sleeping in the Past (it wasn’t until ’90 that Sacrifice got its just-deserts), The One record in 1992 and of course Can You Feel the Love Tonight and Circle of Life from the iconic 1994 movie – The Lion King.

Allow me to digress..what amazed me on the musical front when I came to Colombia in 2009 was how scantily known Elton John was, not least of all his music; while other western (English sung) music from the likes of Guns N Roses, Air Supply, Queen, Michael Jackson, and Metallica were and remain household names. This was mainly due to which ‘pirated music’ was disseminated on the streets and developed traction. But that ‘history’ would require at least another article to explore thoroughly.

There was just one song by Elton which appeared frequently on Colombian music playlists and that is today’s featured track – Sacrifice. Few could tell you who sang it and almost no one was familiar with Elton’s 70’s classic output. I believe that is starting to change since music has become more accessible due to digital music applications like Spotify etc. Also a shout – out to Elton’s biopic Rocketman that has become a regular feature on Cable TV here and no doubt drawing a deluge of new fans to his music.

Sacrifice was written by Elton John and his long-time collaborator Bernie Taupin. Elton John himself has described Sacrifice in Rolling Stone as one of the best songs he and Taupin have ever written, which is a high compliment considering their extensive catalogue of hits. The lyrics of Sacrifice tell a story of a relationship strained by infidelity and emotional distance. Unlike many of John’s more upbeat tunes, this song delves into the complexities of love and the pain of realizing that sometimes, love alone isn’t enough to keep a relationship intact.

Despite its initial release as a single in 1989, Sacrifice didn’t achieve immediate success. It wasn’t until 1990, when it was re-released in the UK, that the song truly took off. It became Elton John’s first solo number-one hit in the UK. The song also performed well internationally, reaching the top 10 in several countries including Ireland, France, and Australia.

[Verse 1]
It’s a human sign
When things go wrong
When the scent of her lingers
And temptation’s strong
Into the boundary
Of each married man
Sweet deceit comes callin’
And negativity lands

[Pre-Chorus]
Cold, cold heart
Hardened by you
Some things lookin’ better, baby
Just passin’ through

[Chorus]
And it’s no sacrifice
Just a simple word
It’s two hearts livin’
In two separate worlds
But it’s no sacrifice
No sacrifice
It’s no sacrifice at all

[Verse 2]
Mutual misunderstandin’
After the fact
Sensitivity builds a prison
In the final act
We lose direction
No stone unturned
No tears to damn you
When jealousy burns

[Pre-Chorus]
[Chorus]

References:
1. Sacrifice (Elton John song) – Wikipedia

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I Shall Be Free No. 10 (1964) – Bob Dylan

[Verse 9]
Now they asked me to read a poem
At the sorority sisters home
Ah got knocked down and my head was swimmin’
I wound up with the Dean of Women
Yippee! I’m a poet, and I know it
Hope I don’t blow it

On June 14th this year, I wrote an article on Dylan’s Ring Them Bells and fellow blogger aficionado Nancy at The Sicilian Storyteller responded, ‘I have great memories of teaching a modified version of this song to our church’s Children’s Choir. Luckily for me the pastor at the time was a Dylan fan!‘ Her comment rejigged my memory of when I as Division leader led my team to sing for Music Night today’s featured track – ‘I Shall Be Free No 10’. I always considered it Dylan’s funniest lyricism and wordplay in a song. What flabbergasted me was when I searched No. 10 in my music library project I couldn’t find it. Like yesterday’s Tom Petty’s track – I Won’t Back Down I had (nearly unforgivably so) let it slip beneath the cracks.

A lot of people think that Bob Dylan’s 1965 masterpiece Subterranean Homesick Blues may well have been the first ever ‘Rap‘ song, but one could argue that I Shall Be Free No. 10 which precedes it, exhibits predominant features of the rap genre including the following:
– Dylan’s rhythmic spoken delivery set to a consistent beat or rhythm,
– How it features an ‘improvisational feel’, clever wordplay, cultural references, and a stream-of-consciousness style, elements that are central to many rap lyrics, and
– social and political commentary, and Dylan’s song, though humorous and absurdist, touches on contemporary issues and critiques, similar to how many rap songs address societal themes.

Nestled in the middle of his album Another Side of Bob Dylan (which was one of the first I procured in my Dylan journey) I Shall Be Free No. 10 as alluded to above is a delightful blend of humor, social commentary, and what can only be described as proto-rap. It is the whimsical sequel to Dylan’s earlier song I Shall Be Free from his 1963 album The Freewheelin’ Bob Dylan. While its predecessor was a more straightforward folk tune, “No. 10” dives headfirst into a rambling, free-associative monologue that showcases Dylan’s knack for improvisation.
Recorded in just one session on June 9, 1964, this track captures the spontaneity and wit that characterized much of Dylan’s early work. It has garnered a cult following among Dylan aficionados such as yours truly who appreciate its offbeat charm and sharp humor.

[Verse 1]
I’m just average, common too
I’m just like him, and the same as you
I’m everybody’s brother and son
I ain’t different than anyone
Ain’t no use a-talk to me
It’s just the same as talkin’ to you

[Verse 2]
I was shadow boxing early in the day
I figured I was ready for Cassius Clay
I said “Fee, fie, fo, fum, Cassius Clay, here I come
26, 27, 28, 29, I’m gonna’ make your face look just like mine
Five, four, three, two, one, Cassius Clay you’d better run
99, 100, 101, 102, your ma won’t even recognize you
14, 15, 16, 17, 18, 19, gonna knock him clean right out of his spleen”

[Verse 3]
Well, I don’t know, but I’ve been told
The streets of heaven are lined with gold
I ask ya’ how things could get much worse
If the Russians happen to get up there first
Wowee! Pretty scary!

[Verse 4]
Now, I’m liberal, but to a degree
I want everybody to be free
But if you think I’ll let Barry Goldwater
Move in next door and marry my daughter
You must think I’m crazy!
I wouldn’t let him do it for all the farms in Cuba

[Verse 5]
Well, I set my monkey on the log
And ordered him to do the Dog
He wagged his tail and shook his head
And he went and did the Cat instead
He’s a weird monkey, very funky

[Verse 6]
I sat with my high-heeled sneakers on
Waitin’ to play tennis in the noonday sun
I had my white shorts rolled up past my waist
And my wig-hat was fallin’ in my face
But they wouldn’t let me on the tennis court

[Verse 7]
I got a woman, she’s so mean
She sticks my boots in the washing machine
Sticks me with buckshot when I’m nude
Puts bubblegum in my food
She’s funny, wants my money, calls me “honey”

[Verse 8]
Now I got a friend who spends his life
Stabbin’ my picture with a Bowie knife
Dreams of stranglin’ me with a scarf
When my name comes up he pretends to barf
I got a million friends!

[Verse 9]
Now they asked me to read a poem
At the sorority sisters home
Ah got knocked down and my head was swimmin’
I wound up with the Dean of Women
Yippee! I’m a poet, and I know it
Hope I don’t blow it

[Verse 10]
I’m gonna grow my hair down to my feet so strange
So I look like a walking mountain range
And I’m gonna’ ride into Omaha on a horse
Out to the country club and the golf course
Carryin’ The New York Times, shoot a few holes, blow their minds

[Verse 11]
Now you’re probably wonderin’ by now
Just what this song is all about
What’s probably got you baffled more
Is what this thing here is for:

(plays song’s riff)

It’s nothin’
It’s sumpin’ I learned over in England!

References:
1. I Shall Be Free No. 10 – Wikipedia

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I Won’t Back Down (1989) – Tom Petty

“At the session George Harrison sang and played the guitar. I had a terrible cold that day, and George went to the store and bought a ginger root, boiled it and had me stick my head in the pot to get the ginger steam to open up my sinuses, and then I ran in and did the take.”
– Tom Petty

I was surprised to learn when I heard this song recently that I hadn’t already added it to my music library. Hence I am backtracking in the alphabetical listing to make amends since I always liked it ever since I first heard it as a 15 year-old. Outside of his input in the super group The Traveling Wilburys, I Won’t Back Down is the third song from Petty to feature here after his previous entries Learning to Fly and Free Fallin’. I have always considered Petty one of the great bastions of Musica Americana in the midst of the synthesiser and digital music revolution of the 80’s.

What I admired most about I Won’t Back Down is what it represented; an anthem of resilience, a rallying cry for those standing firm in the face of adversity. Due to its themes, the song was played often on American radio following the September 11 attacks. Released in 1989 as the lead single from his first solo album, Full Moon Fever, this track has cemented its place in rock history. It was co-written by Tom Petty and his longtime collaborator Jeff Lynne who has featured here with ELO and The Traveling Wilburys.

Upon its release, I Won’t Back Down achieved considerable success reaching number 12 on the Billboard Hot 100. It has been covered by numerous artists across different genres, including Johnny Cash and Pearl Jam. Petty once said, “That song frightened me when I wrote it. I didn’t understand it. But when I finished it, I understood it was about standing up for yourself” (Rolling Stone). Jeff Lynne, in an interview, mentioned, “It was a song that just came together so naturally. The message is simple but powerful” (Classic Rock).

[Verse 1]
Well, I won’t back down
No, I won’t back down
You can stand me up at the gates of Hell
But I won’t back down
No, I’ll stand my ground
Won’t be turned around
And I’ll keep this world from draggin’ me down
Gonna stand my ground
And I won’t back down

[Chorus]
(I won’t back down)
Hey, baby, there ain’t no easy way out
(I won’t back down)
Hey, I will stand my ground (Ooh)
And I won’t back down

[Verse 2]
Well, I know what’s right
I got just one life
In a world that keeps on pushin’ me around
But I’ll stand my ground
And I won’t back down

[Chorus]

[Instrumental Break]

[Chorus]

References:
1. I Won’t Back Down – Wikipedia

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Easy On Your Own? (2022) – Alvvays

Allow me to get this out of my system…Today is heaven as far as World Football is concerned and I couldn’t be more excited: England – Switzerland, Holland – Turkey, Colombia – Panama and Uruguay – Brasil. I’m almost salivating writing it. Colombia turns into a street festival when their football team plays. Not only that, my favourite Australian football team Richmond Tigers are set to play in 15 minutes time. Now onto to today’s featured track….

If I was currently in my teens or early twenties I’m almost certain I would be fully invested in the music by Alvvays. Perhaps even bought their albums and gone to see them in concert. This is the sixth appearance by them here and be assured it won’t be the last. Easy On Your Own? was the second song released from their latest record Blue Rev which has received widespread acclaim from music critics. At Metacritic, which assigns a normalized rating out of 100 the album received an average score of 86.
Tim Sendra at Allmusic declared that, “the songs are memorable and fun, the performances are inspired, and the production is varied and always interesting,” and that “the result is a heavenly indie pop hit guaranteed to make their already besotted fans fall even more head over heels in love with the band.”

Wikipedia says Easy On Your Own? is a dream pop, indie rock and shoegaze song. The track uses audio feedback, distortion, and the glide guitar technique. Molly Rankin’s vocals are low in the mix compared to the instrumental.
Opinions differ about what the lyrics mean. According to Stereogum, the lyrics of Easy On Your Own? are about “feeling disaffected and worrying about the future“. It could also be read as a lament on being alone after a breakup like what Consequence said: ‘the lyrics are about “[working] through a breakup“. I like this one from Paste which fuses the two camps: “neatly blurs the lines between a floundering relationship and the drudgery of our current times“. I love the strong imagery in the line “crawling in monochromatic hallways“.

I consider Easy On Your Own? a great ‘zeitgeist‘ song for this current epoch. I hope you enjoy it. Thanks for reading as always.

I dropped out
College education’s a dull knife
If you don’t believe in the lettered life
Then maybe this is our only try
And how I gauge
Whether this is stasis or change
Fill out the requirements on the page
And burn out before you can get paid

[Pre-Chorus]
‘Cause we’re always
Crawling in monochromatic hallways
Dream we pull a one-eighty some day

[Chorus]
If you don’t like it, well
Say it’s over, well
Weekends alone

[Verse 2]
Evеr lay back and watch the sunrise?
Ever hеar violins in your mind?
You know it’s only wind outside

[Pre-Chorus]

[Chorus]
If you don’t like it, well (You don’t like it)
Say it’s over, well (Say it’s over)
Weekends alone
Does it get easier on your own?
Does it get easier on your own?

[Bridge]
I waited so long for you
Wasted some of the best years of my life
And I wanted to see it through
This time
This time

[Chorus]

References:
1. Blue Rev – Wikipedia
2. Easy On Your Own? – Wikipedia

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Darling Pretty (1996) – Mark Knopfler

Darling Pretty was the first solo song by Mark Knopfler I was drawn to after the 2nd and final break up of Dire Straits in 1995. It’s a beautifully crafted rock ballad about someone he adores. It was the first single released from his debut solo studio album Golden Heart and reached number 33 in the UK Singles Chart. It was also featured in the 1996 film Twister.
Following a successful career leading British rock band Dire Straits and composing a string of critically acclaimed film soundtrack albums, Knopfler recorded his first solo album, drawing upon the various musical influences he’d engaged since emerging as a major recording artist in 1978. The album reached the top-10 position on charts in Austria, Belgium, Finland, Italy, the Netherlands, Norway, Sweden, Switzerland and the United Kingdom, but strangely peaked at 105 on the Billboard 200 in the United States.

In an interview, Knopfler mentioned that the inspiration for Darling Pretty came from his reflections on love and the passage of time. The song weaves a tender narrative, underscored by Knopfler’s evocative guitar melodies and heartfelt lyrics. It’s a love song, but with the depth and nuance that Knopfler’s fans have come to expect. Darling Pretty made its live debut during Knopfler’s Golden Heart tour in 1996. The tour marked a significant shift as Knopfler transitioned from bandleader to solo artist, embracing a more personal and introspective performance style. The inaugural concert featured a mix of Dire Straits classics and Knopfler’s new solo material, with Darling Pretty often serving as an emotional highlight of the set. It solidified Knopfler’s reputation as a solo artist capable of producing deeply resonant music.

[Verse 1]
It’s time to come away, my darling pretty
It’s time to come away on the changing tide
Time to come away, darling pretty
And I need you darling by my side

[Verse 2]
Heal me with a smile, darling pretty
Heal me with a smile and a heart of gold
Carry me awhile, my darling pretty
Heal my aching heart and soul

[Bridge]
Just like a castaway
Lost upon an endless sea
I saw you far away
Come to rescue me

[Verse 3]
Cast away the chains, darling pretty
Cast away the chains away behind
Take away my pain, my darling pretty
And the chains that once were yours and mine

[Verse 4]
There will come a day, darling pretty
There will come a day when our hearts can fly
Love will find a way, my darling pretty
Find a heaven for you and I
Love will find a way, my darling pretty
Find a heaven for you and I

References:
1. Golden Heart – Wikipedia

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Russian Dance (1993) – Tom Waits

Russian Dance is one of 6 instrumentals from Tom Waits 12th studio album The Black Rider which is probably his most extreme album, not for its individual songs, but the contrasts between them. The Black Rider was a project born from a collaboration with playwright Robert Wilson and writer William S. Burroughs. The album was the soundtrack to a musical of the same name, an adaptation of the German folktale “Der Freischütz,” which tells the story of a man who makes a pact with the devil (Faustian Bargain) to prove his worth as a hunter in order to marry the huntsman’s daughter. (Read more here).

Waits’ composition for Russian Dance seems inspired by the musical traditions of Eastern Europe, particularly the frenetic energy and melancholic undertones of Russian and Balkan folk music. It captures the essence of a raucous celebration, and also a sense of urgency and madness where folklore and reality blur, reflecting the character’s descent into chaos as he grapples with his Faustian bargain.

At 2:08 Tom can be heard yelling the following which was detected as ‘Ukrainian’ on Google Translate. Both Ukrainian and Russian belong to the East Slavic language family. Ukraine and Russia share a significant amount of vocabulary, with estimates suggesting that they share around 62% of their vocabulary. Ukraine’s independence was recognized by the international community in December 1991:

Davai yestshio! Davai yestshio!
Odeen, dva, tree, cheteeri

Let’s tweet! Let’s tweet!
One, two, three, four

Reference:
1. The Black Rider (album) – Wikipedia

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Devils & Dust (2005) – Bruce Springsteen

Devils & Dust is a latter day Springsteen acoustic number I’ve always been fond of and draws upon similar themes of lost hope and despair as his solo 1996 acoustic number Dead Man Walkin’ from the movie soundtrack of the same name. Faith isn’t even enough to confront the evil which wells inside and the impending harm it will cause. Devils & Dust is the title track on Bruce Springsteen’s thirteenth studio album and concerns the Iraq War.
According to Wiki, ‘the song tells the story of a troubled American soldier who is presumably serving in the 2003 invasion of Iraq and questions his role and struggles to find guidance in his mission all the while wary of the changes he is undergoing‘.

The protagonist is accompanied by fellow soldier ‘Bobby’ and they are a long, long way from home. There is no turning back from the road which they have gone down. And the narrator’s reliance upon God is tested when he sees Bobbie, dying in “a field of blood and stone.” The line “I got God on my side” which begins each each chorus might be a reference to Bob Dylan’s classic anti-war song With God on Our Side.

[Verse 1]
I got my finger on the trigger
But I don’t know who to trust
When I look into your eyes
There’s just devils and dust

[Verse 2]
We’re a long, long way from home, Bobbie
Home’s a long, long way from us
I feel a dirty wind blowing
Devils and dust

[Chorus]
I got God on my side
And I’m just trying to survive
What if what you do to survive
Kills the things you love
Fear’s a powerful thing, baby
It can turn your heart black, you can trust
It’ll take your God-filled soul
And fill it with devils and dust

[Verse 3]
Well, I dreamed of you last night
In a field of blood and stone
The blood began to dry
The smell began to rise

[Verse 4]
Well, I dreamed of you last night, Bobbie
In a field of mud and bone
Your blood began to dry
And the smell began to rise

[Chorus]

[Verse 5]
Now every woman and every man
They want to take a righteous stand
Find the love that God wills
And the faith that He commands


[Verse 6]
I’ve got my finger on the trigger
And tonight faith just ain’t enough
When I look inside my heart
There’s just devils and dust

[Chorus]

Springsteen originally soundchecked the song with the E Street Band during The Rising Tour on April 11, 2003, at Pacific Coliseum in Vancouver, British Columbia, Canada.
As recorded for the Devils & Dust album, the song has a dynamic arrangement, belying the common image of the album being “acoustic” or “folk” in the sense that each successive verse is augmented by new instrumentation as follows:

  • the ominous synthesizer-and-horns in the 2nd
  • cyclical strings half way through that,
  • harmonica solo
  • drums and bass from kick in after second chorus
  • third verse quiet again before drums and percussion return
  • a reprise of the harmonica line carries the outro.

Devils & Dust saw scant radio airplay and peaked at No 72 on the Billboard Hot 100. The song gained critical praise as well as a Song of the Year nomination at the Grammys and took home the prize for Best Solo Rock Vocal Performance. His other two nominations lost to U2 songs. Springsteen also gave a solo performance which was preceded by a glowing introduction from actor Tom Hanks and immediately followed by a brief editorial exclamation from Springsteen, “Bring ’em home!” making reference to his desire for withdrawal of U.S. troops from Iraq.

The music video below of Devils & Dust was filmed at an empty Paramount Theatre in Asbury Park, New Jersey. 

References:
1. Devils & Dust (song) – Wikipedia

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Rusalka (Song to the Moon) 1900 – Antonín Dvořák (Ft. Renée Fleming)

Today’s featured piece – the soprano aria Song to the Moon is the most popular excerpt from Antonín Dvořák’s opera Rusalka. It is the second entry from Dvořák to appear here after Symphony No. 9 in E minor, Op. 95, B178 “From the New World”. Dvořák was a Czech composer who is considered one of the greatest composers of the Romantic era and also one of the most versatile. Rusalka was his 9th Opera and also his most popular. The rusalka is a water sprite (a water fairy) from Slavic mythology; it usually inhabits a lake or river. Rusalka sings her Song to the Moon, asking it to tell the prince of her love. 

For many years Rusalka was largely unfamiliar outside the Czech lands and not a central part of his output or of international theatre. Rusalka was first performed in Prague on 31 March 1901, with Růžena Maturová as the first Rusalka. In recent years it has been performed more regularly by major opera companies. In the five seasons from 2008 to 2013 it was performed by opera companies worldwide far more than all of Dvořák’s other operas combined.

English translation of ‘Song to the Moon‘:

Moon, high and deep in the sky
Your light sees far,
You travel around the wide world,
and see into people’s homes.
Moon, stand still a while
and tell me where is my dear.
Tell him, silvery moon,
that I am embracing him.
For at least momentarily
let him recall of dreaming of me.
Illuminate him far away,
and tell him, tell him who is waiting for him!
If his human soul is, in fact, dreaming of me,
may the memory awaken him!
Moonlight, don’t disappear, disappear!

Dvořák frequently employed rhythms and other aspects of the folk music of Moravia and his native Bohemia, following the Romantic-era nationalist example of his predecessor Bedřich Smetana. Dvořák’s style has been described as “the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them“.

Reference:
1. Rusalka (opera) – Wikipedia
2. Antonín Dvořák – Wikipedia

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Running Scared (1961) – Roy Orbison

The operatic ballad Running Scared is the second song by Roy Orbison presented here in quick succession from his legendary record Crying. This monumental track went to number 1 on the Billboard charts and sold over one million copies in the US alone. Just like the previous entry here – Crying, Roy’s inimitable voice is on full display here as it closes the record. Noted for being a song written without a chorus, the song builds in the lyrics, arrangement, and vocals to a climax that, without vibrato, demonstrating the power of Orbison’s clear, full voice. The version presented below is Roy Orbison and his all-star cast of friends (Bruce Springsteen, k.d. lang, Elvis Costello and more) from “A Black and White Night” concert.

Just runnin’ scared each place we go
So afraid that he might show
Yeah, runnin’ scared, what would I do?
If he came back and wanted you

Just runnin’ scared, feelin’ low
Runnin’ scared, you love him so
Just runnin’ scared, afraid to lose
If he came back which one would you choose

Then all at once he was standing there
So sure of himself, his head in the air
My heart was breaking, which one would it be
You turned around and walked away with me

Running Scared is written in the bolero style and Orbison is credited with bringing this to the rock genre. Bolero music which has featured in this blog quite prominently possesses a romantic cadence and sophisticated lyrics dealing with love. Bolero music was born as a form of romantic folk poetry cultivated by a new breed of troubadour from Santiago de Cuba.

Here’s some interesting trivia information for you music aficionados out there from the Wiki reference: While Running Scared was an international hit, the B-side Love Hurts also picked up significant airplay in Australia. Consequently, chart figures for Australia show “Running Scared”/”Love Hurts” as a double A-side, both sides peaking at number five. This makes Orbison’s recording of “Love Hurts” the first version to be a hit. Love Hurts later became better known in a version by rock band Nazareth, who had an international hit with it in 1975.

References:
1. Running Scared (Roy Orbison song) – Wikipedia

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Lonely Child (2014) – Christina Perri

Lonely Child is from my favourite balladeer and troubadour Christina Perri. The song is the 9th track from her 2nd studio album Head or Heart and the 4th song to be presented here so far from that wonderful album. Following the whirlwind success of her debut album Lovestrong, Perri found herself grappling with the pressures of fame and personal turmoil.
Lonely Child is a hauntingly beautiful song which has such penetrative and poignant lyrics about a fleeting romance that went as fast as it came, but Perri’s on the attack here:
May your untamed heart stay restless running wild / ‘Cause you’re only, just a lonely, lonely child.

I love the enticing drum rhythm here not to mention how the song morphs into western music with that magnetic guitar which opens the Bridge. It’s Perri doing what she does best which is honing her art to blend raw emotion with haunting melodies. As a listener it puts you smack-bang into her thinking process and given dilema. It’s just fantastic songwriting. Below the original version (with Spanish subtitles) I have included a live performance of Lonely Child which opens with ‘Lollypop‘. While Lonely Child may not have achieved the same commercial success as some of Perri’s more mainstream hits, it has garnered my attention amongst other dedicated fans because of its emotional depth and relatable lyrics. It’s heaven for those who love Perri’s introspective style.

[Verse 1]
Just as fast as you came
Just as fast as the sunset
You pushed me away, you pushed me down
Down, down, down
Where my dreams lay
And just as quick as you left
Just as quick as you left my heart undressed
And I fell down, down, down, down
You took my wish back to the well
And I remember all the words that you said
That love is just a spark that starts in your heart
And ends in your head

[Chorus]
Darling, come down, come down
You’ll lose yourself in the clouds
Slow down, slow down
Your world’s spinning around
May your untamed heart stay restless running wild
‘Cause you’re only, just a lonely, lonely child

[Verse 2]
Just as dark as the night
Just as dark as the night
When I lost my mind, I lost control
Down, down, down
You let me sell my love for my soul
And I remember all the words that you wrote
That love is just a sound that plays in your heart
And gets caught in your throat

[Chorus]
Darling, come down, come down
You’ll lose yourself in the clouds
Slow down, slow down
Your world’s spinning around
May your untamed heart stay restless running wild
‘Cause you’re only, just a lonely, lonely child

[Bridge]
And I remember all the words that you said
That love is just a spark that starts in your heart and ends your head

[Chorus]

[Outro]
Cha-cha-cha!

References:
1. Head or Heart – Wikipedia

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