Lord, I Hope This Day is Good (1981) – Don Williams

Lord, I Hope This Day is Good is the second song to appear here in the space of a month from my favourite classic-country music artist Don Williams. His previous entry Listen to the Radio was the first song that got me hooked as a youngster and todays featured track I came to appreciate much later in my musical journey of Don. These are great lyrics sung by a great voice.

I just find Don Williams voice so soothing. If you have an hour free you could put on a ‘Greatest Hits‘ video from Don and feel calmer for the experience in the middle of all the discontent and strife in the world. I still consider myself in the infancy of my appreciation of Don’s music since his music catalogue is so vast.

Lord, I hope this day is good
I’m feelin’ empty and misunderstood
I should be thankful, Lord, I know I should
But Lord I hope this day is good

Lord, have you forgotten me
I’ve been prayin’ to you faithfully
I’m not sayin’ I’m a righteous man
But Lord I hope you understand

I don’t need fortune and I don’t need fame
Send down the thunder, Lord, send down the rain
But when you’re plannin’ just how it will be
Plan a good day for me

Lord, I Hope This Day is Good is a country-gospel ballad written by Dave Hanner and interpreted and released by Don Williams as the third single from his eleventh studio album Especially for You. The song was Williams’ twelfth number one on the country chart. The single stayed at number one for one week and spent a total of twenty weeks on the country music charts.

Anne Murray also recorded a version of the song on her 1999 inspirational album. Anne was a personal favourite of my Mother. I remember her crying in my youth listening to Anne’s – You Needed Me, or it might be because I just got home from school.

I hope this song sets you on a good path forward today. Thank you for reading.

References:
1. Lord, I Hope This Day is Good – Wikipedia

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Loose Change (1998) – Bruce Springsteen

To me today’s featured song Loose Change will always be the sister song to another Bruce song from the same record called Happy. These two songs are an awesome couplet from Bruce’s collection that I treasure. I could listen to them both all day long and not distill one from the other. They are a match made in Heaven.

When I recollected Happy, I wrote how it wooshed me back to living in Northcote, Melbourne cerca 2005. When I hear Loose Change, it’s just the same…. I had a girlfriend called Claire who was a clairvoyant (at that time and place)….I don’t think we ever had chit-chat, rather a fully transcendental conversation about the big questions in life.

I was smitten…Us two lost souls hang out a lot in her big yellow family-house beside the train-tracks and we shared moments in time that just clicked.

[Verse 1]
Met her at a friendly little bar down along the coast
She said it was her birthday so we had us a nice little toast
Drove around for a while, smoked a few cigarettes
Took her back to my place, she slipped off her party dress
She sat for a while on the edge of the bed just talkin’

[Chorus]
Loose change in my pocket
Loose change in my pocket

[Verse 2]
Pint of gin in my boot cuff, I’m drivin’ for a drink and a dance
Sittin’ on the next stool, Miss a little time on her hands
Yeah, I knew she was trouble, but trouble sure was lookin’ fine
When I pulled her close, what I knew kinda slipped my mind
We lay in bed and watched the moon come up crawling

Loose Change always reminded me of a slow – tempo arrangement of a Bob Seeger song like Against the Wind. Loose Change comes from Tracks, a four-disc box set by American singer-songwriter Bruce Springsteen, released in 1998 containing 66 songs. This box set mostly consists of never-before-released songs recorded during the sessions for his many albums. I wrote about this set recently on the Lonsesome Day article as it seemed to provide a welcomed relief after a lengthy drought of Bruce output since his Human Touch and Lucky Town records.

Loose Change is an internal story, not an external one.The lack of a melodic instrumental accompaniment helps to create the sense of isolation and alienation that pervades the song, a bit like Happy.

Springsteen toured Dublin, Ireland this May: his Irish ancestral roots. Bruce Springsteen just casually singing “My Hometown” in a local Ireland bar…nothing to see here lol. Can you imagine being there?

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Mr. Plinkett’s Cop Dog Review – Friday’s Finest

There was this one guy Mr Plinkett who did these movie reviews. I’m not going to add anything more. Below is Mr Plinkett reviewing Cop Dog.

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Bluebird (2011) – Christina Perri

Bluebird is another song from my favourite female contemporary music artist Christina Perri. She is in my opinion the most underrated singer – songwriter of modern times. For example, I sent the lyrics from the song People Like You to a friend whose opinion I regard highly, and I asked them, ‘Who do you think wrote this song‘? They responded – ‘Leonard Cohen‘.

No… this 30 something year-old American Christina Perri wrote that song. Or listen to Perri sing The Lonely which has Cohen talent all over it and feels for the experience a Classical musical number. Her last album ‘Lighter Shade of Blue‘ is one of the greatest ballad albums I’ve ever heard and no one listens to it. Today’s featured track ‘Bluebird‘ is from Perri’s debut studio album Lovestrong and it seems a precursor of themes she would explore on Lighter Shade of Blue. The lyrics of Bluebird are exemplary.

Bluebird

[Chorus]
How the hell does a broken heart
Get back together when it’s torn apart
Teach itself to start
Beating again ba-ba-ba-ba

[Verse 1]
This little blue bird
Came looking for you
I said that I hadn’t seen you
In quite some time
This little blue bird
She came looking again
I said we weren’t even friends
She could have you

[Pre-Chorus]
Don’t you think it was hard?
I didn’t even say that you died
But it wouldn’t have been such a lie
Cause then I started to cry

Perri recorded the album Lovestrong in 33 days in two studios located on the same property, both running at the same time. She described the process as “the best 33 days of my life and it was the worst 33 days of my life…I was running from studio one to studio three and I was running back and forth doing the vocals, the piano, the guitar, the harmonies, and the doubles.”

Perri stated that she was “ripping [her] stitches” to ensure that a certain song was sung with the right emotions, later adding that it took such an emotional toll on her that she would be driving home later that night crying at two in the morning, forcing herself to pull over and drink a milkshake…. Perri chose the songs on the album from a list of songs she had written since she was fifteen years old.

Reference:
1. Lovestrong – Wikipedia

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Always on My Mind (1987) – Pet Shop Boys

I know some musical purists are going to have a bee in their bonnet over my ‘version selection’ of this classic American ballad, but I always liked what The Pet Shop Boys did here with the pronounced synth-pop sound of the 80’s. I normally loathe rebooted cover versions or excerpts of old classics to appease younger audiences as so often occurs these days. But, that 80’s sound which gets chastised so often such as with Bob Dylan’s Empire Burlesque record, is sometimes honed towards a good place that ages well. I think The Pet Shop Boys achieved that here in their rendition of Always on My Mind.

[Verse 1]
Maybe I didn’t treat you
Quite as good as I should
Maybe I didn’t love you
Quite as often as I could

[Pre-Chorus]
Little things I should have said and done
I never took the time

[Chorus]
You were always on my mind
You were always on my mind

Always on My Mind is a ballad written by Wayne Carson, Johnny Christopher, and Mark James, first recorded by Brenda Lee, and first released by Gwen McCrae (as “You Were Always on My Mind“) in March 1972. Elvis Presley’s recording was the first commercially successful version of the song. I remember liking Willie Nelson’s grammy award winning version as well. The Pet Shop Boys‘ interpretation went to UK Number 1 and top 10 in the US.

A TV special in the UK (1987) commemorated the tenth anniversary of Elvis Presley’s death and the programme featured various popular acts of the time performing cover versions of his songs. The Pet Shop Boys’ performance was so well-received that the duo decided to record the song and release it as a single. In November 2004, The Daily Telegraph placed the version at number two in a list of the 50 best cover versions of all time. In October 2014, a public poll compiled by the BBC saw the song voted the all-time best cover version.

References:
1. Always on My Mind – Wikipedia

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Long Train Runnin’ (1973) – the Doobie Brothers

When I was in my late teens, I had this fascination taking photos of anything relating to trains, mostly scenic images of train-tracks running off somewhere. Like the one I took inset at Timbertown, a popular tourist attraction at Wauchope on the mid north coast of New South Wales, Australia.

Where I live now, the sole train-track in Bogota, Colombia passes just a few blocks from my house. I hear the train’s mighty air-horn at least twice daily. Often, I have to pass the ‘level crossing’ and a gulf of traffic to get to where I am going. I often look down the track and hope I can just make out a train in the distance, but of course I never do otherwise the gates would have come down and a siren blaring.
Now that’s a ‘moment’ at a level crossing, when you have to wait for a train to pass and watch the big machine roll by just a few feet away. It gets me giddy just thinking about it.

This nostalgic fascination for Trains or train – tracks is not uncommon and it leads us nicely to today’s song Long Train Runnin’ by the Doobie Brothers. It’s strange that two of their songs appear here in quick succession, just like one train after the other I suppose. Their previous entry Listen to the Music made me reminisce the classic line in Romancing the Stone – ‘Dammit man, the Doobie Brothers broke up! Sh*t! When did that happen‘? Today’s track threw me onto them train – tracks.

[Verse 1]
Down around the corner
Half a mile from here
You see them long trains runnin’
And you watch ’em disappear

[Chorus]
Without love
Where would you be now?
Without love

[Verse 2]
You know I saw Miss Lucy
Down along the tracks
She lost her home and her family
And she won’t be coming back

Long Train Runnin was included on the band’s 1973 album The Captain and Me and was released as a single, becoming a hit and peaking at No. 8 on the US Charts. The tune evolved from an untitled and mostly ad-libbed jam that the Doobies developed onstage years before it was finally recorded. Its working title, according to Johnston, was “Rosie Pig Moseley” and later “Osborn“. “I didn’t want to cut it” Johnston later confessed. “…I just considered it a bar song without a lot of merit“. Record Producer Teddy Templeman convinced Tom Johnston (founder and lead guitarist and vocalist of the Doobie Brothers) to write words to the song.

Below the original studio recording of Long Train Runnin’, I have presented a scene from one of my favourite ‘coming of age’ movies Stand By Me. As the 4 boys trek by a train track to search the body of a who has been missing for several days they decide to cross a railway bridge, but there is nothing but a deep ravine below. Anyone fascinated by all the aforementioned yearning of trains and what – not will find few other scenes in movie history that encapsulate that fervor more acutely.

Reference:
1. Long Train Runnin’ – Wikipedia

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8/5 – 14/5/23 – Space Edition

news on the march

Welcome to Monday’s News on the March – The week that was in my digital world.

What is Space? | Brian Keating on Lex Fridman’s Podcast
Video interview at Dr Brian Keating

What is cosmic dust and how does it affect our understanding of the universe?

Brian Keating is an experimental physicist at the UCSD, author of Losing the Nobel Prize, and host of the Into the Impossible podcast. (Watch video interview excerpt here)

The Living Universe is Unimaginably Big and You’re a Part of it!
Presentation at Wisdom for Life

How big is the universe? Let’s take a journey from Earth to the solar system, closest stars, the Milky Way, and the observable universe. Along the way we will stop by the Oort cloud, Alpha Centauri, radiosphere, Andromeda galaxy, Virgo supercluster, and Laniakea.

(Watch full presentation here)

The Final Architecture
Book Review at Self Aware Patterns

Adrian Tchaikovsky’s The Final Architecture trilogy…is an epic space opera in the spirit of James S.A. Corey’s The Expanse, featuring a ragtag spaceship crew finding themselves embroiled in a war between different species and empires, and an overall struggle for intelligence in the universe to survive. (Read entire review here)

news on the march the end
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Long and Wasted Years (2012) – Bob Dylan

Long and Wasted Years is the first song to appear here from Bob Dylan’s 2012 album Tempest. It is an introspective monologue about someones’ longing for a lost love, juxtaposed with a sense of pride that they ‘wouldn’t do anything different given their time back‘. I have always loved this song as I do the whole first half of the Tempest album up to Pay in Blood. Like much of Dylan’s 21st-century output, he produced the song himself using the pseudonym Jack Frost.

[Verse 1]
It’s been such a long, long time
Since we loved each other, when our hearts were true
One time, for one brief day, I was the man for you
Last night I heard you talking in your sleep
Saying things you shouldn’t say, oh baby
You just may have to go to jail someday

[Verse 2]
Is there a place we can go, is there anybody we can see?
Maybe it’s the same for you as it is for me
I ain’t seen my family in twenty years
That ain’t easy to understand, they may be dead by now
I lost track of ’em after they lost their land

[Verse 3]
Shake it up, baby, twist and shout
You know what it’s all about
What are you doing out there in the sun anyway?
Don’t you know, the sun can burn your brains right out

Unusually for a Dylan song, Long and Wasted Years has no musical chorus or bridge and there is no lyrical refrain. Dylan recites 10 four-line verses over a “descending chord progression that becomes relentlessly more intense” as it repeats for nearly four minutes.

I like what musical journalist Greil Marcus said about Long and Wasted Years:

I have to tell you I haven’t listened to the words at all. I have no idea what story is being told. I love the way he speechifies through the song. He sounds like Luke the Drifter, Hank Williams’s religious alter-ego. He sounds like Elmer Gantry. He is a preacher, a con man; he is lying through his teeth. And he believes every word he’s saying. For me this is just a declamatory voice, and it breaks the mold of this record

In researching this song, I found a version sung in Spanish which is spectacular, and I have added it below the original version. The Spanish version almost sounds like a form of Deep AI of Bob singing in Spanish but with a different instrumental version.

Thanks for reading.

References:
1. Long and Wasted Years – Bob Dylan

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The AnkiDroid Collection (Part 40) – Salsa Rosa, Hormones & Hermeticism

Ankidroid additions related to Science, History and Philosophy. More information about Anki can be found in this article.

Salsa Rosa

Last week we discussed the Cuplé which is a Spanish musical style, light and popular, which could sometimes be risqué and spicy by the standards of the time. This week we turn to Salsa romantical or colloquially known as Salsa Rosa (Salsa Rose). Salsa Rosa is also referred to as this:

Pink Sauce

Today we look at the colloquial meaning of Salsa Rosa with respect to the style of Salsa music. I imagine the Rose (flower) is used because it is delicate and in general these types of Salsa songs raise emotions of romance and sex and how men try to entice or capture women with Roses. So, it is a mix between ballads and orchestral music that is adorned with sensual, sexual, flirtatious and romantic lyrics. In fact, many lovers of this rhythm consider August 22 as the international day of romantic salsa. Two Salsa Rosa songs have featured here so far: Eddie Santiago’ with’s Lluvia (Rain) and Jerry Rivera’s Amores como el Nuestro (‘Loves’ like Our One).

Hormones

This is related to last week’s Cortisol post and the week before the Pituitary Gland.

Hormones are chemical messengers secreted directly in the blood which carries them to organs and tissues in the body to exert their functions.

Hermeticism

Hermes Trismegistus

Hermeticism or Hermetism is a philosophical and religious system based on the purported teachings of Hermes Trismegistus.

Hermeticism and Gnosticism are two of the more ancient ‘secret’ religions, if you will, which have been making a comeback in the Modern West (such as ‘Woke Denunciation’) as described in the video below. ‘They are very old religions in a new set of clothes‘. For example, if you want to see Gnosticism laid out and performed on the big screen, I point you to The Banshees of Inisherin nominated for an Academy Award this year.

The significance of Hermeticism is broad and obfuscated – perhaps intentionally, but I’ll do my best to describe its essence:

  • They operate on negative theology. You cannot possibly describe God for what he is; you can only explain him for what he is not.
  • Knowing how to denounce something in a specific way that announces the possibility for something different without having to say what it is.
  • It is insulated or protected from outside influences.
  • It is difficult to understand because it is intended for a small number of people with specialised knowledge.
  • It is fundamental to understanding or gnosis that cannot be taught.
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Lonesome Day (2002) – Bruce Springsteen

After the double album release Human Touch and Lucky Town (1992), I found sprinkles of Bruce magic released on the Tracks record which contained mostly never-before-released songs recorded during the sessions for his many albums. Songs like Happy which has already featured here and Loose Change soon to be discussed, really impressed me. There was also his solo – acoustic era with tracks like Dead Man Walkin’ which was the title track for the movie starring Sean Penn and Susan Sarandon and Devils and Dust and The Ghost of Tom Joad.

The record The Rising (2002) which today’s song Lonesome Day introduced couldn’t be more aptly titled as far as Springsteen’s music career was concerned. This was Springsteen’s Rising after his scattering of greatness throughout the 90’s to a full-blown powerhouse record despite its solemn subject matter.

The Rising record was released after the attack on the twin towers in New York. This record was a dedication to the victims and survivors of that terrible day. The Rising was symbolically named to praise the heroism of the firefighters and emergency teams heading up the stairwells of the Towers before they collapsed…Springsteen said he got the inspiration for the album a few days after the 9/11 attacks, when a stranger in a car stopped next to him, rolled down his window and said: “We need you now”.

[Verse 1]
Baby, once I thought I knew
Everything I needed to know about you
Your sweet whisper, your tender touch
I didn’t really know that much

[Pre-Chorus 1]
Joke’s on me, but it’s going to be okay
If I can just get through this lonesome day

[Chorus]
Lonesome day

[Verse 2]
Hell’s brewing, dark sun’s on the rise
This storm will blow through, by and by
House is on fire, vipers in the grass
Little revenge and this too shall pass

Lonesome Day is the opening track of The Rising and sets the tone for the record as one of many songs on the album with lyrics that appear to be inspired by the September 11, 2001 attacks. In my previous entry from Bruce on this record – Countin‘ on a Miracle I wrote that I thought that song contained one of the most magnificent ‘Bridge’ stanzas I have ever heard.

Since its initial appearance on The Rising, Lonesome Day has appeared on several subsequent Bruce Springsteen releases. A live performance from The Rising Tour was included on the DVD Live in Barcelona which is presented below. This is one of my favourite concert performances I have had the good fortune to see many times on DVD.

Reference:
1. Lonesome Day – Wikipedia

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