Let It All Go (2007) – Mark Knopfler

Let It All Go is the third song to appear here from Mark Knopfler (inc. Dire Straits) and it certainly won’t be the last. He’s been on my playlist for years. A lot of his solo music (post Straits) is unassuming and restrained, but I find it very soothing.
What are the chances this song article is released exactly one year after I highlighted the video – Mark Knopfler – Shows how to play guitar finger picking style.

This is a fascinating little instructional video by one of the greatest guitarists Mark Knophler on Skavlan TV.  Knopfler is so articulate. (Watch video excerpt here)

My friend and fellow blogger Max from Nashville responded: ‘Mark Knopfler is amazing…you cannot get his sound without finger picking. I know one guy who learned the solo to Sultans of Swing with a pick and he finally gave up and done it with his fingers…it was dead on that way.’

Today’s featured track was released on Knopfler’s 5th studio album Kill to Get Crimson. The album’s title comes from a line Let It All Go. The album cover image is taken from the painting Four Lambrettas and Three Portraits of Janet Churchman by John Bratby, painted in 1958.

When it’s pop goes the weasel, let go of the easel
You don’t want this rickety rackety life
It’s seat of the trousers, it’s all sink or swim, son
I’d kill to get crimson on this palette knife
And I’d steal in a minute, I’m up to here in it
You here behaving as though I’m a saint
Get a job with a pension, don’t ever mention
You once had a craving for the brushes and paint

[Chorus]
So go, forget it, let it all go, let it all go
Go, forget it, let it all go
Go, forget it, let it all go, let it all go
Go, forget it, let it all go, let it all go

[Verse 2]
A hack writer judges my swipes and my smudges
He doesn’t like pictures with blotches and blots
The drawing room tea set wants horses, sunsets
Sweet nothings, the seaside with yachts
Here’s the end of the thirties, no time for arties
Over in Poland, a right old to-do
So go join the navy, the air force or the army
They’ll all be enrolling young fellows like you

The album Kill to Get Crimson debuted at number 26 on the US Billboard 200 chart, selling about 23,000 copies in its first week. The Kill to Get Crimson Tour promoting the album started on 29 March 2008 in Amsterdam, Netherlands and ended on 31 July 2008 in Miami, Florida.

References:
1. Kill to Get Crimson – Wikipedia

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20/3 – 26/3/23 – Chat GPT 4.0

news on the march

Welcome to Monday’s News on the March – The week that was in my digital world.

Ordinarily I highlight 3 or more references illuminating the week passed, but I wish to devote this entire News on the March to one topic regarding AGI due to its order of magnitude in how it may affect our lives, even in the immediate to short – term future.

Bret and Heather 167th DarkHorse Podcast Livestream: AGI: Where Will it End?
Video podcast at Bret Weinstein

GPT-4 is more creative and collaborative than ever before. It can generate, edit, and iterate with users on creative and technical writing tasks, such as composing songs, writing screenplays, or learning a user’s writing style.

I remember watching the documentary Game Over (2003) when World Chess Champion Gary Kasparov played a chess match against IBM’s computer Deep Blue in 1997. He lost the match. Now it’s a given that even the best Chess players in the world including Magnus Carlsen can’t hold a candle to Artificial Intelligence game – play.

AGI, that is Artificial General Intelligence has now attained a capacity to understand or learn any intellectual task equal or better than human beings or other animals, but most strikingly it appears now that experts of this AI can’t ascertain how it could realize its deductive reasoning to achieve such extraordinary output.

To put this into perspective, according to Bret’s comments and reflections about the findings of the paper Bubeck et al 2023. Sparks of Artificial General Intelligence: Early experiments with GPT-4 this is a first in Artificial Intelligence advancement; specifically, how experts, or even the AI creators don’t know how this Intelligence deducted its reasoning to outperform humans.

Our findings suggest that GPT-4 has a very advanced level of theory of mind…We have argued that the ability to explain oneself is a key aspect of intelligence, and that GPT-4 exhibits remarkable skills in generating explanations that are output-consistent, i.e. consistent with the prediction given the input and context.

AI has got so advanced that it impossible for humans to discern whether or not videos / pictures are real as seen already in many tic-toc and facebook snippets ..I recently wrote an article called Joe Biden AI Voice Speech where Bruce my New Zealand amigo chimed ‘I don’t believe it was edited at all‘ (a bit tongue in cheek). From here on it will get worse. We might never be able to trust our own senses about what is real, as alluded to by Joe Rogan in that article.
Also, I point y’all to my article on the movie: Ex Machina for more stimuli on this topic.

You see even today; the press and the Government will claim a lie as truth. By the time it can be demonstrated to be a lie, the damage is, for the most part, already done, because people already believe the lie because that’s what they heard, and they haven’t seen it retracted.

It gets even worse than this. On an individual level, Meritocracy could be dead in little time. The average C plus student with a bent on such technology could subtly acquire the skills to allow the technology to write their answers for them, but not in a way that makes him or her a plagiarist, but a student advancing. And in their subsequent correspondence appear a struggling but agreeable student worthy of support.

Another example, a composer of Classical Music who seeks fame in their field, could use such AI to compose the best music of their preferred artists. Or a talentless songwriter who adores Nick Cave will start writing like Nick or at least writing to such an advanced level that he could be deemed as ‘great’ as Nick and no one else the wiser except perhaps Nick. Nick Cave recently remarked that ‘ChatGPT’s AI attempt to write Nick Cave lyrics ‘sucks‘.
The list is endless how this AI could be exploited.

Even on a collectivist level; a Regime or Government could learn to harness such technology to implement the policies as advocated by the program (the part of the Overton window in policy range) to win more votes in the subsequent election. On a local level instead of having ‘focus groups‘, this AI could do the focusing for them and arrive at outcomes better than they intended, because, to put it frankly, the AI knows what is assured to succeed.

Artificial Intelligence and ChatGPT—should we be worried? If so, how worried? Bret proposes three categories of AI: malevolent, misaligned, and deranging. (Watch entire video segment on GPT4.0 here)

news on the march the end
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Special Edition Post – Persephone in Hades – Theodora Goss

This poem was just published by Theodora:

Persephone in Hades
by Theodora Goss

Poppies have never been my favorite flowers.
Here they bloom all year long, if one can say
a year in Hades, where no seasons pass,
where summer never fades. Ironic, that —
a land of death where nothing ever dies.

I have almost forgotten how it feels
when snowflakes fall and melt against my cheeks,
when frost spreads her white veil across the landscape,
covering the hills, decorating the leaves
that rattle on the trees with intricate lace.
I miss that time of year when autumn fires
bloom in the household hearths. Here, no fires burn.
Instead, among the wheat, the poppies sway:
an endless field to drug men into sleep,
relieve their pains or worries for a while,
here, in this silent land where all are welcome.

As silent as my husband, Hades himself,
who sits all day in his library reading scrolls
lost to the world above us. “Why did you bring me
to this stagnant country,” I ask him, “if not to talk?
To sit and brood in a chair made out of bones,
or stare out the window at the unchanging garden,
in which only yew trees grow, and never speak?
Why abduct the daughter of Demeter?
Why not some other girl?” He shakes his head
and sighs. He would be handsome, if not so lost
in his own dreams. Or if he would trim his beard.
“I saw your hair lift in the wind,” he says,
“and thought of it blowing back against my face,
but there is no wind down here. I saw your mouth
and thought perhaps it would kiss me, or whisper poems
into my ears. Perhaps then I’d wake up
from this endless sleep, this abyss of timelessness.
I thought you might love me in time, forgetting that love
cannot live in this land.” He looks at me, frowning.
“You’ll never love me, will you, Persephone?”
“Not,” I say, “as long as you keep me here,
while above us frost and snow blanket the earth —
away from death, among the endless dead.”
“Yet how can I let you go?” His eyes plead with me,
I suppose to be forgiven or understood,
but I turn away, unsympathetic. He should
know better: you cannot have love on such terms.
Even the gods, selfish as children, know that.

It is useless, here, to count the days, and yet
a day will come, a day without a dawn,
when I will feel that ache within my chest,
as though a string were tied around my heart,
and know, with crocuses and hyacinths,
it’s time to push my way through the dark soil
into the sunlight, into my mother’s arms.
It’s time to blossom like the olive trees,
be born again into mortality
for a little while, laugh and shake water drops
from my hair, dance across the sunlit meadows
sprinkled with daisies and cornflowers, forget the land
of death and poppies, at least for a little while.

To forget, for a little while, the silent husband
who waits implacably at summer’s end.

You can view Theodora’s blog at Theodora Goss

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Let It Grow (1974) – Eric Clapton

Let It Grow is one of my favourite Eric Clapton songs and surprisingly the first song to appear here from him at the Music Library Project. I remember when I was at the Defence Academy in my late teens listening to this incessantly. It whetted my appetite to enjoy the night ahead when we had ‘leave’. The other song by Clapton which I was besotted (and still am) was his achingly beautiful Wonderful Tonight.

Let It Grow was released on Eric Clapton’s 1974 album 461 Ocean Boulevard which is the address of the house in Miami where Clapton and his band lived while they were making the album. In 1970, Eric Clapton released a song with his group Derek & the Dominos called Keep On Growing where he sang about finding fertile ground for love. In his gentle solo track Let It Grow he stays with the garden theme as a metaphor for love, singing, “Plant your love and let it grow.”

[Verse 1]
Standing at the crossroads, trying to read the signs
To tell me which way I should go to find the answer
And all the time I know
Plant your love and let it grow

[Chorus]
Let it grow, let it grow
Let it blossom, let it flow
In the sun, the rain, the snow
Love is lovely, let it grow

461 Ocean Boulevard is the second studio album by Eric Clapton. The album was released in late July 1974 (5 months after I was born). It was released shortly after his hit single I Shot the Sheriff in early July the same year. The album topped various international charts and sold more than two million copies.
Yvonne Elliman sang backup on this record. Before joining Clapton’s band in 1974, she played Mary Magdalene in Jesus Christ, Superstar. If you want to point your ears towards an almost forgotten fantastic disco hit then listen to Yvonne’s If I Can’t Have You.

References:
1. Songfacts – Let It Grow
2. 461 Ocean Boulevard – Wikipedia

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Less of Me (1968) – Roger Miller

My father listened a lot to the Sydney’s talkback radio broadcaster John Laws. Today’s song – Less of Me by Roger Miller was John Laws theme song. Suffice to say my father was a fan of it. It is such a beautiful song… It could easily be a prayer. The lyrics and melody are on another level. Less of Me evokes such strong memories not only because I heard it so often growing up, but I think about my Dad and how he tirelessly devoted himself to us. I wrote a tribute to him in my article – ANZAC Day in Australia and Memories of my Father.

Let me be a little kinder let me be a little blinder

To the faults of those about me let me praise a little more
Let me be when I am weary just a little bit more cheery
Think a little more of others and a little less of me
[ Mhm mhm mhm ]


Let me be a little braver when temptation bits me waver
Let me try a little harder to be all that I should be
Let me be a little meeker with the brother that is weaker
Let me think more of my neighbor and a little less of me
[ Mhm mhm mhm ]


Let me be when I am weary just a little bit more cheery
Let me serve a little better those that I am striving for
Let me be a little meeker with the brother that is weaker
Think a little more of others and a little less of me

If I had to safekeep just 10 songs of sentimental value, then Less of Me would be high up on that list. This song always gives me goosebumps and puts things into immediate perspective. Someone wrote in the comments below:

This is the Ten Commandments ‘in song’. Truly inspirational. If the human race lived by this basic credo, we’d have no more war or dispute. Happiness and peace would be ours.

Roger Dean Miller Sr. (1936 – 1992) was an American singer-songwriter, widely known for his honky-tonk-influenced novelty songs and his chart-topping country and pop hits King of the Road, Dang Me, and England Swings, all from the mid-1960s Nashville sound era. Today’s featured song Less of me was released on his 1968 record – A Tender Look at Love.

References:
1. Roger Miller – Wikipedia

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Leopard-Skin Pill Box Hat (1966) – Bob Dylan (Live 1966)

Bob Dylan is obsessed with his ‘honey’s’ Leopard-Skin Pill Box Hat. So much so he asks her: Honey, can I jump on it sometime? Yes, I just wanna see If it’s really the expensive kind.
If I had a gal who owned a Leopard-Skin Pill Box Hat (like a dreamy Audrey); I too would be obsessed and fancy jumping on it, to the point where a doctor might suggest Audrey (‘that lass in your dreams‘) is bad for your health. It goes without saying: ‘I wouldn’t act on his advice’.

Leopard-Skin Pill Box Hat is the third song to appear here from from the legendary Manchester Free Trade Hall 1966 concert. I wrote about Edward Norton’s comments of Dylan’s impact on the music scene and the immensity of this concert.

Oh, you like what I’m doing? I’m gone..I’m over here..’enjoy’…You’re not gonna like it because you liked what I just did and now where I’m going you are going to be discombobulated and upset and eventually, you’re going to catch up and when you catch up, I’m going to move onto something else.

How many people do you know, in any of the things we all do, who get a taste of a thing and don’t lean into it for a while? Who don’t think…’well this feels good’. May be I’ll just hang-out right here.

Leopard-Skin Pill Box Hat was first recorded here, one month prior to its official release on the mercurial new-rock record Blonde on Blonde.

[Verse 1]
Well, I see you got your
Brand new leopard-skin pillbox hat
Yes, I see you got your
Brand new leopard-skin pillbox hat
Well, you must tell me, baby
How your head feels under something like that
Under your brand-new leopard-skin pillbox hat

[Verse 2]
Well, you look so pretty in it
Honey, can I jump on it sometime?
Yes, I just wanna see
If it’s really the expensive kind
You know it balances on your head
Just like a mattress balances
On a bottle of wine
Your brand new leopard-skin pillbox hat

Leopard-Skin Pill-Box Hat peaked at number 81 on the American Billboard Top 100 chart.

According to Dylan’s lyrics, Wikipedia states that he affectionately ridicules a female “fashion victim“who wears a leopard-skin pillbox hat. The pillbox hat was a fashionable ladies’ hat in the United States in the early to mid-1960s, most famously worn by Jacqueline Kennedy. Dylan satirically crosses this accessory’s high-fashion image with leopard-skin material, perceived as more downmarket and vulgar. The song was also written and released after pillbox hats had been at the height of fashion.

Some journalists and Dylan biographers have speculated that the song was inspired by Edie Sedgwick, an actress and model associated with Andy Warhol. It has been suggested that Sedgwick was an inspiration for other Dylan songs of the time as well, particularly some from Blonde on Blonde. Following her estrangement from Warhol’s inner circle, Sedgwick began living at the Chelsea Hotel, where she became close to Bob Dylan. Dylan and his friends eventually convinced Sedgwick to sign up with Albert Grossman, Dylan’s manager.

References:
1. Leopard-Skin Pill-Box Hat – Wikipedia

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Lenny Bruce (1981) – Bob Dylan

I’m going to go the long and winding road to get to this song so please excuse its wordiness.
In January 2014, I wrote an article – Comedy and the Ages. Lenny Bruce, Charles Bukowski and Hunter S Thompson. It led to a brief but constructive discussion about whether ‘comedy’ is only truly savored in the era it was performed. I argued that comedy in general doesn’t seem to age well unless there is a personal connection to the artist and era it was communicated.

For example, Stanley Kubrick’s classic, Dr Strangelove is considered one of the greatest comedies / satires about the cold war, yet if you didn’t live with the threat of nuclear war in the 60s it may be difficult to appreciate its ingenuity.

Lance at Texan Tales countered my point based on his personal experiences:

I ‘discovered’ Lenny Bruce in 2004. I was born in ’57; too young of course to have known anything of Lenny. I disagree with your view that one must live in the era of the comedian. I have found great joy in Lenny. (And also Brother Dave Gardner: Same era) His philosophy and wisdom are timeless. Yes, it does help to know some cultural history, but it is not required, as some things reach across generations very nicely.

Bob Dylan was born 16 years before Lance, and he sung the following about Lenny Bruce’s impact on him:

Lenny Bruce is dead but he didn’t commit any crime
He just had the insight to rip off the lid before its time
I rode with him in a taxi once
Only for a mile and a half, seemed like it took a couple of months
Lenny Bruce moved on and the ones that killed him are gone


They said that he was sick ’cause he didn’t play by the rules
He just showed the wise men of his day to be nothing more than fools
They stamped him and they labeled him like they do with pants and shirts
He fought a war on a battlefield where every victory hurts
Lenny Bruce was bad, he was the brother that you never had

Sometimes Dylan delivers a ‘nasty’ curl ball on his albums such as Lenny Bruce on the Christian record Shot of Love. From conversing with a wide array of Dylan fans, Lenny Bruce seems to conjure contrasting opinions. It’s not dissimilar to what his political curl ball – Neighborhood Bully did on the 1983 Infidels record. That song was from the point of view of someone using sarcasm to defend Israel’s right to exist; the title bemoans Israel’s and the Jewish people’s historic treatment in the popular press.
I happen to like both aforementioned songs for very different reasons; the latter is my preferred of the two in terms of unapologetic listening enjoyment.

Wikipedia states:

The fourth track, “Lenny Bruce”, is about the subversive Jewish comedian of that name. An influential entertainer whose use of provocative language led to a famous obscenity trial, Bruce died of a drug overdose in 1966. Despite the secular tone of the lyrics, the music is “anchored in the resolute cadences of piano gospel”, according to music critic Tim Riley. Often regarded as a bizarre tribute, the song portrays Bruce as some kind of martyr, even though its characterizations of Bruce have been described as peculiar and almost non-descript.

When Dave Herman asked why, after so many years, Dylan chose to write a song about Lenny Bruce (July 2, 1981 interview), he answered, “You know, I have no idea! I wrote that song in five minutes! I found it was a little strange after he died, that people made such a hero out of him. When he was alive he couldn’t even get a break. And certainly now, comedy is rank, dirty and vulgar and very unfunny and stupid, wishy-washy and the whole thing. … But he was doing this same sort of thing many years ago and maybe some people aren’t realizing that there was Lenny Bruce, who did this before and that is what happened to him. So these people can *do* what they’re doing now. I don’t know.”

The first verse might, in fact, be seen to offer a subtle cut to Bruce’s imitators for whom the use of profanity is a cheap “shock” gimmick, while for Bruce it was a strike for free speech: “He was an outlaw, that’s for sure / More of an outlaw than you ever were.”

References:
1. Shot of Love – Wikipedia

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Scarface (1983) – Brian De Palma (Friday’s Finest)

Scarface is one of those crime- drama films I was reluctant to rewatch because it contains scenes which I find so disturbing, especially the one above. I watched The Godfather (Part 1) with the family about a month ago and soon after Scarface. Al Pacino appears in both films, but his Michael Corleone and Tony Montana portrayals couldn’t be more distinct apart from both movies being steeped in the crime genre. As Tony Montana; he is this angry young man who takes hasty decisions and throws a tantrum every other minute! He is not the calm Michael Corleone here. I can’t imagine the preparation Pacino did to pull off playing so convincingly a hyper-aggressive, tacky and uneducated Cuban refugee.

IMDB Storyline:

Tony Montana manages to leave Cuba during the Mariel exodus of 1980. He finds himself in a Florida refugee camp but his friend Manny has a way out for them: undertake a contract killing and arrangements will be made to get a green card. He’s soon working for drug dealer Frank Lopez and shows his mettle when a deal with Colombian drug dealers goes bad. He also brings a new level of violence to Miami. Tony is protective of his younger sister but his mother knows what he does for a living and disowns him. Tony is impatient and wants it all however, including Frank’s empire and his mistress Elvira Hancock. Once at the top however, Tony’s outrageous actions make him a target and everything comes crumbling down.

The following is mainly lifted from the Wikipedia and IMDB page references below:

Scarface is a 1983 American film directed by Brian De Palma and written by Oliver Stone. Loosely based on the 1929 novel of the same name and serving as a loose remake of the 1932 film. Pacino became interested in a remake of the 1932 version after seeing it, and he and producer Martin Bregman began to develop it. Sidney Lumet was initially hired to direct the film but was replaced by De Palma, who hired Stone to write the script. Oliver Stone named Tony Montana after his favourite American football player, Joe Montana. De Palma liked the script so much that he dropped out of directing Flashdance (1983) to direct this film. Oliver Stone was paid $300,000 to write the screenplay which made him the highest paid screenwriter ever up to that point.

Initial critical reception was negative due to its excessive violence, profanity, and graphic drug usage. According to the Family Media Guide, which monitors profanity, sexual content, and violence in movies, Scarface features 207 uses of the “F” word, which works out to about 1.21 F-bombs per minute. At the time of the film’s release, this was the most of any movie in history.
Some Cuban expatriates in Miami objected to the film’s portrayal of Cubans as criminals and drug traffickers.
Less than two months before the film’s release, Scarface was given an X rating by the MPAA for “excessive and cumulative violence and for language“. De Palma had already re-cut the film three times by that point; and he stated: “I said I’ve had it with these people, I’m not taking any more out“In the years that followed, critics have reappraised it, and it is now considered one of the greatest gangster films ever made.

Stone researched the script while battling his own cocaine addiction. He and Bregman performed their own research, traveling to Miami, Florida, where they were given access to records from the U.S. Attorney’s Office and the Organized Crime Bureau. Stone moved to Paris to write the script, believing he could not break his addiction while in the United States, stating in a 2003 interview that he was completely off drugs at the time “because I don’t think cocaine helps writing. It’s very destructive to the brain cells“…

Pacino insisted on taking the lead role as Tony Montana, although Robert De Niro had been offered it and had turned it down…. Pacino worked with experts in knife combat, trainers, and boxer Roberto Durán to attain the body type that he wanted for the role. Durán also helped inspire the character, who had “a certain lion in him“, according to Pacino. Meryl Streep’s immigrant character in Sophie’s Choice (1982) also influenced Pacino’s portrayal of Tony Montana. Bauer and a dialect coach helped him learn aspects of the Cuban Spanish language and pronunciation. Also, to help stay in character, Al Pacino asked director of photography John A. Alonzo to speak to him only in Spanish.
Pfeiffer was an unknown actress at the time, known primarily for her role in Grease 2; both Pacino and De Palma had argued against her casting, but Bregman fought for her inclusion. Al Pacino wanted Glenn Close to play Elvira, but the producers didn’t think she was sexy enough.

Some interesting IMDB Trivia:

  • During the scene where Tony and Elvira are sitting in the Cadillac at the car dealership, Al Pacino surreptitiously slips on the hat that Michelle Pfeiffer was wearing while she was looking away, which was not scripted. When she turns back and sees him wearing it, her amused reaction was genuine and to her credit, she stayed in character and ad-libbed a line. Brian De Palma decided to keep that unscripted exchange in the movie to show Elvira’s gradual warming up to Montana.
  • When Scarface (1983) was re-released in cinemas in 2003, the studio wanted Brian De Palma to change the soundtrack so that rap songs inspired by the film could be used. De Palma refused.
  • Though there has long been a myth that Pacino snorted real cocaine on camera, the “cocaine” used in the film was supposedly powdered milk (even if De Palma has never officially stated what the crew used as a drug stand-in). But whatever it was, it created problems for Pacino’s nasal passages. “For years after, I have had things up in there,” Pacino said in 2015. “I don’t know what happened to my nose, but it’s changed.”
  • Steven Spielberg and De Palma had been friends since the two began making studio films in the mid-1970s, and they made a habit of visiting each other’s sets. Spielberg was on hand for one of the days of shooting the Colombians’ initial attack on Tony Montana’s house at the end of the film, so De Palma let Spielberg direct the low-angle shot where the attackers first enter the house. Spielberg ultimately chose to be uncredited as he wanted Scarface to be solely De Palma’s vision.
  • A majority of the film was shot in Los Angeles, California, standing in for Miami, Florida. This was done because production would have been endangered by protests from angry Cuban-Americans over the film’s reported subject matter. Streets and buildings used for shooting were redressed by the art directors to have the “feel” of Miami.
  • Scarface was actually a nickname of Al Capone, who was an Italian-American gangster.
  • The entertainment industry initially hated the film, with Liza Minnelli asking Al Pacino what he had done to leave the insiders subdued at a post-screening meal. (Minnelli had not seen the film at the time.) However, during the meal, Eddie Murphy told Pacino that he loved the film.

References:
1. Scarface – Wikipedia
2. Scarface – IMDB

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Leaving The Table (2016) – Leonard Cohen

Who’s up for a sip of Vintage Penfold’s Grange Wine? The computer says ‘no’. Alrighty then. What a relief, because I haven’t got any in any wine cellar. But I have got one of the greatest ‘vintage’ singer-songwriters in contemporary music history. I listened to today’s featured song ‘Leaving the Table‘ before putting finger to keyboard and by golly did it make my eyes water. Leonard Cohen is one of the few artists who you think will always be around; will always be the person to whisper in your ear and then when you hear this ‘departure‘ track, it puts a lot into perspective. To quote that famous phrase from Spinal Tap – ‘Too much f&%king perspective‘.

[Verse 1]
I’m leaving the table
I’m out of the game
I don’t know the people
In your picture frame
If I ever loved you or no, no
It’s a crying shame if I ever loved you
If I knew your name

[Verse 2]
You don’t need a lawyer
I’m not making a claim
You don’t need to surrender
I’m not taking aim
I don’t need a lover, no, no, no
The wretched beast is tame
I don’t need a lover
So blow out the flame

Soon after Leonard Cohen’s passing, I wrote an analysis of almost every song from his last record ‘You Want It Darker‘ (2016) at the Bob Dylan fan site: Expecting Rain. I wish I could access those posts. You can imagine many Dylan homies are down for Cohen and that certainly was the case at that site. I agree with writer Daniel Kushner at Huff Post (see more below); ‘And as I struggle to come to terms with the world’s loss of Cohen, his lyrics appear now as the most prescient wisdom, the most pressing truth.’ And more below:

I was comforted by his insatiable search for spiritual truth wherever he might find it–from Judaism and a brief flirtation with Scientology to Zen Buddhism and Hinduism. I intrinsically understood his lifelong struggle with depression. His hopeless Romanticism and unending role as love’s great, forlorn nomad provided encouragement as I explored similar themes in my own poetry and opera libretto.

Leaving the Table is the second song to feature here after If I Didn’t Have Your Love from his final album You Want It Darker. I wrote in that article:

Today’s song If I Didn’t Have Your Love is analogous to a recent post I wrote – Some Observations about Space – Time which hypothesised if the earth stood still at midnight as well as everything else in the Universe then there would be no time to observe. Leonard seems to superimpose ‘Love‘ as the 5th dimensional vantage point of Space -Time in our current reality. The song seems to be in some form a reconciliation process between Science and Faith.

I listen in awe from 2:40 in the audio below and I have to declare – ‘I miss you Leonard as countless millions do‘.

References:
1. You Want It Darker – Wikipedia
2. ‘Leaving The Table’–A Eulogy For Leonard Cohen – Huff Post

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The AnkiDroid Collection (Part 36) – Etymology Special

Ankidroid additions related to Science, History and Philosophy. More information about Anki can be found in this article.

Etymology

Etymology is the history of linguistic form (such as a word) and tracing its earliest recorded meaning and its use over time. The English language is living and growing. New words are added all the time. For words: interesting histories and origins will provide a context. For example, a hippopotamus is a ‘river horse’. From the Greek ‘hippos‘ which means horse and potamus‘ meaning ‘river‘.

Hobson’s Choice

Portrait of Thomas Hobson in the National Portrait Gallery, London

If you were offered a Hobson’s choice, would you know what was meant?  Thomas Hobson (1544–1631) owned a livery stable in seventeenth-century England.  He loved his horses, and to prevent any one horse from being overworked, he hired them out in turn, beginning with stall number one.  Customers had to take the horses they were given.  Thus Hobson’s choice means no choice at all.

Hooker

Fighting Joe

A synonym for prostitute. The term became popular during the Civil War. The women involved were camp followers. General “Fighting Joe” Hooker approved their presence in order to boost the morale of his men.

Reference:
1. Etymology: The Origin of Words – Cuesta College

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