Human Touch (1992) – Bruce Springsteen

Human Touch is the second song to feature here from his double release albums Human Touch / Lucky Town. I always agreed with the Rolling Stones review of the double release that argued ‘the aims of the two albums would have been better realized by a single, more carefully shaped collection’. There at least ten songs from both albums that could have been combined to form one classic Springsteen album to rival perhaps his best ever. Human Touch was the first single released from the album and is comfortably one of those ten best songs from the album. I always enjoyed listening to the verses in this, but I think the song could have been shortened to be more affecting and sound less repetitive in the end stages.

Can I find the words to tell you
How I live between the walls of steel and stone
How I close my eyes to find some kind of rapture
In a world where you can feel so all alone

Inside I’m full of light and laughter
There’s a flame that burns in me
I need a way to set it free

When you find love in your heart
You can believe from the start
Dreams they come true
It all comes to you, oh all at once
If you believe in human touch

The song reached number one in Denmark, Italy, Norway, and Spain and was a top-10 hit in several other countries – 16 in the US. Human Touch is sometimes played by Springsteen and the E Street Band in concert despite their having been dismissed at the time of the original recording. Human Touch the album debuted and peaked at No. 2 on the Billboard 200. The album was met with a generally mixed critical reception. I consider this song one of Springsteen’s mid-tier song outputs, although many consider it one of his greatest tracks, including Bruce since this was the only song from Human Touch included on Springsteen’s 1995 Greatest Hits album.

References:
1. Human Touch (Bruce Springsteen song) – wikipedia
2. Human Touch – Wikipedia

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Human (2013) – Christina Perri

I mentioned Christina Perri on this blog before because I am so enamoured with her single Jar of Hearts. Whence I gathered my senses after absorbing that immense track, I searched other songs from her, and I was impressed by some including today’s track Human. It was recorded for her second studio album Head or Heart and her third top 40 entry on the Billboard 100. Her voice continues to stun me and give me goosebumps when she raises the Octave, just like in this song. Christina is just a wonderful talent and I’ve seen her music in live videos, and she definitely replicates and at time supersedes her studio output. Anyone that can write Jar of Hearts – one of the greatest post 2000 ballads IMHO is a ‘natural’ in my book.

I can hold my breath
I can bite my tongue
I can stay awake for days if that’s what you want
Be your number one
I can fake a smile
I can force a laugh
I can dance and play the part if that’s what you ask
Give you all I am

Human was written at the end of a long session of song-writing, and originally Perri wasn’t sure if the song would be in the album because she felt it was too personal, but because of the positive reactions to the song, she decided to put in the album and chose it as the lead single. The verses find Perri musing the things she would do for love, yet as she sings in the chorus, “I’m only human / And I bleed when I fall down‘. I really admire the confessional nature of the lyrics.

Like Jar of Hearts, Human is largely built around a piano melody and showcases Perri’s voice. There is a good audience version of this song live in Brazil – of all places! The studio version below features Perri as a robot sitting in a white room, with close-ups of the mechanics working inside of her body. As she begins to move, various body parts are shown to be bionic. Towards the end of the video, Perri begins to transform from a machine into a human as sparks fall behind her.

References:
1. Human (Christina Perri song) – Wikipedia

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Duel (1971) – Steven Spielberg (Friday’s Finest)

This cult-classic and Spielberg’s second feature-length film as Director – Duel is one of the first movies I remember having seen and it made a lasting impression. It is renowned as one of the greatest made-for-television films ever made. The script was adapted by Richard Matheson from his own short story and originally published in Playboy magazine. Matheson got the inspiration for the story when he was tailgated by a trucker while on his way home from a golfing match – the same day John F. Kennedy was assassinated. The story was given to Spielberg by his secretary, who told him that he should apply to be the director.

IMDB Storyline:

While traveling through the desert for an appointment with a client, the businessman David Mann from California passes a slow and old tanker truck. The psychotic truck driver feels offended and chases David along the empty highway trying to kill him.

Much of the movie was filmed in and around the communities of Canyon Country, Agua Dulce, and Acton, California. Many of the landmarks from Duel still exist today, including the tunnel, the railroad crossing, and Chuck’s Café, where Mann stops for a break. Matheson’s script made explicit that the unnamed truck driver, the film’s villain, is unseen aside from the shots of his arms and boots that were needed to convey the plot. Spielberg observed that fear of the unknown is perhaps the greatest fear of all and that Duel plays heavily to that fear. The effect of not seeing the driver makes the real villain of the film the truck itself, rather than the driver.

This is ‘road-rage’ at its most potent. It’s such a simple movie plot, but its feel and cinematography lends more to a Paris,Texas-esque European cine-scope of America. There’s a great scene where Mann stops at a roadside diner and tries to analyze his situation. At that point in time anyone could be the villain-the guy eating a sandwich, the guy with cowboy boots having a soda, or even the woman standing by the exit. But we never know. This is Spielberg’s breakthrough movie. He has surpassed it with projects such as “Jaws,” “Raiders of the Lost Ark” and “ET,” but Duel is a very well made-unconventional film that achieves its objective.

Trivia (spoiler alert):

*The dinosaur roar sound effect that is heard as the truck goes over the cliff is also heard in Jaws (1975), as the shark’s carcass sinks into the ocean.

*When Carey Loftin, playing the truck driver, asked Steven Spielberg what his motivation was for tormenting the car’s driver, Spielberg told him, “You’re a dirty, rotten, no-good son of a bitch.” Loftin replied, “Kid, you hired the right man.”

References:
1. Duel (1971 film) – Wikipedia

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Huck’s Tune (2007) – Bob Dylan

This unheralded later day mystical tune from Dylan was released on the movie Lucky You directed by Curtis Hansen and also appeared on the above Tell Tell Signs (1989 – 2006). Dylan and Hurtis had previously worked together for the soundtrack of the Wonder Boys (2000) film which was reviewed here at Friday’s Finest. I find today’s featured song Huck’s Tune one of the hidden gems of this post 2000 creative resurgence. One could argue this period began with the 2000 Oscar-winning track “Things Have Changed” from Wonder Boys.

In the last 2 decades Dylan seems to wholly embody the persona of the character in the given song. As Allen Ginsberg masterly described it (but decades earlier) – Dylan had become a column of air, so to speak, at certain moments, where his total physical and mental focus was this single breath coming out of his body. He had found a way in public to be almost like a shaman, with all of his intelligence and consciousness focused on his breath

Well I wandered alone through a desert of stone
And I dreamt of my future wife
My sword’s in my hand and I’m next in command
In this version of death called life
My plate and my cup are right straight up
I took a rose from the hand of a child
When I kiss your lips, the honey drips
But I’m gonna have to put you down for a while

Personally, I am nowhere near that level of poetic enlightenment of someone like Ginsberg or a Dylan scholar with a Ph.D. with a vast array of musical knowledge to break down a Dylan song and allude it to pre-1960’s works of literature and music. Every so often I pick up on the odd fine allusion here and there, but for the most part, I judge a Dylan song by how it makes me feel and the way I can identify myself. Quite simply Huck’s Tune knocked me on my backside. I don’t grow tired of it.

Huck’s Tune has a bare bones Americana sound and transports my mind to scenes from movies like Mississippi Grind, Paris, Texas and Crazy Heart and the images of breezy air, terrain, culture and music history. It is musically grounded in Dylan’s current period but is lyrically reminiscent of some of his best songs, and dare I say it, catchy as hell. This song is like a good vintage wine and will grow in stature and gain more devotees as it ages.
Someone wrote below: “The river is wider than a mile” is a line that always plays in my head when I stand at the shore of the Mississippi. Which is pretty often.

References:
1. Review: “Huck’s Tune” by Bob Dylan – Cosmic Vibrations

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The AnkiDroid Collection (Part 22) – Satyagraha, Cosmology & Tonsure

Ankidroid additions related to Science, History and Philosophy. More information about Anki can be found in this article.

Satyagraha

Satya – Truth, Graha – Insistence

Gandhi described it as holding firmly to truth or truth force (and was represented to designate a determined but nonviolent resistance to evil – the famous Salt March). Satyagraha became a major tool in the Indian struggle against British imperialism and has since been adopted by protest groups in other countries.

Gandhi first conceived Satyagraha in 1906 in response to a law discriminating against Asians that was passed by the British colonial government of the Transvaal in South Africa. 

Galaxies and Stars

This is just in the observable Universe…there is an estimated one hundred billion galaxies in the Universe (revised down from 2 trillion) and approximately one hundred billion stars exist in each Galaxy. For more information about what is contained in our galaxy, I recommend the videos How Far Away is It – The Milky Way and Zooming to the Heart of the Milky Way.

Tonsure

A shaven crown or patch worn by monks as a Roman Catholic rite of admission to the clerical state. A fellow blogger enthusiast Bruce Goodman wrote how he was the second last-ever (at least in the western-world) to be formally given one. Bruce now lives in Shire territory NZ and you can read about his historical Tonsure here.

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Posted in Reading, Reflections

How Soon Is Now? (1984) – the Smiths

In my last post about The SmithsHeaven Knows I’m Miserable Now, I listed my ‘Desert Island‘ favourite 5 songs of them. Today’s song How Soon is Now also made that short list. In fact it’s in my top 2 of that list and is my go-to song for those unfamiliar with their music. Coincidentally, it is was originally released a B-side of the 1984 single William, It Was Really Nothing which is the other in my top-2. In 2007, Marr (guitarist) said “How Soon Is Now? is “possibly [the Smiths’] most enduring record. It’s most people’s favourite, I think.”

It boggles my mind How Soon is Now was produced in 1984. The richness and currency of its sound and lyric, is like it was released to the masses yesterday. It hasn’t aged a bit and there exists few 80’s songs you could say that about. It reached No. 24 on the UK Singles Chart and when re-released in 1992, it reached No. 16. Despite its prominent place in the Smiths’ repertoire, it is not generally considered to be representative of the band’s style, but I believe the mood it conjures and what it expresses represents The Smiths modus operandi. I really enjoy the self pitying and mischievous rhetoric.

I am the son and the heir
Of a shyness that is criminally vulgar
I am the son and heir
Of nothing in particular


You shut your mouth, how can you say
I go about things the wrong way?
I am human and I need to be loved
Just like everybody else does

Smiths guitarist Johnny Marr wrote How Soon Is Now? along with William during a four-day period at Earl’s Court in London in June 1984 and that might explain why some perceive it not representative of the band. The opening of the song was adapted from a line in George Eliot’s novel Middlemarch: “To be born the son of a Middlemarch manufacturer, and inevitable heir to nothing in particular“.
Marr gave an account in 1990 of how he achieved the resonant sound:

The vibrato [tremolo] sound is incredible, and it took a long time. I put down the rhythm track on an Epiphone Casino through a Fender Twin Reverb without vibrato. Then we played the track back through four old Twins, one on each side. We had to keep all the amps vibrating in time to the track and each other, so we had to keep stopping and starting the track, recording it in 10-second bursts… I wish I could remember exactly how we did the slide part – not writing it down is one of the banes of my life!

Hence, How Soon Is Now? was considered a “major problem” to play in concert by the Smiths, and live versions by the Smiths are relatively rare, although the song has also been performed live by Johnny Marr, both solo and with his band the Healers.

References:
1. How Soon Is Now – Wikipedia

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8/08 – 14/08/22 – Tyson Fury, Racial Stereotypes & The new Jordan Peterson

news on the march

Welcome to Monday’s News on the March – The week that was in my digital world.

Tyson Fury’s Speech Will Leave You Speechless
Speech excerpts at Wealth Motivation

As a small-time boxing aficionado, I was astounded by Tyson Fury’s recent efforts in the ring and enjoyed his stage presence dressed and claiming to be a Spartan. He has since hung-up the gloves undefeated Heavyweight champ, but when I saw this video that came into my feed, my admiration for him only intensified.

‘Tyson Fury has been through the most ups and downs in his life of any fighter in the history of the sport of boxing. Tyson Fury has retired and come back multiple times in his career, showing everybody that it can be done no matter what state you are in, in your life. The credit Tyson Fury deserves for providing motivation to everybody worldwide is unmatched.’ ..(Listen to speech excerpts here)

Bill Burr on Movie Racial Stereotypes
Comedy event excerpt at FlyingBearFilmMorgue

I confess I am not a big fan of Bill Burr’s comedy, but sometimes he hits the mark like he did in this part. There were many parts I found myself in hysterics like his quotes “Embarrassing for all races involved”, “The real racism is silent” and “They’re gonna steal the paddles”. (Watch entire excerpt here)

David Fuller: What Happened to Jordan Peterson?
Video interview at UnHerd

I agree that Jordan has become more polarising in the last few months or so and when he joined Daily Wire specifically. I think the criticisms are valid here although one could argue – Peterson knows how close we are to having peace and freedom snatched away – Its a quarter to midnight and David Fuller thinks it’s still noon.

Followers of the clinical psychologist and now world-famous member of the ‘Intellectual Dark Web’, Jordan Peterson, have noted a radical change in his video style in recent weeks. For David Fuller, founder of Rebel Wisdom, these videos ‘signalled a watershed moment’ for Peterson, from truth-seeker and mediator between Left and Right to a blinkered tribalist. UnHerd’s Freddie Sayers sat down in the studio with Fuller to dig a little deeper into his reservations about Jordan Peterson and alternative media’s part in this story. (Watch video presentation here)

news on the march the end
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Posted in Movies and TV, News, politics, Reflections, Sport and Adventure

Otherside – Red Hot Chili Peppers

Red Hot Chili Peppers 1999 Woodstock

This is the second song to feature here from The Red Hot Chili Peppers but the first from their seventh album, Californication (1999), which became their biggest commercial success, with 16 million copies sold worldwide. In 1998 just prior the group was on the verge of breaking up. Their guitarist Frusciante had a heroin addiction which left him destitute and near death. Flea convinced Frusciante to admit himself to a Drug Rehabilitation Center. His addiction left him with scarring on his arms, a restructured nose, and dental implants following an oral infection. In April 1998, Flea visited the recovered Frusciante and asked him to rejoin the band; Frusciante began sobbing and said nothing would make him happier.

After more than a year of production the Red Hot Chili Peppers released Californication. Californication contained fewer rap songs (like the previous entry here – Give it Away) than its predecessors, instead integrating textured and melodic guitar riffs, vocals and basslines. It produced three number-one modern rock hits, Scar Tissue, Californication and today’s featured song – Otherside. The song confronts the battles addicts have with their prior addictions, specifically to former band member Hillel Slovak, who died of a heroin overdose in 1988. 

I heard your voice through a photograph
I thought it up and brought up the past
Once you know you can never go back
I gotta take it on the other side…

Centurys are what it meant to me
A cemetary where I marry the sea
A stranger thing that never changed my mind
I gotta take it on the other side
I gotta take it on take it on…

Many critics credited the success of the album to Frusciante’s return. The album launched them a 2-year international world tour and they played the closing show at Woodstock 1999 (pictured above). During their set a small fire escalated into violence and vandalism, resulting in the intervention of riot control squads. “It was clear that this situation had nothing to do with Woodstock anymore. It wasn’t symbolic of peace and love, but of greed and cashing in.”

References:
1. Red Hot Chili Peppers – Wikipedia
2. Otherside – Wikipedia

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Hotel Radio (2003) – David Bridie

Today’s song is the title track from one of my favourite Australian albums Hotel Radio. David Bridie’s music has featured extensively here at Observation Blogger. Bridie is hardly known in my home country, but he has had a great influence on the Australian music and film industry in similar mode to the unheralded The Go-Betweens (regarding music) who were a great inspiration to Bridie. This cruelly underrated Australian album Hotel Radio doesn’t even have a wikipage, but there are so many gems on it including today’s title track.

Bridie’s output is just so atmospheric and Hotel Radio is no exception. In some respects it reminds me of Dylan’s Visions of Johanna. He is a songwriting puritan and doesn’t appease to the masses. I watched him perform live many of the songs from the album and I listen to them regularly. Bridie formed a breakaway band – My Friend The Chocolate Cake whose music has also featured here. Their first album was recorded with a budget of $800. In his review of the album for Rolling Stone Australia, Bruce Elder wrote it is “one of the best albums of high-art pop ever recorded in Australia.”

February… one long day
I’d hardly call it summer when my skin’s so pale
Two star room well that’s ok
I stay one night then move on to another place
Each place I stay I hear the same wrong done
On my hotel radio


Far away from the bastard few
Roman pillar houses with a harbour view
I aspire to nothing it’s a regular thing’
On my hotel radio

No version of Hotel Radio exists on You Tube so I have uploaded my own audio which appears complete on his web page. All rights are reserved to David Bridie. As it states: ‘Regarded as Bridie’s most pop-oriented effort to date, the album radiates a sensual summer’s warmth with an expansive sense of mystery that delved even further into the artform of sonic texture. Title track is a wonderful song. Produced by David Bridie and co-producer Nick Littlemore‘.

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I Hope I Don’t Fall in Love With You (1973) – Tom Waits

I’m a huge fan of this song from Tom which has an alluring James Taylor-esque sound. It is from Tom’s pre-minstrel days and is hopelessly romantic. I’m going to go out on a limb and declare, ‘I don’t know how anyone could dislike ‘I Hope I Don’t Fall in Love With You‘. As a taxi driver once said, ‘I used to play Tom’s music in my cab. It really calmed down the drunks‘. They weren’t the only ones to find his music a soothing experience! This song is about as mellow Tom’s music gets. I love the turn in the 4th verse… ‘I hope YOU don’t fall in love with ME!’

Well I hope that I don’t fall in love with you
‘Cause falling in love just makes me blue,
Well the music plays and you display your heart for me to see,
I had a beer and now I hear you calling out for me
And I hope that I don’t fall in love with you.

Well the room is crowded, people everywhere
And I wonder, should I offer you a chair?
Well if you sit down with this old clown, take that frown and break it,
Before the evening’s gone away, I think that we could make it,
And I hope that I don’t fall in love with you.

After exposing all of his fears of commitment he realizes he is falling for her and now must face the realization she may return the favor. You can feel the pain of a man afraid of commitment in this song. He fumbles and worries and once he finally gets the confidence to face her, well it was too late. She is gone. Perhaps it’s more about a guy who’s not in love with the woman but in love with the idea of love itself so much so that he projects it onto any attractive stranger that he sees through his alcoholic haze, constructing a drunken reverie which dissipates as she leaves.

Closing Time was the debut record from Tom Waits and is noted as being predominantly folk influenced. It did not chart and received little attention from music press. Some songs from the album were covered by Tim Buckley and Bette Midler. The album has since gained a contemporary cult following among rock fans. Tom Waits began his musical career in 1970, performing every Monday night at The Troubadour (featured in Elton John’s recent biopic – Rocketman), a venue in West Hollywood. In Rolling Stone, critic Stephen Holden praised Closing Time as “a remarkable debut album“.  William Ruhlmann, in a retrospective AllMusic review, holds the album in high regard, describing Waits’ “lovelorn lyrics” as being “sentimental without being penetrating“, while also noting Waits’ gift for ‘self-conscious melancholy“.

References:
1. Closing Time – wikipedia

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