Girls In Their Summer Clothes (2007) – Bruce Springsteen

Listening to this 2008 Bruce track was like being transported back to vintage Bruce music. It’s a wonderful track and possesses all the hallmarks about what made Bruce Springsteen the household name he came to be. Even the lyrics of Girls in their Summer Clothes is reminiscent of a breezy ‘young Bruce‘:

Frankie’s Diner, an old friend on the edge of town,
The neon sign spinning round,
Like a cross over the lost and found.
Fluorescent lights flicker over Pop’s Grill,
Shaniqua brings the coffee and asks “Fill?”
and says, “Penny for your thoughts now my boy, Bill”

I was so impressed with Bruce’s 2002 post September 11 The Rising album which has already featured in part here that I had to procure his Magic record in 2008. Although it’s not up to The Rising‘s level, Magic is still pretty good and the highlight is today’s track – Girls in their Summer Clothes which won the best rock song at the 51st Grammy awards. Springsteen subsequently confessed: “I didn’t even know I was up for a Grammy! I opened the newspaper on Monday and saw that I had won, and thought, ‘Well, that’s great!
The song featured prominently in the Magic 2007-2008 tour often as the encore song.

The album ranked number two on Rolling Stone’s list of the Top 50 Albums of 2007. They love Bruce! It was said by the band’s manager Jon Landau who formerly wrote for RollingStone that Magic would have a heavy E Street Rock sound. He also wrote way back when – 1974 to be exact, in the Real PaperI saw rock and roll future and its name is Bruce Springsteen,“.

References:
1. Magic – Wikipedia

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How Corrupt and Out-of Touch is the Western Media Right Now? (Special Edition Article)

I have alluded to this before in other articles, but I think the Major Press has reached a heightened level of reality fabrication. Let me indulge you…. Today, the big story for the upcoming Master’s golf tournament; the most prestigious of all golf tournaments (analogous with Wimbledon for Tennis) was about Tiger Woods possibly returning to play at the Masters despite his car crash in February 2021. They titled the article today as ‘Stuff of Sporting Legend‘. Now, I’m the last one to beleagre one of the greats of golf (with respect to his ‘game’), but this treatment by BBC is with the softest Velvet gloves to have ever been worn. It’s truly an amazing fabrication of reality.

In the article, there is nothing about Tiger’s personal actions, infidelity nor the fact he was driving two times over the speed limit in February last year that lead him to endanger the lives of others, not the least himself. No, nothing, zero..Just that he is a sporting legend and him even participating at this tournament is the stuff of legend…Micky Retford wrote in response to this piece of Sh&t article the following:

Woods was driving his car at almost twice the speed limit when he crashed. We hear nothing about that level of anti-social behaviour that seriously endangered the lives of others – all we get is how brave Tiger has recovered from nearly losing his leg. Spare me the sympathy and nauseating sycophancy from the closet that is The World of Golf.

You have to read the comments to get a slice of reality these days of what’s really happening. That’s scary…. Tiger, like Rory Mcilroy are the darlings of golf and BBC are their bitches (excuse the connotations associated with that).

And another comment of how the Press are so out of touch:

Making a comeback from a car crash that you inflicted on yourself (he was doing twice the speed limit) is not the achievement that you seem to think it is.’

Are there any reasons in the article about why Tiger Woods was out of the Sport so long? No, he just crashed his car and is possibly back. Let me put the following to you:

If Tiger was a white sportsperson celebrity who had achieved what he did and did what he did off the golf course; would he get the BBC velvet glove treatment over and over again. I assure you – Not! He is, in my opinion not admonished by the BBC because of his race. Such is the mass media narrative these days of supposed white-male priviledge and the histeria surrounding the tyranny of ‘patriarchy’, Tiger gets a free pass to get away with anything and not just that, be praised by all and sundry. I’m not dishing Tiger for all he has done for golf, but articles such as this are why the Oligrach media is held in such contempt by the public. They are a disgrace.

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Posted in News, Sport and Adventure

Girlfriend in a Coma (1987) – The Smiths

The Smiths are a punk-pop English group regarded as one of the most important acts to emerge from the British independent music scene of the 1980s. As I mentioned in my post about lead singer Morrissey’s song Everyday is Like Sunday, I came to their music late in my musical journey. I’m relieved I did, but it’s unfortunate I didn’t learn to appreciate them in my adolescence when they came onto the scene.

Today’s track Girlfriend in a Coma is musically one of their more mainstream and catchy tunes, but the lyrics are morbidly twisted. The narrator describes his conflicting feelings: “There were times when I could have murdered her/But you know I would hate anything to happen to her“). He says he does not want to see her then says he does.

The song received little airplay although reaching No 13 on the UK charts from the band’s fourth and final studio album, Strangeways, Here We Come. Morrissey later said, “You’re not really supposed to like those songs. They’re very depressing and not supposed to be played on radio.

RollingStone reported in this article of the shock, hilarity and scandal that the song deserves celebration on the 30th anniversary of its August 10th, 1987 release. They stated that Morrissey ‘pretended to offend the tradition of conventional pop song subject matter‘.
To be honest, I don’t know when The Smith’s music didn’t try to offend the tradition of conventional music. They further added – he ‘won pop star status for romanticizing unconventional, misunderstood passions. His songs for the Smiths were trailblazing inspiration for the acceptance of social perspectives and emotional sensitivity that cool hipster rock had forbidden‘.

References:
1. Girlfriend in a Coma – wikipedia
2. The Smiths: Girlfriend in a Coma – Rolling Stone

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My Girl (1991) – Howard Zieff (Friday’s Finest Special Edition selection)

I hadn’t seen My Girl for decades, but when it popped on Netflix I knew I had to see it with my kids. So, last Saturday night after a sumptuous lunch at Crepes and Waffles on 140 street here in Bogota, we curled up on the couch to watch this coming of age classic. My kids of course hadn’t seen it, but I knew I was in for a real treat to see their reactions by movie end. Anyone that has seen this movie will know what I mean. There are so few movies which can present young children circumstances about life, death, romance and personal connections as effectively as this movie. The only other ones which spring to mind is Stand By Me and Running on Empty both which star the sadly missed – River Phoenix. The latter movie was reviewed here.

What flawed me was reading My Girl has just a 50% approval rating at Rotten Tomatoes. Let that sink in.
How do I know if a Movie has aged well or not? Watch how people respond to it in a distinct epoch.
I have watched Ingmar Bergman’s Persona twice now in two recent viewings on the Film and Arts channel. I felt I was watching a different movie each time I saw it. I.E. – Classic and for that reason Bibi Andersson in sunglasses in that iconic scene heads my blog.
Also, seeing My Girl again after all these years later through the lense of my children felt anew and as relevant as ever. I thought perhaps after my children’s recent consumption of movies featuring The Rock, Adam Sandler and Vin Diesel (blah, de blah) they might have found My Girl a bit too saccharine for their tastes.

IMDB Storyline:
1972 (Set in). Vada Sultenfuss (played by Anna Chlumsky) is an intelligent, bubbly, hypochondriacal 11-year old girl. Her father, Harry (Dan Aykroyd), is a mortician and a widower. Her best friend is Thomas J Sennett (Macaulay Culkin). Then her father hires a new receptionist, Shelly (Jamie Lee Curtis), and life will never be the same again.

My Girl is fictitious and it is a splendid story delivered at the height of Hollywood’s prowess. I get it. But the archetipo ‘My Girl‘ is real. I’ll present her to you below in all her radiance alongside ‘My Boy‘ (futbolista):

By the movie’s end, I saw my daughter above crying uncontrollably and I motioned her to me and we cradled each other. My boy – Jesus Mateo also was a dribbling idiot on my left and we all watched it together…. This was how movies used to be. No senseless P-G rated killings and tough-men violence to appease the masses.
You just sat on your couch as a family and watched great-meaningful art on screen. That quality of quaint drama storytelling has almost been ridden from modern movie-telling for children. Now, it’s just watered-down inoffensive mish-mash which doesn’t make the least bit difference to one’s soul.

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Girl From the North Country (1963) – Bob Dylan

Today we have an an early Bob Dylan classic – Girl From The North Country. I like nearly every version I’ve heard from him of this song and believe me there are many! He wrote it about his then sweetheart Suze Rotolo (but there is debate about this) who appears on the famous record cover The Freewheelin’ Bob Dylan (pictured left). This actual street called Jones Street in New York was not far from Rotolo and Dylan’s apartment, and the image has become iconic featured in artwork and imitated in movies. I especially like how it’s brought to screen in Vanilla Sky by Cameron Crowe. One day I would like to do a pilgrimage of Dylan America which of course would include this street.

If you’re travelin’ in the north country fair
Where the winds hit heavy on the borderline
Remember me to one who lives there
She once was a true love of mine

If you go when the snowflakes storm
When the rivers freeze and summer ends
Please, see if she has a coat so warm
To keep her from the howlin’ winds

Dylan wrote Girl From The North Country following his first trip to England in ’62. Dylan then left England for Italy to search for Suze, whose continuation of studies there had caused a serious rift in their relationship. While in London, Dylan met several figures in the local folk scene, including English folksinger Martin Carthy. “I ran into some people in England who really knew those [traditional English] songs“. One such person was Martin Carthy who introduced him to his arrangement of “Scarborough Fair” which of course later Simon and Garfunkel made famous. Dylan drew upon aspects of the melody and lyrics including the line from the refrain “Remember me to one who lives there, she once was a true love of mine

Later in Dylan’s career we would see the old English folk songs appear on his Good as I Been To You and other records. Dylan performed the song 569 times live between 1963 and 2019. Apart from the original his version to close his 30th Anniversary soundtrack was something else where I thought he’d break the strings off the guitar.
Below are presented two versions, an alternative early version and later his Sydney tour with Tom Petty in ’86, both which feature Spanish subtitles.

Reference:
Girl From the North Country – Wikpedia

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The Case of Socrates (Final – 12 Rules For Life) – Jordan B Peterson

The Death of Socrates, by Jacques-Louis David, 1787 / Metropolitan Museum of Art, New York

Today we reach the final book excerpt from Jordan Peterson’s 12 Rule For Life. A lot of what the book espouses is about ‘delaying gratification’ (sacrifice) and pursuing what is meaningful and not what is expedient. Peterson uses the case of Socrates to illustrate his overarching message:

‘…After a lifetime of seeking the truth and educating his countrymen, Socrates faced a trial for crimes against the city – state of Athens, his hometown. His accusers provided him with plenty of opportunity to simply leave, and avoid the trouble. But the great sage had already considered and rejected this course of action. His companion Hermogenes observed him at this time discussing ‘any and every subject’ other than his trial, and asked him why he appeared so unconcerned. Socrates first answered that he had been preparing his whole life to defend himself, but then said something more mysterious and significant: When he attempted specifically to consider strategies that would produce aquittal ‘by fair means or foul’ – or even when merely considering his potential actions at the trial – he found himself interrupted by his divine sign: his internal spirit, voice or daemmon. Socrates discussed this voice at the trial itself. He said that one of the factors distinguishing him from other men was his absolute willingness to listen to its warnings – to stop speaking and cease acting when it objected. The Gods themselves had deemed him wise above other men, not least for this reason, according to the Delphic Oracle herself, held to be a reliable judge of such things.
Because his ever-reliable internal voice objected to fleeing (or even to defending himself) Socrates radically altered his view of the significance of the trial. He began to consider that it might be a blessing, rather than a curse. He told Hermogenes of his realization that the spirit to whom he had always listened might be offerring him a way out of life, in a manner ‘easiest but also the least irksome to one’s friends, with ‘sound body and spirit capable of showing kindliness’ and absent the ‘throes of illness’ and vexations of extreme old age. Socrates decision to accept his fate allowed him to put away mortal terror in the face of death itself, prior to and during the trial, after the sentence was handed down, and even later, during his execution. He saw that his life had been so rich and full that he could let it go, gracefully. He was given the opportunity to put his affairs in order. he saw that he could escape the terrible slow degeneration of the advancing years. He came to understand all that was happening to him as a gift from the gods. He was not therefore required to defend himself against his accusers-at least not with the aim of pronouncing his innocence, and escaping his fate. Instead, he turned the tables, addressing his judges in a manner that makes the reader understand precisely why the town council wanted this man dead. Then he took his poison , like a man.

(I read elsewhere, rather than present himself as wrongly accused, Socrates declared he fulfilled an important role as gadfly, one who provides an important service to his community…Socrates suggested he be honoured by the city for his contribuition to their enlightenment and be paid for his services…The jury was not amused and sentenced him to death by drinking a mixture of poison hemlock)

Socrates rejected expediency, and the necessity for manipulation that accompanied it. He chose instead, under the direst of conditions, to maintain his pursuit of the meaningful and the true. Twenty-five hundred years later, we remember his decision and take comfort from it….you can discover meaning so profound that it protects you even from the fear of death.

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Gimme Shelter (1969)- The Rolling Stones

I’m not a big Stones fan, but I’m a fan of this track. As seen below Gimme Shelter was used brilliantly in Scorsese’s The Departed film. Warning: This movie extract contains disturbing scenes and offensive language.
My blogger friend Max (at Powerpop) and I were just discussing Scorsese’s application of music in films at his post of Harry Nilsson – Jump Into the Fire and how it was incorporated into Goodfellas.
Gimme Shelter was the opening track off The Rolling Stones 1969 album Let It Bleed and covers topics of war, murder, rape and fear. Rolling Stone (the magazine) praised it saying ‘The band has never done any thing better‘. The song has been placed on the best of lists of acclaimed music.

Ooh, a storm is threatening
My very life today
If I don’t get some shelter
Ooh yeah I’m gonna fade away

War, children
It’s just a shot away
It’s just a shot away
War, children
It’s just a shot away
It’s just a shot away

Gimme Shelter was written by Mick Jagger and guitarist Keith. Richards, the band’s primary songwriting team. Jagger said in a 1995 interview with Rolling Stone magazine:
Well, it’s a very rough, very violent era. The Vietnam War. Violence on the screens, pillage and burning. And Vietnam was not war as we knew it in the conventional sense. The thing about Vietnam was that it wasn’t like World War II, and it wasn’t like Korea, and it wasn’t like the Gulf War. It was a real nasty war, and people didn’t like it.

At the time of writing Gimme Shelter, Jagger was in a film with Richard’s then girlfriend Anita Pallenberg. Richards wrote in his biography that the tension of the song was inspired by his jealousy at seeing the relationship between Pallenberg and Jagger, and his suspicions of an affair between them.

The recording features guest vocals by Merry Clayton, recorded at a last-minute late-night recording session during the mixing phase, arranged by her friend and record producer Jack Nitzsche.
After the first verse is sung by Jagger, Merry Clayton enters and they share the next three verses. A harmonica solo by Jagger and guitar solo by Richards follow. Then, with great energy, Clayton repeatedly sings “Rape, murder! It’s just a shot away! It’s just a shot away!

Reference:
Gimme Shelter: Wikipedia

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Posted in Music

21/03/22 – 27/03/22 Russian and Ukranian History, Mark Knopfler & Judaism

news on the march

Welcome to Monday’s News on the March – The week that was in my digital world.

Some history possibly related to Russia’s invasion of Ukraine
Blog post by Self Aware Patterns

‘…The history here is interesting. The beginnings of the Rus’ people seem to be in early Varangian (Viking) migrations into the relevant regions. In the early centuries Rus’ was actually centered on medieval Kiev (modern day Kyiv). But Kievan Rus’ was cut short by the Mongol invasions and occupied for centuries.

Moscow managed to stay outside of that occupation, although they had to pay tribute to the Mongols and their successor state, the Golden Horde. Muscovite Russians later felt like Ukrainians were lost brethren being brought back into the fold. But the two groups had been separated for centuries, and the Ukrainians never subsequently felt like part of the family. Russia’s often brutal treatment of Ukraine throughout its history hasn’t helped….(Read full article here)

Mark Knopfler – Shows how to play guitar finger picking style Skavlan 2015
Video excerpt at TierpRocks

This is a fascinating little instructional video by one of the greatest guitarists Mark Knopfler on Skavlan TV.  Knopfler is so articulate. (Watch video excerpt here)

David Wolpe – Judaism – Lex Fridmen Podcast
Video podcast at Lex Fridmen

Lex Fridmen’s guest in this podcast is David Wolpe who is a Rabbi of Sinai Temple in Los Angeles.  I recall years ago seeing David debating members of the 4 Horsemen atheists such as Christopher Hitchens and Sam Harris. His remarks here about his interactions with them are intriguing. More over, I was captivated by this podcast from start to finish. Lex and David discuss a wide range of topics including the Holocaust, the Torah, consciousness and the meaning of life.  I can say I am better for having heard David Wolpe’s insights into these subjects. (Watch full video podcast here)

news on the march the end

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Posted in Music, News, politics, Reflections

Gȁthu Mȁwula (2008) – Geoffrey Gurrumul Yunupingu

Gȁthu Mȁwula is the third song to feature here from Geoffrey from his debut album Gurrumul. It is the best-selling Aboriginal and Torres Strait Islander music album in Australian history, launching Yunupingu’s international solo career and establishing him as one of Australia’s most significant musical artists. In 2018, the album was inducted into the National Film and Sound Archive’s Sounds of Australia collection of historic recordings.

Now don’t you go forgettin’ O the land that you were born
You got some place to go you got some place to belong
And when you’re feeling lonely put your feet down in the earth
Reconnect with your soul, reconnect with the world
See the the roots of the tree are your family
And if they be the roots then the fruit is me
See the love that they give is the love that’s free
So I know that it can’t be wrong, I feel when we’re apart
My path in my present even though I’m away,

I come back again

In December of 2021, the album was listed at No. 20 in Rolling Stone Australia’s ‘200 Greatest Albums of All Time’ countdown. I just feel lucky to be alive to hear this. You can find more information about Geoffrey Gurrumul Yunupingu in my previous post – Djarimirri.

References:
1. Gurrumul (album) – Wikpedia

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Carlito’s Way (1993) – Brian D Palma (Friday’s Finest)

Warning: The following contains offensive language.

Benny Blanco: I don’t know, but there may be some mis-fuckin’-understanding, I don’t know man, but maybe you don’t remember me, my name is Benny Blanco…

Carlito: Maybe I don’t give a shit. Maybe I don’t remember the last time I blew my nose either. Who the fuck are you, I should remember you? What, you think you like me? You ain’t like me motherfucker. You a punk. I’ve been with made people, connected people. Who you been with? Chain-snatching, jive-ass, maricon motherfuckers. Why don’t you get lost? Go a head, snatch a purse. Come on, take a fuckin’ walk.

Feisty – looking Benny Blanco (The punk who Carlito refers to above) is played magnificently by John Leguizamo who was born in Bogota, Colombia where I reside. He should be a familiar face to those cinephiles out-there by featuring in minor roles in Casualties of War (1989) and Die Hard 2 (1990) before playing a liquor store thief who shoots Harrison Ford in Regarding Henry (1991).

Carlito’s Way is one of my favourite crime-thrillers, but received a lukewarm result at the box-office (the film was criticized for re-treading old ground, mainly De Palma’s own Scarface and The Untouchables) but subsequently has become a cult film. This is the second film collaboration between Pacino and De Palma, after 1983’s film, Scarface.

IMDB Storyline: A Puerto Rican ex-con pledges to stay away from his former drug dealing ways but finds himself being dragged back by his past connections and the naive machinations of his lawyer and best friend. Hoping to raise enough money to get away from New York, Carlito Brigante takes on the job of running a nightclub, renews an affair with a dancer but old associates and old instincts suck him back into a world of violence and mistrust.

Wikipedia states: ‘Pacino first heard about the character Carlito Brigante in a YMCA gym in New York City in 1973. Pacino was working out for his movie Serpico when he met New York state supreme court Judge Edwin Torres (the author who was writing the novels Carlito’s Way and After Hours). When the novels were completed Pacino read them and liked them, especially the character of Carlito…De Palma, reluctantly, read the script and as soon as Spanish-speaking characters cropped up he feared it would be Scarface all over again. When De Palma finally did read it all the way through, he realized it was not what he thought it was. De Palma liked the script and envisioned it as a noir movie.’

It is said the climactic finale chase scene took months and months to film. “We started the chase in the winter,” said Brian De Palma, “and finished it in the middle of summer.” Al Pacino’s black coat started to cause the actor issues when they were filming the chase from train carriage to train carriage, as it was the height of summer. “He was sweating to death.” said De Palma. “At one point he said he’d had enough and he actually took the train home.

Carlito’s Way would have been dominated by Al Pacino had it not been for the superb performance of Sean Penn as Carlito’s irksome and conniving lawyer. Penelope Ann Miller play’s a young dancer who is fascinated by Carlo Brigante and is drawn to him. For the audience she embodies us and our fascination. For Pacino she represents the good life he aspires to. The first temptation is to say – I know this story, but Al Pacino and Sean Penn are masters of transforming the known story in something real original and this is the basic virtue of film – it is not The Godfather or Scarface. It is a story about survival, fights, the rise and the fall. It can’t reduced at simplicity of sketches, cliches or stereotypes. It is an alive story.

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