Girl From the North Country (1963) – Bob Dylan

Today we have an an early Bob Dylan classic – Girl From The North Country. I like nearly every version I’ve heard from him of this song and believe me there are many! He wrote it about his then sweetheart Suze Rotolo (but there is debate about this) who appears on the famous record cover The Freewheelin’ Bob Dylan (pictured left). This actual street called Jones Street in New York was not far from Rotolo and Dylan’s apartment, and the image has become iconic featured in artwork and imitated in movies. I especially like how it’s brought to screen in Vanilla Sky by Cameron Crowe. One day I would like to do a pilgrimage of Dylan America which of course would include this street.

If you’re travelin’ in the north country fair
Where the winds hit heavy on the borderline
Remember me to one who lives there
She once was a true love of mine

If you go when the snowflakes storm
When the rivers freeze and summer ends
Please, see if she has a coat so warm
To keep her from the howlin’ winds

Dylan wrote Girl From The North Country following his first trip to England in ’62. Dylan then left England for Italy to search for Suze, whose continuation of studies there had caused a serious rift in their relationship. While in London, Dylan met several figures in the local folk scene, including English folksinger Martin Carthy. “I ran into some people in England who really knew those [traditional English] songs“. One such person was Martin Carthy who introduced him to his arrangement of “Scarborough Fair” which of course later Simon and Garfunkel made famous. Dylan drew upon aspects of the melody and lyrics including the line from the refrain “Remember me to one who lives there, she once was a true love of mine

Later in Dylan’s career we would see the old English folk songs appear on his Good as I Been To You and other records. Dylan performed the song 569 times live between 1963 and 2019. Apart from the original his version to close his 30th Anniversary soundtrack was something else where I thought he’d break the strings off the guitar.
Below are presented two versions, an alternative early version and later his Sydney tour with Tom Petty in ’86, both which feature Spanish subtitles.

Reference:
Girl From the North Country – Wikpedia

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The Case of Socrates (Final – 12 Rules For Life) – Jordan B Peterson

The Death of Socrates, by Jacques-Louis David, 1787 / Metropolitan Museum of Art, New York

Today we reach the final book excerpt from Jordan Peterson’s 12 Rule For Life. A lot of what the book espouses is about ‘delaying gratification’ (sacrifice) and pursuing what is meaningful and not what is expedient. Peterson uses the case of Socrates to illustrate his overarching message:

‘…After a lifetime of seeking the truth and educating his countrymen, Socrates faced a trial for crimes against the city – state of Athens, his hometown. His accusers provided him with plenty of opportunity to simply leave, and avoid the trouble. But the great sage had already considered and rejected this course of action. His companion Hermogenes observed him at this time discussing ‘any and every subject’ other than his trial, and asked him why he appeared so unconcerned. Socrates first answered that he had been preparing his whole life to defend himself, but then said something more mysterious and significant: When he attempted specifically to consider strategies that would produce aquittal ‘by fair means or foul’ – or even when merely considering his potential actions at the trial – he found himself interrupted by his divine sign: his internal spirit, voice or daemmon. Socrates discussed this voice at the trial itself. He said that one of the factors distinguishing him from other men was his absolute willingness to listen to its warnings – to stop speaking and cease acting when it objected. The Gods themselves had deemed him wise above other men, not least for this reason, according to the Delphic Oracle herself, held to be a reliable judge of such things.
Because his ever-reliable internal voice objected to fleeing (or even to defending himself) Socrates radically altered his view of the significance of the trial. He began to consider that it might be a blessing, rather than a curse. He told Hermogenes of his realization that the spirit to whom he had always listened might be offerring him a way out of life, in a manner ‘easiest but also the least irksome to one’s friends, with ‘sound body and spirit capable of showing kindliness’ and absent the ‘throes of illness’ and vexations of extreme old age. Socrates decision to accept his fate allowed him to put away mortal terror in the face of death itself, prior to and during the trial, after the sentence was handed down, and even later, during his execution. He saw that his life had been so rich and full that he could let it go, gracefully. He was given the opportunity to put his affairs in order. he saw that he could escape the terrible slow degeneration of the advancing years. He came to understand all that was happening to him as a gift from the gods. He was not therefore required to defend himself against his accusers-at least not with the aim of pronouncing his innocence, and escaping his fate. Instead, he turned the tables, addressing his judges in a manner that makes the reader understand precisely why the town council wanted this man dead. Then he took his poison , like a man.

(I read elsewhere, rather than present himself as wrongly accused, Socrates declared he fulfilled an important role as gadfly, one who provides an important service to his community…Socrates suggested he be honoured by the city for his contribuition to their enlightenment and be paid for his services…The jury was not amused and sentenced him to death by drinking a mixture of poison hemlock)

Socrates rejected expediency, and the necessity for manipulation that accompanied it. He chose instead, under the direst of conditions, to maintain his pursuit of the meaningful and the true. Twenty-five hundred years later, we remember his decision and take comfort from it….you can discover meaning so profound that it protects you even from the fear of death.

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Gimme Shelter (1969)- The Rolling Stones

I’m not a big Stones fan, but I’m a fan of this track. As seen below Gimme Shelter was used brilliantly in Scorsese’s The Departed film. Warning: This movie extract contains disturbing scenes and offensive language.
My blogger friend Max (at Powerpop) and I were just discussing Scorsese’s application of music in films at his post of Harry Nilsson – Jump Into the Fire and how it was incorporated into Goodfellas.
Gimme Shelter was the opening track off The Rolling Stones 1969 album Let It Bleed and covers topics of war, murder, rape and fear. Rolling Stone (the magazine) praised it saying ‘The band has never done any thing better‘. The song has been placed on the best of lists of acclaimed music.

Ooh, a storm is threatening
My very life today
If I don’t get some shelter
Ooh yeah I’m gonna fade away

War, children
It’s just a shot away
It’s just a shot away
War, children
It’s just a shot away
It’s just a shot away

Gimme Shelter was written by Mick Jagger and guitarist Keith. Richards, the band’s primary songwriting team. Jagger said in a 1995 interview with Rolling Stone magazine:
Well, it’s a very rough, very violent era. The Vietnam War. Violence on the screens, pillage and burning. And Vietnam was not war as we knew it in the conventional sense. The thing about Vietnam was that it wasn’t like World War II, and it wasn’t like Korea, and it wasn’t like the Gulf War. It was a real nasty war, and people didn’t like it.

At the time of writing Gimme Shelter, Jagger was in a film with Richard’s then girlfriend Anita Pallenberg. Richards wrote in his biography that the tension of the song was inspired by his jealousy at seeing the relationship between Pallenberg and Jagger, and his suspicions of an affair between them.

The recording features guest vocals by Merry Clayton, recorded at a last-minute late-night recording session during the mixing phase, arranged by her friend and record producer Jack Nitzsche.
After the first verse is sung by Jagger, Merry Clayton enters and they share the next three verses. A harmonica solo by Jagger and guitar solo by Richards follow. Then, with great energy, Clayton repeatedly sings “Rape, murder! It’s just a shot away! It’s just a shot away!

Reference:
Gimme Shelter: Wikipedia

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21/03/22 – 27/03/22 Russian and Ukranian History, Mark Knopfler & Judaism

news on the march

Welcome to Monday’s News on the March – The week that was in my digital world.

Some history possibly related to Russia’s invasion of Ukraine
Blog post by Self Aware Patterns

‘…The history here is interesting. The beginnings of the Rus’ people seem to be in early Varangian (Viking) migrations into the relevant regions. In the early centuries Rus’ was actually centered on medieval Kiev (modern day Kyiv). But Kievan Rus’ was cut short by the Mongol invasions and occupied for centuries.

Moscow managed to stay outside of that occupation, although they had to pay tribute to the Mongols and their successor state, the Golden Horde. Muscovite Russians later felt like Ukrainians were lost brethren being brought back into the fold. But the two groups had been separated for centuries, and the Ukrainians never subsequently felt like part of the family. Russia’s often brutal treatment of Ukraine throughout its history hasn’t helped….(Read full article here)

Mark Knopfler – Shows how to play guitar finger picking style Skavlan 2015
Video excerpt at TierpRocks

This is a fascinating little instructional video by one of the greatest guitarists Mark Knopfler on Skavlan TV.  Knopfler is so articulate. (Watch video excerpt here)

David Wolpe – Judaism – Lex Fridmen Podcast
Video podcast at Lex Fridmen

Lex Fridmen’s guest in this podcast is David Wolpe who is a Rabbi of Sinai Temple in Los Angeles.  I recall years ago seeing David debating members of the 4 Horsemen atheists such as Christopher Hitchens and Sam Harris. His remarks here about his interactions with them are intriguing. More over, I was captivated by this podcast from start to finish. Lex and David discuss a wide range of topics including the Holocaust, the Torah, consciousness and the meaning of life.  I can say I am better for having heard David Wolpe’s insights into these subjects. (Watch full video podcast here)

news on the march the end

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Posted in Music, News, politics, Reflections

Gȁthu Mȁwula (2008) – Geoffrey Gurrumul Yunupingu

Gȁthu Mȁwula is the third song to feature here from Geoffrey from his debut album Gurrumul. It is the best-selling Aboriginal and Torres Strait Islander music album in Australian history, launching Yunupingu’s international solo career and establishing him as one of Australia’s most significant musical artists. In 2018, the album was inducted into the National Film and Sound Archive’s Sounds of Australia collection of historic recordings.

Now don’t you go forgettin’ O the land that you were born
You got some place to go you got some place to belong
And when you’re feeling lonely put your feet down in the earth
Reconnect with your soul, reconnect with the world
See the the roots of the tree are your family
And if they be the roots then the fruit is me
See the love that they give is the love that’s free
So I know that it can’t be wrong, I feel when we’re apart
My path in my present even though I’m away,

I come back again

In December of 2021, the album was listed at No. 20 in Rolling Stone Australia’s ‘200 Greatest Albums of All Time’ countdown. I just feel lucky to be alive to hear this. You can find more information about Geoffrey Gurrumul Yunupingu in my previous post – Djarimirri.

References:
1. Gurrumul (album) – Wikpedia

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Carlito’s Way (1993) – Brian D Palma (Friday’s Finest)

Warning: The following contains offensive language.

Benny Blanco: I don’t know, but there may be some mis-fuckin’-understanding, I don’t know man, but maybe you don’t remember me, my name is Benny Blanco…

Carlito: Maybe I don’t give a shit. Maybe I don’t remember the last time I blew my nose either. Who the fuck are you, I should remember you? What, you think you like me? You ain’t like me motherfucker. You a punk. I’ve been with made people, connected people. Who you been with? Chain-snatching, jive-ass, maricon motherfuckers. Why don’t you get lost? Go a head, snatch a purse. Come on, take a fuckin’ walk.

Feisty – looking Benny Blanco (The punk who Carlito refers to above) is played magnificently by John Leguizamo who was born in Bogota, Colombia where I reside. He should be a familiar face to those cinephiles out-there by featuring in minor roles in Casualties of War (1989) and Die Hard 2 (1990) before playing a liquor store thief who shoots Harrison Ford in Regarding Henry (1991).

Carlito’s Way is one of my favourite crime-thrillers, but received a lukewarm result at the box-office (the film was criticized for re-treading old ground, mainly De Palma’s own Scarface and The Untouchables) but subsequently has become a cult film. This is the second film collaboration between Pacino and De Palma, after 1983’s film, Scarface.

IMDB Storyline: A Puerto Rican ex-con pledges to stay away from his former drug dealing ways but finds himself being dragged back by his past connections and the naive machinations of his lawyer and best friend. Hoping to raise enough money to get away from New York, Carlito Brigante takes on the job of running a nightclub, renews an affair with a dancer but old associates and old instincts suck him back into a world of violence and mistrust.

Wikipedia states: ‘Pacino first heard about the character Carlito Brigante in a YMCA gym in New York City in 1973. Pacino was working out for his movie Serpico when he met New York state supreme court Judge Edwin Torres (the author who was writing the novels Carlito’s Way and After Hours). When the novels were completed Pacino read them and liked them, especially the character of Carlito…De Palma, reluctantly, read the script and as soon as Spanish-speaking characters cropped up he feared it would be Scarface all over again. When De Palma finally did read it all the way through, he realized it was not what he thought it was. De Palma liked the script and envisioned it as a noir movie.’

It is said the climactic finale chase scene took months and months to film. “We started the chase in the winter,” said Brian De Palma, “and finished it in the middle of summer.” Al Pacino’s black coat started to cause the actor issues when they were filming the chase from train carriage to train carriage, as it was the height of summer. “He was sweating to death.” said De Palma. “At one point he said he’d had enough and he actually took the train home.

Carlito’s Way would have been dominated by Al Pacino had it not been for the superb performance of Sean Penn as Carlito’s irksome and conniving lawyer. Penelope Ann Miller play’s a young dancer who is fascinated by Carlo Brigante and is drawn to him. For the audience she embodies us and our fascination. For Pacino she represents the good life he aspires to. The first temptation is to say – I know this story, but Al Pacino and Sean Penn are masters of transforming the known story in something real original and this is the basic virtue of film – it is not The Godfather or Scarface. It is a story about survival, fights, the rise and the fall. It can’t reduced at simplicity of sketches, cliches or stereotypes. It is an alive story.

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Galleon Ship (2019) – Nick Cave

This is the second song presented here from Cave’s Ghosteen. The first article Bright Horses continues to mount up the views. It’s by far the most viewed article here on Observation Blogger and I am very humbled by that given the subject-matter.
This album was written in the wake of the death of Nick Cave’s son and is one of the highest critically acclaimed of 2019. Cave’s music is generally characterised by emotional intensity, a wide variety of influences and lyrical obsessions with death, religion, love and violence:

If I could sail a galleon ship
Long lonely rider cross the sky
Seek out mysteries while you sleep
And treasures money cannot buy

For you know I see you everywhere
A servant girl, an empress
My galleon ship would will fly and fall
Fall and fly and fly and fall
Deep into your loveliness

Cave’s more recent musical work features ambient and electronic elements, as well as increasingly abstract lyrics. The tones on this album Ghosteen really get beneath my skin. There are fabulous moments that work effectively on an emotional level, and despite the use of instrumental minimalism, the explosion of emotions that Ghosteen is capable of, is clear.

This little cyclical melody of Galleon Ship is powerful, almost gospel and Ghosteen Speaks. There are two main versions of the song. One, the original from the album and the other a deconstructed live piano version of Nick singing below. Cave said…’I felt I was rediscovering the songs all over again, and started to think about going into a studio and recording these reimagined versions at some stage...’

References:
Nick Cave- wikipedia

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The AnkiDroid Collection (Part 12) – Unitarianism, Megalomaniac & Antiquarian

Ankidroid additions related to Science, History and Philosophy. More information about Anki can be found in this article.

Unitarianism

First Unitarian Church in Salt Lake

Unitarianism is often associated with a non-trinitarian Christian theological movement that believes the God in Christianity is one singular entity. It is close to the monotheistic understandings of God in Judaism and the concept of the oneness of God in Islam. It might be considered as part of Protestantism today, although some exclude it due to its non-trinitarian nature.

Unitarianism is also associated with ‘Unitarianism Universalism’ which is a liberal religion characterized by a “free and responsible search for truth and meaning” and derive insight from all major world religions.

Megalomaniac

A Megalomaniac is a pathological egotist with delusions of grandeur and an obsession with power. The clinical definition is that of a narcissistic personality disorder. Narcissism is most simply defined as self-love, but when it is at the exclusion of all others it is no longer considered healthy or normal. An example of a Megalomaniac in modern history is Adolf Hitler. Being born into a “superior race” also wasn’t enough for the mentally ill Hitler. Instead, he wanted to wipe out all other races.

Antiquarian

An Antiquarian is a person stuck in the past or someone stuck with antiquities. It is also used for those who study history with particular attention to ancient artifacts, archaeological and historic sites, or historic archives and manuscripts. Its focus is on the empirical evidence of the past, and is perhaps best encapsulated in the motto adopted by the 18th-century antiquary Sir Richard Colt Hoare, “We speak from facts, not theory.”

Today the term “antiquarian” is often used in a pejorative sense, to refer to an excessively narrow focus on factual historical trivia, to the exclusion of a sense of historical context or process. 

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Violin Concerto in D Mayor (1878) – Pyotr Tchaikovsky

Tchaikovsky ca. 1875

The piece was written in a Swiss resort on the shores of Lake Geneva, where Tchaikovsky had gone to recover from the depression brought on by his marriage to Antonina Miliukova. In June 1877, Tchaikovsky proposed marriage, in order (according to one theory) to please his family and put to rest any social rumors regarding his sexual orientation. He described Miliukova as “… a woman with whom I am not the least in love.” A permanent separation followed after only six weeks of them being together. But Antonina had been in a great period of happiness – She wrote, “I would look at him surreptitiously, so he didn’t notice, and admire him enormously, especially during morning tea. So handsome, with kindly eyes which melted my heart, he breathed such freshness into my life! I would just sit there looking at him, and think ‘Thank God he belongs to me and no-one else! Now he is my husband, no-one can take him away from me …‘”
She later said, ‘We were separated by constant whispering to Pyotr Ilyich that family life would kill his talent. At first, he paid no attention to this talk, but then he began somewhat to listen to it more and more attentively…. To lose his talent was for him the most dreadful thing of all. He began to believe their slanders and became dull and gloomy.

At the time of writing, Tchaikovsky was working on his Piano Sonata in G major but finding it heavy going. He was joined there by his composition pupil, the violinist Iosif Kotek (pictured left with Tchaikovsky). He too played works for violin and piano together, including a violin-and-piano arrangement of Édouard Lalo’s Symphonie espagnole. This work may have been the catalyst for the composition of the concerto.

Tchaikovsky made swift, steady progress on the concerto, as by this point in his rest cure he had regained his inspiration, and the work was completed within a month despite the middle movement getting a complete rewrite (a version of the original movement was preserved as the first of the three pieces for violin and piano, Souvenir d’un lieu cher). Since Tchaikovsky was not a violinist, he sought the advice of Kotek on the completion of the solo part. Tchaikovsky wrote to his brother Anatoly on the day he completed the new slow movement. “It goes without saying that I would have been able to do nothing without him. He plays it marvelously.

Tchaikovsky wanted to dedicate the concerto to Losif Kotek, but felt constrained by the gossip this would undoubtedly cause about the true nature of his relationship with the younger man. (They were almost certainly lovers at one point, and Tchaikovsky was always at pains to disguise his homosexuality from the general public.) In 1881, he broke with Kotek after the latter refused to play the Violin Concerto, believing it was poorly received and would do damage to his budding career. However, he did dedicate to Kotek the Valse-Scherzo for violin and orchestra, written in 1877, on its publication in 1878.

Critical reactions were mixed on its first performance in Vienna. Taken as a whole, the work turned out to be one of Tchaikovsky’s most creative and least pretentious works, as well as a measure of how well he was able briefly to detach himself from his personal problems.

References:
1. Violin Concerto (Tchaikovsky) – wikipedia
2. Pyotr Ilyich Tchaikovsky – wikipedia

References:
1. Pyotr Ilyich Tchaikovsky – Wikpedia
2. Violin Concerto (Tchaikovsky) – wikipedia

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14/03/22 – 20/03/22 Geopolitics & Richmond FC

news on the march

Welcome to Monday’s News on the March – The week that was in my digital world.

Samo Burja: Sanctions Will Divide Civilisation
Video podcast by UnHerd

On March 6th, I presented a special edition of News on the March focusing on Stephen Kotkins thoughts about the Ukraine conflict and Russian history. In conjunction with that engrossing interview I wanted to highlight another exceptional interview by UnHerd with Samo Burja’s reflections on Russia’s invasion of Ukraine. Samo Burja poses a unique perspective of how this conflict has iniciated a new game outside of the global order.

It is an excellent podcast for anyone who cares about freedom and the impact geopolitics has on it. It appears all of a sudden Samo is absolutely everywhere… Understandably since his analyses are concise, informative, honest, and unbiased.

‘We no longer control the rules of the game. The game is now outside the global order; is now outside of the control of either United States, China and of course Russia. Their is an anarchic state at play.’ (Watch entire video podcast here)

Carlton v Richmond Highlights Round 1, 2022 – AFL
Highlights at AFL

My beloved Richmond Tigers began their 2022 Season last Thursday night (Australian time) against the Carlton Blues. These two teams have traditionally played in the first round every year. My Tigers had won every year since 2013 and it was expected with a healthy Richmond side they would remain undefeated this year as well. In October, 2019 I wrote an article about Richmond’s grand-final victory and my personal connection with the club. Richmond had won 3 premierships in 4 seasons between 2017 and 2020 after a lengthy spell of remaining largely uncompetitive since their 1980 premiership. 

I was especially excited to view my Tigers begin their 2022 campaign since the games had been mainly unattended due to the Pandemic and now the general public was allowed back-in. To see a bustling supportership at the MCG really does it for me since I have such fond memories seeing my Tigers play there. The Tigers began the game very well breaking out to a 20 point lead at first-quarter time and it remained that way at 3-Quarter time, however the Carlton Blues launched a successful comeback after a remarkably undisciplined Tiger’s display in the last quarter. It does appear that our ageing star-studded group are slowing down and becoming remnants of their former selves. Still there remains 21 games left in the season, however we will have our work cut-out for us next week against the Great Western Sydney Giants who possess a highly talented midfield group.  (Watch highlights here)

news on the march the end

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