American Beauty (1999) – Sam Mendes (Friday’s Finest)

Ricky Fitts: It was one of those days when it’s a minute away from snowing and there’s this electricity in the air, you can almost hear it. Right? And this bag was just dancing with me. Like a little kid begging me to play with it. For fifteen minutes. That’s the day I realized that there was this entire life behind things, and this incredibly benevolent force that wanted me to know there was no reason to be afraid, ever. Video’s a poor excuse, I know. But it helps me remember… I need to remember… Sometimes there’s so much beauty in the world, I feel like I can’t take it, and my heart is just going to cave in.

– American Beauty – Plastic Bag scene (see at the end of this post)

I remember reading parts of the script of American Beauty before the film was even released which heightening my anticipation of seeing it. Then I saw it repeatedly after it came out because I was so enamoured by the movie experience. American Beauty currently sits at No 42 on my Favourite Movies List, but having revisited it just two weeks ago with my kids after a long spell, I realised I should have had American Beauty in my top 30. My top 100 movie list requires an overhaul and that’s putting it mildly.

Kevin Spacey stars as Lester Burnham, an advertising executive who has a midlife crisis when he becomes infatuated with his teenage daughter’s best friend. Academics have described the film as satirizing how beauty and personal satisfaction are perceived by the American middle class; further analysis has focused on the film’s explorations of romantic and paternal love, sexuality, materialism, self-liberation, and sexual grooming.
After being filmed in California from December 1998 to February 1999, American Beauty was released in North America on September 17, 1999, receiving widespread critical and popular acclaim. It was the second-best-reviewed American film of the year behind Being John Malkovich (which I reviewed at Friday’s Finest in 2021) and grossed over $350 million worldwide against its $15-million budget. At the 72nd Academy Awards, the film won five Oscars, including Best Picture, along with Best Director for Mendes, Best Actor for Spacey, Best Original Screenplay and Best Cinematography. 

To me American Beauty is as close to perfection as movie-making gets. It’s strongest attribute is that there isn’t a dull moment. Everything is so well honed. Every scene, look and line in the movie is ‘cool’ and necessary. It’s hugely entertaining and humorous despite it being a dark and occult depiction of suburban life. It leaves the viewer to think long and hard about their own life as well as the lives of people around them. The movie spells out the social disillusionment phenomenon everyone experiences but can’t really grasp.

American Beauty reminds us that, like Lester, we really have no idea what we really want. We’re not rational creatures as economists assume we are. Our instinct might lead us to perform one action, yet our brains might tell us to perform the complete opposite. We may lust after material belongings, yet how do we know we will still treasure those material belongings once we obtain them? Lester may lust after Angela, yet once he feels her in his hands and finds out the truth about her sexuality, an entirely different feeling comes over him. In relation to this, I would like to recall an AnkDroid addition I published in 2022:

How Freud viewed the Main Conflicts of Man

He viewed the primary conflicts in mental-life as the Ego tortured by the ‘Id’ – underlying biological forces such as impulsive actions and urges, but also severely limited and repressed by the Super-Ego (Civilization and Society). Neurotic people (people who are more susceptible to psychological challenges) are more likely to see the Social World versus them and the harsh repressive as the Super-Ego.

We are embedded in our animal-selves and there’s a strong connection between his theories and that of evolutionist’s ‘natural selection’. We are driven more by our innate and natural aggression instincts and sexual urges. The rationalist conscious over-pinning barely just tinkers.

IMDB Trivia:

  • When Lester throws the asparagus, he was supposed to throw it on the floor. The reactions of Annette Bening and Thora Birch are genuine.
  • According to his Oscar speech, screenwriter Alan Ball was sitting at the World Trade Center plaza when he saw a paper bag floating in the wind and was inspired by it to write the film, which was originally conceived as a stage play.

References:
1. American Beauty (1999 film) – Wikipedia
2. American Beauty – IMDB

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Please Forgive Me (1998) – David Gray

When a friend in Melbourne introduced me to the music of David Gray, I was puzzled why I’d never heard of him before. It was music that struck me right off the bat which would explain why Please Forgive Me is the fifth song to appear here so far from Gray. This song is a good appetiser of his music in general. He’s simply just a guy trying hard to say what’s going on in his heart and the world around him. There’s real passion in his voice; the sense that David is compelled to open up his soul and shout, to declare something.

David Gray is a British singer songwriter who came to world-wide prominence after the release of his White Ladder in which today’s featured track Please Forgive Me appeared. The album spent a whopping 2 years and 5 months in the UK albums chart. Also, the 2000 re-issue of Please Forgive Me peaked at No. 18 on the UK singles chart.

[Verse 1]
Please forgive me
If I act a little strange
For I know not what I do
Feels like lightning running through my veins
Every time I look at you
Every time I look at you

[Verse 2]
Help me out here
All my words are falling short
And there’s so much I want to say
Wanna tell you just how good it feels
When you look at me that way
When you look at me that way

[Verse 3]
Throw a stone and watch the ripples flow
Moving out across the bay
Like a stone I fall into your eyes
Deep into that mystery
Deep into some mystery

[Verse 4]
I got half a mind to scream out loud
I got half a mind to die
So I won’t ever have to lose you, girl
Won’t ever have to say goodbye
I won’t ever have to lie
Won’t ever have to say goodbye

His 3 three albums before White Ladder comprised of mainly folk-rock music. Starting with the release of White Ladder, Gray began to make significant use of computer-generated music (folktronic) to accompany his voice and acoustic instrumentation. He has been dismissed by some as making middle-of-the-road soft rock, but that’s ultimately a matter of taste. I can understand that criticism but there’s no denying he is a talented singer-songwriter.

I would like to relay below a heartrending account of the meaning of this song by ‘uajcgable‘ at Song Meanings:

These lyrics have so many memories for me. I only created a membership here so I could share my story. Years ago, right as I was starting college, I met someone who changed my life forever. I ended up attending college in the same city that I grew up in, so naturally I knew a lot of people when i went to orientation at the beginning of the summer. There were two girls that I really didn’t care for very much, but there was this boy with them that absolutely took my breath away. He was from Chicago, didn’t have any friends here yet, and was kind of “stuck” with them.

The moment I saw him it was completely electric. I am a very pragmatic individual, and don’t really believe in Love at First Sight, but I can honestly say I fell for him the moment I saw him. That night I showed him around town, drove him to my favorite restaurant, and oriented him to his new home. We spent a huge amount of time together from that point on, calling and seeing each other every day. It wasn’t long before we started admitting we were both in love. I can honestly say that never in my life had I been so blissful. Our romance lasted for several months, but slowly things began to change. He just became emptier and emptier.

Just before the Summer ended, he broke up with me abruptly, and as we went through college things became bitter and stale. We weren’t on very good terms, and acted as such. The crazy thing was, the reason why I argued with him so often was because I never quite fell out of love with him. I dated other men, experienced many other types of relationships, but none were exactly the same. From a distance I could see him slowly wither away, making poor choices left and right, becoming skinnier and skinnier, and growing more and more depressed. I wanted to reach out, but I didn’t-out of pride. Shortly thereafter, he committed suicide. His death has marked my life more than anything else ever has.

Why am I posting all of this here? Because Please Forgive Me was our song. Anytime we wrote anything to each other (an email, facebook, etc.) we always ended it with “Please Forgive Me If I Act A Little Strange, For I Know Not What I Do. Feels Like Lightning Running Through My Veins, Every Time I Look At You.” I honestly cannot listen to this song without bursting into tears (years later). What makes this song even more powerful for me is that the last three words of his suicide note were, “Please Forgive Me.” I don’t know if it was for me or if it was coincidence, but I honestly don’t care. I could drive myself crazy over it, but I choose not to.

Regardless, this song has changed my life, and I hope you take my sharing something this personal as a lesson to rise above immaturity and pettiness, and just be honest about your feelings to those you care about. At the risk of being cliche, “resentment is fleeting, but true love lasts a lifetime” I don’t know if he ever knew how much he meant to me; To this day that is still my deepest regret. If you are in that position, take my lesson and tell that person that despite of it all, you still care about them.

References:
1. Please Forgive Me (David Gray song) – Wikipedia
2. Please Forgive Me – David Gray

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The AnkiDroid Collection (Part 51) – Tenochtitlan, Nomenclature & Gehenna

Ankidroid additions related to Science, History and Philosophy. More information about Anki can be found in this article.

Tenochtitlan

Buried beneath what is now Mexico City, lie the ruins of the greatest city of the Aztec empire—Tenochtitlan (ten-och-tee-TLAN). 

In 1325, after years of searching, the Aztecs chose a site in the middle of Lake Texcoco for their new capital. Within two centuries, this island in a swampy, shallow lake had become the center of an empire of over 5 million people that covered most of central and southern Mexico. By the early 1500s, Tenochtitlan was one of the world’s largest cities. More people lived there than in London or Paris at that time. How did a mighty empire rise from an island in a lake? What did its people believe? How long did the empire last, and why did it fall? Let’s unlock the mysteries of the Aztecs. (see video below)

Nomenclature

– A system of names used in an art or science.
– The system or procedure of assigning names to groups of organisms as part of a taxonomic classification.

Gehenna

Gehenna is ‘Hell’ as it is translated in the new testament. Gehenna is a valley in the south – east of Jerusalem (see above) that symbolised death and destruction. It was here that child sacrifices to Moloch were performed. See the book of Kings in the old testament (2 Kings 16:3 and 21:6).

The valley accounts for the prophecy of Jeremiah that it would be called the Valley of Slaughter under judgement of God (Jer. 7:32-33). This combination of abominable fires and divine judgement led to the association of the valley with a place of perpetual judgement (see Isa. 66:24) and later with a place of judgement by fire without any special connection to Jerusalem.

The Fires of Gehenna: Views of Scholars – BiblePlaces Blog

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Planetarium from ‘La La Land’ (2016) – Justin Hurwitz

What I love most about this scene (and you could say the whole movie) is that you can’t really tell where reality ends and fantasy begins. The Planetarium scene from La La Land is one of my favourite scenes in the movie although I have many favourites including some which have already featured here including Another Day of Sun (opening car jam sequence), A Lovely Night (the roughly six minute uninterrupted Griffith park dance) and the Epilogue.

The Planetarium scene sequence is as follows:
After the film breaks during Mia & Sebastian’s viewing of the movie “Rebel Without a Cause” (during the scene where James Dean is driving up to the observatory), Mia suggests that they visit the actual observatory where the movie was filmed.  So they go there. The romantic dance which ensues sees them rising and waltzing in mid-air, among the stars, in one of the most memorable, magical moments in the movie not to mention their first kiss.
The scene symbolizes their blossoming love, as well as their shared dreams and aspirations. The captivating visuals, combined with the enchanting score, create an otherworldly atmosphere that conveys the magic of their connection.

May be I was part of a lost generation in the appreciation of the ‘musical’ and La La land acted like a portal to transport me back to a time when cinema was grandiose. La La land represented that kind of movie they just don’t make anymore. It’s a montage of sorts of all that was great about cinema in particular 50’s Hollywood musicals. It’s a wonderful family movie as well, at least for this family. My kids are crazy for it like their Dad. It currently sits 8th on my all time favourite movie list. Oh, and when it lost to Moonlight at the 2017 Oscars I was pissed. Just like when Roma lost in 2018 to the Green Book.

Apart from Remains of the Day (1993), I have never seen another movie where two main protagonists had so much chemistry. Due to its originality, flamboyance and bizarre parallel universe ending I think La La Land will age well and be regarded a musical masterpiece. It’s Damien’s Chazelle’s ‘Citizen Kane’. It was his passion project which he was able to make after Whiplash became such a big success. The composer of the music Justin Hurwitz was a friend of director Damien’s Chazelle at Harvard University. Damien won best director for La La Land at 32 years old, making him the youngest to win the award.

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22/1 – 28/1/24 – The Tao of Philosophy (Special Edition)

news on the march

Welcome to Monday’s News on the March – The week that was in my digital world.

Fall Asleep to Alan Watts Tao of Philosophy
Audio presentation at Soul of Life

Alan Watts talks about meditation, silence, and other concepts of reality and life.

Unified Field

At 1:18:27: If I may start by insulting your intelligence with the most elementary lesson. The thing we should have learnt before 1,2,3 and A, B,C, but somehow was overlooked. Any experience we have through our senses whether of sound or of light or touch is a vibration. A vibration has two aspects. The one called ‘on’ and the one called ‘off’. Vibration seems to be propagated in waves and every wave system has crests and it has troughs. So life is a system of ‘now you see it and now you don’t’. These two examples always go together, for example sound is not pure sound, it is a rapid alternation of sound and silence. That simply is the way things are. Only you must remember the crest and trough of the wave are inseparable. Nobody ever saw crests without troughs or troughs without crests. Just as you don’t encounter in life, peoples’ fronts and no backs. Just as you don’t encounter a coin with a ‘head’ and no ‘tails’. Although the head and the tails, the front and the back, the positive and the negatives are different, they’re at the same time ‘one’. One has to get used fundamentally to the notion that different things can be inseparable… The human species has a very odd mechanism that is to say that we have as a species specialised in a certain kind of awareness which we call conscious attention. By this we have the faculty of examining the details of life very closely…the price we pay for specialisation in conscious attention is ignorance of everything outside its field…. In fact our physical world is a system of inseparable differences. Everything exists with everything else, but we try not to notice that. Because what we notice is what is noteworthy; numbers, words, images – what appears to us to be significant and the rest is ignored as insignificant. As a result of that we select from the total input that goes to our senses only a very small fraction and this causes us to believe that we are separate beings, isolated by the boundary of the epidermis of the rest of the world..But what goes inside your skin is what goes on outside your skin. In the science of ecology one learns that a human being is part of a unified field of behaviour. If you describe the behaviour of any organism, you cannot do so without at the same time describing the behaviour of the environment and by that you know you are describing the behaviour of a unified field. You must be very careful indeed to not fall into old ‘Newtonian’ assumptions about the billiard ball nature of the Universe. The organism is not the puppet of the environment, being pushed around by it, nor on the other hand is the environment the puppet of the organism. The relationship between them is transactional.

At 1:30:34: The basis of it all is this: if we say, you must survive or I must survive..I’ve got to go on. Then your life is a drag and not a game…This is my basic metaphysical axiom – that existence.. the physical universe is playful…there is no necessity for a physical universe whatsoever. It isn’t going anywhere. It doesn’t have some destination that it ought to arrive at. But it is best understood by the analogy of music. Because music as an art-form is essentially playful. We say you ‘play’ the piano – you don’t ‘work’ the piano. Music differs from say ‘travel’. When you travel you are trying to get somewhere and we as a compulsive and purposeful culture are busy getting everywhere faster and faster until we eliminate the distance between places. What happens as a result of that is the two ends of your journey become the same place; so you eliminate the distance and you eliminate the journey. Because the fun of the journey is to travel, not to obliterate travel. In music, one doesn’t make the end of a composition – the point of the composition. If that were so, the best conductors would be those who played faster and there would be composers who wrote only finales. People would go to concerts to hear just one crashing chord. That’s the end. Say when you are dancing, you don’t aim for a particular spot in the room where you should arrive. The whole point is the dancing is the dance…We’ve got a system of schooling which gives a completely different impression…all the time the thing is coming; the success you are working for. Then when you wake up one day 40 years old, you say ‘My God, I’ve arrived! I’m there.’ And you don’t feel very different from what you’ve always felt and there’s a let down because you feel it’s a hoax. And there was a hoax. They made you miss everything.. We have cheated ourselves all the way down the line. We thought of life by analogy of a journey, with a pilgrimage which had a serious purpose at the end. The thing was to get to that end. Success, or whatever it is, may be heaven after you’re dead. But we missed the point all the way along. It was a musical and you were supposed to sing…In this way the human being sometimes becomes an organism for self-frustration. If you see that existence is musical in nature, that is to say it is not serious; it is the play of all kinds of patterns and different rhythms. Spontaneous by nature.

news on the march the end
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Piper To The End (2009) – Mark Knopfler

Anyone up for a bit of Celtic music? I know I am, especially if it is from the masterful guitarist and singer-songwriter Mark Knopfler. A lot of his solo music (post Straits) is unassuming and restrained, but I find it very soothing to the ear. Mark’s raw material seems pure feeling love. Piper To The End is the final track on Knopfler’s solo album Get Lucky.

The song is about Knopfler’s uncle Freddie who was a piper of the 1st Battalion, Tyneside Scottish, the Black Watch, Royal Highland Regiment. Freddie carried his pipes into action in World War II and was killed with fellow fighters at Ficheux, near Arras in the north of France in May 1940. He was just 20 years old.

Knopfler describes the moment of Freddie’s death in the latter’s own words:

This has been a day to die on
Now the day is almost done
Here the pipes will lay beside me
Silent with the battle drum

Knopfler explains that he never knew Freddie personally, his mother’s brother, but that he was very close to his uncle Kingsley, Freddie’s older brother. Kingsley taught Knopfler to play the boogie-woogie piano.

[Verse 1]
When I leave this world behind me
To another I will go
And if there are no pipes in heaven
I’ll be going down below
If friends in time be severed
Someday we will meet again
I’ll return to leave you never
Be a piper to the end

[Verse 2]
This has been a day to die for
Now the day is almost done
Up above a quiet seabird
Turns to face the setting sun
Now the evening dove is calling
And all the hills are burning red
And before the night comes falling
Clouds are lined with golden thread

[Bridge]
We watched the fires together
Shared our quarters for a while
Walked the dusty roads together
Came so many miles

Knopfler explained in an interview:

The pipes always made sense to me, and growing up in Glasgow as well as Newcastle, in my grandmother’s home, there were Jimmy Shand records, so the sound of Celtic music always seems familiar to me.

Mark has no problem sharing the stage with other players (as seen below in Cologne in 2015), and he has no problem backing them up like he’s doing here. He doesn’t overplay like others, and maintains/controls his volume just right to complement the song and his band. It’s easier said than done. A pro’s pro.

References:
1. Piper to the End – Wikipedia

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Blood in My Eyes (1993) – Bob Dylan

Blood in My Eyes is the second song to appear here from Dylan’s 1993 traditional-folk record World Gone Wrong (WGW) after the previous entry – Delia. This album was a follow-up to his other acoustic guitar and harmonica record – Good as I Been To You released the year prior. He had a penchant during this phase to draw deep from the wellsprings of by-gone music, but the songs in WGW seem to hone in on darker and more tragic themes than Good as I Been. Dylan held sessions at his Malibu home garage studio and recorded the record in a matter of days. The album won the Grammy for best traditional-folk album.

[Verse 1]
Woke up this morning, feeling blue
Seen a good-looking girl, can I make love with you?
Hey, hey, babe, I got blood in my eyes for you
Hey, hey, babe, I got blood in my eyes for you
I got blood in my eyes for you, babe
I don’t care what in the world you do

[Verse 2]
I went back home, put on my tie
Going to get that girl that money that money will buy
Hey, hey, babe, I got blood in my eyes for you
Hey, hey, babe, I got blood in my eyes for you
I got blood in my eyes for you, babe
I don’t care what in the world you do

Blood in My Eyes is Dylan’s rendition of the Mississippi Sheiks song, I’ve Got Blood in My Eyes for You which was written in 1931. Dylan doesn’t change the lyrics at all, but his version is played at a considerably slower tempo and is more melancholy than the original.

From World Gone Wrong Liner notes by Bob Dylan:
Blood in My Eyes is one of two songs done by the Mississippi Sheiks, a little known de facto group whom in their former glory must’ve been something to behold. Rebellion against routine seems to be their strong theme. All their songs are raw to the bone & are faultlessly made for these modern times (the New Dark Ages) nothing effete about the Mississippi Sheiks.

References:
1. Wikipedia – World Gone Wrong
2. Blood in My Eyes – Song facts

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Pictures of You (1990) – The Cure

By 1989, Cure lead singer and songwriter Robert Smith was a bit weary of his band’s gradual movement toward the pop charts away from their moody early work. He felt he needed to create something lasting, a coherent album-length artistic statement. So he slowed down the tempos, turned up the torment, and wrote the songs that would make up Disintegration, the band’s melancholy masterwork which contained “Pictures Of You.”

The Cure, “Pictures Of You” – American Songwriter

The instrumental introduction in The Cure’s Pictures of You is immense and my favourite part of the track. I always preferred how this song sounded Live over the studio release because of the reverb effect, so I have relayed the live version below from their gig at The Palace, Auburn Hills, Michigan. This music portal which is Pictures of You instantly takes me back 30 years. These 7 minutes of music have given me so many hours of joy and deep reflection; bringing back memories so thick of places and especially people in my renegade period of early adulthood. Perhaps my attachment to this song is not as fervent as it once was, but I still remain introspective about what it represents.

Pictures of You is the second song by The Cure to feature here after their previous entry Friday I’m in Love. It was released as the fourth and final single from the band’s eighth studio album, Disintegration. The single reached No. 24 on the UK Singles Charts. In 2011, the song was voted number 283 on Rolling Stone‘s The 500 Greatest Songs of All Time list.

[Verse 1]
I’ve been looking so long at these pictures of you
That I almost believe that they’re real
I’ve been living so long with my pictures of you
That I almost believe that the pictures are all I can feel

[Verse 2]
Remembering you standing quiet in the rain
As I ran to your heart to be near
And we kissed as the sky fell in, holding you close
How I always held close in your fear

[Verse 3]
Remembering you running soft through the night
You were bigger and brighter and wider than snow
And screamed at the make-believe, screamed at the sky
And you finally found all your courage to let it all go

[Verse 4]
Remembering you fallen into my arms
Crying for the death of your heart
You were stone white, so delicate, lost in the cold
You were always so lost in the dark

Background: According to interviews, the inspiration of the song came when a fire broke loose in Robert Smith’s home. After that day, Smith was going through the remains and came across his wallet which had pictures of his wife, Mary. The cover of the single is one of the pictures. The same picture was used as the cover of the “Charlotte Sometimes” single, but that image was heavily warped and distorted.

Smith explained his motivations for the album in a 1989 interview. “With Disintegration, I wanted to see if The Cure was still able to make a record which had a real substance and if we were able to express and share such deep feelings,” he said. “The kind of things you feel the first time somebody kisses you violently on the mouth. It’s this kind of intensity, when you’re young, that you must never forget with age. Never…”

The Cure, “Pictures Of You” – American Songwriter

Reference:
1. Pictures of You (The Cure song) – Wikipedia
2. The Cure, “Pictures Of You” – American Songwriter

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Pictures at an Exhibition – Promenade (1874) – Modest Mussorgsky

In this piece (Promenade) Mussorgsky depicts himself “roving through the exhibition, now leisurely, now briskly in order to come close to a picture that had attracted his attention, and at times sadly, thinking of his departed friend.

Vladimir Stasov

Pictures at an Exhibition Promenade is a piano suite in ten movements, plus a recurring and varied Promenade theme, written in 1874 by Russian composer Modest Mussorgsky. It is a musical depiction of a tour of an exhibition of works by architect and painter Viktor Hartmann (pictured inset) put on at the Imperial Academy of Arts in Saint Petersburg, following his sudden death of an aneurysm at the age of 39. Mussorgsky was deeply affected by Hartmann’s passing and conceived a musical memorial to Hartmann, with each movement depicting one of the artist’s works. It was composed in twenty days. 

Mussorgsky first met Hartmann in 1868 not long after Hartmann’s return to Russia from abroad. Both men were devoted to Russian art and quickly became friends. Hartmann gave Mussorgsky two of the pictures that later formed the basis of Pictures at an Exhibition. Each movement of the suite is based on an individual work, some of which are lost. Mussorgsky links the suite’s movements in a way that depicts the viewer’s own progress through the exhibition. Two Promenade movements stand as portals to the suite’s main sections. Their regular pace and irregular meter depicts the act of walking.

References:
1. Pictures at an Exhibition – Wikipedia
2. Mussorgsky’s “Pictures at an Exhibition”: A Showpiece in Multiple Versions – the listeners club

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Baker Street (1978) – Gerry Rafferty

This song is one of the best pop singles of the 1970s. It was on the album City To City. This was Rafferty’s first release after the breakup of his former band Stealer’s Wheel. Rafferty had been unable to release any material due to disputes about the band’s remaining contractual recording obligations, and his friend’s Baker Street flat was a convenient place to stay as he tried to remove himself from his Stealers Wheel contracts. It was his second solo album, the first being Can I Have My Money Back? released in 1971.

Gerry Rafferty – Baker Street at Max PowerPop

Baker Street was another song jogged to my memory by Max’s recent article at PowerPop. I had not heard this song in decades, but it sure did bring back some good memories and reminded me why the 70’s were so good for music. The arrangement is known for its unforgettable saxophone riff. It contains one of the most iconic intros to any song and still get the adrenaline flowing 46 years later. I really like his song Right Down the Line as well which will feature here when we reach the ‘R’s in the music library project.  

Baker Street is a song written Scottish singer-songwriter Gerry Rafferty. It won the 1979 Ivor Novello Award for Best Song Musically and Lyrically and reached the top three in the UK, US and elsewhere. As Max alluded to above:

“Everybody was suing each other, so I spent a lot of time on the overnight train from Glasgow to London for meetings with lawyers. I knew a guy who lived in a little flat off Baker Street. We’d sit and chat or play guitar there through the night.”

[Verse 1]
Windin’ your way down on Baker Street
Light in your head and dead on your feet
Well another crazy day, you’ll drink the night away
And forget about everything
This city desert makes you feel so cold
It’s got so many people but it’s got no soul
And it’s taking you so long to find out you were wrong
When you thought it held everything
You used to think that it was so easy
You used to say that it was so easy
But you’re tryin’, you’re tryin’ now
Another year and then you’d be happy
Just one more year and then you’d be happy
But you’re cryin’, you’re cryin’ now

[Verse 2]
Way down the street there’s a light in his place
He opens the door he’s got that look on his face
And he asks you where you’ve been
You tell him who you’ve seen and you talk about anything
He’s got this dream about buyin’ some land
He’s gonna give up the booze and the one night stands
And then he’ll settle down, in some quiet little town
And forget about everything
But you know he’ll always keep movin’
You know he’s never gonna stop movin’
‘Cause he’s rollin’, he’s the rollin’ stone
And when you wake up, it’s a new mornin’
The sun is shinin’, it’s a new mornin’
And you’re goin’, you’re goin’ home

The resolution of Rafferty’s legal and financial frustrations may have accounted for the exhilaration of the song’s final verse:

When you wake up it’s a new morning
The sun is shining, it’s a new morning
You’re going, you’re going home.

Rafferty’s daughter Martha suggested in 2012 that he could also have taken inspiration from a book he was reading while he was travelling between the two cities, Colin Wilson’s The Outsider (1956), which explored ideas of alienation and creativity and a longing to be connected.

References:
1. Baker Street (song) – Wikipedia

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