All I Can Do Is Write About It (1976) – Lynyrd Skynyrd

We are backpedalling in the Music Library Project to present a fabulous Lynyrd Skynyrd song posted by Max (Aka Badfinger) at Powerpop in January this year (2023). I was so impressed listening to it again the other day that I wanted to post it here at the earliest opportunity.

When you think of Lynryd Skynyrd you don’t think of an Environmental Friendly band but Van Zant was that. They all grew up in Gainesville Florida and were around wildlife and natural tropical areas.  This song is a warning about the growth of his hometown and he was cautioning about urban and suburban areas claiming wild lands as their own.

‘Cause when I can see the concrete a slowly creepin’
Lord take me and mine before that come

Van Zant saw this happening all through Dixie which include South Carolina, North Carolina,  Mississippi, Florida, Alabama, Georgia, Louisiana, Texas, Virginia, Arkansas, and Tennessee.

This song was on their Gimme Back My Bullets album released in 1976 after Ed King had left the band. It was the B-side to Gimme Back My Bullets.

Read more at Lynryd Skynyrd – All I Can Do Is Write About It – PowerPop

Well this life that I live took me everywhere
There ain’t no place I ain’t never gone
Well it’s kind of like the sayin
That you heard so many times
Well there just ain’t no place like home

Did you ever see a she-gator protect her youngin’
Or fish in a river swimmin’ free
Did you ever see the beauty of the hills of Carolina
Or the sweetness of the grass in Tennessee

And Lord I can’t make any changes
All I can do is write ’em in a song
‘Cause if I can seen the concrete a slowly creepin’
Lord take me and mine before that comes

References:
1. Gimme Back My Bullets – Wikipedia

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11/12 – 17/12/23 – Oak Tree, 2023 Movies & Solomon’s Temple

news on the march

Welcome to Monday’s News on the March – The week that was in my digital world.

Love Under An Old Oak Tree
Poem at Sharon’s Writers Tidbits

There stands an old oak tree
up on a winter hill
its battered brown bark
gnarled after many a season,
fallen are its leaves, they lie scattered
crisp and curled
upon the cold cold ground beneath,
bare are its branches
a winter skeleton, cold and still.

And so wintertime has fallen away -
the sun is awake
golden light streams through
lush green leaves.
How young hearts quake and quiver;
souls gather and melt with a whisper
and a promise and a prayer
carried away on warm air
to Eros for a love that will last
as long as old oak.
Oh how it blossoms yellow and orange
in celebration,
up on a summer hill.

Reely Bernie’s Top Ten of 2023
Blog article at Reely Bernie

I certainly had more favorite movies to choose from this year than last. I’m not sure if you will agree with me, but the quality, diversity, and creativity went up a level in 2023.

Still, I’m well aware of a current transformation I’m experiencing as the eccentric, polemic indies I once adored now annoy me, and the safer bets in mainstream theatre/streaming bring me peace. I just turned 45, and I’m an older dad with two wonderful, young daughters. That’s one of the reasons behind my new cinematic motives. (I also enjoy an occasional Hallmark movie with my wife.)

Some other reasons might include: I found critically acclaimed Poor Things to be smug, overly pleased with itself, and hypocritical in its so-called feminist statement (dare I say the same thing about Barbie?); Scorsese’s impertinent historical message was sidetracked by Leonardo and De Niro’s caricature acting in Killers of the Flower Moon; and, Wes Anderson has finally achieved picturesque nothingness with Asteroid City. Millennials can call me Scrooge, but their preferences couldn’t be any more cynical.

– Read the remainder of Bernie’s article here.

Who Built Solomon’s Temple?
Video presentation at Centre Place

The Bible credits the wise King Solomon with building the temple in Jerusalem, but extra-biblical sources are lacking Solomon is one of the most important figures in the Bible, credited with writing Proverbs, Ecclesiastes, and the Song of Songs, as well as building the original Jerusalem temple (destroyed 587 bc). But for all his fame, why is there no contemporary mention of Solomon in historical sources outside the Bible?

news on the march the end
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Life (1998) – Des’ree

Here endeth the trilogy that I alluded to in the Gabrielle post recently, where I cited three specific songs all completed within a decade of the other which had a certain cadence, feel and brand that I love in Pop form; namely No One by Alicia Keys which featured here back in September, Gabrielle with Out of Reach and now Life by British pop artist Des’ree. Listen to how Des’ree’s voice deepens in the line: Never walk under ladders. That’s baritone or bass material. It puts such a spring in my step and then the piano bridgesques lift it even further. I miss this music.

[Verse 1]
I’m afraid of the dark
Especially when I’m in a park
And there’s no one else around
Ooh, I get the shivers
I don’t want to see a ghost
It’s a sight that I fear most
I’d rather have a piece of toast
And watch the evening news

[Chorus]
Life, oh life, oh life, oh life
Doo, doo doo doo
Life, oh life, oh life, oh life
Doo, doo doo doo

[Verse 2]
I’m a superstitious girl
I’m the worst in the world
Never walk under ladders
I keep a rabbit’s tail
I’ll take you up on a dare
Anytime, anywhere
Name the place, I’ll be there
Bungee jumping, I don’t care

Life was the third single from Des’ree’s third album, Supernatural (1998). This song remains Des’ree’s biggest hit, peaking at number one in Austria, Hungary, Italy, and the Netherlands, as well as on the UK R&B Chart. Just like the other aforementioned songs, I love Des’ree’s voice and her style. It can get you motivated. The older you get, the better and deeper the lyrics get even though I probably scoffed them off way back then. It makes me feel sooooo good now.

Des’ree was born in Croydon, South East London, England, on 30 November 1968. Her mother is from British Guiana (now Guyana), and her father is from Barbados. She was introduced to reggae, calypso and jazz music by her parents. At the age of 22, and with no connections in the music industry, she was signed in 1991 to Sony 550 when she asked her boyfriend to send a demo to the label, and they quickly contacted her. I can see why.

References:
1. Life (Des’ree song) – Wikipedia

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Panic Beach (1989) – Maria McKee

Talk about blood, sweat and tears; it feels Maria McKee conveys it all here in voice and sound: ‘then so goodbye to Panic Beach‘. Someone recommended this to me, but I can’t recall whom. This is where the chorus kick’s arse. Give this song time to unfold. It’s a musical – art form made like origami.
Panic Beach appears as the 5th song on Maria McKee’s debut album by American released in 1989. The songwriting was inspired in part by books about the history of vaudeville, as well as by Tennessee Williams plays.

[Verse 1]
Well, the dog act got drunk again last night
The king and queen of the waltz clog team had another fight
The king was careless with his tango grip
Nearly lost his queen in a dip
Yeah, she righted herself
Straightened out her slip and kicked him in the shin
Miss Billy Begonia thinks she’s hit the big time
She wants a thick red rug from the dressing room door
To the front-line of the footlights
She’s got a sky blue swan’s down powder puff
And a corset to keep her spirits up
Yeah, she don’t sweat
She sours and melts like ice cream in the sun
She’ll be out of a job at the end of this three-week run

[Chorus]
We’re having fun out here on Panic Beach
All the vaudeville bums are here out on Panic Beach
I hear them talk about the palace but it’s so far out of reach
So I’ll do my time, then say goodbye to Panic Beach, yeah
Goodbye, goodbye, goodbye

Panic Beach has a bitter-sweet carnival-esque feel to it since it deals with down-and-out vaudeville performers living and working in obscurity. Each word paints a picture. The song abounds with color, characters and melancholy. My favourite lines: ‘she don’t sweat, she sours and melts like ice cream in the sun‘ and “a sky blue swans down powder puff and a corset to keep her spirits up“.

Maria Luisa McKee (born August 17, 1964) is an American singer-songwriter. She is best known for her work with Lone Justice, her 1990 song Show Me Heaven which I’m sure most of the readers here will be familiar and her song If Love Is a Red Dress (Hang Me in Rags) from the film Pulp Fiction.

References:
1. Maria McKee (album) – Wikipedia

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Cuomo: Footage from Oct. 7 attack on Israel shows ‘Hamas wanted war’ | Cuomo

For recent information:

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Pancho and Lefty (1993) – Willie Nelson & Bob Dylan (written by Townes Van Zandt)

I first became familiar with Pancho and Lefty from the duet below by Willie Nelson & Bob Dylan. I liked it a lot from first listen. It’s reassuring to know Townes was alive to see these two honour him by playing a medley of his hit. Pancho and Lefty, originally Poncho and Lefty, is a song written by American country music singer-songwriter Townes Van Zandt. Perhaps his most well-known song. For more information about his version I point you to my friend Max’s Pancho and Lefty post below:

Townes Van Zandt

The royalties from this song helped Van Zandt through the years. He told a story of getting pulled over by a couple of policemen. His car sticker was out of date so he got into the police car and they asked him what he does for a living. He said he was a songwriter and the policemen shook their heads. He then told them that he wrote “Pancho and Lefty” and their eyes lit up and they started to grin. Pancho and Lefty were the policemen’s police radio code names. They let Townes go after that.

Van Zandt did not like fame or what came attached to it. It’s been reported that he turned down opportunities to write with Bob Dylan. He respected Dylan a great deal but it was the celebrity part he didn’t want. He never ended up on a major label through his career…by choice.

Pancho and Lefty at PowerPop

Living on the road, my friend
Was gonna keep you free and clean
And now you wear your skin like iron
Your breath as hard as kerosene
You weren’t your momma’s only boy
But her favorite one, it seems
She began to cry when you said goodbye
And sank into your dreams

Pancho was a bandit boy
His horse was fast as polished steel
He wore his gun outside his pants
For all the honest world to feel
Pancho met his match, you know
On the deserts down in Mexico
Nobody heard his dying words
But that’s the way it goes

All the Federales say
They could’ve had him any day
They only let him slip away
Out of kindness, I suppose

As alluded to above in Max’s post; Pancho and Lefty has been recorded by several artists since its composition and performance by Van Zandt, with the Willie Nelson and Merle Haggard version selling the most copies and reaching number one on the Billboard country chart.  

In an interview, Townes Van Zandt recalled, “I realize that I wrote it, but it’s hard to take credit for the writing, because it came from out of the blue. It came through me and it’s a real nice song, and I think, I’ve finally found out what it’s about. I’ve always wondered what it’s about. I kinda always knew it wasn’t about Pancho Villa, and then somebody told me that Pancho Villa had a buddy whose name in Spanish meant ‘Lefty.’ But in the song, my song, Pancho gets hung. ‘They only let him hang around out of kindness I suppose’ and the real Pancho Villa was assassinated.”

References:
1. Pancho and Lefty – Wikipedia

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Sin Fin (Not the End) 2018 – Sergio de la Puente

I was in a bit of a quandary wondering how I would take charge of my morning before I had to go out and do errands. I had this appetite to clean the fridge. Believe you me that doesn’t happen often. Anyhows, I had the above Spanish movie (Europa Channel) on in the background and I just kept hearing this stupendous music which made cleaning the fridge feel heavenly. So I took a ‘time-out’ to search the movie and the music composer. Eventually I found it and it took a bit of searching mind you. So here it is: Sin Fin (Not The End) by Sergio de la Puente. I’ve been listening to it all day.

Sergio de la Puente

It’s a marvellous composition for a special movie in at least the few scenes I saw. If you want just a glimpse into how good this music works with the movie then view this movie trailer. The combination of the soundtrack and photography felt magic. I listen to these pieces and I get goosebumps. There are few moments in life when music just captures your soul in the most unlikely contexts upon first listen and Wham! This is what it felt like to me – a blessing in disguise; like the angels have appeared from nowhere.

At what point did you (Sergio de la Puente) discover that you wanted to become a composer for the audiovisual media?

I knew it all my life, practically. My father came from the world of the image, he was a filmmaker and he loved orchestral music. My mother had worked in classical music as an amateur. The first time I heard “Star Wars” in my house with 5 years… from that moment I said “this is my thing”. I started playing that kind of melodies with the piano. I started studying at the conservatory at the age of 12 and over time it became clear to me that I either dedicated myself to film or to music, so film music united those two passions.

Below are three pieces from the movie which made me take time out from cleaning to search what the heck I was listening to. I’m glad I did. I hope you like them.

References:
1. Sergio de la Puente – Interview – Soundtrack fest

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Violin Concerto No 1 In G Minor Op 26 Adagio (1867) – Max Bruch

The following was sourced from the Wikipedia article below:

Max Bruch’s Violin Concerto No. 1 in G minor, Op. 26, is one of the most popular violin concertos in solo violin repertoire and, along with the Scottish Fantasy, the composer’s most famous work. The concerto was then considerably revised with help from celebrated violinist Joseph Joachim and completed in its present form in 1867.

Bruch sold the score to the publisher N. Simrock outright for a small lump sum — but he kept a copy of his own. At the end of World War I, he was destitute, having been unable to enforce the payment of royalties for his other works because of chaotic world-wide economic conditions. He sent his autograph to the duo-pianists Rose and Ottilie Sutro so that they could sell it in the United States and send him the money. Bruch died in October 1920, without ever receiving any money. 

Bruch also composed two more violin concertos, but neither has gained as much fame as his first, which continues to be very popular in both repertoire and audience terms. This was a source of great frustration for Bruch, who wrote to Simrock:

“Nothing compares to the laziness, stupidity and dullness of many German violinists. Every fortnight another one comes to me wanting to play the first concerto. I have now become rude; and have told them: ‘I cannot listen to this concerto any more – did I perhaps write just this one? Go away and once and for all play the other concertos, which are just as good, if not better.”

In 1996, Violin Concerto No 1 was voted the number one work in the Classic FM (UK) Hall of Fame by the station’s listeners.

References:
1. Violin Concerto No. 1 (Bruch) – Wikipedia

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Pain (2017) – The War on Drugs

It’s befitting this song heads the ‘P’s in the Music Library Project. If you want to see why The War on Drugs is one of the biggest things to happen in the last decade in ‘Music Americana’ or contemporary music in general then look no further than their timeless song Pain. I feel the War on Drugs have produced a sound that no other band have over the last decade. Their music is so relatable and with touchstones in middle America it can’t be overstated. This song is pure fire but they have so many others including those which have featured here. This song was recommended to me by Jeff at eclecticmusicblogger and I haven’t looked back.

[Verse 1]
Go to bed now, I can tell
Pain is on the way out now
Look away, a domino falls away
I know it’s hard lookin’ in
Knowin’ that tomorrow you’ll be back again
Hang your head and let me in, I’ve been waitin’
So long

[Verse 2]
I was staring into the light
When I saw you in the distance and knew that you’d be mine
Am I moving back in time? Just standin’ still?
I met a man with a broken back
He had a fear in his eyes that I could understand
I can’t even shake the hand without breakin’ it

[Chorus]
I’ve been pullin’ on a wire, but it just won’t break
I’ve been turnin’ up the dial, but I hear no sound
I resist what I cannot change
And I wanna find what can’t be found

Pain is from their record A Deeper Understanding. The album won Best Rock Album at the 60th Annual Grammy Awards.
Frontman Adam Granduciel told Q Magazine this anxiety-ridden tale of physical agony was inspired by an operation on his ruptured disc. It is one of several A Deeper Understanding tracks where he touches on the excruciating experience. “I couldn’t sit to work and I couldn’t stand up to play guitar,” he said. “The idea of chronic pain and what it does to the mind is scattered throughout the songs.” I can first-hand attest to the severity of this pain which I suffered 2 years ago when I was operated on for a ruptured disc.

According to AllMusic: A Deeper Understanding “reclaims and explores the distinctive soundscapes, vastness, and haunted psyche of Lost in the Dream, and that in itself is significant.” On the same site, in a readers’ poll by users it was ranked as the #1 album of 2017.

If you want to see how good The War on Drugs are as a band in a small studio than look no further than this Tiny Desk (Home) Concert. Their ownership, chemistry and pure artistry of their instruments are arguably second to none in the current era.

References:
1. A Deeper Understanding – Wikipedia

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Overture (2023) – Tim Eveleigh

This is another song I had the pleasure of listening to from my favourite blogger of new independent music Jeff at eclecticmusic lover. The video below of Overture by Tim Eveleigh has just 12 views at the time of writing this post despite the song being released a year ago. Most of those views are probably from me (and perhaps Jeff), since I really like this.

I like Overture as a meditative piece. My following interpretation may be down to my own romantic-pessimist tendencies, but this is my opinion:
Overture paradoxically seems to heed the danger of negating your own suffering to the rest of the world and yourself or at least not telling the truth of where you are. Because everyone has to ‘wake-up’. To me the song is a challenge of sorts to ‘wake up’ when nothing is alright but you may have convinced and deluded yourself and others. It’s easier to find the comfort of your pillow and just bear the pain and tell yourself and others everything is alright. This is at the microcosm level; the macrocosm is even more deluded and unremitting as we are witnessing.
Now over to Jeff:

The album opens with “Overture“, a lovely, almost gospel-like song with a bit of a Celtic folk vibe. The inspiring lyrics “tell the world you’re alright, tell the world you sleep tight, and nothing can wake you up” set an overall tone of love and optimism for A Record
Tim’s been involved with music since his childhood, and in a wonderful  interview with the webzine Croydonist, he discussed how he began studying piano at a young age, eventually working his way up to violin and then viola in secondary school, where he also played in the orchestra. He began writing songs when he was 10, and ended up playing in two bands, which he cheekily remarked “rather worryingly, evidence of this still exists“. By his early 30s he’d written what he described as a solid collection of songs, but “after playing these for a few years I scrapped them all and started again, and I’ve written enough songs to record a couple of albums.”

At eclecticmusiclover

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