Over the Rainbow (1992) – Eva Cassidy

She really had reinvented this standard, adding a strong jazz influence. To my ears, she cleaned up some prominent melodic embarrassments. For example, she sings both syllables of the first word “Somewhere” on the same high A flat, rather than the octave jump of the Judy Garland version. I read somewhere that Harold Arlen was trying to achieve a “symphonic” effect by the octave jump. That effect may have worked in the context of the movie and 1939 audience expectations; IMO it’s hackneyed today, which I believe is a big reason for numerous poster claims that they didn’t like OTR until they heard Eva’s version.

“Closetcomposer” from the Yahoo discussion group

I can’t believe 4 years has already passed since I last posted an Eva Cassidy track. We speak of ‘what – ifs’ in the music world like for example, if Buddy Holly and John Lennon’s lives weren’t cut short and they went onto develop their careers. At least those former greats got rousing receptions, recognition and fame. Eva Cassidy was on the precipice of taking the music world by storm when she died at 33 of melanoma virtually an unknown music artist outside Washington circles. Like her previous rendition of Autumn Leaves which featured here, Over the Rainbow transcends genre and has been covered hundreds of times in the decades since.

Eva Cassidy has one of the most astounding female voices I’ve ever heard in contemporary music, yet she tragically passed away without finding commercial success in her lifetime. I find her voice ‘angelic’ and richly soul driven. Fortunately we are blessed to have many live and studio recordings of her songs.

WikipediaTwo years after her death, Cassidy’s music was brought to the attention of British audiences, when her versions of “Fields of Gold” and “Over the Rainbow” were played by Mike Harding and Terry Wogan on BBC Radio 2. Following the overwhelming response, a camcorder recording of “Over the Rainbow“, taken at Blues Alley in Washington by her friend Bryan McCulley, was shown on BBC Two’s Top of the Pops 2. Shortly afterwards, the compilation album Songbird climbed to the top of the UK Albums Chart, almost three years after its initial release. The chart success in the United Kingdom and Ireland led to increased recognition worldwide. Her posthumously released recordings, including three number-one albums and one number-one single in the UK, have sold more than ten million copies. Her music has also charted within the top 10 in Australia, Germany, Norway, Sweden and Switzerland.

I couldn’t recommend more highly Eva Cassidy’s web site which includes specifics about her recording of Over The Rainbow where it mentions:

It was “Over the Rainbow” that made Eva Cassidy a star, but it didn’t happen until five years after her death….It all started, of course, with “The Wizard of Oz.” Like most children in the pre-video days, Eva looked forward to the annual television broadcast of the MGM musical “The Wizard of Oz,” with Judy Garland’s classic performance of “Over the Rainbow.” Intrigued by the fantasy world depicted in the movie, Eva and her sisters and cousins eagerly read the complete series of “Oz” books by L. Frank Baum.

Eva’s brother Dan Cassidy heard secondhand (via Ned Judy) that Eva was motivated to sing “Over the Rainbow” after watching a television talent show. ‘Eva used to watch a show in the 80´s called “Star Search” which sometimes had some really good singers competing for national attention…After Eva’s dazzling introduction to the Washington music community, her special version of “Over the Rainbow” was ever-more-often demanded by her fans at her live performances. Usually she didn’t put it on the set list without a special request. Eva’s friend Celia Murphy recalls, “We were always under orders NOT to request that song, but we always did, and she always obliged!” According to Chris Biondo, “The hard part for her wasn’t singing it, it was playing the guitar part all the way through without making any mistakes. There were a couple of difficult parts for her during the little instrumental break, there was a slide where sometimes she wouldn’t quite slide up to where she was heading, she had problems making that slide work. Sometimes she played it better than others.”

[Verse 1]
Somewhere over the rainbow
Way up high
In the land that I heard of once
Once in a lullaby

[Verse 2]
Somewhere over the rainbow
Skies are blue
And the dreams that you dare to dream
Really do come true

[Bridge]
Someday I’ll wish upon a star
And wake up where the clouds are far
Behind me
Where troubles melt like lemon drops
Away above the chimney tops
That’s where you’ll find me

References:
1. Over the Rainbow – Eva Cassidy web site

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Out of Reach (2001) – Gabrielle

I’m such a big fan of this song Out of Reach from English singer Gabrielle that it currently heads my blog. I can’t recall where I first heard it, but I knew it was a keeper. Gabrielle’s silky voice is pure therapy for the soul. It reminds me of two other songs, namely No One by Alicia Keys which featured here back in September and Life by Des’ree which should have already been here, but I’ll will make amends for that. All these tracks never get old.

Out of Reach was written by Gabrielle and frequent collaborator Jonathan Shorten for the soundtrack of Sharon Maguire’s 2001 romantic comedy film Bridget Jones’s Diary. The London Session Orchestra provides the string instruments on the track.

[Verse 1]
Knew the signs, wasn’t right
I was stupid for a while
Swept away by you
And now I feel like a fool

[Pre-Chorus]
So confused
My heart’s bruised
Was I ever loved by you?

[Chorus]
Out of reach, so far
I never had your heart
Out of reach, couldn’t see
We were never meant to be

[Verse 2]
Catch myself from despair
I could drown if I stay here
Keeping busy every day
I know I will be okay

The following was from sourced from the Wikipedia references below:
Released as the soundtrack’s lead single on 9 April 2001, Out of Reach peaked at number one in Portugal, number two in New Zealand, and number four on the UK Singles Chart. As of March 2021, the song had sold 645,000 copies in the UK as stated by the Official Charts Company, and became the 10th-most-successful single of 2001 in New Zealand.

Louise Gabrielle Bobb was born in Hackney, London on 19 July 1969 to parents from Dominica. Gabrielle credited her mother for her love of soul and reggae music. Gabrielle has had ptosis, the drooping of one eyelid, since childhood; in public, she covers her eye with sunglasses, an eyepatch, a hat or hair. In school, she suffered from depression and was sometimes suicidal. After finishing her A-levels, she abandoned an idea to study law and began singing in nightclubs. The rest they say is history.

References:
1. Out of Reach (Song) – Wikipedia
2. Gabrielle (singer) – Wikipedia

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Our Shangri-La (2004) – Mark Knopfler

Mark Knopfler has featured here a bunch not only as founder of Dire Straits, but as a solo artist. I think his track Going Home which ends the movie soundtrack Local Hero is one of the most powerful instrumental songs I’ve heard composed by any contemporary music artist. I remember back in the early nineties my guitarist friend Malcolm telling me when we were listening to this song – ‘Listen to Knopflers’ guitar zinging when the Saxophone is prancing‘. That’s a good ear.

Now onto to a softer and mellower later day track Our Shangri-La. I have been watching a lot of surfing videos of late and this song seems in harmony with my morbose fascination of big surf. This song just gives off a great vibe even more so after repeated listens.  

Also how could I not think of the Frank Capra film Lost Horizon (1937) which I reviewed here where British diplomat Robert Conway and a small group of civilians crash land in the Himalayas, and are rescued by the people of the mysterious, Eden-like valley of Shangri-la. Protected by the mountains from the world outside, where the clouds of World War II are gathering, Shangri-la provides a seductive escape for the world-weary Conway. But is it the miraculous utopia it appears to be?

[Verse 1]
It’s the end of a perfect day
For all surfer boys and girls
The sun’s dropping down in the bay
And fallin’ off the world

[Chorus]
There’s a diamond in the sky
Our evening star
In our Shangri-La, oh

[Verse 2]
Get that fire burnin’ strong
Right here and right now
It’s here and then it’s gone
There’s no secret anyhow

[Chorus]
We may never love again
To the music of guitars
In our Shangri-La

Shangri-La is the fourth solo studio album by British singer-songwriter and guitarist Mark Knopfler, released on 28 September 2004 by Mercury Records. In March 2003, Knopfler was involved in a motorbike crash in Grosvenor Road, Belgravia, and suffered a broken collarbone, broken shoulder blade, and seven broken ribs. Knopfler spent seven months away from the guitar in physiotherapy, but eventually recovered and was able to return to the studio in 2004 for his fourth album and supporting tour the following year. Knopfler supported the release of Shangri-La with the Shangri-La Tour, which consisted of three legs: South Africa, Asia, Australia, and New Zealand; Europe; and North America.

The video below is Mark Knopfler performing “Our Shangri-La” from his solo album Shangri-La at the AVO Session in Basel, Switzerland on the 12th November, 2007.

References:
1. Shangri-La (Mark Knopfler album) – Wikipedia

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Our Lips Are Sealed (1981) – the Go-Go’s

I hadn’t heard Our Lips Are Sealed for years until friend Max at PowerPop featured it back in January 2020. It brought back good memories. It reminds of that neat song Young Hearts by Commuter in the Karate Kid soundtrack when Daniel-son gets his first car and enters the amusement park. That was a pretty cool song, but I profess Our Lips Are Sealed raises the bar on early 80’s infectious pop music. Lead singer Belinda Carlisle will again feature here with Heaven is a Place on Earth.

In Jr. High the Go Go’s broke out and got my attention. This song peaked at #20 in 1981 in the Billboard 100. It was on the album Beauty and the Beat that peaked at #1 in the Billboard Album Charts. The album had some good hooks and the songs were mostly written by the band members.

The Go-Go’s are the first all-girl band to write the songs and play the instruments on a #1 US album. The group formed in 1978 in Los Angeles, California. Frontwoman Belinda Carlisle was briefly a member (drummer) of the influential punk band The Germs, but Charlotte Caffey was the only member with much experience – she had been in a band called The Eyes. The group learned on the fly with constant gigs.

Read the remainder of Max’s post at PowerPop

[Verse 1]
Can you hear them?
They talk about us
Telling lies
Well, that’s no surprise
Can you see them?
See right through them
They have no shield
No secrets to reveal

[Chorus]
Doesn’t matter what they say
In the jealous games people play
Our lips are sealed

[Verse 2]
There’s a weapon
That we must use
In our defense
Silence
When you look at them
Look right through them
That’s when they’ll disappear
That’s when we’ll be feared

References:
1. Our Lips Are Sealed – Wikipedia

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Revisiting the Video – Ben Shapiro & Russell Brand Uncover Shocking Biblical Truths:

This video was relayed here on 17 April, 2023 and I would like to revisit it in response to recent events.
Ben Shapiro sits down with actor, comedian, and cultural thought leader, Russell Brand, to discuss the state of our culture today. They also analyze what the Bible says about slavery and the contrasts between Christian and Judeo beliefs.

As an accompaniment, the following are two videos of how some Jews think of non Jews and whether some Palestinians want to expel Jews:

Palestinians: Do you want to expel the Jews?

Israelis: Do you see non Jews as equal to you?

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Symphony No. 9 in E minor, Op. 95, B178 “From the New World” – Antonín Dvořák

It is said “From the New World” this is one of the all top time most popular symphonies. Astronaut Neil Armstrong took a tape recording of the New World Symphony along during the Apollo 11 mission, the first Moon landing, in 1969. By the way, the recent biopic about his life First Man will appear here at Friday’s Finest soon. I remember I became familiar with the Oboe sequence learning it on my little casio keyboard as a youngen’. There was another name under which it was titled in the book and it frustrates me I no longer remember it.

From the New World” was written during the first year of the composer’s tenure in the United States. Dvořák was influenced not only by music he had heard, but by what he had seen, in America. He wrote that he would not have composed his American pieces as he had, if he had not seen America. It has been said that Dvořák was inspired by the American “wide open spaces” such as prairies he may have seen on his trip to Iowa in the summer of 1893. The symphony was completed in the building that now houses the Bily Clocks Museum in Spillville, Iowa.

In 1893, a newspaper interview quoted Dvořák as saying “I found that the music of the negroes and of the Indians was practically identical“, and that “the music of the two races bore a remarkable similarity to the music of Scotland”. Most historians agree that Dvořák is referring to the pentatonic scale, which is typical of each of these musical traditions.

References:
1. Symphony No. 9 (Dvořák) – Wikipedia

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Three minutes of Ivy League heads refusing to condemn calls for genocide of Jews

This is unbelievable. They say ‘It depends on the context’. They are heads of the US’s biggest educational institutions. Now lets think of the following scenario: if the questions were asked about genocide of Blacks or Muslims. What do you think their responses would have been?

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The Oldest Surviving Book / Records of the Old and New Testament

First the Old and then the New:

The oldest copy of Scripture ever found! (Even older than the Dead Sea Scrolls):

The Codex Sinaiticus: The Oldest Surviving Christian New Testament – The Beauty of Books – BBC Four

For more information see this – Codex Sinaiticus: A journey in Biblical discovery:

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Dreaming My Dreams (1994) – The Cranberries

We are backpedalling in the music library project to present another song from The Cranberries called Dreaming my Dreams not to be confused with their stellar song ‘Dreams‘ presented here in February. The Celtic vibes are strong with this one and the violin interludes in the Chorus tug at my heartstrings. Dolorus O’Riordan’s yearning and her heavy Irish accent and change in the form of words to express a special meaning (including ‘All the tings‘) and sincerity makes for a compelling listening experience. This is another song that comes from their magnificent album No Need to Argue which I listened to a great deal in my early twenties.

This version was never commercially released which just tells you how good their second album No Need to Argue was released on 3 October 1994. It is the band’s best-selling album and has sold 17 million copies worldwide as of 2014.

According to SongMeanings below: Dolorus O’Riordan said in a 1994 interview this song best represents her life today. She wrote this song for her new husband on Christmas. He had a baby from a previous relationship (Donny Burton) and that’s what the “you and your baby” lyric is means. She’s welcoming them into her personal faith. I don’t think it means anything religious. To me I feel like the “It’s out there” is a broad meaning of happiness, hope, love, faithfulness, all the things that come with a deep love.

[Verse]
All the things you said to me today
Changed my perspective in every way
These things count to mean so much to me
Into my faith you and your baby

[Pre-Chorus]
It’s out there, it’s out there, it’s out there
If you want me, I’ll be here
It’s out there, it’s out there, it’s out there
If you want me, I’ll be here

[Chorus]
I’ll be dreaming my dreams with you
I’ll be dreaming my dreams with you
And there’s no other place
That I’d lay down my face
I’ll be dreaming my dreams with you

eference:
1. Dreaming My Dreams (The Cranberries song) – Wikipedia
2. Dreaming My Dreams – SongMeanings

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Ophelia (1975) – The Band (The Last Waltz)

Ophelia with Levon Helm at the helm as drummer is another standout in The Band’s legendary last concert The Last Waltz. Robbie Robertson in his recollection of Ophelia gave the accolades to Garth Hudson’s superior instrumental delivery working on synthesizer and multiple brass and woodwind instruments, which is said to have contributed significantly to the Dixieland flavor. Apart from Robbie Robertson’s magnificent guitar work through The Last Waltz, what stood out for me was Levon Helm’s vocal delivery. Having said that Rick Danko also shined. So it’s a matter of witnessing possibly the greatest Americana band in their prime do there thang. Thank you Martin Scorsese.

Boards on the window, mail by the door
What would anybody leave so quickly for?
Ophelia
Where have you gone?

The old neighborhood just ain’t the same
Nobody knows just what became of
Ophelia
Tell me, what went wrong

[Chorus]
Was it something that somebody said?
Mama, I know we broke the rules
Was somebody up against the law?
Honey, you know I’d die for you

Ashes of laughter, the ghost is clear
Why do the best things always disappear
Like Ophelia
Please darken my door

Ophelia was released by The Band on their 1975 album Northern Lights – Southern Cross. I’m not very familiar with the Band’s discography apart from their work with Dylan in his live tours and the Last Waltz concert, but from what I have seen and heard they are about as masterclass as age old folk-rock has begotten. Unforgettable, and this performance of Ophelia is testament to their technical wizardry as a band and individual instrumentalists. They remind me as something craftily woven in country fabric to form something akin to Granny’s finest garment and used as a cherished hand-me-down.

Ophelia is one of three songs on Northern Lights – Southern Cross, along with Acadian Driftwood and It Makes No Difference on which Robertson reclaims his reputation as one of rock’s great songwriters. I enjoy listening to It Makes No Difference but Ophelia‘s upbeat funky shuffle is captivating.

According to Band biographer Barney Hoskyns, the name Ophelia for the song did not come from Shakespeare’s Hamlet but rather from Minnie Pearl’s real name. But Shakespeare scholar Stephen M. Buhler sees some Shakespearean echoes in “Ophelia,” particularly related to Othello. In particular, Buhler sees hints that perhaps Ophelia is a black woman in a Southern town who was forced to flee because of Southern attitudes at the time towards interracial relationships with the white singer.

Reference:
1. Ophelia (The Band song) – Wikipedia

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