22/1 – 28/1/24 – The Tao of Philosophy (Special Edition)

news on the march

Welcome to Monday’s News on the March – The week that was in my digital world.

Fall Asleep to Alan Watts Tao of Philosophy
Audio presentation at Soul of Life

Alan Watts talks about meditation, silence, and other concepts of reality and life.

Unified Field

At 1:18:27: If I may start by insulting your intelligence with the most elementary lesson. The thing we should have learnt before 1,2,3 and A, B,C, but somehow was overlooked. Any experience we have through our senses whether of sound or of light or touch is a vibration. A vibration has two aspects. The one called ‘on’ and the one called ‘off’. Vibration seems to be propagated in waves and every wave system has crests and it has troughs. So life is a system of ‘now you see it and now you don’t’. These two examples always go together, for example sound is not pure sound, it is a rapid alternation of sound and silence. That simply is the way things are. Only you must remember the crest and trough of the wave are inseparable. Nobody ever saw crests without troughs or troughs without crests. Just as you don’t encounter in life, peoples’ fronts and no backs. Just as you don’t encounter a coin with a ‘head’ and no ‘tails’. Although the head and the tails, the front and the back, the positive and the negatives are different, they’re at the same time ‘one’. One has to get used fundamentally to the notion that different things can be inseparable… The human species has a very odd mechanism that is to say that we have as a species specialised in a certain kind of awareness which we call conscious attention. By this we have the faculty of examining the details of life very closely…the price we pay for specialisation in conscious attention is ignorance of everything outside its field…. In fact our physical world is a system of inseparable differences. Everything exists with everything else, but we try not to notice that. Because what we notice is what is noteworthy; numbers, words, images – what appears to us to be significant and the rest is ignored as insignificant. As a result of that we select from the total input that goes to our senses only a very small fraction and this causes us to believe that we are separate beings, isolated by the boundary of the epidermis of the rest of the world..But what goes inside your skin is what goes on outside your skin. In the science of ecology one learns that a human being is part of a unified field of behaviour. If you describe the behaviour of any organism, you cannot do so without at the same time describing the behaviour of the environment and by that you know you are describing the behaviour of a unified field. You must be very careful indeed to not fall into old ‘Newtonian’ assumptions about the billiard ball nature of the Universe. The organism is not the puppet of the environment, being pushed around by it, nor on the other hand is the environment the puppet of the organism. The relationship between them is transactional.

At 1:30:34: The basis of it all is this: if we say, you must survive or I must survive..I’ve got to go on. Then your life is a drag and not a game…This is my basic metaphysical axiom – that existence.. the physical universe is playful…there is no necessity for a physical universe whatsoever. It isn’t going anywhere. It doesn’t have some destination that it ought to arrive at. But it is best understood by the analogy of music. Because music as an art-form is essentially playful. We say you ‘play’ the piano – you don’t ‘work’ the piano. Music differs from say ‘travel’. When you travel you are trying to get somewhere and we as a compulsive and purposeful culture are busy getting everywhere faster and faster until we eliminate the distance between places. What happens as a result of that is the two ends of your journey become the same place; so you eliminate the distance and you eliminate the journey. Because the fun of the journey is to travel, not to obliterate travel. In music, one doesn’t make the end of a composition – the point of the composition. If that were so, the best conductors would be those who played faster and there would be composers who wrote only finales. People would go to concerts to hear just one crashing chord. That’s the end. Say when you are dancing, you don’t aim for a particular spot in the room where you should arrive. The whole point is the dancing is the dance…We’ve got a system of schooling which gives a completely different impression…all the time the thing is coming; the success you are working for. Then when you wake up one day 40 years old, you say ‘My God, I’ve arrived! I’m there.’ And you don’t feel very different from what you’ve always felt and there’s a let down because you feel it’s a hoax. And there was a hoax. They made you miss everything.. We have cheated ourselves all the way down the line. We thought of life by analogy of a journey, with a pilgrimage which had a serious purpose at the end. The thing was to get to that end. Success, or whatever it is, may be heaven after you’re dead. But we missed the point all the way along. It was a musical and you were supposed to sing…In this way the human being sometimes becomes an organism for self-frustration. If you see that existence is musical in nature, that is to say it is not serious; it is the play of all kinds of patterns and different rhythms. Spontaneous by nature.

news on the march the end
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Piper To The End (2009) – Mark Knopfler

Anyone up for a bit of Celtic music? I know I am, especially if it is from the masterful guitarist and singer-songwriter Mark Knopfler. A lot of his solo music (post Straits) is unassuming and restrained, but I find it very soothing to the ear. Mark’s raw material seems pure feeling love. Piper To The End is the final track on Knopfler’s solo album Get Lucky.

The song is about Knopfler’s uncle Freddie who was a piper of the 1st Battalion, Tyneside Scottish, the Black Watch, Royal Highland Regiment. Freddie carried his pipes into action in World War II and was killed with fellow fighters at Ficheux, near Arras in the north of France in May 1940. He was just 20 years old.

Knopfler describes the moment of Freddie’s death in the latter’s own words:

This has been a day to die on
Now the day is almost done
Here the pipes will lay beside me
Silent with the battle drum

Knopfler explains that he never knew Freddie personally, his mother’s brother, but that he was very close to his uncle Kingsley, Freddie’s older brother. Kingsley taught Knopfler to play the boogie-woogie piano.

[Verse 1]
When I leave this world behind me
To another I will go
And if there are no pipes in heaven
I’ll be going down below
If friends in time be severed
Someday we will meet again
I’ll return to leave you never
Be a piper to the end

[Verse 2]
This has been a day to die for
Now the day is almost done
Up above a quiet seabird
Turns to face the setting sun
Now the evening dove is calling
And all the hills are burning red
And before the night comes falling
Clouds are lined with golden thread

[Bridge]
We watched the fires together
Shared our quarters for a while
Walked the dusty roads together
Came so many miles

Knopfler explained in an interview:

The pipes always made sense to me, and growing up in Glasgow as well as Newcastle, in my grandmother’s home, there were Jimmy Shand records, so the sound of Celtic music always seems familiar to me.

Mark has no problem sharing the stage with other players (as seen below in Cologne in 2015), and he has no problem backing them up like he’s doing here. He doesn’t overplay like others, and maintains/controls his volume just right to complement the song and his band. It’s easier said than done. A pro’s pro.

References:
1. Piper to the End – Wikipedia

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Blood in My Eyes (1993) – Bob Dylan

Blood in My Eyes is the second song to appear here from Dylan’s 1993 traditional-folk record World Gone Wrong (WGW) after the previous entry – Delia. This album was a follow-up to his other acoustic guitar and harmonica record – Good as I Been To You released the year prior. He had a penchant during this phase to draw deep from the wellsprings of by-gone music, but the songs in WGW seem to hone in on darker and more tragic themes than Good as I Been. Dylan held sessions at his Malibu home garage studio and recorded the record in a matter of days. The album won the Grammy for best traditional-folk album.

[Verse 1]
Woke up this morning, feeling blue
Seen a good-looking girl, can I make love with you?
Hey, hey, babe, I got blood in my eyes for you
Hey, hey, babe, I got blood in my eyes for you
I got blood in my eyes for you, babe
I don’t care what in the world you do

[Verse 2]
I went back home, put on my tie
Going to get that girl that money that money will buy
Hey, hey, babe, I got blood in my eyes for you
Hey, hey, babe, I got blood in my eyes for you
I got blood in my eyes for you, babe
I don’t care what in the world you do

Blood in My Eyes is Dylan’s rendition of the Mississippi Sheiks song, I’ve Got Blood in My Eyes for You which was written in 1931. Dylan doesn’t change the lyrics at all, but his version is played at a considerably slower tempo and is more melancholy than the original.

From World Gone Wrong Liner notes by Bob Dylan:
Blood in My Eyes is one of two songs done by the Mississippi Sheiks, a little known de facto group whom in their former glory must’ve been something to behold. Rebellion against routine seems to be their strong theme. All their songs are raw to the bone & are faultlessly made for these modern times (the New Dark Ages) nothing effete about the Mississippi Sheiks.

References:
1. Wikipedia – World Gone Wrong
2. Blood in My Eyes – Song facts

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Pictures of You (1990) – The Cure

By 1989, Cure lead singer and songwriter Robert Smith was a bit weary of his band’s gradual movement toward the pop charts away from their moody early work. He felt he needed to create something lasting, a coherent album-length artistic statement. So he slowed down the tempos, turned up the torment, and wrote the songs that would make up Disintegration, the band’s melancholy masterwork which contained “Pictures Of You.”

– The Cure, “Pictures Of You” – American Songwriter

The instrumental introduction in The Cure’s Pictures of You is immense and my favourite part of the track. I always preferred how this song sounded Live over the studio release because of the reverb effect, so I have relayed the live version below from their gig at The Palace, Auburn Hills, Michigan. This music portal which is Pictures of You instantly takes me back 30 years. These 7 minutes of music have given me so many hours of joy and deep reflection; bringing back memories so thick of places and especially people in my renegade period of early adulthood. Perhaps my attachment to this song is not as fervent as it once was, but I still remain introspective about what it represents.

Pictures of You is the second song by The Cure to feature here after their previous entry Friday I’m in Love. It was released as the fourth and final single from the band’s eighth studio album, Disintegration. The single reached No. 24 on the UK Singles Charts. In 2011, the song was voted number 283 on Rolling Stone‘s The 500 Greatest Songs of All Time list.

[Verse 1]
I’ve been looking so long at these pictures of you
That I almost believe that they’re real
I’ve been living so long with my pictures of you
That I almost believe that the pictures are all I can feel

[Verse 2]
Remembering you standing quiet in the rain
As I ran to your heart to be near
And we kissed as the sky fell in, holding you close
How I always held close in your fear

[Verse 3]
Remembering you running soft through the night
You were bigger and brighter and wider than snow
And screamed at the make-believe, screamed at the sky
And you finally found all your courage to let it all go

[Verse 4]
Remembering you fallen into my arms
Crying for the death of your heart
You were stone white, so delicate, lost in the cold
You were always so lost in the dark

Background: According to interviews, the inspiration of the song came when a fire broke loose in Robert Smith’s home. After that day, Smith was going through the remains and came across his wallet which had pictures of his wife, Mary. The cover of the single is one of the pictures. The same picture was used as the cover of the “Charlotte Sometimes” single, but that image was heavily warped and distorted.

Smith explained his motivations for the album in a 1989 interview. “With Disintegration, I wanted to see if The Cure was still able to make a record which had a real substance and if we were able to express and share such deep feelings,” he said. “The kind of things you feel the first time somebody kisses you violently on the mouth. It’s this kind of intensity, when you’re young, that you must never forget with age. Never…”

– The Cure, “Pictures Of You” – American Songwriter

Reference:
1. Pictures of You (The Cure song) – Wikipedia
2. The Cure, “Pictures Of You” – American Songwriter

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Pictures at an Exhibition – Promenade (1874) – Modest Mussorgsky

In this piece (Promenade) Mussorgsky depicts himself “roving through the exhibition, now leisurely, now briskly in order to come close to a picture that had attracted his attention, and at times sadly, thinking of his departed friend.

– Vladimir Stasov

Pictures at an Exhibition Promenade is a piano suite in ten movements, plus a recurring and varied Promenade theme, written in 1874 by Russian composer Modest Mussorgsky. It is a musical depiction of a tour of an exhibition of works by architect and painter Viktor Hartmann (pictured inset) put on at the Imperial Academy of Arts in Saint Petersburg, following his sudden death of an aneurysm at the age of 39. Mussorgsky was deeply affected by Hartmann’s passing and conceived a musical memorial to Hartmann, with each movement depicting one of the artist’s works. It was composed in twenty days. 

Mussorgsky first met Hartmann in 1868 not long after Hartmann’s return to Russia from abroad. Both men were devoted to Russian art and quickly became friends. Hartmann gave Mussorgsky two of the pictures that later formed the basis of Pictures at an Exhibition. Each movement of the suite is based on an individual work, some of which are lost. Mussorgsky links the suite’s movements in a way that depicts the viewer’s own progress through the exhibition. Two Promenade movements stand as portals to the suite’s main sections. Their regular pace and irregular meter depicts the act of walking.

References:
1. Pictures at an Exhibition – Wikipedia
2. Mussorgsky’s “Pictures at an Exhibition”: A Showpiece in Multiple Versions – the listeners club

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Baker Street (1978) – Gerry Rafferty

This song is one of the best pop singles of the 1970s. It was on the album City To City. This was Rafferty’s first release after the breakup of his former band Stealer’s Wheel. Rafferty had been unable to release any material due to disputes about the band’s remaining contractual recording obligations, and his friend’s Baker Street flat was a convenient place to stay as he tried to remove himself from his Stealers Wheel contracts. It was his second solo album, the first being Can I Have My Money Back? released in 1971.

– Gerry Rafferty – Baker Street at Max PowerPop

Baker Street was another song jogged to my memory by Max’s recent article at PowerPop. I had not heard this song in decades, but it sure did bring back some good memories and reminded me why the 70’s were so good for music. The arrangement is known for its unforgettable saxophone riff. It contains one of the most iconic intros to any song and still get the adrenaline flowing 46 years later. I really like his song Right Down the Line as well which will feature here when we reach the ‘R’s in the music library project.  

Baker Street is a song written Scottish singer-songwriter Gerry Rafferty. It won the 1979 Ivor Novello Award for Best Song Musically and Lyrically and reached the top three in the UK, US and elsewhere. As Max alluded to above:

“Everybody was suing each other, so I spent a lot of time on the overnight train from Glasgow to London for meetings with lawyers. I knew a guy who lived in a little flat off Baker Street. We’d sit and chat or play guitar there through the night.”

[Verse 1]
Windin’ your way down on Baker Street
Light in your head and dead on your feet
Well another crazy day, you’ll drink the night away
And forget about everything
This city desert makes you feel so cold
It’s got so many people but it’s got no soul
And it’s taking you so long to find out you were wrong
When you thought it held everything
You used to think that it was so easy
You used to say that it was so easy
But you’re tryin’, you’re tryin’ now
Another year and then you’d be happy
Just one more year and then you’d be happy
But you’re cryin’, you’re cryin’ now

[Verse 2]
Way down the street there’s a light in his place
He opens the door he’s got that look on his face
And he asks you where you’ve been
You tell him who you’ve seen and you talk about anything
He’s got this dream about buyin’ some land
He’s gonna give up the booze and the one night stands
And then he’ll settle down, in some quiet little town
And forget about everything
But you know he’ll always keep movin’
You know he’s never gonna stop movin’
‘Cause he’s rollin’, he’s the rollin’ stone
And when you wake up, it’s a new mornin’
The sun is shinin’, it’s a new mornin’
And you’re goin’, you’re goin’ home

The resolution of Rafferty’s legal and financial frustrations may have accounted for the exhilaration of the song’s final verse:

When you wake up it’s a new morning
The sun is shining, it’s a new morning
You’re going, you’re going home.

Rafferty’s daughter Martha suggested in 2012 that he could also have taken inspiration from a book he was reading while he was travelling between the two cities, Colin Wilson’s The Outsider (1956), which explored ideas of alienation and creativity and a longing to be connected.

References:
1. Baker Street (song) – Wikipedia

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Doina: Sus Pe Culmea Dealului (Picnic at Hanging Rock Theme Music) – Gheorghe Zamfir

Before I left Australia to come to Colombia, I went to Hanging Rock in Victoria, Australia as a personal pilgrimage. Hanging Rock is an archetypal character in the movie. I felt great nostalgia wandering this ethereal and dreamy landscape. I can understand why some of the cast and executive producer were afraid to return to Hanging Rock. According to IMDB executive producer Patricia Lovell said she went back once in 1985 and she left almost immediately and refuses to go back to this day.

– Picnic at Hanging Rock 1975- Peter Weir (Friday’s Finest)

Today we go back to the beginning of it all. The Australian art-house cinema classic Picnic at Hanging Rock directed by Peter Weir launched my movie series – ‘Friday’s Finest‘ in August, 2019. Its theme music Doina: Sus Pe Culmea Dealului by the Romanian (pan flute) musician Gheorghe Zamfir is a traditional Romanian panpipe piece and the subject of today’s post. There is currently no official soundtrack commercially available of Picnic at Hanging Rock.

Zamfir is known for playing an expanded version of normally 20-pipe nai, with 22, 25, 28 or even 30 pipes, to increase its range, and obtaining as many as eight overtones (additional to the fundamental tone) from each pipe by changing his embouchure. Zamfir is known as “The Master of the Pan Flute“. Between 1976 and 1983, Zamfir had six albums peak within the Australian top 100 albums charts, with The Flutes of Pan, his best, peaking at number 26 in 1980.

Zamfir’s first appearance as soloist interpreter in a movie soundtrack was in Vladimir Cosma’s 1972 Le grand blond avec une chaussure noire, whose soundtrack became a worldwide hit. He was asked by Ennio Morricone to perform the pieces Childhood Memories and Cockeye’s Song for the soundtrack of Sergio Leone’s 1984 gangster film Once Upon a Time in America. His performance can also be heard throughout the 1984 film The Karate Kid plus the sequels. One of Zamfir’s most famous pieces is The Lonely Shepherd which featured in Quentin Tarantino’s 2003 film Kill Bill: Volume 1.

References:
1. Picnic at Hanging Rock (film) – Wikipedia
2. Gheorghe Zamfir – Wikipedia

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Photograph (1973) – Ringo Starr

I saw a John Lennon interview where he said he used to worry about Ringo and what he would do after the Beatles. Suddenly Ringo was on top of the world and John jokingly said he telegrammed Ringo and asked Ringo would he “write me a hit?”

– Max at PowerPop

Yesterday’s featured song Bad Moon Rising, as well as today and an upcoming song were all jogged to my memory from fellow blogger’s Max web site PowerPop.
Photograph was released as the lead single from former Beatles drummer Ringo Starr’s 1973 album Ringo. It was a major international hit charting in 10 different countries, including hitting No 1 in the United States, Canada and Australia. Starr and Harrison began writing the song on a luxury yacht in the South of France in 1971, during a period when Starr was focused on developing his acting career. Harrison also contributed guitar and backing vocals to the track. The lyrics are a reflection on lost love, whereby a photograph is the only reminder of the protagonists’ shared past. 

[Chorus]
Every time I see your face, it reminds me of the places
We used to go
But all I’ve got is a photograph, and I realise you’re not
Comin’ back anymore

[Verse 1]
I thought I’d make it
The day you went away
But I can’t make it
‘Til you come home again to stay

[Chorus]
I can’t get used to livin’ here while my heart is broke
My tears I cried for you
I want you here to have and hold as the years go by
And we grow old and grey

Starr sang Photograph at the 56th Annual Grammy Awards, during which he and Paul McCartney, as the two surviving ex-Beatles, were honoured with the Recording Academy’s Lifetime Achievement Award. Rolling Stone reported on Starr’s performance of the song: “Backed by a massive full band, he bounced around the stage while old black-and-white photographs showed on a big screen behind him.” In the album review for Rolling Stone, Ben Gerson highlighted Photograph as one of the “three most wonderful songs” on Ringo, along with the Lennon-composed I’m the Greatest and the Harrison–Mal Evans collaboration You and Me (Babe).

References:
1. Photograph (Ringo Starr song) – Wikipedia

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Bad Moon Rising (1969) – Creedence Clearwater Revival

American Werewolf In London Werewolf GIF - American Werewolf In London Werewolf GIFs

The scene of the American’s (Dave) conversion to a werewolf (with Creedence’s Bad Moon Rising) is both terrifying and a technical marvel. It is said the real star of this film is the Oscar-winning transformation effects by Rick Baker, who changed the face of horror makeup in the 1980s. Also the whole music soundtrack is dedicated to the ‘Moon’.

– An American Werewolf in London (1981) – John Landis (Friday’s Finest)

Creedence Clearwater Revival have a sense of impending doom on their 1969 hit “Bad Moon Rising.” The song was the lead single from Creedence Clearwater Revival’s third studio album, Green River. The song reached No. 2 on the Billboard Hot 100 singles chart and No. 1 on the UK Singles Chart for three weeks in September 1969.

Lead singer and songwriter John Fogerty told Team Rock that the name “Bad Moon Rising” came from a book of song titles that he kept. he said, “I didn’t even know what it meant, I just liked how the words sounded.” The lyrics were inspired by a 1941 black-and-white film Fogerty had watched called The Devil and Daniel Webster. He said:

The scene I liked is where there’s a devastating hurricane; furniture, trees, houses, everything’s blowing around. That story and that look really stuck in my mind and they were the germ for the song.

[Verse 1]
I see the bad moon arising
I see trouble on the way
I see earthquakes and lightnin’
I see bad times today

[Chorus]
Don’t go around tonight
Well, it’s bound to take your life
There’s a bad moon on the rise

[Verse 2]
I hear hurricanes a-blowing
I know the end is coming soon
I fear rivers overflowing
I hear the voice of rage and ruin

[Chorus]
Don’t go around tonight
Well, it’s bound to take your life
There’s a bad moon on the rise
All right

Fogerty allegedly wrote the song the same day Richard Nixon was elected president—he denies the song has a political subtext. However, the song still became an anthem both for troops in Vietnam and anti-war protestors across the country. Fogerty acknowledges the song’s political undercurrent:

The song was a metaphor. I wasn’t just writing about the weather. The times seemed to be in turmoil. Martin Luther King and Robert F. Kennedy had been assassinated. I knew it was a tumultuous time.

References:
1. Bad Moon Rising – Wikipedia
2. Bad Moon Rising Lyrics – Genius

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First Man (2014) – Damien Chazelle (Friday’s Finest)

First Man is the third movie by Damien Chazelle to be presented here after his previous entry Whiplash. It is a 2018 American biographical drama film developed from a screenplay by Josh Singer, based on the 2005 book of the same name by James R. Hansen. The project was originally announced in 2003, with Clint Eastwood slated to direct. After that rendition fell through, Chazelle, Gosling and Singer all signed on by 2015.

IMDB Storyline:
A Biopic on the life of the legendary American Astronaut Neil Armstrong from 1961-1969, on his journey to becoming the first human to walk the moon. Exploring the sacrifices and costs on the Nation and Neil himself, during one of the most dangerous missions in the history of space travel.

The film received critical acclaim, particularly regarding the direction, Gosling and Foy’s performances, musical score, and the Moon landing sequence. Similar to my last Friday’s Finest submission – Mr. Turner; despite the very positive reviews from critics at 87%, First Man has received just a 68% Audience Score at Rotten Tomatoes. I’m bemused at the reviews of “boring” or “too long”. This is not Apollo 13 or The Right Stuff, and is not meant to be. It is a character study based on a book James R Hansen which is a biography of Neil Armstrong, rather than a story of the moon landing per se. Of course the movie is going to show the moon landing, and the events which lead up to it, but these are just part of what the movie is about.

We see how hard it is to be a test pilot then astronaut. The launches and flights are seen from Neil’s perspective, his visceral experience of being on top of a missile smashing into space. These scenes are not spectacular, in the Apollo 13 sense, but dark, claustrophobic, noisy and confusing, like it really was. Armstrong is shown as an introverted man of few words and not particular friendly. But he has extraordinary coolness under extreme pressure. That’s why he was chosen as the first man. The movie portrays a real marriage, so unlike what is normal in Hollywood that it seems to be a shock to a lot of people. I certainly could relate to one or two exchanges between Neil and his wife Janet. Clare Foy portrays her as a sweet but strong woman.

Filming: It was shot without the use of green screen. Instead, LED displays of up to 10 meters were used. These projected images that would simulate the exterior of the spacecraft, both the Earth and space. Next to the screens, several simulators were built, each corresponding to a spacecraft. These were programmed to move synchronized with the images of the spherical LED screens that could be seen through the windows.

To recreate Armstrong’s home, the production crew built a replica of it in an empty lot. The lunar surface was recreated by building a set on the Vulcan quarry in Atlanta. Chazelle filmed these sequences at night, using a custom 200,000-watt light to duplicate the effect of sunlight on the surface. For the simulation of low gravity on the lunar surface, a balancing system calibrated for the actors was constructed. NASA historian Christian Gelzer, as well as astronauts Al Bean (from Apollo 12) and Al Worden (from Apollo 15), were on set as technical consultants.

IMDB Trivia:

  • Mark Armstrong and Rick Armstrong said that this film contained the most accurate portrayal of their father Neil Armstrong and their mother Janet Armstrong.
  • Apollo astronauts were considered government employees, with most at the rank of Captain. Regardless of their substantial education, the average yearly income of these astronauts in the 1960s was $17,000 (~$112,000 in 2019 money) solely based on military rank, and were not paid any hazard pay…. they were deducted for living expenses when aboard the spacecraft, as food and a bed were provided for them.
  • The “1201” and “1202” alarms that sounded during the lunar descent was an indication that the computer was receiving more data than it could process. The procedure to fix this was to cycle the switch, which essentially ended the bottleneck. This was not the last time this error had been encountered in an Apollo flight. When Apollo XII was struck by lightning during its launch, it also triggered a 1202.
  • The Apollo 11 crew eat steak and eggs before their launch. This has been the traditional launch day breakfast of NASA astronauts since 1961, when it was served to Alan Shepard for the first Project Mercury flight.

Spoiler alert: Do not read on if you haven’t seen “First Man and want to see it.
The film excerpt I have included below is the moving scene when Neil Armstrong releases his daughter’s bracelet on the Moon in remembrance of his family and her. To me it’s the most powerful scene of the movie. The compounding factors of where he was, the broken heart for his daughter and the music tied it all together into a seriously heart wrenching moment.
Fact check – Did Neil Armstrong Really Leave That Bracelet on the Moon? Armstrong never talked about it but his sister feels that he might have done so, given that he had 11 minutes alone on the moon — mostly exploring what is known as the East Crater — where no one knows exactly what he did. “Did he take something of Karen with him to the Moon?” Armstrong’s sister June asked Hansen rhetorically in the book. “Oh, I dearly hope so.” Buzz Aldrin and Armstrong did take personal kits to the moon, although Armstrong “never released any information about the contents of his PPK.”

References:
1. First Man (film) – Wikipedia
2. First Man – IMDB
3. ‘First Man’ Fact Check: Did Neil Armstrong Really Leave That Bracelet on the Moon? – The Wrap

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