Fighter (2022) – Christina Perri

Christina Perri with her daughter

Rarely a day goes by when I’m feeling a bit in a rut and not think, ‘Have I heard a Christina Perri song today‘? Her songs and lyrics touch so deep like it’s the first time listening to her. Her songs have featured here more than what I can recall. A Perri song based on my experience is my ‘get out of jail free card‘. I find her music so healing; commensurate with Rachmaninoff’s ‘Piano Concerto No.1 in F sharp minor‘ yesterday. ‘Transparency‘. Everything Perri wrote below I can attest to feeling or at least feel attuned.

[Verse 1]
Always the fighter but I think I’m fighting alone
I can’t keep crying, my fate isn’t lying, it’s just colder
And I fear the loneliest parts of my heart are afraid
Being the worst and the best in my head, I just can’t think straight

[Chorus]
I am a fighter
Throwing these daggers straight out of my mouth
I swear I can fight her
Even if she looks like me, I won’t back down
Born from a fighter
I know I fight when I need to feel loved
Strong like a fighter
What if my love is just not strong enough?

[Verse 2]
The closer you get to my heart, I keep watchin’ it break
And all of the love I have trusted havе just been mistakes
I’m fire and I’m ice, I’m wrong and I’m right, got my fist in thе air
And it just shows you I care
Is that okay if you can’t save me?

Listening to Perri’s music raises my hope just like what the Colombia women did in Australia yesterday. Their last 3 goals are the best goals in succession in the history of world football. There is no comparison. Each goal is a work of craftsmanship. The finesse and precision are unprecedented in both football masculine and feminine. And I’ve watched a lot of football.
That is all.

Reference:
1. Burning Gold (song) – Wikipedia

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Piano Concerto No.1 in F sharp minor, op.1 – II. Andante (1891) – Sergei Vasilyevich Rachmaninoff

‘I am a Russian composer and the land of my birth has influenced my temperament and outlook.’

Hearing this exquisite piece from Russian composer Rachmaninoff this morning was the perfect antidote to the post effects of a horrendous dream I had. I was once told if you have a nightmare, you should recall it to someone to ward it off being replicated into reality. When I first heard that notion I scoffed, thinking it was just superstitious phony-baloney, but I have put it into practice.
I did recount it to the principal person in my subconscious. So, any-hows I wasn’t in the mood to hear anything jolly or too melancholy this morning. Just something sitting in the middle, introspective, but rippling lightly on the emotions. Fortunately, I had Piano Concerto No.1 in F sharp minor, op.1 – II. Andante to write about. Andante means: ‘A moderately slow musical tempo‘.

Sergei Rachmaninoff composed his Piano Concerto No. 1 in F♯ minor, Op. 1 at age 17-18. Just let that sink in. When I was 18, I was well, umm my ambitions and skillset lied elsewhere. I honestly can’t fathom someone at that age composing this masterful Piano Concerto. When an 18-year-old Sergei Rachmaninoff can provide the musical remedy to counteract the effects of a 49-year-old’s nightmare, then there is only one thing I can do, which is refer to the quote that concludes every single one of my 1,056 posts:

“The more I live, the more I learn. The more I learn, the more I realize, the less I know.”

– Michel Legrand

In case you were wondering who Michel Legrand like I was: He was a French musical composer, arranger, conductor, and jazz pianist. Legrand was a prolific composer, having written over 200 film and television scores, in addition to many songs.

The following is sourced from the Wikipedia page below:

Sergei Rachmaninoff wrote to Natalya Skalon on 26 March 1891, “I am now composing a piano concerto. Two movements are already written; the last movement is not written but is composed; I shall probably finish the whole concerto by the summer, and then in the summer orchestrate it“. He finished composing and scoring the piece on July 6 and was satisfied with what he had written. The first movement was premiered on 17 March 1892 at the Moscow Conservatoire.

References:
1. Piano Concerto No. 1 (Rachmaninoff) – Wikipedia
2. Sergei Rachmaninov: Piano Concerto No. 1 in F sharp minor – Classic FM

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My Sacrifice (2001) – Creed

I have no idea how I encountered this song – My Sacrifice, nor any knowledge of the band – Creed. I was tossing up whether to include it in the project. Basically, I needed three targets ‘green’. I had two green, one red. Then I read the lyrics again and decided – ‘Execute‘. My Sacrifice reminds me of some of the raw – Alternative Seattle songs I heard in my young adulthood, and I really like the spirited and gritty sound of vocalist Scott Stapp. Not unlike Eddie Vedder’s formidable voice on Alive.

(Edited: I have heard this song more since I wrote this draft article. I wanted to highlight another alluring aspect of the song which is the shredding guitar work and how it raises the key ala ‘Live and Let Die‘ or something you might here from Metallica. It’s very cool and I like the song the more I hear it).

Creed was prominent in the post-grunge movement of the late 1990s and early 2000s. They hail from from Tallahassee, Florida formed in 1994. Creed has sold over 28 million records in the United States, and has sold over 53 million albums worldwide, and was the ninth best-selling artist of the 2000s. The songs of their’s have arguably Christian origins. Scott Stapp’s has a spiritual background as the stepson of a Pentecostal minister.

Hello my friend, we meet again
It’s been awhile, where should we begin?
Feels like forever
Within my heart are memories
Of perfect love that you gave to me
Oh, I remember

When you are with me, I’m free
I’m careless, I believe
Above all the others we’ll fly
This brings tears to my eyes
My sacrifice

We’ve seen our share of ups and downs
Oh how quickly life can turn around
In an instant
It feels so good to reunite
Within yourself and within your mind
Let’s find peace there

When Jay Stanley of ‘J. Stanley Productions Inc’ recalls his initial impression of hearing My Sacrifice while working with the band stating that he knew the song was going to be huge the first time he heard it.

Stapp also explains:

That the song is about coming out of a dark place or period in your life and reconnecting with yourself. He notes several of the songs lyrical themes are represented through elements in the music video. These include a shot of himself in a rowboat where he is seen pulling a drowning version of himself out of the water onto the boat, which represents periods of his life where he would claim sobriety, coming out from the darkness and finding temporary clarity, only to fall back into his old habits. He also mentions that the shots of other people in the video are representative of the feelings you have when you are with someone you love.

On July 19, 2023, the band announced that they had reunited and would be headlining the Summer of ’99 cruise in April 2024.

Reference:
1. My Sacrifice – Wikipedia

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My Island Home (1987) – Warumpi Band (& Christine Anu version)

My Island Home is not just a great narrative about Australian identity but captures the yearning essence of my home country. I went and saw Christine Anu in Melbourne when this song came out. Apart from her voice and the melody, I love listening to the guitar reverberation, synthesiser and that drumbeat. I don’t know who the producer was, but they deserve a ‘high five…and on the flip side‘.

I assumed Christina wrote this song, but My Island Home was written by Neil Murray for George Burarrwanga (see image inset). It was originally performed by the Warumpi Band, and you can see their wonderful version at the end of this article. Anyone that responds to this article, will be immediately asked which of the two versions do you favour. You have been forewarned. Hehe.

The song references lead singer’s (George Burarrwanga) home up at Elcho Island off the coast of Arnhem Land in the Northern Territory, Australia. It was recorded in 1986 and released as a single from their second album, Go Bush! in January 1987. The description of their video also echos the Aussie lexicon and the spirit of unity and ‘mateship’:

Hmm…Blackfella, whitefella, any fella, it doesn’t matter – it’s our sacred land to acknowledge, to share & protect, treasure & to pass on as ‘intact’ as we can..

[Verse 1]
Six years I’ve been in the city
And every night I dream of the sea
They say home is where you find it
Will this place ever satisfy me?
For I come from the salt water people
We always lived by the sea
Now I’m down here living in the city
With my man and a family

[Chorus]
My island home
My island home
My island home is waiting for me

[Verse 2]
In the evening the dry wind blows
From the hills and across the plains
I close my eyes and I’m standing
In a boat on the sea again
And I’m holding that long turtle spear
And I feel I’m close now to where it must be
My island home is waiting for me

Christine Anu had been a backing vocalist in Neil Murray and The Rainmakers during 1992–1993. Her version of My Island Home won Song of the Year at the 1995 Australasian Performing Right Association (APRA) Awards. The song was also listed in APRA Top 30 Australian songs of all time in 2001. Christine also performed My Island Home at the closing ceremony of the Sydney Olympics. Anu, a Torres Strait Islander, changed some lyrics to reflect her circumstances. e.g: Rather than moving to the desert, she compares island life to the city life, and from the point of view of a woman.

Neil Murray, vocalist and guitarist for Warumpi Band, recalls writing the song:

My Island Home came to me on a bus one night in June 1985…I had been living in the deserts of Central Australia for some six years. I had spent a week with our singer, George, at his home at Galiwinku in Arnhem Land. We camped on a remote part of the island with his family and had been living like kings on bush tucker and seafood caught by ourselves. I had to leave and make trips to Melbourne and Sydney in mid-winter to promote the band. I suffered an exceptional longing to be back in a boat on a tropical sea. The words came to me.I had no notebook with me. I held on to the tune till I got to Sydney and pulled my guitar out of the luggage to find the chords.

References:
1. My Island Home – Wikipedia

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My Hometown (1985) – Bruce Springsteen

My Hometown showcases the panoramic view Bruce got from that big old Buick on his dad’s lap as he steered and drove through town. When you hear this synthesizer-based, low-tempo number you can’t help but reminisce of those ol’ times being a ‘youngen’. It seemed more tense in that era ’65 which Springsteen described, compared to my youth in Western Sydney in the 80’s. When I look back now, I know I took it all for granted. My brother Jonny and I won the jackpot; conceived by great parents and lovingly supported by extended family, lots of Australian bush to play around in, a fantastic school and sporting pursuits galore.

In my 30’s, I still hadn’t realised how good I got it when I wrote:

Our family always tried to achieve middle-class respectability, and never quite got there. The kids at my school had made up their minds. I was the ‘Trax boy’; the school kid who wore the cheapest sneakers. Most of the kids’ families had farms with parents who wore flannelettes – not the untucked Western Suburbs style which smelt of bourbon but the settled, crisp, happily country garb which reeked of ‘contented money’.

These rich come-ins lived on cheap land (well, modest for them) with newly built double-storey houses; driveways manicured by shiny white pebbles – not the sharp suburban asphalt ones which tore your legs to shreds.

I always liked this video of Bruce singing My Hometown on the street. Christina Perri did something similar with her masterpiece Jar of Hearts, but that song is projected towards another societal angle entirely. I like sometimes chilling and being voyeuristic and watching the reactions of the close-up shots of the public. Then, when I hear the crowd crying out ‘Your Hometown‘ it sends tingles down my spine. This is community.
My Hometown was the then-record-tying seventh and last top 10 single to come from Bruce’s Born in the U.S.A. album.

[Verse 1]
I was eight years old and running with a dime in my hand
Into the bus stop to pick up a paper for my old man
I’d sit on his lap in that big old Buick and steer as we drove through town
He’d tousle my hair and say “Son, take a good look around
This is your hometown
This is your hometown
This is your hometown
This is your hometown

[Verse 2]
In ’65 tension was running high at my school
There was a lot of fights ‘tween the black and white
There was nothing you could do
Two cars at a light on a Saturday night
In the back seat there was a gun
Words were passed, a shotgun blast
Troubled times had come
To my hometown
To my hometown
My hometown
To my hometown

My Hometown peaked at #6 on the Billboard Hot 100 singles chart. It also topped the U.S. adult contemporary chart, making the song Springsteen’s only #1 song on this chart to date.

Furthermore from Wikipedia:

While it first appears that the song will be a nostalgic look at the speaker’s childhood, the song then goes on to describe the racial violence and economic depression that the speaker witnessed as an adolescent and a young adult. The song concludes with the speaker’s reluctant proclamation that he plans to move his family out of the town, but not without first taking his own son on a drive and expressing the same community pride that was instilled in him by his father.

Some of the song’s images reference the recent history of Springsteen’s hometown Freehold Borough, New Jersey, in particular the racial strife in 1960s New Jersey and economic tensions from the same times (such as the “textile mill being closed” was the A & M Karagheusian Rug Mill at Center and Jackson Streets of Freehold).

Reference:
1. My Hometown – Wikipedia

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My Father’s Daughter (2021) – Olivia Vedder

That’s some kind of musical artistry you have right there in the above image with Glen Hansard, Olivia Vedder and Eddie Vedder. Glen and Eddie have featured here a bunch, but today’s featured track, ‘My Father’s Daughter‘ is the debut song from the daughter of Pearl Jam‘s front man Eddie Vedder. Olivia Vedder hit this song out of the ballpark and then some. Olivia’s sincerity and vulnerability won me over here. It’s one of those songs I just wished went on longer.

The biggest conundrum I have is whether to present her live version with Pearl Jam or the video presentation from Sean Penn’s movie Flag Day. I’ll go with the Flag Day version and Olivia’s live version following. You can hear Jam’s supreme instrumentals lift this.

Out beyond the reaches
Rare as a blood moon
You show, then cover up your tracks

Through the thinning branches
I watched your tail lights turn
And wondered if you’re ever coming back

I am my father’s daughter
Come hell or high water

Trouble came to find you
Shadowed into every word and deed ’til it got you in it’s spell

They asked if I had seen you
But I’ve got no truck with men like them, they can go to hell

I am my father’s daughter
Come hell or high water

Never gonna leave him
Despite the rights or wrongs
I’ve got you and I hope that you know

I am my father’s daughter
Come hell or high water

Never gonna leave him
Despite the rights or wrongs
I got you and I hope that you know

And I’m right behind you
There’s a light there’s a light that shines wherever you go

I am my father’s daughter
Come hell or high water

Eddie Vedder and Glen Hansard wrote My Father’s Daughter. It marks the musical debut of Vedder’s then-17-year-old daughter Olivia, who also sings lead on the song There’s a Girl.

In a statement, Penn said, “After this flood of gorgeous songs from Cat Power, Glen Hansard, and Eddie Vedder, we were just about to do a final mix on the film when Ed sent me Olivia singing ‘My Father’s Daughter.It became just the perfect cherry on top of the sundae.

This isn’t the first time the Pearl Jam frontman and actor/director have teamed up. Vedder also contributed to the soundtrack for Penn’s 2007 movie Into The Wild, which inspired his solo debut album of the same name and won him a Golden Globe for Best Song Motion Picture.

References:
1. Flag Day (film) – Wikipedia

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My Beautiful Reward (1992) – Bruce Springsteen


As I wrote in my previous entry Lucky Town, reflecting on the dual album – Human Touch / Lucky TownThe more stripped down, folk-based sound on the Lucky Town record is my preferred of the two and contains many excellent songs‘.
Today’s featured track ‘My Beautiful Reward’ is one such song that compared to some songs which didn’t make it as studio releases. My Beautiful Reward and With Every Wish (from Human Touch) are the ones that didn’t get away. Never mind, the ones that did get away like Happy and Loose Change. They have been presented here in all the glory I could muster. They ain’t going anywhere!

My Beautiful Reward

[Verse]
Well I sought gold and diamond rings
My own drug to ease the pain that living brings
Walked from the mountain to the valley floor
Searching for my beautiful reward
Searching for my beautiful reward

[Verse]
From a house on a hill, a sacred light shines
I walk through these rooms, but none of them are mine
Down empty hallways, I went from door to door
Searching for my beautiful reward
Searching for my beautiful reward

[Verse]
Well your hair shone in the sun
I was so high, I was the lucky one
Then I came crashing down like a drunk on a barroom floor
Searching for my beautiful reward
Searching for my beautiful reward

Lucky Town is the tenth studio album by Bruce Springsteen. The album was released on March 31, 1992, the same day as Springsteen’s Human Touch album. I agree with the The Chicago Tribune who wrote that Lucky Town was “highly underrated…containing some of the strongest songwriting of Springsteen’s career and ranks as one of his most completely realized albums.” It focuses on more specific events in Springsteen’s life.

This song My Beautiful Reward is about the journey of life….trying to find that thing, that place, that person that will make you entirely happy…. albeit hopefully one day. My Beautiful Reward is another way of saying eternal reward or Heaven. We go through life looking for satisfaction from material things, but it never works. (“my own drug to ease the pain that living brings“).

The man knows, through experience in verse 1 – that fulfillment can’t be found in material things. He seems to have come up empty with religion in verse 2. In verse 3 he finds that romantic love is not the ultimate fulfillment either. Verse 4 simply shows a guy who hasn’t given up on the search. And so the cycle continues.

Searching for my beautiful reward

Reference:
1. Lucky Town – Wikipedia
2. Lucky Town (Song) – Wikipedia

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Mutineer (1995) – Warren Zevon

I know Lawyers, Guns and Money and Werewolves of London gets all the plaudits and deservedly so – they are unforgettable songs even after first listen, but Warren Zevon’s Mutineer as presented on the Dave Letterman show (10-30-02) is my Desert Island choice of the one song from his music cannon, I would take away with me. I try to watch his Mutineer here without crying and it’s a hard task.

The description of the video reads:

Warren Zevon was dying of mesothelioma when he appeared on David Letterman’s “Late Show” to pull off one of the best versions of one of the best songs ever.

I can see why Bob Dylan covered Mutineer a number of times in concert after Zevon’s passing. It’s a cracker of a song and the lyrics are nothing short of spectacular. The line that gets me every time is – ‘Ain’t no room on board for the insincere‘. You get the sense this song was very autobiographical for Warren.

[Verse 1]
Yo-ho-ho and a bottle of rum
Hoist the mainsail, here I come
Ain’t no room on board for the insincere
You’re my witness, I’m your mutineer

[Verse 2]
I was born to rock the boat
Some may sink but we will float
Grab your coat, let’s get out of here
You’re my witness, I’m your mutineer

[Verse 3]
Long ago we laughed at shadows
Lightning flashed and thunder followed us
It could never find us here
You’re my witness, I’m your mutineer

Mutineer is the ninth studio album by American singer-songwriter Warren Zevon. He apparently grew to enjoy working on his own, and for 1995’s Mutineer, he recorded the bulk of the album in his home studio, handling most of the instrumentation himself and bringing in some friends to help sweeten some of the tracks.

Zevon’s reflections on enjoying what time you have left included the phrase “enjoy every sandwich.” A tribute album to the late Warren Zevon titled Enjoy Every Sandwich included famous singer – songwriters like Dylan, Springsteen and Don Henley. Warren Zevon has always seemed a bit of an enigma to me. I have gotten to know his music, but at a snail’s pace and nearly everything I hear I like.

You can dig deeper of course on Warren and find stuff like how he had a phobia with doctors and after his diagnosis began to drink again after 17 years of sobriety or where he may have been exposed to asbestos. Warren Zevon said: “I might have made a tactical error in not going to a physician for 20 years.” It was during this broadcast that, when asked by Letterman if he knew something more about life and death now, he first offered his oft-quoted insight that people need to “enjoy every sandwich.”

Reference:
1. Mutineer (album) – Wikipedia
2. All Music – Mutineer
3. Warren Zevon – Wikipedia

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Must Be Santa (2009) – Bob Dylan

In case you were wondering at the time of my drafting this article how many days there were until Christmas:

That’s nothing. It’s like a nanosecond of a dream within a dream. What I look forward to most of all at Christmas is Santa’s arrival. And those that don’t believe in him, then I point you to this article – ‘I act as if Santa Claus Exists‘:

People have often asked me (especially around this time of year) if I believe in Santa Claus… and I don’t like that question because it’s an attempt to box me up, to put a bow on me in a sense. It’s like, what do you mean, “believe”? We know what Santa looks like. We know what he sounds like. We know how he behaves. We put up pictures and statues of him. We even make offerings to him! Do I believe the man at the mall with the white beard is the one and only Santa? Crowds are addressing him as Santa and he is responding to the name “Santa” and answering AS Santa as such, so to some extent at least, he is real. To the degree he is a “good” Santa he is transcending his material substrate to give rebirth to the neurological patterns of the eternal spirit of Santa as it has descended across time. It’s like, is that “real” enough for you? In the Jungian sense you could argue that in that moment he is more real than real.

I believe Bob Dylan had this axiom in mind, when he recorded ‘Must Be Santa‘. Derr, it’s a Christmas song written by Hal Moore and Bill Fredericks and first released in November 1960 by Mitch Miller.

[Verse 1]
Who’s got a beard that’s long and white?
Santa’s got a beard that’s long and white
Who comes around on a special night?
Santa comes around on a special night

[Chorus 1]
Special night, beard that’s white
Must be Santa, must be Santa
Must be Santa, Santa Claus

[Verse 2]
Who wears boots and a suit of red?
Santa wears boots and a suit of red
Who wears a long cap on his head?
Santa wears a long cap on his head

[Chorus 2]
Cap on head, suit that’s red
Special night, beard that’s white
Must be Santa, must be Santa
Must be Santa, Santa Claus

[Verse 3]
Who’s got a big red cherry nose?
Santa’s got a big red cherry nose
Who laughs this way: “Ho, ho, ho”?
Santa laughs this way: “Ho, ho, ho”

The ‘Advent‘ in Catholicism means the beginning of XMAS which is 4 weeks before the 25th of December (Christ’s birth). That’s when Dylan’s album ‘Christmas in the Heart‘ is reborn and gets a good ol’ merry replaying on the turntable. Don’t even get me started on his version of Little Drummer Boy – big.. huge fan of that one!

In November 2009, Bob Dylan released a version of the song in a polka-meets-klezmer style (based on an arrangement by Brave Combo, whose version he had played on Theme Time Radio Hour) for his Christmas album, Christmas in the Heart. 11 years after its release, Must Be Santa placed 24th in a Rolling Stone article about the “25 Best Bob Dylan Songs of the 21st Century” where critic Amanda Martoccio called the song “zany” and the “centerpiece” of Christmas in the Heart.

References:
1. Must Be Santa (song) – Wikipedia

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Musetta’s Waltz (1896) – La Bohème / Giacomo Puccini – (Moonstruck Soundtrack)

Have you ever seen a full moon as big as this one in Moonstruck? It’s comparable to the one presented in The Truman Show. I haven’t seen any like those; they are so big and illustrious. Take for example the Hadean epoch between 4.5 and 4 billions years ago. The blood-red moon appeared 15 times bigger than it is now. It was just 20000 miles away, but drifted away from Earth 4cm a year.

This piece from the Moonstruck movie soundtrack is a modern orchestration of the famous aria Musetta’s Waltz, from the opera La Boheme by Giacomo Puccini. The title of the movie says it all really. It captures the essence of ‘love’ and a heart’s contentment in the wake of the ‘pull’ and majesty of the full – moon.

This is the third musical piece to feature here from Italian composer Giacomo Puccini and the second from his Opera La Bohème. The classic opera La Boheme shows the Bohemian lifestyle (known in French as “la bohème“) of a poor seamstress and her artist friends. La Bohème is an opera in four acts composed between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on Scènes de la vie de bohème (1851) by Henri Murger.

La Boheme premiered in Turin in 1896, and although it was not an immediate success, it soon became one of the most popular and frequently performed operas in the world. This scene takes place in Act IIat the Café Momus. Shortly after Mimì, Rodolfo, and their friends have taken seats for a drink, Marcello’s former girlfriend, Musetta, shows up with her current patron, the elderly Alcindoro. They quarrel for a bit, then the episode begins as Musetta initiates her move on Marcello. She grabs the spotlight, musically speaking, for a short self-promoting aria (Quando me’n vo’). It is a song directed at the people in the café as much as at the audience in the theater

English Translation of ‘Quando me’n Vo‘:

When I walk
When I walk all alone in the street,
people stop and stare at me
and look for my whole beauty
from head to feet …

And then I taste the slight yearning
which transpires from their eyes
and which is able to perceive from manifest charms
to most hidden beauties.
So the scent of desire is all around me,
it makes me happy!

And you, while knowing, reminding and longing,
you shrink from me?
I know it very well:
you don’t want to express your anguish,
but you feel as if you’re dying!

Regarding Puccini’s original composition as seen in the second video, I couldn’t help but forward this comment from YT by Michael Klimetz:

This magnificent composition will forever evoke the memory of my dear maternal grandmother. She was cultured, loving and refined woman who adored Italian opera. My earliest recollection of Musetta’s Waltz was as a young child, while sitting on her lap as she rested from preparing one of her legendary dinners. As the music filled her kitchen, the room bathed in afternoon sunlight, she scooped me up, held me with both arms in her signature warm embrace, and began to dance. She would gently whisper how beautiful I was and give praise to God for my presence in her life.

Reference:
1. Quando me’n vo’ – Wikipedia

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