3/4 – 9/4/23 – Nick Cave, Paul Rosolie & Russell Crowe

news on the march

Welcome to Monday’s News on the March – The week that was in my digital world.

Some enticing video interviews came to my YT news feed in recent days including the following from three of my favourite podcasts:

Nick Cave: Christ, the Devil and the Duty to Offend
Video interview at UnHerd

Nick Cave’s song Bright Horses dedicated to the memory of Cave’s son Arthur remains the most viewed post on my blog with 2000 views in the past year. I’m proud that song ‘headlines’ my blog as far as popularity.

Faith, Hope & Carnage: Join legendary musician and bestselling writer Nick Cave as he discusses his new book and beyond with UnHerd’s Freddie Sayers. (Watch entire interview here)

Paul Rosolie: Amazon Jungle, Uncontacted Tribes, Anacondas, and Ayahuasca | Lex Fridman Podcast #369
Video podcast interview at Lex Fridmen

I always enjoy hearing stories from bold adventurers and this one didn’t fail to impress. It reminded me in part of Christopher McCandless’s story showcased in the Sean Penn movie Into The Wild which I wrote about here.

There is a part in Rosolie’s story you can view here where he suffered a dire MRSA infection and literally called his Mummy to help him get out of the Amazon Jungle. If he didn’t receive ‘immediate’ western medical attention he would most likely have been insect-food and compost.

Paul Rosolie is a conservationist, explorer, author, filmmaker, real life Tarzan, and founder of Junglekeepers which today protects over 50,000 acres of threatened habitat. (View entire video interview here)

Drinker’s VIP Lounge – Russell Crowe
Video interview at The Critical Drinker

I have been an admirer of Russell Crowe’s acting since he stood out in the independent Australian film – The Sum of Us. My favourite performances from him are The Insider (1999) and mathematician John Forbes Nash Jr. in the biopic A Beautiful Mind (2001). Master and Commander: The Far Side of the World (2003) and the crime drama American Gangster

In this episode of VIP Lounge, I had a few beers and a chat with Russell Crowe about his life and career, some of his biggest and most memorable roles, and his upcoming supernatural horror The Pope’s Exorcist. (View entire video interview here)

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Posted in Movies and TV, Music, News, Sport and Adventure

Let My Love Open the Door (1980) – Pete Townshend 

Let My Love Open the Door is a song written and performed by Pete Townshend from his 1980 album Empty Glass. That year, it reached number nine on the Billboard Hot 100, but less successful in Britian reaching 46. Cash Box called it a “joyous, blissful tune [that] features a stirring keyboard-synthesizer melody and multi-tracked high harmonies.” Initially, Townshend’s manager despised the track due to it “not sounding like Townshend“.

[Verse 1]
When people keep repeatin’
That you’ll never fall in love
When everybody keeps retreatin’
But you can’t seem to get enough

[Pre-Chorus]
Let my love open the door
Let my love open the door

Peter Dennis Townshend is an English musician and co-founder, leader, guitarist, second lead vocalist and principal songwriter of the Who, one of the most influential rock bands of the 1960s and 1970s. While known primarily as a guitarist, Townshend also plays keyboards, banjo, accordion, harmonica, ukulele, mandolin, violin, synthesiser, bass guitar, and drums; he is self-taught on all of these instruments. 

Despite the song’s critical and commercial success, Pete Townshend did not consider it one of his best songs. He told Rolling Stone that Let My Love Open the Door was “just a ditty” also claiming that he preferred his minor U.S. hit A Little Is Enough from the same album.

References:
1. Let My Love Open the Door – Wikipedia

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Good Vibrations (1966) – the Beach Boys

It has taken me more than 30 years to appreciate the grandeur of Good Vibrations. I was always more-down for Don’t Worry Baby, Barbara Ann and I Get Around in my youth. Good Vibrations is undoubtedly my son’s favourite Beach Boys song. He just loves watching the Lost Studio Footage of the recording (seen below). It’s where Brian Wilson tests everyone’s patience by putting all band members and musicians through the ringer to create the ‘right’ arrangement, harmony, and sound.

It was the most expensive single ever recorded. Good Vibrations later became widely acclaimed as one of the finest and most important works of the rock era.

[Verse 1]
I-I love the colorful clothes she wears
And the way the sunlight plays upon her hair
I hear the sound of a gentle word
On the wind that lifts her perfume through the air

[Chorus]
I’m pickin’ up good vibrations
She’s giving me excitations (Oom-bop-bop)
I’m pickin’ up good vibrations (Good vibrations, bop-bop)
She’s giving me excitations (Excitations, bop-bop)

I watched again the Elton John biopic Rocketman on cable where he learned that he would be launching his American tour playing at the Troubadour at Hollywood, but he was hugely intimidated to be playing in front of The Beach Boys in audience. Who can blame him?

The title Good Vibrations was derived from Brian Wilson’s fascination with cosmic vibrations; as his mother would tell him as a child that dogs sometimes bark at people in response to their “bad vibrations“. He used the concept to suggest extrasensory perception, while Love’s lyrics were inspired by the nascent Flower Power movement. Engineer Chuck Britz is quoted saying that Wilson considered the song to be “his whole life performance in one track“.

Wilson recorded a surplus of short, interchangeable musical fragments with his bandmates and a host of session musicians at four different Hollywood studios from February to September 1966, a process reflected in the song’s several dramatic shifts in key, texture, instrumentation and mood. Over 90 hours of tape was consumed in the sessions, with the total cost of production estimated to be in the tens of thousands of dollars. 

References:
1. Good Vibrations – Wikipedia

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Local Hero (1983) – Bill Forsyth (Friday’s Finest)

In my article of Mark Knopfler’s Going Home instrumental, I had intended writing a review of Local Hero in ‘Friday’s Finest’.

Going Home which ends the soundtrack is one of the most inspirational songs I’ve heard. It raises to a phenomenal Saxophone crescendo which always gives me goosebumps. I remember back in the early nineties my guitarist friend Malcolm telling me when we were listening to this song – ‘Listen to Knopflers guitar zinging when the Saxophone is prancing ‘. That’s a good ear.

My family ancestry partly originates from Scotland, so I have always had a penchant for anything Scottish. I remember in my young adulthood enthralled watching Billy Connelly’s World Tour of Scotland over and over again.

Just this past weekend my kids and I watched Amy Macdonald’s rendition of Flower of Scotland as part of what could be considered the world’s greatest National Anthem mix. Scotland had just beaten Spain in the Euro qualifiers so we were ‘happy chappys‘. Whitney Houston’s stupendous performance of Star Spangled Banner at the 1991 Superbowl is definitely there. Can I add another? Delta Goodrum at the AFL of Advance Australia Fair. Down all tools if you haven’t seen these three! Haha.

Where am I? Oh, Local Hero. I haven’t seen this movie in eons, but it made a great impression on me, not just because of Knopfler’s stellar soundtrack. It’s a movie that often goes amiss in movie discussion circles, but I think ‘time’ is gonna treat this film very well, when ninety percent of most films are forgotten, this will continue to rise in the ranks of the remembered.

IMDB Storyline:

Oil billionaire Happer sends Mac to a remote Scottish village to secure the property rights for an oil refinery they want to build. Mac teams up with Danny and starts the negotiations, the locals are keen to get their hands on the ‘Silver Dollar’ and can’t believe their luck. However, a local hermit and beach scavenger, Ben Knox, lives in a shack on the crucial beach which he also owns. Happer is more interested in the Northern Lights and Danny in a surreal girl with webbed feet, Marina. Mac is used to a Houston office with fax machines but is forced to negotiate on Bens terms

Scottish director Bill Forsyth allows us to see the environment not as something to possess or control but as a privilege granted to all. Ironically, it is the villagers who are captivated by the prospect of the money and more aggressive in its pursuit than Big Mac (Peter Rieger). Oh, and the performance by Peter Rieger is one of best low-key performances of all time. Local Hero is best savoured in isolation, as if you were 1000 miles from home and with nothing.

Great writing; a dozen well-developed characters. Gentle good humor, without demeaning anyone. Local Hero was made in the 80’s, yet it goes against the grain of movies made during that decade for a simple-minded lowest common denominator audience. It not only respects it’s audience but seems to show an against-all-odds affection for humanity that includes the audience. Bill Forsyth seems to care about every character that inhabits his film, and in a very gentle, open-handed way he seems to want to share his characters with the audience so that the audience might see the best of themselves in some aspect of those characters.

References:
1. Local Hero (film) – Wikipedia
2. Local Hero – IMDB

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Given to Fly (2017) – Pearl Jam

Given to Fly is a song by the American rock band Pearl Jam. Featuring lyrics written by vocalist Eddie Vedder and music written by guitarist Mike McCready, Given to Fly was released to radio on December 22, 1997, as the first single from the band’s fifth studio album, Yield.

[Verse 1]
He could’ve tuned in, tuned in, but he tuned out
A bad time, nothing could save him
Alone in a corridor, waiting, locked out
He got up outta there, ran for hundreds of miles
He made it to the ocean, had a smoke in a tree
The wind rose up, set him down on his knee
A wave came crashing like a fist to the jaw
Delivered him wings, “Hey, look at me now”
Arms wide open with the sea as his floor
Oh, power, oh

[Chorus]
He’s.. flying
Whole
High.. wide, oh

Given to Fly proved to be the album’s most popular single. The song topped the US Billboard Mainstream Rock Tracks chart and eventually peaked at number 21 on the Billboard Hot 100. Worldwide, the single charted well, reaching number five in Finland, number six in Norway and Spain, and the top 20 in Australia, Iceland, Ireland, New Zealand and the United Kingdom.

McCready on the song:

It was snowing here in Seattle, which it rarely does, and so they kind of shut down all the streets and I couldn’t get my car out of the driveway. And I have a Volvo and you’d think those would be able to drive in the snow, but no, it wasn’t going anywhere, so I was kind of stuck in my condo. And I wrote that riff [for “Given to Fly”] and the “Faithfull” riff that day

References:
1. Given to Fly – Wikipedia

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Friday I’m In Love (1992) – The Cure

There was no other song I sung louder before going out on a Friday night than Friday I’m In Love. I mentioned in a recent post that Eric Claton’s Let it Grow whetted my appetite to enjoy the night ahead, but today’s feature track was the bees-knees as far as venturing the town. The jangly-rustic guitar intro and then Robert Smith’s salty voice ‘I don’t care if Monday’s blue‘ always got me rockin’. There is another song by The Cure that I adored growing up called Pictures of You.
Later in life, I came round to enjoying a similar sounding English rock band – The Smiths.

I don’t care if Monday’s blue
Tuesday’s grey and Wednesday too
Thursday, I don’t care about you
It’s Friday, I’m in love
Monday, you can fall apart
Tuesday, Wednesday, break my heart
Oh, Thursday doesn’t even start
It’s Friday, I’m in love

Friday I’m in Love was released as the second single from their ninth studio album, Wish. The song was a worldwide hit, reaching number six in the UK and number 18 in the United States. Robert Smith, the song’s primary writer, described it as both “a throw your hands in the air, let’s get happy kind of record” and “a very naïve, happy type of pop song.

In the early process Robert Smith became convinced that he had inadvertently stolen the chord progression from somewhere, and this led him to a state of paranoia where he called everyone he could think of and played the song for them, asking if they had heard it before. None of them had, and Smith realised that the melody was indeed his.

The video below, directed by Tim Pope, features the band performing the song in front of various backdrops on a soundstage, in homage to French silent filmmaker Georges Méliès: the video features the appearance of characters from his The Eclipse, or the Courtship of the Sun and Moon.

Reference:
1. Friday I’m in Love – Wikipedia

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Forever Young (1973) – Bob Dylan

This is one of Bob’s most endearing songs. Dylan is quoted as saying that he wrote Forever Young in Tucson, Arizona, “thinking about” one of his sons and “not wanting to be too sentimental“. I like all versions of this song I have heard; including the original below from Planet Waves, the whimsical version from The Band’s The Last Waltz and Joan Baez’s sacred conveyance of Bob’s songwriting also presented below.

May you always know the truth
And see the lights surrounding you

Most songs from Dylan are raw and individualistic in nature, but Forever Young (like for example: Blowing in the Wind or The Times They Are a-Changin) encapsulate a universal message of perfect reason. Forever Young is pliable for any parent trying carefully, but boldly to impart their insights on anyone young, impressionable – growing up in the world.
I think that’s what makes Bob Dylan such an exceptional poet and songwriter is he seamlessly hones into a weighty core of a theme and unveils its texture and resonance to appear as brilliant as the light of day.

May your hands always be busy
May your feet always be swift
May you have a strong foundation
When the winds of changes shift

May your heart always be joyful
May your song always be sung
And may you stay
Forever young

According to the Wikipedia reference below: (Forever Young) was written as a lullaby for his eldest son Jesse, born in 1966, Dylan’s song relates a father’s hopes that his child will remain strong and happy. It opens with the lines, ‘May God bless and keep you always / May your wishes all come true‘, echoing the priestly blessing from the Book of Numbers.

Dylan performed the song live 493 times between its live debut in 1974 and its last outing in 2011.This includes a duet with Bruce Springsteen at the Concert for the Rock and Roll Hall of Fame in 1995.

References:
1. Forever Young (Bob Dylan song) – Wikipedia

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Special Edition Post – Jordan Peterson’s Use and Understanding of AI and ChatGPT

This is a follow – up to my post 20/3 – 26/3/23 – Chat GPT 4.0, but it was super interesting to hear Jordan Peterson’s take on his use of this AGI which is going to envelope the world in no – time.

Someone wrote in response to Peterson’s remarks in the video below:

We’ve been getting warned about AI for decades, and now that it’s here, we’re openly embracing it…..even when we know it’s not in our best interest. Literally, 90% of my friends were uploading AI self-portrait paintings onto social media just several weeks ago. “Wow! Look! Isn’t it cool? Yey! I want one too!” They didn’t even flinch or bother to question where that art comes from, nor did they read the terms of agreement in the app’s contract when they downloaded it. Nobody gives a toss. We are perpetual children when it comes to technology. We barely even waited a month after we finalized the design of the first atomic bomb before we used it on a city. Anybody who thinks we have a grasp on balancing our relationship with technology is full of it.

Below Peterson’s insights is Douglas Murray; a regular spokesperson on this blog who described how even the creators of this AI are calling for a six-month suspension of AI development. They are worried and this, in itself is unprecedented.

If you want to see first-hand how good GTP 4.0 is, then look at the concluding video by Dave Lee in What happens when AI takes over 1 million humanoid robots?

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27/3 – 2/4/23 – LGBTQ, Armageddon & Nazare

news on the march

Welcome to Monday’s News on the March – The week that was in my digital world.

Jim Jefferies on LGBTQ Community (High & Dry)
Comedy video excerpt at Pod Hardcore Fan

Geoff James Nugent (born 14 February 1977) is known professionally as Jim Jefferies. He is an Australian comedian, actor, and writer

Excellent, raw, objectively honest and very funny‘.

(Watch entire comedy excerpt here)

The End of the World: Bart Ehrman on What the Bible Really Says About the End
Video interview by Michael Shermer at Skeptic

Shermer and Ehrman discuss: Ehrman’s religious journey • Who wrote the Bible and why? • how to read the Bible and the book of Revelation • Who wrote Revelation and why? • why Jesus spoke in parables • why worry about climate change if the world is going to end soon? • David Koresh and Waco • Reagan and end times politics • how Jesus became a capitalist and militarist • faith healers, televangelists, and other Christian con artists • Christian ethics and what Jesus really said about the poor and needy.

Bart D. Ehrman is a leading authority on the New Testament and the history of early Christianity and a Distinguished Professor of Religious Studies at the University of North Carolina at Chapel Hill. (View entire video interview here)

Nazare: Love and Pain on the World’s Biggest Wave
News article at BBC Sport

Since it was first surfed, a little over a decade ago, the Portuguese town of Nazare has become the undisputed home of the world’s biggest wave.

The stretch of sand, the salt haze, a spike of cliff and a scarlet lighthouse.

Most of all, Cotton can see Nazare’s waves. They are small today, relatively at least, but there is still a backdrop of bubbling white water and churning white noise.

When the swell is right and the surf is up, it is a different story on a different scale.

Nazare, a small town 60 miles north of Lisbon, is where towering waves – some the height of 10-storey buildings – crash to shore. (Read entire news article here)

news on the march the end
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Posted in Movies and TV, News, Reflections, Sport and Adventure

Flaca (1997) – Andrés Calamaro

Flaca (Skinny) is the second song posted here from Argentine rock-great Andrés Calamaro after his exceptional – Cuando No Estás. I wrote how my seven-year-old daughter Katherine Rose introduced me to his music a little while back and I have been a fan ever since.
Kat is pictured left with a modern ‘Great’ of domestic Colombian Football – Macalister Silva. This photo was taken just yesterday by yours truly at my son’s football training with the ‘Millionarios (Millionaires) Academy‘ in Bogota.

Kat like a lady possessed plays today’s featured track ‘Flaca‘ (Skinny) over and over again and has done for ages. I can’t blame her because it’s one of my favourite Latin rock songs too. I never grow tired of hearing it. Also, Calamaro’s inclination to present a sound and ‘look’ reminiscent of Bob Dylan won’t make me like him any less. On the contrary, I always thought until hearing him that strains of ‘Dylan-esque’ texture and music were sorely missing from Latin American music.

A loose English translation of Flaca follows:

[Chorus]
Skinny, don’t stick your daggers in my back
So deep, they don’t hurt me
They don’t hurt me.

Far away in the center of the Earth
the roots of love
Where they were, they will remain.

[Verse]
come in forget me not
I left our forgotten years
In the back of the closet
From the guest room.
those were golden times
From a better past.

Although I was almost wrong
And I tell you little by little
Do not lie to me
don’t tell me the truth
Do not stay silent
don’t raise your voice
Don’t ask me for forgiveness

Although I almost confess to you
That I have also been a companion dog
An ideal dog that learned to bark
and go back home
To eat

Flaca is the second single by Argentine musician Andrés Calamaro, included on his solo album Alta Suciedad, released in 1997 and with more than 176 million views on YouTube. It is the most viewed and well-known song by the artist. It ranks 23rd on the list of The 100 Most Outstanding Songs of Argentine Rock. Both the single and the solo album were acclaimed by the public, the song as such is considered the most representative and well-known of the artist.

Calamaro stated:

Flaca is a song that has an instrumental development with very small movements, because it revolves around the same harmony, it is monotonous and at the end it has a change in the harmony that becomes a little more complex within the same chords and through the new notes and colors that the harmony has is where the instruments and the voice of the last melody begin to sound. For me it is a song that has more importance in the musical than in the lyrical.
Flaca can be understood as the string of ‘innocent’ lies that one tells out of love, wanting to say one and ending up saying the opposite: don’t lie to me, don’t tell me the truth

Reference:
1. Flaca (canción) – Wikipedia

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