Independence Day (1980) – Bruce Springsteen

Springsteen Live in Dublin 2016 singing Independance Day.

Recently, I wrote about X – and their 4th of July song and now we have another which has nothing to do with today’s date. This was one of the first melancholy songs I heard from Bruce that made a big impact. I didn’t really understand it back then but listening to it now; Springsteen is alluding to his father’s life. It reminds me of what he sings about in Factory from the record Darkness on the Edge of Town: ‘I see my daddy walking through the factory gates in the rain. Factory takes his hearing; the factory gives him life‘.

Bruce Springsteen discussed that his father was a mill worker, then a soldier, and later in life between shifts at the Ford Motor plant in New Brunswick and other jobs, He was a heavy drinker, someone who suffered from mental health problems and lacked appropriate care or understanding for his family. “My father was my hero, and my greatest foe,” said Springsteen.

Well Papa, go to bed now, it’s getting late
Nothing we can say is gonna change anything now
I’ll be leaving in the morning from St. Mary’s Gate
We wouldn’t change this thing even if we could somehow


‘Cause the darkness of this house has got the best of us
There’s a darkness in this town that’s got us too
But they can’t touch me now and you can’t touch me now
They ain’t gonna do to me what I watched them do to you

Independence Day is the hardened and stoic immediate reality that finalises the break. There’s no celebration or triumph or even relief, just understanding that separation is necessary for survival. Its roots can certainly be found in the real-life relationship between Bruce and Dutch Springsteen.

Reference:
1. Independence Day (Bruce Springsteen song) – Wikipedia
2. The Story Behind The Song: How Bruce Springsteen created ‘Independence Day’ – Far Out Magazine

Tagged with: , , ,
Posted in Music

Romancing the Stone (1984) – Robert Zemeckis (Friday’s Finest)

Last Friday featured the soundtrack of another Robert Zemeckis film – Cast Away. Zemeckis was originally working on the movie Cocoon but was pulled off it after an early screening of today’s featured film – Romancing the Stone failed to impress studio executives. Romancing the Stone won critics praises with 86% positive feedback, but audiences weren’t as affirming with just a 69% rating, but it did earn over $115 million worldwide at the box office and allowed Zemeckis to make Back to the Future. I have a strong affinity with Romancing since it is set in Colombia where I have lived for the past 13 years, but in reality, was mainly filmed in Mexico.

IMDB Storyline:

Joan Wilder, a mousy romance novelist, receives a treasure map in the mail from her recently murdered brother-in-law. Meanwhile, her sister Elaine is kidnapped in Colombia and the two criminals responsible demand that she travel to Colombia to exchange the map for her sister. Joan does, and quickly becomes lost in the jungle after being waylayed by Zolo, a vicious and corrupt Colombian cop who will stop at nothing to obtain the map. There, she meets an irreverent soldier-of-fortune named Jack Colton who agrees to bring her back to civilization. Together, they embark upon an adventure that could be straight out of Joan’s novels.

This was the only produced screenplay for writer Diane Thomas. She had been working as a waitress in Malibu when producer/star Michael Douglas optioned her script for $250,000, allowing her to quit her job. Sadly, Thomas died in a car accident, while working on a new movie project with Steven Spielberg the following year. She was a passenger while her boyfriend was driving a Porsche that Douglas had bought for her as a thank you gift.

Michael Douglas and Danny DeVito were roommates during their time in NYC when starting out in show business. Additionally, DeVito notes that Douglas got his break first with the TV series The Streets of San Francisco (1972) but continued to pay his share of the rent even after leaving their apartment in NYC for Hollywood. He would later, as producer and reluctant lead character, Jack T. Colton, offer the part of ‘Ralph’ to DeVito which DeVito admits was good exposure and helpful to his career.

In the famous dance scene of Romancing below, Michael Douglas was not aware that he was being filmed. He was dancing with Kathleen Turner and some extras and was surprised to find Robert Zemeckis had been filming the entire time. You can see Michael Douglas talk about his experience working on this movie here. As stated in the previous post about Cast Away, this film marked the beginning of director Robert Zemeckis’s partnership with composer Alan Silvestri.

References:
1. Romancing the Stone – Wikipedia
2. Romancing the Stone – IMDB

Tagged with: , , ,
Posted in Movies and TV

Don’t Stop Believin’ (1981) – Journey

We are full steam ahead on the 80’s track. ‘Choo-Choo’! Don’t Stop Believin’ was released by another LA Band ‘Journey‘ at the dawn of the decade in the October 1981. It starts with a catchy keyboard riff by then new band-member Jonathan Cain who collaborated in the writing of this song reflecting on the encouragement his father gave him as a struggling musician living on Los Angeles’ Sunset Boulevard. Steve Perry’s vocals are excellent here.

You don’t get much more quintessential 80’s than what this song produced. I imagine it was a trendsetter for many other bands, since I’ve heard so many songs which resemble Don’t Stop Believin’ especially in movie soundtracks like The Karate Kid or Rocky IV etc. A Christian singer Kenny Marks whose music – a school-friend put me onto also captured this kind of sound in his 80’s releases.

Just a small-town girl, livin’ in a lonely world
She took the midnight train goin’ anywhere
Just a city boy, born and raised in South Detroit
He took the midnight train goin’ anywhere


A singer in a smoky room
The smell of wine and cheap perfume
For a smile, they can share the night
It goes on and on and on and on

The song is unusual in that its chorus does not arrive until the song is nearly finished. The verses are what appeal to me here. The Pre-chorus’ don’t ‘wow’ me at all. The band recorded the song in one take. It was a top -10 worldwide hit and became the group’s signature song. Decades after its release, it became the best-selling digital track from the twentieth century, with over seven million downloads. Rolling Stone ranked it among its 500 Greatest Songs of All Time.

Reference:
1. Don’t Stop Believin’ – Journey

Tagged with: , , , ,
Posted in Music

Burning House of Love (Live at Farm Aid 1985) – X

See the source image

I became familiar with this band from Max’s articles at Powerpop and I wrote about one song from them recently – 4th of July (1987). I’m not sure how I came across today’s featured song Burning House of Love, but it was probably recommended by Max. Their live concert performance below at Farm Aid really does it for me. It’s just so raw, brash and quintessential hard 80’s rock. Sometimes it’s out of tune and just bizarre, but that’s what I like about it. If you want to hear them in the same concert hit the ball out of the park listen to ‘Breathless‘ which will also feature here.

Drive by my house late at night
You can see from the freeway above
No silhouette, but a light left on
Burning there for love
Smoke is rising from the fire
Coming out my back door
I’m inside, sound asleep
Cigarette on the floor
Burning there for love
You were the one who imagined it all
All those years ago

I just love Cervenka’s back – up voice in this live version. The original track doesn’t have that same input from Cervenka and I replaced that with this one. X – the band is an American punk rock band formed in Los Angeles, but I don’t hear Punk here (apart from being out of tune and f&ckin weird), just brute 80’s rock’n roll. Burning House of Love, the first single from Ain’t Love Grand, was a minor hit on the Billboard Top Rock Tracks chart, where it peaked at #26.

X- Is still out and about in 2022. They achieved limited mainstream success but influenced various genres of music, including punk rock, Americana. In 2003, X’s first two studio albums, Los Angeles and Wild Gift, were ranked by Rolling Stone as being among the 500 greatest albums of all time.

Reference:
1. X (American Band) – Wikipedia

Tagged with: , , , ,
Posted in Music

The Marriage of Figaro Act IV Ah Tutti Contenti (Ah, All Content) (1786) – Wolfgang Amadeus Mozart

Kiri Te Kanawa as the Countess in The Marriage of Figaro.

This is the second piece to feature here from one of Mozart’s most adored Operas – The Marriage of Figaro. More background information about the Opera’s conception and story and can be found in my post Ecco la Marcia Act III. I became a great admirer of the music of Mozart from seeing the biographical film – Amadeus.
I have researched about his life and music here and what has struck me is how director Milos Forman and playwright Peter Shaffer depicted his life so accurately on film. Sure, they used Salieri as the mediocre ‘us’ (audience) portrayed as the villain, which I wrote about in the article Axur, re d’Ormus, but chronologically the movie seems a historically precise representation of his career and life.

This piece from Marriage of Figaro Act IV is the end scene of the Opera where the Count kneels and pleads for forgiveness (“Contessa perdono!” – “Countess, forgive me!”). The countess replies that she does forgive him (“Più docile io sono e dico di sì” – “I am kinder [than you], and I say yes”). Everyone declares that they will be happy with this (“A tutti contenti saremo cosi”) and set out to celebrate.

In the first video below filmed during the Pandemic, New Camerata Opera sings the finale of Mozart’s Le Nozze di Figaro, with Joseph Martin on piano. Performed from 9 remote locations. Below that is the music conducted and supervised by Neville Marriner for Amadeus.
“This was no composition by a performing monkey! This was a music I’d never heard. Filled with such longing, such unfulfillable longing, it had me trembling. It seemed to me that I was hearing the voice of God”.

References:
1. The Marriage of Fiagaro – Britannica
2. The Marriage of Figaro – Wikipedia

Tagged with: , , , ,
Posted in Music

24/10 – 30/10/22 – Bringing it All Back Home, Colombia & An Immigrant’s Love Letter to the West

news on the march

Welcome to Monday’s News on the March – The week that was in my digital world.

Bringing it All Back Home
Article by Richard Williams at the bluemoment

Last night I was on my way to see Bob Dylan in concert in my home town for the first time, at a venue a few hundred yards from where, almost 60 years earlier, my girlfriend and I had listened to Freewheelin’ all the way through, squeezed together in a record-shop listening booth, before buying it, taking it to her parents’ house, and listening to it all the way through again. And then again.

Walking through Nottingham to reach the Motorpoint Arena, as the refurbished ice stadium is now known, I saw a chip shop in the Lace Market, formerly a coffee bar called the Jules et Jim, where three schoolfriends — Ian Taylor, Jeff Minson and I, a sort of Peter, Paul and Peter — had sung “Blowin’ in the Wind” in 1963….’ (Read entire article here)

Bret and Heather 147th DarkHorse Podcast Livestream: Why Musk Matters
Video podcast at Bret Weinstein

American biologists Bret and Heather feature here a lot in News on the March because I have found them unique ‘voices of reason’ during, and post pandemic and it turns out many of their hypotheses (scoffed by nearly all) are now being taken more seriously. Although this video is titled ‘Why Musk Matters‘ (and you can see Elon Musk entering Twitter HQ in San Franscisco with literally a sink); the reason I am forwarding this video is because Brett spoke at length of his very recent visit to Colombia – my adopted home. He reflects a lot on Colombian society and the natural environment (from 25:30 in the above video).

When I considered his ‘limited’, but insightful perceptions of Colombia, I wrote the following response to the video:

I live in Colombia and Brett got it right for the most part. He failed to mention that almost all are Catholic. So, a leaning towards authority and rules are almost a given. But the bureaucratic demands on citizens is crazy and if you get yourself beyond that, then you can live a life and people will make the most of that space afforded to them.. Just like the woman with her kid on a motorcycle. You have to make ends meet. She has to work, and he has to go to school.‘ (Watch video podcast here)

Konstantin Kisin Defends Book in Battle of Ideas Debate
Video presentation at Triggernometry

Konstantin is a superb communicator, and great questions from the audience. A thoroughly interesting and enjoyable discussion.
This episode was recorded at the 2022 Battle of Ideas festival. Konstantin defends his book, ‘An Immigrant’s Love Letter to the West’ and answers questions from a live audience.(Watch video here).

news on the march the end
Tagged with: , , , , ,
Posted in Music, News, politics

All Those Years Ago (1981) – George Harrison

It’s between John Lennon and George Harrison as to my favourite Beatle. What they did post – Beatles really impressed me and how they carried themselves. We have John Lennon writing in the latter years of his life ‘Watching the Wheels‘ symbolic of ‘The Wheel of Fortune‘ seen in a lot of Gothic cathedrals which I wrote about here. And George was this mystical-Eastern thinker that incorporated a lot of his worldview into his music and influenced others including of course the Beatles. Today’s song All Those Years Ago is from his 1981 album Somewhere in England which served as a personal tribute to former bandmate John Lennon.

Living with good and bad
I always looked up to you
Now we’re left cold and sad
By someone, the devil’s best friend
Someone who offended all


We’re living in a bad dream
They’ve forgotten all about mankind
And you were the one they backed up to the wall
All those years ago
You were the one who imagined it all
All those years ago

I have written a lot about George especially with respect to his forming and moulding The Travelling Wilburys. Since then, I looked for other songs by George because his musical acumen and vocal is so potent, but not in an invasive way. He seems like someone you would just want to hang-around with or at least be in your corner when the sh&t hits the fan.
All Those Years Ago single spent three weeks at number 2 in the US Billboard Hot 100, behind Bette Davis Eyes.

Prior to Lennon’s death, Harrison originally wrote the song with different lyrics for Ringo Starr to record. Although he recorded it, Starr felt the vocal was too high for his range and disliked the lyrics. Harrison took the track back and, after Lennon’s death, the lyrics were changed to reflect a tribute to him. In the song, Harrison makes reference to the Beatles song All You Need Is Love and the Lennon song Imagine.

If you want to hear one of the greatest songs in Contemporary Music, I point you another one of George solos called Give Me Love.

Reference:
1. All Those Years Ago – Wikipedia

Tagged with: , , ,
Posted in Music

Dogs in the Park – ‘We are grateful for your contribution to Gender, Place and Culture’ (Special Edition)

River Dixon’s recent poem about his Dog’s Balls reminded me of this event. This is ‘old-hat’ news, but I really enjoyed viewing this video about these three academics who are in retrospect heroes of modern times because they industriously learnt and exposed the radical possession of the ‘Left’ in the Universities and mainstream media. This could be the most significant act of courage in modern times.

In 2017, Lindsay and Boghossian published a hoax paper titled “The Conceptual Penis as a Social Construct“.  In writing the paper, Lindsay and Boghossian intended to imitate the style of “poststructuralist discursive gender theory“. The paper argued that the penis should be seen “not as an anatomical organ but as a social construct isomorphic to performative toxic masculinity“. They later submitted it to Cogent Social Sciences where it was accepted for publication.

I live in a rich suburb of Colombia’s capital, Bogota and the people who live here don’t have kids because they know the cost to have kids (as I once read) is on average 250,000 US dollars and kids (humans in total) aren’t environmentally cool or leftist friendly. So, when I walk about; I see people picking up ‘shit’ from their dog and then I smell ‘dog piss’ at every post or corner. I wrote here about a man I saw using his ‘scooter’ to get around, because that’s a hip leftist ‘pro environmentalist’ thing to do.

During the Pandemic when the statistics were coming out about which comorbidities were causing the greatest suffering, the Press didn’t allude to any of that, because it might have been construed as offensive (fat-shaming) to those considered most vulnerable by the radicals. So, obesity and lacking Vitamin D didn’t raise a mention. Joe Rogan, Brett Weinstein and Dr. John Campbell in their popular podcasts also couldn’t understand how it wasn’t raised or encouraged by the mainstream media.

A little bit before Jordan Peterson came onto the scene in 2017 with his objection to being subjected to saying obligatory transexual pronouns… thank God; courageous people have leapt forward like these academics who exposed how ludicrous are the ideological leftists in their thinking to appear ‘good and righteous’. I remember watching Peterson those many-moons ago and disagreeing with him because I was a progressive-leftist. Then I realised he was actually talking about ‘me’, and I had studied all that in my 20’s in my Political Systems degree including the ‘Bolshevik Revolution‘.

You only have to listen to Peterson and Sam Harris go at it in their 1st debate – ‘What is True‘ and then listen to it a few more times to ascertain who was right (according to my meagre knowledge). I still believe this is the most significant intellectual debate post -2000 despite how frustrated the participants and listeners were in recollection of it.

Tagged with: , ,
Posted in politics

Cast Away Soundtrack (2000) – Main Theme – Alan Silvestri

I am very fond of the main theme music composed by Alan Silvestri for the 2000 Film Cast Away. I imagine most of you would be familiar with this American survival drama film directed and produced by Robert Zemeckis and starring Tom Hanks and Helen Hunt. Cast Away contains no original musical score until Chuck escapes the island. The first cue of the score comes when Chuck finally realises he’s made it off the island. He looks back toward it – and that’s when the music begins. Then it reappears in the scene when Wilson (the Volleyball) falls off the raft and floats away. Chuck awakens and futilely attempts to rescue Wilson but is left to grieve over his loss. It’s a very moving scene especially set to this music.

It’s a minimal score but Alan Silvestre won the Grammy Award in 2002. Ironically the film is noted for its lack of score. The main sounds apart from talking are creature sound effects (such as bird song or insect sounds) while Chuck is on the island, which is intended to reinforce the feeling of isolation. You might remember Silvestre’s superb musical score for Forest Gump. The entire Cast Away soundtrack consists of 10 tracks, with performers including Elvis Presley, Chuck Berry, and Charles Brown.

Alan Anthony Silvestri (born March 26, 1950) is an American composer and conductor of film and television scores. He has been associated with director Robert Zemeckis since 1984, composing music for all of his feature films including the Back to the Future film series and many others. Silvestri met film director Robert Zemeckis when they worked together on Zemeckis’s film Romancing the Stone (1984) which will feature here shortly on Friday’s Finest.

Edited: 8/1/2025. I’d like to thank an astute reader, Jim, who corrected my post on two major points, both of which I’ve amended above. Here is what he wrote:

Lovely write-up, but you got two very big things wrong! Silvestri did NOT win an oscar for his score, and I was thoroughly P/SSED that he wasn’t even nominated for it (The score was too short, thus disqualifying it from even being nominated). That non-talent Hans Zimmer won the oscar that year for The Lion King.
The second thing is that the first cue of the scores when Chuck first realises that he finally made it off the island… he looks at the island, and the cue begins…. it’s a POWERFUL, BEAUTIFUL moment! This is actually my second favorite film score (The first one being Bernard Herrmann’s score for Obsession!).

Reference:
1. Cast Away – Wikipedia
2. Alan Silvestri – Wikipedia

Tagged with: , ,
Posted in Music

California Stars (1998) – Billy Bragg & Wilco

This is the second song to feature here from Billy Bragg and Wilco’s wonderful tribute album to Woody Guthrie called Mermaid Avenue (see image above). More information about the album and my connection to it can be found in my previous article – Birds and Ships. Today’s song California Stars is my favourite song from the record although there are 5 songs from the record which I greatly admire and will feature here. The lyric was written by Woody Guthrie, but Guthrie never recorded it or wrote music down for it. No exact date is known for the lyrics – it could have been anytime from the 1930s to the 1940s. Thus, the song is a collaboration piece that took place 30 years after Guthrie died. Simple and direct, Guthrie’s words paint a picture of sleeping beneath the beautiful California stars, and the lovely dreams that follow.

I’d like to rest my heavy head tonight
On a bed of California stars
I’d like to lay my weary bones tonight
On a bed of California stars
I’d love to feel your hand touching mine
And tell me why I must keep working on
Yes, I’d give my life to lay my head tonight
On a bed of California stars

Guthrie’s recording career was more or less over by 1947, but his estate approached Billy Bragg in 1995 to set Woody’s handwritten, unrecorded lyrics to music. Thus, the song is a collaboration piece that took place 30 years after Guthrie died. Woody’s daughter, Nora Guthrie told KQED that the lyrics for the song contained the location where it was written. “He was living at a friend’s house in Long Beach, 827 Cedar Avenue, the lyric says,” Guthrie said. “So, whoever’s living there now, this song is yours…’
Bob Seger performed the song during his 2013 Rock and Roll Never Forgets Tour of North America. The following year he recorded it for his Ride Out album.

Reference:
1. Mermaid Avenue – Wikipedia
2. California Stars – Songfacts

Tagged with: , , , ,
Posted in Music

Follow Blog via Email

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 753 other subscribers

← Back

Thank you for your response. ✨