Lightening Crashes (1994) – Live

Hearing Lightening Crashes transports me to Mornington, Southeast Melbourne and the golden – age rock scene. It seems to me ‘The Nineties‘ was a good decade in many respects and the music released during that era reflects it.

Lightening Crashes was released on an album called Throwing Copper which has some other excellent songs on it like Selling the Drama, All Over You and Hold Me Up. The song has a slow, deep, and meaningful build-up. You gotta earn that rise to crescendo.

The song was released in September 1994 as the third single from their second studio album, Throwing Copper. The song also topped the Billboard Album Rock Tracks chart for 10 weeks and the Modern Rock Tracks chart for nine weeks. Internationally, the song reached No. 3 in Canada, No. 8 in Iceland, and No. 13 in Australia.

[Verse 1]
Lightning crashes, a new mother cries
Her placenta falls to the floor
The angel opens her eyes, the confusion sets in
Before the doctor can even close the door

[Verse 2]
Lightning crashes, an old mother dies
Her intentions fall to the floor
The angel closes her eyes, the confusion that was hers
Belongs now, to the baby down the hall

[Chorus]
Oh, now I feel it comin’ back again
Like a rollin’ thunder chasing the wind
Forces pullin’ from the center of the earth again
I can feel it

The band dedicated the song to a high-school friend, Barbara Lewis, who was killed by a drunk driver in 1993.

Lead singer Ed Kowalczyk said:

While the clip is shot in a home environment, I envisioned it taking place in a hospital, where all these simultaneous deaths and births are going on, one family mourning the loss of a woman while a screaming baby emerges from a young mother in another room. Nobody’s dying in the act of childbirth, as some viewers think. What you’re seeing is actually a happy ending based on a kind of transference of life.

References:
1. Lightening Crashes – Wikipedia

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License To Kill (1983) – Bob Dylan

License To Kill is the fifth song so far to appear here from Bob Dylan’s 1983 record Infidels – if I include the Blind Willie McTell and Foot of Pride out-takes from the sessions. It boggles the senses how he could just leave those two off the record, but any-hows. Another notable outtake was Someone’s Got a Hold of My Heart which I also treasure.

Infidels was produced by Mark Knopfler and Dylan himself and is seen as his return to secular music, following a conversion to Christianity and a subsequent return to a less religious lifestyle. Infidels gained much attention for its focus on more personal themes, in addition to commentary (such as with today’s song License To Kill) on the environment and geopolitics.

Man thinks ’cause he rules the earth he can do with it as he please
And if things don’t change soon, he will
Oh, man has invented his doom
First step was touching the moon


Now, there’s a woman on my block
She just sit there as the night grows still
She say who gonna take away his license to kill?


Now, they take him and they teach him and they groom him for life
And they set him on a path where he’s bound to get ill
Then they bury him with stars
Sell his body like they do used cars

Many critics saw Dylan return to secular music in Infidels as also a return to musical form. The critical reaction was the strongest for Dylan in years, almost universally hailed for its songwriting and performances. Dylan initially wanted to produce the album himself, but feeling that technology had passed him by, he approached a number of contemporary artists who were more at home in a modern recording studio. David Bowie, Frank Zappa and Elvis Costello were all approached before Dylan hired Knopfler.

Knopfler who featured here with Let It All Go and the Going Home soundtrack theme of the movie Local Hero said about his experience making the record Infidels:

Yes, it was strange at times with Bob. One of the great parts about production is that it demonstrates to you that you have to be flexible. Each song has its own secret that’s different from another song, and each has its own life….I’d say I was more disciplined. But I think Bob is much more disciplined as a writer of lyrics, as a poet. He’s an absolute genius…The music just tends to be a vehicle for that poetry.

In the song License to Kill, Dylan seems to convey a strong, strange dislike for space travel, and that it can be heard on the first few lines – Man has invented his doom/First step was touching the moon. A harsh indictment accusing mankind of imperialism and a predilection for violence: the song deals specifically with humanity’s relationship to the environment, either on a political scale or a scientific one. ‘A skeptical opinion toward the American space program was shared among evangelicals of Dylan’s generation‘ as stated by critics Robert Christgau and Bill Wyman.

References:
1. Infidels (Bob Dylan album) – Wikipedia

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Up In the Air (2009) – Jason Reitman (Friday’s Finest)

Five films have already featured here starring George Clooney and today’s Up in the Air will be the sixth. That surprised me when I looked that up since I wouldn’t have classed myself a George Clooney fan, but he obviously does something right. So, I guess I’m a fan. I really enjoyed this unassuming drama-comedy because it’s very nuanced and doesn’t belittle its audience.

Up in the Air seems to be a showcase for Clooney – ‘ok strut your stuff George with little to work on and lets see what you can churn out‘. In similar vein to how Tom Hardy was set up for Locke recently reviewed here at ‘Friday’s Finest’. In the end they both deliver powerhouse performances and demonstrate why they are such engaging performers and go-to men for the heavy parts. The Descendants is another movie you could argue Clooney was just thrown in there.

IMDB Storyline:

Ryan Bingham is a corporate downsizing expert whose cherished life on the road is threatened just as he is on the cusp of reaching ten million frequent flyer miles, and just after he’s met the frequent-traveller woman of his dreams.

I presumed that I wouldn’t engage with Up in the Air based on its premise. What would be so interesting about seeing a brash, new-age sophisticated man (SNAG of sorts) firing people from their jobs? Especially Clooney of all people. But it somehow turns everything on its head. You have to see the clip below which features ‘real’ people who have been shown the door from their jobs and concludes with the magnificent J.K. Simmons (Whiplash and La La Land) giving them his piece.

What Up in the Air demonstrates is that despite how you might conceive the intention and jobs of these professionals who fire people, that seeing what life (and suffering) from their perspectives is just as compelling as seeing anyone else’s. In the end, as individuals we all just get-by with what tools we have in the kit and make-do. That’s it.

This simple, but polemical drama-comedy is just breezy to watch. You don’t have to think too much about it, rather just let it woosh past. Having said that; there is a kicker-twist in the finale which makes you think about it some more.

IMDB Trivia:

  • A large number of the people we see fired in the film are not actors, but people who were recently laid off… When people showed up, they were instructed to treat the camera like the person who fired them and respond as they did or use the opportunity to say what they wished they had. 
  • When Bob shows Ryan a photo of his two children, it is a photo of J.K. Simmons’s real children.
  • Vera Farmiga used a body double for her nude scene. In an interview she stated she has no problem being naked in a film, but she had recently given birth and “The breast milk running down would have been inappropriate.”
  • George Clooney’s wardrobe for the entire movie actually fits in one carry-on suitcase.

References:
1. Up in the Air (2009 film) – Wikipedia
2. Up in the Air – IMDB

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Liability (2020) – Lorde (Alex and Jo Music)

I first came a fan of hearing Lorde (inset left) sing Team on an ESPN film clip. My kids and I love that song! Then when I heard Alex and Jo (above) sing a song from Lorde, I was all ears.

I first heard them sing Christina Perri’s Back in Time which astounded me. I told Alex and Jo that I hoped that Christina Perri stumbled upon their rendition and referred their names (and performance) to a producer or someone.

Since then, I have enjoyed other versions by the Serbian twins including I Know the End (2020) by Phoebe Bridgers and today’s featured track Lorde‘s Liability.
Just after I drafted this article, Alex and Jo published a version of Flightless Bird, American Mouth by Iron and Wine which was released on the Twilight: Original Motion Picture Soundtrack. A song featured here recently by Christina Perri – A Thousand Years was written for The Twilight Saga: Breaking Dawn – Part 1.

[Verse 1]
Baby really hurt me, crying in the taxi
He don’t wanna know me
Says he made the big mistake of dancing in my storm
Says it was poison
So I guess I’ll go home
Into the arms of the girl that I love
The only love I haven’t screwed up
She’s so hard to please, but she’s a forest fire
I do my best to meet her demands, play at romance
We slow dance in the living room
But all that a stranger would see
Is one girl swaying alone, stroking a cheek

Ella Marija Lani Yelich-O’Connor (born 7 November 1996), known professionally as Lorde is a New Zealand singer and songwriter. Taking inspiration from aristocracy for her stage name, she is known for her unconventional musical styles and introspective songwriting. Liability is a song from her second studio album Melodrama (2017). Music critics praised the song’s lyrical content and Lorde’s vocal delivery. Jon Blistein of Rolling Stone described the song as a “short but poignant song that finds Lorde grappling with fame and how it can change friendships and relationships.”

Lorde told a crowd at a secret iHeartRadio concert she held in Los Angeles in August 2017 that Liability was inspired by a night she became “overcome with anger and emotion“. She walked 8 to 10 km before ordering an Uber to take her home. According to this video interview on The Late Late Show with James Corden, Lorde has cleansed herself of social media and thrown her cellular device in the water and can’t be reached. Good on her.

Below are presented Alex & Jo’s cover of Liability and the original.

References:
1. Liability (song) – Wikipedia
2. I Know the End – Wikipedia

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Lighthouse Keeper (1996) – My Friend the Chocolate Cake

Lighthouse Keeper is the sixth song presented here from my favourite Australian music group – My Friend the Chocolate Cake and the twelfth song by ‘founder‘ – Australian singer-songwriter David Bridie. The only other singer-songwriters that have been as prolific at Observation Blogger up to this point in the Music Library Project are Bob Dylan, Leonard Cohen, Bruce Springsteen and Christina Perri. So that puts David Bridie into an esteemed mix of contemporary music heavyweights, at least according to my humble opinion.

I wrote in my penultimate article on the Cake‘s: I Guess It Don’t Get Much Better Than This (2002):

At the time this post is written, this song has just 570 views since it was released on You Tube in 2014. So you could say that the song title I Guess It Don’t Get Much Better Than This says it all. I always loved the Cake and they have featured here so much, but the love isn’t reciprocated by the public nor in this blog. I’m sure many of you have had that realisation when something you hear delights you but isn’t received by someone else with the same fervour. Well, that’s always been my case with the music of Bridie and the Cake. This song was released on the magnificent 2002 record Curious by the Cake.

Today’s song Lighthouse Keeper is one of, if not the Cake’s most cherished and familiar song although that’s not saying much since the Cake are scarcely known in Australia. It is undoubtedly in my Top 3 songs by them and I never grow tired of listening to it. My Friend the Chocolate Cake like their former compatriot band The Go – Betweens who feature here regularly, share a lot in common. They encapsulate that ‘quintessential Australian sound‘ like few other groups I have heard. Not consummate with international commercial hot-shots ACDC or way back when INXS.

In my estimation this Australian musical masterpiece Lighthouse Keeper is on par in with The Go-Betweens exemplary Finding You. The Cake’s music is untamed and unspoilt and appears only revered in the music industry and by Independent urban music enthusiasts.

[Verse 1: David Bridie]
Let me be your lighthouse keeper
Protect you from the angry seas
In the storm in times of trouble
When there’s no visibility

[Refrain: David Bridie & *David Bridie & Rebecca O’Mara*]
*When you can’t see out past the first wave*
To what lies behind the flying wall
There’s a *bright light spiraling round tonight, tonight
Turn, turn*
Yeah

[Verse 2: David Bridie]
Come and be my lighthouse keeper
Protect me from the kitsch parade
Come shelter me when all around
Is hollow plastic and ready-made

Lighthouse Keeper was released on The Cake’s third album, Good Luck in 1996 and was co-produced by Bridie and Mountfort with Jeremy Allom. It peaked at No. 44 on the ARIA Albums Chart. Critics claimed it among the band’s most accomplished and direct statements to date. At the ARIA Music Awards of 1997, it won ARIA Award for Best Adult Contemporary Album. The group played a sell-out show at Edinburgh Festival in Scotland and toured Europe. They followed with a live album, Live at the National Theatre, in December 1997.

I hope you enjoy Lighthouse Keeper and I would love to read your thoughts on it. Cheers all!

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Let´s Stick Together (1988) – Bob Dylan

Let’s Stick Together is a song from Bob Dylan’s 25th studio album Down in the Groove in 1988. The album is definitely not one of Dylan’s most celebrated achievements, but it was one of the first cassettes I purchased when I started following him. And no one’s gonna tell me that now, When Did You Leave Heaven?, Ninety Miles an Hour (Down a Dead End Street) and Shenandoah aren’t required music.

In my article Making The First Step – Dylanholics Anonymous back in 2014, I confessed to the whole world (well the 3 people who read my article) ‘I knew I had a serious problem when I listened to Down in the Groove and started to dig it‘. Nothing has changed much since then in terms of my musical obsession or my readership.

I’ll tell you how inconsequential today’s featured version of the classic track Let´s Stick Together was. It wasn’t even’t mentioned as a cover version in the wiki reference below. Instead, a wiki search-bot found a literary reference to a book Bob Dylan All the Songs: The Story Behind Every Track and that’s where Bob’s song here gets a look-in.

[Verse 1]
Well, a young marriage vow, you know, it’s very sacred
The man put us together, now, you wanna make it
Stick together
Come on, come on, stick together

[Verse 2]
You know, you made a vow, not to leave one another, never
Well, ya never miss you water till your well runs dry
Come on, baby, give our love a try, let’s stick together
Come on, come on, stick together
We made a vow, not to leave one another, never

I was reminded of Let´s Stick Together by Max’s article at Powerpop. I also like the other versions Max mentions in his article. Max told me ‘I immediately learned it (Dylan’s version) and played it with our band when I got the album…it was something different from him‘. I told him that I thought Dylan’s harmonica playing here was superb.

References:
1. Let’s Stick Together (song) – Wikipedia

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3/4 – 9/4/23 – Nick Cave, Paul Rosolie & Russell Crowe

news on the march

Welcome to Monday’s News on the March – The week that was in my digital world.

Some enticing video interviews came to my YT news feed in recent days including the following from three of my favourite podcasts:

Nick Cave: Christ, the Devil and the Duty to Offend
Video interview at UnHerd

Nick Cave’s song Bright Horses dedicated to the memory of Cave’s son Arthur remains the most viewed post on my blog with 2000 views in the past year. I’m proud that song ‘headlines’ my blog as far as popularity.

Faith, Hope & Carnage: Join legendary musician and bestselling writer Nick Cave as he discusses his new book and beyond with UnHerd’s Freddie Sayers. (Watch entire interview here)

Paul Rosolie: Amazon Jungle, Uncontacted Tribes, Anacondas, and Ayahuasca | Lex Fridman Podcast #369
Video podcast interview at Lex Fridmen

I always enjoy hearing stories from bold adventurers and this one didn’t fail to impress. It reminded me in part of Christopher McCandless’s story showcased in the Sean Penn movie Into The Wild which I wrote about here.

There is a part in Rosolie’s story you can view here where he suffered a dire MRSA infection and literally called his Mummy to help him get out of the Amazon Jungle. If he didn’t receive ‘immediate’ western medical attention he would most likely have been insect-food and compost.

Paul Rosolie is a conservationist, explorer, author, filmmaker, real life Tarzan, and founder of Junglekeepers which today protects over 50,000 acres of threatened habitat. (View entire video interview here)

Drinker’s VIP Lounge – Russell Crowe
Video interview at The Critical Drinker

I have been an admirer of Russell Crowe’s acting since he stood out in the independent Australian film – The Sum of Us. My favourite performances from him are The Insider (1999) and mathematician John Forbes Nash Jr. in the biopic A Beautiful Mind (2001). Master and Commander: The Far Side of the World (2003) and the crime drama American Gangster. 

In this episode of VIP Lounge, I had a few beers and a chat with Russell Crowe about his life and career, some of his biggest and most memorable roles, and his upcoming supernatural horror The Pope’s Exorcist. (View entire video interview here)

news on the march the end
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Posted in Movies and TV, Music, News, Sport and Adventure

Let My Love Open the Door (1980) – Pete Townshend 

Let My Love Open the Door is a song written and performed by Pete Townshend from his 1980 album Empty Glass. That year, it reached number nine on the Billboard Hot 100, but less successful in Britian reaching 46. Cash Box called it a “joyous, blissful tune [that] features a stirring keyboard-synthesizer melody and multi-tracked high harmonies.” Initially, Townshend’s manager despised the track due to it “not sounding like Townshend“.

[Verse 1]
When people keep repeatin’
That you’ll never fall in love
When everybody keeps retreatin’
But you can’t seem to get enough

[Pre-Chorus]
Let my love open the door
Let my love open the door

Peter Dennis Townshend is an English musician and co-founder, leader, guitarist, second lead vocalist and principal songwriter of the Who, one of the most influential rock bands of the 1960s and 1970s. While known primarily as a guitarist, Townshend also plays keyboards, banjo, accordion, harmonica, ukulele, mandolin, violin, synthesiser, bass guitar, and drums; he is self-taught on all of these instruments. 

Despite the song’s critical and commercial success, Pete Townshend did not consider it one of his best songs. He told Rolling Stone that Let My Love Open the Door was “just a ditty” also claiming that he preferred his minor U.S. hit A Little Is Enough from the same album.

References:
1. Let My Love Open the Door – Wikipedia

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Good Vibrations (1966) – the Beach Boys

It has taken me more than 30 years to appreciate the grandeur of Good Vibrations. I was always more-down for Don’t Worry Baby, Barbara Ann and I Get Around in my youth. Good Vibrations is undoubtedly my son’s favourite Beach Boys song. He just loves watching the Lost Studio Footage of the recording (seen below). It’s where Brian Wilson tests everyone’s patience by putting all band members and musicians through the ringer to create the ‘right’ arrangement, harmony, and sound.

It was the most expensive single ever recorded. Good Vibrations later became widely acclaimed as one of the finest and most important works of the rock era.

[Verse 1]
I-I love the colorful clothes she wears
And the way the sunlight plays upon her hair
I hear the sound of a gentle word
On the wind that lifts her perfume through the air

[Chorus]
I’m pickin’ up good vibrations
She’s giving me excitations (Oom-bop-bop)
I’m pickin’ up good vibrations (Good vibrations, bop-bop)
She’s giving me excitations (Excitations, bop-bop)

I watched again the Elton John biopic Rocketman on cable where he learned that he would be launching his American tour playing at the Troubadour at Hollywood, but he was hugely intimidated to be playing in front of The Beach Boys in audience. Who can blame him?

The title Good Vibrations was derived from Brian Wilson’s fascination with cosmic vibrations; as his mother would tell him as a child that dogs sometimes bark at people in response to their “bad vibrations“. He used the concept to suggest extrasensory perception, while Love’s lyrics were inspired by the nascent Flower Power movement. Engineer Chuck Britz is quoted saying that Wilson considered the song to be “his whole life performance in one track“.

Wilson recorded a surplus of short, interchangeable musical fragments with his bandmates and a host of session musicians at four different Hollywood studios from February to September 1966, a process reflected in the song’s several dramatic shifts in key, texture, instrumentation and mood. Over 90 hours of tape was consumed in the sessions, with the total cost of production estimated to be in the tens of thousands of dollars. 

References:
1. Good Vibrations – Wikipedia

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Local Hero (1983) – Bill Forsyth (Friday’s Finest)

In my article of Mark Knopfler’s Going Home instrumental, I had intended writing a review of Local Hero in ‘Friday’s Finest’.

Going Home which ends the soundtrack is one of the most inspirational songs I’ve heard. It raises to a phenomenal Saxophone crescendo which always gives me goosebumps. I remember back in the early nineties my guitarist friend Malcolm telling me when we were listening to this song – ‘Listen to Knopflers guitar zinging when the Saxophone is prancing ‘. That’s a good ear.

My family ancestry partly originates from Scotland, so I have always had a penchant for anything Scottish. I remember in my young adulthood enthralled watching Billy Connelly’s World Tour of Scotland over and over again.

Just this past weekend my kids and I watched Amy Macdonald’s rendition of Flower of Scotland as part of what could be considered the world’s greatest National Anthem mix. Scotland had just beaten Spain in the Euro qualifiers so we were ‘happy chappys‘. Whitney Houston’s stupendous performance of Star Spangled Banner at the 1991 Superbowl is definitely there. Can I add another? Delta Goodrum at the AFL of Advance Australia Fair. Down all tools if you haven’t seen these three! Haha.

Where am I? Oh, Local Hero. I haven’t seen this movie in eons, but it made a great impression on me, not just because of Knopfler’s stellar soundtrack. It’s a movie that often goes amiss in movie discussion circles, but I think ‘time’ is gonna treat this film very well, when ninety percent of most films are forgotten, this will continue to rise in the ranks of the remembered.

IMDB Storyline:

Oil billionaire Happer sends Mac to a remote Scottish village to secure the property rights for an oil refinery they want to build. Mac teams up with Danny and starts the negotiations, the locals are keen to get their hands on the ‘Silver Dollar’ and can’t believe their luck. However, a local hermit and beach scavenger, Ben Knox, lives in a shack on the crucial beach which he also owns. Happer is more interested in the Northern Lights and Danny in a surreal girl with webbed feet, Marina. Mac is used to a Houston office with fax machines but is forced to negotiate on Bens terms

Scottish director Bill Forsyth allows us to see the environment not as something to possess or control but as a privilege granted to all. Ironically, it is the villagers who are captivated by the prospect of the money and more aggressive in its pursuit than Big Mac (Peter Rieger). Oh, and the performance by Peter Rieger is one of best low-key performances of all time. Local Hero is best savoured in isolation, as if you were 1000 miles from home and with nothing.

Great writing; a dozen well-developed characters. Gentle good humor, without demeaning anyone. Local Hero was made in the 80’s, yet it goes against the grain of movies made during that decade for a simple-minded lowest common denominator audience. It not only respects it’s audience but seems to show an against-all-odds affection for humanity that includes the audience. Bill Forsyth seems to care about every character that inhabits his film, and in a very gentle, open-handed way he seems to want to share his characters with the audience so that the audience might see the best of themselves in some aspect of those characters.

References:
1. Local Hero (film) – Wikipedia
2. Local Hero – IMDB

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