Emily I’m Sorry (2023) – boygenius

Phoebe Bridgers

It was only back in September that boygenius (stylized in all lowercase) made their debut here with their fourth single Not Strong Enough from their debut album single the record. boygenius is an American indie supergroup formed in 2018 by Julien Baker, Phoebe Bridgers, and Lucy Dacus. Today’s track Emily I’m Sorry I also like from the album, but I think my favourite up to this point is True Blue which will feature here when we get to the ‘T”s. The video below of Phoebe Bridgers singing Emily I’m Sorry is unusual but impressible at least to indie-pop listening. A simple contrast and structured acoustics are bombarded with indistinct, noncommittal moods. 

She’s asleep in the backseat
Looking peaceful enough to me
But she’s wakin’ up inside a dream
Full of screeching tires and fire
We’re comin’ back from where no one lives
Pretty much just veterans
When I pointed out where the North Star is
She called me a fuckin’ liar

Emily, I’m sorry, I just (Emily, I)
Make it up as I go along
Yet, I can feel myself becoming (I can feel)
Someone only you could want

Considering the idea of picking up a “real job”, moving “back to Montreal” may be a rejection of success but it is also a likely embrace of simpler times. “I’m twenty-seven and I don’t know who I am”. The clock is ticking, get moving. There is a desire to push forward. The three tracks – $20True Blue, and Emily I’m Sorry – closely resemble their respective writers, who wrote the tracks independently. Emily I’m Sorry is immediately recognisable as a mellow outpouring to (probably) Emily Bannon (see inset), who Bridgers was in a relationship with back in 2018-19. 

Bridgers expresses uncertainty about their relationship and repeatedly proclaims the track title in the chorus: “Emily, I’m sorry”, and “I can feel myself becoming / Someone only you could want”. To me its relatable and explores the hurt that comes with messing up.

Reference:
1. Boygenius – Emily I’m Sorry Review – Cult Following
2. boygenius – ‘$20’, ‘Emily I’m Sorry’ & ‘True Blue’ singles review – The Edge

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Los Caminos de la Vida (1993) – Los Diablitos (written by Omar Geles)

A perfect song to dedicate to the most special person in our lives like our mother.

– Los Diablitos

I first heard Los Caminos de la Vida (The Paths of Life) in the sleeper movie hit Sound of Freedom (2023). This partly crowd-funded film is set in my adopted home country – Colombia. According to the El Colombiano reference below; today’s song Los Caminos de la Vida is so part of Colombians’ DNA that it tugs at their heartstrings and stays with them forever; it’s as Colombian as el arroz con coco (rice with coconut) and the mountains with all shades of green; a song as Colombian as vallenato itself.

Vallenato music is a form of folk music that originated in the Caribbean region of Colombia. It is a depiction of Caribbean folklore and has been around for 200 years. The original version of Los Caminos de la Vida written by Omar Geles (singer and accordion player pictured above) is set to Vallenato music as seen in the official video version below. I have also presented a very popular cover version below that by Argentine artist Vicentico.

Vallenato is translated as ‘from the Valley’ and comes from a city called Valledupar, although some say the origins are in the departments of La Guajira, Córdoba, and Magdalena. It was only at the end of the 19th century that it became an official music genre. Vallenatos are typically played with three instruments: the guacharaca, a wooden percussion instrument invented by the indigenous Tairona people, the caja, a drum that originated from African slave communities and the accordion, a European instrument.

Since he was a child, Omar Geles in his musical ‘Valledupar’, was nicknamed ‘el Diablito‘ (the Little Devil). That same nickname would define the path of his group with the singers Miguel Morales and Alex Manga: “Los Diablitos” (The Little Devils). Los Caminos de la Vida was composed by remembering the difficulties of his childhood, the scarcity and lack of a father who left without returning. But above all things, it is dedicated to his mother; the brave, hard-working and capable woman who fought to raise a family, with the strength of her tired heart. Omar Geles wrote these lyrics in a yellow notebook in 1992, without knowing that it would become one of the two most listened to and hummed Colombian vallenato songs.

A crude English translation of the first part of Los Caminos de la Vida (The Paths of Life) follows:

The paths of life are not like
I thought, as I imagined them, they are not
as I believed

The paths of life are very difficult
Walking them is difficult
and I can’t find
The exit

I thought life was different
When I was little I believed
That things were easy like yesterday

That my good old lady was trying hard
To give me everything I needed
And today I realize how easy
it isn’t

Because my old lady is already tired
To work for my brother and me
And now I’m happy to help you.
And for my old lady, I will fight to the end

For her I will fight until I die
But I really don’t want to go down fighting

and my old lady dies, but what can I do?
If destiny is like this
?

References:
1. Los caminos de la vida, una historia real que se hizo canción – El Colombiano
2. Colombia’s Vallenato: What to Know About the Iconic Music That Inspired Gabriel Marquez – The Culture Trip

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Hold On (1999) – Tom Waits

Two people who are in love writing a song like that about being in love. That was good.

– TW

It’s been over 4 months since I posted a Tom Waits song here, but the wait has been worth it. I should preface by saying I would still consider myself a novice regarding the musical appreciation of Tom, but today’s featured track Hold On is so far my Tom Waits ‘Desert Island’ song. This music project has and will continue to provide an ideal opportunity to dig a little deeper and engage with people who may be more attuned with his background and discography. I always liked Rolling Stone’s description of him as an ‘urban romantic poet‘ and ‘minstrel of the downtrodden‘.

With lyrics written by Tom Waits and his wife Kathleen Brennan, Hold On got Waits nominated to the Grammys for “Best Male Rock Vocal Performance”.

Waits described the song inspiration as follows:

“Hold on” I thought that was a good thing to say in a song. Hold on. We’re all holding onto something. None of us want to come out of the ground. Weeds are holding on. Everything’s holding on. I thought that was a real positive thing to say. It was an optimistic song. Take my hand, stand right here, hold on. We wrote that together, Kathleen and I, and that felt good. Two people who are in love writing a song like that about being in love. That was good. (Source: “Holding On: A Conversation with Tom Waits”. Newsweek: Karin Schoemer. March 23, 1999)

[Verse 1]
They hung a sign up in our town
“If you live it up, you won’t live it down”
So she left Monte Rio, son
Just like a bullet leaves a gun
With her charcoal eyes and Monroe hips
She went and took that California trip
Oh, the moon was gold, her hair like wind
Said, “Don’t look back, just come on, Jim”

[Chorus]
Oh, you got to hold on, hold on
You gotta hold on
Take my hand, I’m standing right here
You gotta hold on

[Verse 2]
Well, he gave her a dimestore watch
And a ring made from a spoon
Everyone’s looking for someone to blame
When you share my bed, you share my name
Well, go ahead and call the cops
You don’t meet nice girls in coffee shops
She said, “Baby, I still love you”
Sometimes there’s nothin’ left to do

(Read the remaining 2 verses here)

Tom Waits released Hold On on his 1999 record Mule Variations; his first studio album in six years. It won a Grammy Award for Best Contemporary Folk Album and received widespread critical acclaim. Hold On is the third song presented here from the album after Big in Japan and Filipino Box Spring Hog respectively. The album was backed by an extensive tour in Europe and North America during the summer and autumn of 1999, which was Waits’ first proper tour since 1987.

References:
1. Mule Variations – Wikipedia

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On a Day Like This (2003) – David Bridie

Like fellow Australian singer-songwriter Kasey Chambers yesterday, David Bridie is no stranger to this blog. I’ve lost count how many posts have appeared here from him as a solo artist and his folky and rootsy band – My Friend The Chocolate Cake. Today’s featured track On a Day Like This reflects more than any other song how the album (Hotel Radio) radiates a sensual summer’s warmth with an expansive sense of mystery. It possesses an earthy and breezy Australian sound, creating an atmosphere akin to what a Tim Winton novel might conjure.

You see that man slumped by the corner
Swigging on a tin can
Half filled with brandavino, it’s the middle of the day
And on a day like this it’s the drink that makes them colourful;

He goes waltzing round the garden wall
He’s casting demons from his battered soul
A cold wind cuts from the south side all the shoppers go inside
And on a day like this it’s the drink that makes them colourful

The mighty cliff, the barren sea
A heart that is ringing out for me
Push on ’til you feel complete
Happy dancing dusty feet

Out front of the amusement hall
A laugh when you think of it all
Takes the panic edge off the waiting ’til the fortnight comes round

And away from any evidence
The Major pushes zero tolerance
So the girl who thinks that she’s Jesus faces jail for her crimes

And on a day like this it’s the drinks that makes them colourful
And on a day like this it’s the drink that makes them wonderful
And on a day like this it’s the drink that makes them colourful

For we are young and free….this wonderful country

I’ve always considered David Bridie as musically Australia’s best kept secret. Despite his profound influence on the Australian music industry and the composition of soundtrack music, with credits for over 100 feature films he is hardly a household name. Let this sink in; today’s song has just 16 views in 5 months on YT. Yet he is my favourite Australian singer-songwriter and I count myself blessed that I have seen him perform many times and talked to him between sets. Much of Bridie’s work is still shrouded in obscurity, usually finding its way out of Australia when the singer occasionally tours his material.

Reference:
1. David Bridie – Wikipedia
2. Wake to a Dream: An Interview with David Bridie – Pop Matters

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On A Bad Day (2001) – Kasey Chambers

On a Bad Day is the fifth song to be presented here from Australian country music singer Kasey Chambers’ second album Barricades and Brickwalls. It is one of my all time favourite Australian albums and was listed in 100 Best Australian Albums.
Wikipedia states: The album would end up going platinum in 2002, becoming the highest selling album by an Australian artist in that year, along with the highest selling single.

I remember when, where and what I was doing when I first-heard this album. It was a hot summer day back in 2002 and I was driving my car through Crib Point on my way to Hastings in South East Victoria, Australia and I turned on ABC radio (which always hosted great non-commercial music like the Go-Betweens etc) and I heard….(Am I) Not Pretty Enough the first song to feature here from Kasey. It reached No1 on the ARIA singles charts in 2002, where it remained at the top spot for 4 weeks.

Every time my tears have ever fallen
I keep them in my pocket for a rainy day
So when its pouring I take them outside
I let the rain start washin’ my tears away

But on a bad day when hearts are breaking
There’s not enough rain to carry all the tears away

Every time I’m blue I take my feeling
I hold it tighter and I don’t let go
And when the sky gets whiter and the air is colder
I throw my feeling to the fallen snow

But on a bad day when hearts are breaking
There’s not enough snow to carry all the blues away

Today’s song On a Bad Day was a sleeper track for me. Its soft and smooth sound has grown on me over time. Apart from Kasey Chambers obvious talent and superior singing voice, I always admired her down to earth and Aussie next-door girl demeanour. Kasey born on June 4, 1976, is arguably Australia’s most popular country music performer, with three consecutive albums reaching No1 on the Australian album charts in 2002, 2004, and 2006, each achieving multi-platinum sales.

References:
1. Barricades and Brickwalls – Wikipedia

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The AnkiDroid Collection (Part 47) – Deracinate, 5th Generation Warfare & Amygdala

Ankidroid additions related to Science, History and Philosophy. More information about Anki can be found in this article.

Deracinate (vb)

I heard Douglas Murray mention this term in a recent podcast and my Ankdroid came a callin’.

Deracinate is to remove or separate from a native environment or to remove the ethnic characteristics or influences from.

5th Generation Warfare

I mentioned 5th Generation Warfare in the post: ‘The Future of War Video’ and Political Grace (The Art of Disagreeing Well).

5th Generation Warfare is conducted through non kinetic military action such as social engineering, misinformation, cyber-attacks and Artificial Intelligence.

Amygdala

It’s clear that we have problems. In order to get ourselves cognitively organised and rallied around them we have to have a way of articulating them without it tripping all of our amygdala land mines‘ – Narrative, Metaphor and Hyper-Novelty.

The amygdala is one of two almond-shaped clusters of nuclei located deep and medially within the temporal lobes of the brain’s cerebrum. Shown to perform a primary role in the processing of memory, decision making, and emotional responses (including fear, anxiety, and aggression), the amygdalae are considered part of the limbic system.

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Pixie Dust (2023) – Christina Perri (Special Edition Dust)

You did read that correct…this is a Special Edition ‘Dust’ post. Guess who just popped their head out from the motherhood covers to deliver us another classic song? The one and only Christina Perri. On October 20, my favourite female contemporary music artist released ‘Pixie Dust‘ a lullaby dedicated to her daughter Pixie’s first birthday. It is from her brand new lullaby album Songs for Pixie. What makes this release even more momentous is it is the first time I have ventured forward in the alphabetic listing of songs in my Music Project to present a song such is my excitement about its release.

Like her other songs presented here Pixie Dust is one of the few songs which I hear for the first time and then set on repeat for half an hour because I like it more each subsequent listen and eventually send it to all and sundry. Perri gives master-class lessons on how to deliver a ballad. I mean that quite technically. Her intonations, pauses and animated texture of voice is the stuff that only the best know how to do. And here in Pixie Dust she outdoes herself even, if that is even possible. If you could harness the best of what A.I. could produce from Perri’s music back catalogue and lyrics then Pixie Dust is it.

We’ve been waiting for little sister
With roses in our garden
Then like magic, you appeared
In our hearts, the healing started

Moonlight
You shine bright

All at once
You’re what our dreams are made of
Wrapped up in love
With a little faith and trust and pixie dust

You turn the light on, in the dark
And it sparkles when I hold ya
There’s a story, in your name
That I’ll tell you when you’re older
(Read the remainder here)

Perri shares on Instagram alongside a video of her gently singing “Pixie Dust” a capella as she shows off the album that sits inside a case surrounded by crystals. Songs for pixie continues Perri’s tradition of releasing lullaby albums in honor of her three daughters. She released songs for carmella in 2019 and songs for rosie in 2021. Rosie was stillborn in 2020 and the album was released on what would have been her first birthday.

“I’ve also learned over time, and as a songwriter progressing in my craft, I’ve learned to go and dig deeper and deeper and deeper,” she explained to American Songwriter in 2022. “And if I’m not feeling better, I haven’t hit the core of that emotion yet. I have to keep singing about it until I feel better, which I think is the magical thing about songwriting.”

I think she has achieved that with Pixie Dust. This is a fantastical voyage into the mystique and exhilaration of Motherhood. I feel grateful to be witness to this legendary art.

Reference:
1. Christina Perri Releasing Lullaby Album, ‘songs for pixie’ – American Songwriter

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All The Tired Horses (1970) – Bob Dylan

I always enjoyed listening to Bob Dylan’s ridiculed 1970 record Self Portrait starting with today’s featured track All the Tired Horses which opens the double album. I like the beautiful interplay of voices and instruments on All the Tired Horses. It’s where simplicity and sophistication intersect and eventually collide into a spectacular array of sound….yes it repeats one lyric over and over, but each and every line has a different musical progression.

All the Tired Horses is most notable for its absence of Dylan’s singing. It consists of a small choir of female voices (Hilda Harris, Albertine Robinson, and Maeretha Stewart) repeating the same two lines to the same melody for 3 minutes and 14 seconds, with varying instrumental accompaniment. In the key of C major, this song consists musically of the chord structure C-Am-Em-G repeated throughout.

All the tired horses in the sun
How’m I s’posed to get any ridin’ done? Hmm.

All the Tired Horses was used in the 2001 film Blow and covered by Lisa O’Neill and used in the last scene of the 2022 finale of the TV series Peaky Blinders.

In my previous entry from the album I Forgot More Than You’ll Ever Know Dylan said the following about the Self Portrait album (which he also called his own bootleg record):

There’d be crowds outside my house. And I said, “Well, fuck it. I wish these people would just forget about me. I wanna do something they can’t possibly like, they can’t relate to. They’ll see it, and they’ll listen, and they’ll say, ‘Well, let’s go on to the next person. He ain’t sayin’ it no more. He ain’t givin’ us what we want,’ you know? They’ll go on to somebody else,”

References:
1. All the Tired Horses – Wikipedia
2. Self Portrait – Bob Dylan

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All Things Must Pass (1970) – George Harrison

As I grow older and a little bit wiser, some music artists like George Harrison leave an indelible mark or feel like a kindred spirit the more I hear from them. Today’s track All Things Must Pass is another one of his post Beatles songs I wish I had heard earlier in my life. It’s a song that puts me into a mature and softened mind-state. The emotion in George’s voice shines through.

Most of the following is sourced from the 2 Wikipedia references below:

All Things Must Pass (the song) is the title track of George Harrison’s first solo record and the second entry here from the record after Isn’t It it a Pity. The composition reflects the influence of the Band’s sound and communal music-making on Harrison, after he had spent time with the group in Woodstock, New York, in late 1968. Harrison spent Thanksgiving and much of December in upstate New York, where he renewed his friendship with a now semi-retired Dylan and took part in informal jam sessions with the Band.

In his lyrics, Harrison drew inspiration from Timothy Leary’s poem All Things Pass, a psychedelic adaptation of the Tao Te Ching. The words and music combine to reflect impressions of optimism against fatalism. 
The Beatles had rehearsed the song in January 1969 but did not include it on their Let It Be album. Music critic Ian MacDonald described All Things Must Pass as “the wisest song never recorded by The Beatles“.

Sunrise doesn’t last all morning
A cloudburst doesn’t last all day
Seems my love is up and has left you with no warning
It’s not always gonna be this gray

[Chorus]
All things must pass
All things must pass away

[Verse 2]
Sunset doesn’t last all evening
A mind can blow those clouds away
After all this, my love is up and must be leaving
It’s not always gonna be this gray

[Chorus]
All things must pass
All things must pass away

On 25 February 1969, his 26th birthday, Harrison entered Abbey Road Studios alone and recorded a demo of All Things Must Pass. With Ken Scott serving as engineer, he recorded two takes of it, adding extra electric guitar onto the second. This version was eventually released in 1996 on the Beatles’ outtake collection Anthology 3.

Things Must Pass (the record) was co-produced by Harrison and Phil Spector. Many musicians contributed to the album, including Eric Clapton, Ringo Starr, Billy Preston, Pete Drake, Gary Wright, Klaus Voormann, members of Badfinger, players from Delaney and Bonnie band, and John Barham. The triple-LP topped charts around the world and earned universal acclaim as a rock masterpiece. 

Reference:
1. All Things Must Pass – Wikipedia
2. All Things Must Pass (song) – Wikipedia

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California Dreamin’ (1965) – The Mamas & the Papas

California Dreamin’ is one of the most instantly recognisable pop tunes from the 1960’s. It became a signpost of the California sound, heralding the arrival of the nascent counterculture era. I must have heard this song a thousand times but it never disappoints. The Mamas & the Papas were a leading vocal group of the 60s from New York. The group recorded and performed from 1965 to 1968, releasing five albums and charting ten hit singles that hold up as well today as they did back in the sunshine era. The foursome hit it big immediately after forming The Mamas & the Papas with today’s featured track California Dreamin‘, still their most recognizable and enduring song.

[Chorus 1]
All the leaves are brown (All the leaves are brown)
And the sky is gray (And the sky is gray)
I’ve been for a walk (I’ve been for a walk)
On a winter’s day (On a winter’s day)
I’d be safe and warm (I’d be safe and warm)
If I was in L.A.(If I was in L.A.)
California dreamin’ (California dreamin’)
On such a winter’s day

[Verse]
Stopped in to a church
I passed along the way
Well, I got down on my knees (Got down on my knees)
And I pretend to pray (I pretend to pray)
You know the preacher liked the cold (Preacher liked the cold)
He knows I’m gonna stay (Knows I’m gonna stay)
California dreamin’ (California dreamin’)
On such a winter’s day

The name of the band was inspired by a daytime television talk show. Wanting an easier name to remember, they were sitting around their house (which all four band members initially shared) brainstorming on a new name. Someone switched on the TV and a talk show was on with a Hells Angel. The first thing they heard was: “Now hold on there, Hoss. Some people call our women cheap, but we just call them our Mamas.” Cass jumped up and exclaimed, “Yeah! I want to be a Mama!” Michelle chimed in that she wanted to be a “Mama” too. John and Denny looked at each other and John said, “Papas? Okay, problem solved.” And the band had a new name.

The single California Dreamin‘ was released in late 1965 but was not an immediate breakthrough. After gaining little attention in Los Angeles, a radio station in Boston was the catalyst to break the song nationwide. After making its chart debut in January 1966, the song peaked at No. 4 in March on the Billboard Hot 100, lasting 17 weeks. California Dreamin‘ was the top single on the Billboard end-of-the-year survey for 1966.  

References:
1. California Dreamin’ – Wikipedia

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