Yuval Noah Harari: AI – Special Edition Post

I saw the above presentation last night by Yuval Noah Harari that was part of the Frontiers Forum Live event held in April 2023. He said the following points at this event, but I’ll also add below what I wrote in my March – Chat GPT 4.0 article which correlate with his:

HarariEven the developers of these tools don’t know the full capabilities of what they have created, and they are themselves often surprised by emergent abilities and emergent qualities of these tools.

My article – …most strikingly it appears now that experts of this AI can’t ascertain how it could realize its deductive reasoning to achieve such extraordinary output.

To put this into perspective, according to Bret’s comments and reflections about the findings of the paper Bubeck et al 2023. Sparks of Artificial General Intelligence: Early experiments with GPT-4 this is a first in Artificial Intelligence advancement; specifically, how experts, or even the AI creators don’t know how this Intelligence deducted its reasoning to outperform humans.

HarariBut there are many additional capabilities that are emerging, like deep faking people’s voices and images, like drafting bills, finding weaknesses both in computer code and also in legal contracts and in legal agreements, but perhaps most importantly, the new AI tools are gaining the ability to develop deep and intimate relationships with human beings.

My articleAI has got so advanced that it may be impossible for humans to discern whether or not videos / pictures are real as seen already in many tic-toc and facebook snippets ..I recently wrote an article called Joe Biden AI Voice Speech where Bruce my New Zealand amigo chimed ‘I don’t believe it was edited at all‘ (a bit tongue in cheek). From here on it will get worse. We might never be able to trust our own senses about what is real, as alluded to by Joe Rogan in that article.
Also, I point y’all to my article on the movie: Ex Machina for more stimuli on this topic.

HarariAlready today in games like chess no human can hope to beat a computer. What if the same thing happened in art, in politics, economics and even in religion?

My articleI remember watching the documentary Game Over (2003) when World Chess Champion Gary Kasparov played a chess match against IBM’s computer Deep Blue in 1997. He lost the match. Now it’s a given that even the best Chess players in the world including Magnus Carlsen can’t hold a candle to Artificial Intelligence game – play.

HarariWhen people think about Chat GPT and the other other new AI tools they are often drawn to examples like kids using chat GPT to write those school essays. What will happen to the school system? But this kind of question misses the big picture.

My articleOn an individual level, Meritocracy could be dead in little time. The average C plus student with a bent on such technology could subtly acquire the skills to allow the technology to write their answers for them, but not in a way that makes him or her a plagiarist, but a student advancing. And in their subsequent correspondence appear a struggling but agreeable student worthy of support.

HarariForget about school essays, think for example about the next US presidential race in 2024. And try to imagine the impact of the new AI tools that can mass produce political manifestos, fake news stories….

My articleEven on a collectivist level; a Regime or Government could learn to harness such technology to implement the policies as advocated by the program (the part of the Overton window in policy range) to win more votes in the subsequent election. On a local level instead of having ‘focus groups‘, this AI could do the focusing for them and arrive at outcomes better than they intended, because, to put it frankly, the AI knows what is assured to succeed.

I recommend you watch the rest of the presentation since Yuval Noah Harari explores areas about AI which I hadn’t considered. This Israeli public intellectual, historian and professor in the Department of History at the Hebrew University of Jerusalem knows his stuff!

Previously most people have feared the physical threat that intelligent machines pose. The Terminator..The Matrix assumed to gain total control of human society, AI would first need to get physical control of our brains and directly connect our brains to the computer network. But this is wrong. Simply by gaining mastery of human language which AI has – all it needs in order to cocoon us is a Matrix like world of illusions.

– Yuval Noah Harari April 2023
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Stickers

Do you remember as a youngster getting or even seeing a ‘sticker’ and wanting to peel off the back of it, and stick it to anything even it was to your hand as a circular ‘smiley sticker’ reminding you of what a conscientious student you were? That was cool.
Anyhow’s after about 2 years of buying little ‘jet’ chocolates which contain sweet images of stuff associated with the natural habitat and even a description on the flipside, I put all of them on the TV room table which read better than my saying ‘I don’t a have a centrepiece table’. Here, they are just under the TV:

There are a lot there although it doesn’t look like so many in the photo. I wanted them there to attract my kids attention when they came to visit. When I was there age, I would have been amazed to unpeel a sticker and reveal – ‘yes this is a sticker that I can do anything with it…. I’m going to make my parents life hell and stick it here…. That kind of thing. I was holding out for those moments as a parent. The love / hate relationship of the sticker I wanted to recapture.

Those moments never came to bear. Not one sticker has been unpeeled. All of them remain intact. My kids have no interest in my stickers which I paid good money for to eat the chocolates inside. I always thought that kids believed the stickers were as good as the little, teeny chocolates, but it appears not. They couldn’t give two ‘F&/ks’ about the stickers which explains why they haven’t unpeeled any to cover my apartment with them. And that bothers me.

If I was them (in my dreams), I would have noted the amazing image of the natural environment on the front and then read the back description, like I wanted more school time. But they don’t do that. They still haven’t read a single one, (Mind you I’ve never read one) or seemed excited by this latest technology in chocolates called the sticker. After all the money I have expended eating chocolates to try to educate them, it hasn’t worked. It’s as though they think: Dad’s eaten all those chocolates and left us sh/tty stickers.

The gall of them.

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Massachusetts (Live in Las Vegas, 1997) – Bee Gees

If you enjoy the Bee Gees early period, then look no further than Massachusetts. The concert in Las Vegas in 1997 we watched frequently as a family on DVD. It’s ‘Mainstream Pop’ delivered at the highest level. They initially hit the big time in Brisbane, Australia (1963) as kids. There is a great video ‘Melody‘ of one of their earliest performances in Brisbane. For that reason, we like to say the Bee Gees are really Aussies.

There is no disputing their talent and dedication. One of the greatest (if not the best) mainstream pop bands of all time. I was tossing up between adding their performance of Massachusetts from the Johnny Carson show or the performance from the Las Vegas show. The performance on the Carson show demonstrates their magnificent harmony and even their Beatles ‘like’ whimsical demeanour (see Maurice).

[Verse 1]
Feel I’m going back
To Massachusetts
Something’s telling me
I must go home

[Chorus]
And the lights all went out down in Massachusetts
The day I left
Her standing on her own

[Verse 2]
Tried to hitch a ride
To San Francisco
Gotta do the things
I wanna do

This is the second song to be presented here from Bee Gees. The first was Islands in the Stream. Sharon commented in response to that post:

I grew up in the Bee Gees era. Love them and their music. Great songwriters and performers. Only Barry left, very sadly. If I could write half the songs for the stars they wrote for, I would be a happy camper!

Sharon at Writers Tidbits

From Wikipedia:

(The Lights Went Out In) Massachusetts was written by Barry, Robin & Maurice Gibb and released in 1967. Robin Gibb sang lead vocals on this song and it would become one of his staple songs to perform during both Bee Gees concerts and his solo appearances. It later appeared on their 1968 album, Horizontal.

The song became the first of the group’s five No. 1 hits in the UK Singles Chart, reached No. 1 in twelve other countries, peaked at No. 11 on the Billboard Hot 100 and eventually sold over five million copies worldwide. When the brothers wrote the song, they had never been to Massachusetts.

The song was written in the Regis Hotel, New York City during a tour of the United States. The song was intended as an antithesis to flower power anthems of the time such as “Let’s Go to San Francisco” and “San Francisco (Be Sure to Wear Flowers in Your Hair)” in that the protagonist had been to San Francisco to join the hippies but was now homesick. The idea of the lights having gone out in Massachusetts was to suggest that everyone had gone to San Francisco.

Reference:
1. Massachusetts (Bee Gees song) – Wikipedia

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Marwurrumburr (2008) – Geoffrey Gurrumul Yunupingu

Bili nhangu yalyuwan, ŋayim
munhaguyina nhangu ŋarruŋa nhäwu ..
yay yā. yay yä marwurrumburr

waripum nhan ŋarru m..m. ŋalthun bāmbaṯḻi milkirilim gurruwurruḻi
ŋarru ŋarran butjikit. ŋarru ŋarran butjikit marwurrumburr
ŋarru ŋarran butjikit. ŋarru ŋarran butjikit marwurrumburr m..m

ŋarru ŋarran butjikit. ŋarru ŋarran butjikit marwurrumburr
ŋarru ŋarran butjikit. ŋarru ŋarran butjikit marwurrumburr

ḏit ḏirri rriri. ḏit ḏirri rriri ḏit ḏirri rriri. ḏit ḏirri rriri

Reference:
1. Gurrumul (album) – Wikipedia

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Marrandil (2008) – Geoffrey Gurrumul Yunupingu

Here I am, grieving, I’m crying, because of this sunset
My colours across the afternoon sky, Garrumara Baŋgarrari, Galaŋgarri Galathi
My clouds are rising, Wuḻpunduganawirra Gumbaḻkarra, shapes like people
Reflections on the calm water for me, shimmering on the water
With this sunset
The wind caresses me, the arms of the northern winds
An my grandmother country, Bangulŋa Randulkuŋa Wuḏutjana Gimiyala
O.h I am, oh I am Loli
O.h I am Galparra, Gurrumulŋa
My mind has gone back, to Bekuḻ, Galupayu, dhärrin and Mayaŋ-ŋaraka
Those two Gumatj women are crying
Dela Daylulu Dhuwanydjika grieving
O.h I am, oh I am Loli
O.h I am Galparra, Gurrumulŋa

Reference:
1. Geoffrey Gurrumul Yunupingu – wikipedia

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Margarita (1988) – The Traveling Wilburys

This is the ninth song to be presented here from The Traveling Wilburys. I don’t know what else I can say about one of the greatest supergroups that I’ve ever heard. They could also be described as the Rolling Stone Press book editors did – They were “the antithesis of a supergroup”, due to the musicians’ adoption of fraternal alter egos and the humour inherent in the project.

I love this song Margarita just like I do all their other ones. It’s regrettable that they never toured even for a one night only. The Traveling Wilburys only managed to record one album with the original line-up before the death of Orbison, but a second arrived almost exactly two years later. And since then, two more of the Wilbury family have departed (Beatle George Harrison in 2001 and Petty in 2017).

It was in Pittsburgh, late one night
I lost my head, got into a fight
I rolled and tumbled till I saw the light
Went to the Big Apple, took a bite

Ah, ah, ah, ah

Still the sun went down your way
Down from the blue into the gray
Where I stood, I saw you walk away
(Margarita) You danced away

Ah, ah, ah, ah

I asked her what we’re gonna do tonight
She said, “Cahuenga Langa-Langa Shoe Box Soup”
We better keep tryin’ till we get it right
Tala mala sheela jaipur dhoop

She wrote a long letter on a short piece of paper
Oh Margarita

“I was never afraid of Bob [Dylan], he was always nice to me. I have never been in awe of anyone and I think it’s worked in my favour. Dylan comes from folk music where if you wanted to play an extra bar you could, so he might play five bars instead of four and think nothing of it. There is an air of spontaneity about him; if things get too well rehearsed he doesn’t seem to like it. Although he never said it to me, I think he likes to keep things a little bit edgy.” 

Tom Petty

Here is Tom Petty talking about the formation of The Traveling Wilburys.

The Traveling Wilburys: “Nelson Wilbury” – George Harrison “Otis Wilbury” – Jeff Lynne “Lefty Wilbury” – Roy Orbison “Charlie T. Wilbury, Jr.” – Tom Petty “Lucky Wilbury” – Bob Dylan.

Referring to Roy Orbison Tom Petty said:

“He never took the glasses off,” Petty said, per the book Conversations With Tom Petty by Paul Zollo. “But he was very jovial. Very funny. One of the funniest guys I’ve ever met. A sweetheart. You couldn’t help but love him. He always had some jokes, and he had the most infectious laugh. That’s one thing I remember about him a lot, his laugh, for some reason, was really infectious. Like when you heard him laugh, you couldn’t help but laugh with him.”

Petty explained that Orbison seemed a bit wiser than him.

“He was a bit older than us, and he seemed maybe a little wiser,” Petty said. “But I liked him a lot. That’s who I was hanging with, that year, that Christmas. And the time after that. We were all pals.”

Reference:
1. Traveling Wilburys – Wikipedia

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Mannish Boy (1955) – Muddy Waters (The Last Waltz)

Muddy Waters’ performance of Mannish Boy in The Last Waltz concert is spectacular. The Last Waltz is the best rock film I’ve ever seen, and Martin Scorsese deserves so many plaudits for his dedication to capture this monumental concert. Muddy’s voice is so powerful, and he makes it all look so effortless. Mannish Boy as presented here seems a paramount moment in the history of Blues. It oozes soul. I’ve watched this concert so many times and it never gets old.

SirStrongBad wrote on YT: When working on The Last Waltz, camera operators were instructed to turn their cameras off on different intervals, in order to save battery life. One of these instances was during Muddy Waters’s set, but Waters’s outstanding performance led director Martin Scorsese to spontaneously change his mind and ordered all cameras to be turned on. Because the cameras took several minutes to fully warm up, most caught only the last few bars of Waters’s performance. Laszlo Kovacs, however, either did not hear or disregarded orders to shut down his camera and was the only cameraperson on set who managed to film Waters’s entire performance.

Now when I was a young boy
At the age of five
My mother said I was gonna be
The greatest man alive
But now I’m a man
I’m past twenty-one
I want you to believe me baby
I had lot’s of fun

I’m a man
I spell M
A child
N
That represents “man”
No B
O child
Y

That means “mannish boy”.

The following is from the Wikipedia article below:

Mannish Boy (or “Manish Boy” as it was first labeled) is a blues standard written by Muddy Waters, Mel London, and Bo Diddley (with Waters and Diddley being credited under their birth names). First recorded in 1955 by Waters, it serves as an “answer song” to Bo Diddley’s “I’m a Man“. Waters had recently left the South for Chicago. “Growing up in the South, African-Americans [would] never be referred to as a man – but as ‘boy’. In this context, the song [is] an assertion of black manhood.”

The song reached number five during a stay of six weeks in the Billboard R&B chart. The song was Muddy Waters’ only chart appearance on the UK Singles Chart, peaking at number 51 in 1988. In 1986, Muddy Waters’ original “Mannish Boy” was inducted into the Blues Hall of Fame “Classics of Blues Recordings” category. It was also included in the Rock and Roll Hall of Fame’s list of the “500 Songs that Shaped Rock and Roll”. “Mannish Boy” is ranked number 425 in Rolling Stone magazine’s list of the “500 Greatest Songs of All Time“.

References:
1. Mannish Boy – Wikipedia

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Making Love Out of Nothing At All (1983) – Air Supply

The Bristish / Australian rock duo Air Supply had huge success in 1980’s mostly by their ballad releases. Many times, I would get the music of Air Supply and Chicago confused. Somehow their songs made it all the way over here to Colombia including today’s song Making Love Out of Nothing At All. When I heard the rendition of Making Love Out of Nothing At All sung here, they sang it but with Spanish words. So, when sung in English this is how the pronunciation sounds in Spanish:

Out of nothing at all
Making love 

They sing:

Hay un moco en el arroz
Comelo

This translates as:

There is mucus in the rice
Eat it

I suppose this song didn’t deserve this treatment, but these interpretive translations are made all the time with Western music here:

So, when John Travolta and Olivia Newton John sing:

You’re the one that I want
Ooh Ooh Ooh

They sing:

Yo no voy a lavar
no, no, no

This translates as:

I’m not going to wash
No, No, No

I don’t think these translations will win me many Air Supply fans. Any-hows onwards and upwards!
Making Love Out of Nothing At All is a power ballad, like a power ranger, but in song. It was composed by Jim Steinman and released on their 1983 compilation album Greatest Hits. It reached number 2 on the U.S. Billboard Hot 100 for three weeks (behind “Total Eclipse of the Heart” by Bonnie Tyler, giving Steinman a consecutive peak of two songs).

I like the following verse:

[Verse 5]
I can make the runner stumble
I can make the final block
And I can make every tackle at the sound of the whistle
I can make all the stadiums rock
I can make tonight forever
Or I can make it disappear by the dawn
And I can make you every promise that has ever been made
And I can make all your demons be gone

The following is from Wikipedia:

Steinman offered Making Love Out of Nothing At All, along with Total Eclipse of the Heart, to Meat Loaf for his Midnight at the Lost and Found album; however, Meat Loaf’s record company refused to pay Steinman for the material so Meat Loaf ended up writing compositions for the album himself. 
By 1983, Air Supply had changed much of its classic musician line-up, both in the recording studio and on tour. But Steinman, known for his lavish, rock-opera-ish type productions, used Bruce Springsteen’s E-Street Band members Roy Bittan on keyboards and Max Weinberg on drums, to musically underscore the recording with like energies.

Rick Derringer, who was previously the guitarist for the McCoys and Johnny Winter, provided the electric guitar solo that made the sound of Making Love Out of Nothing at All stand so drastically apart from most other Air Supply songs. In an interview, Hitchcock and Russell confirmed Hitchcock did his vocals in one take. When Steinman asked “What do we do next?” Russell replied “We go home“.

References:
1. Making Love Out of Nothing at All – Wikipedia

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Magic In The Air (2014) – Magic System feat. Chawki

Wednesday Rachmaninoff and today Chawki. That’s quite a leap. Who is Chawki? Your guess is better than mine. Let’s find out…. I heard this song when my kids played it, and I thought maybe ‘I should add it to the collection‘ to appease the crew. I must have been in a jocular mood at the time, but now having second thoughts. What the heck, let’s run with it.

Magic in the Air is a 2014 single by Ivorian musical group Magic System, featuring Moroccan singer Chawki. This was an association football themed song focusing on African football and released in March 2014 to coincide with preparations for the 2014 FIFA World Cup. As I write this, Australia and Argentina are set to play a friendly tomorrow morning (my time). Yay! Here’s Messi and his sons playing football in his living room. Very cool.

Magic in the Air reminds me a little of Shakira’s South African football anthem – Waka Waka (This Time for Africa) (The Official 2010 FIFA World Cup™ Song). I think Shakira’s version is the better celebratory song. But anyways we are going with Magic in the Air today which was earning significant airplay in stadiums during football matches. Interestingly, it was played every time France scored a goal at the 2018 FIFA World Cup, which saw them win the whole tournament.

Wikipedia: Ahmed Chawki (Arabic: أحمد شوقي; born 31 May 1982), known professionally by his stage name Chawki, is a Moroccan singer, songwriter and producer. Chawki began his career in the early 2000s. He had a music band named La Paloma which mainly focused on Arabic and Moroccan music. On occasion of the 2014 World Cup, he was featured in a football-themed song Magic in the Air by Magic System, a hit in France and Belgium.

Magic System is an Ivorian coupé-décalé band from Abidjan. It was founded in 1996 and comprises Asalfo, Goude, Tino, and Manadja. It is the largest city and the economic capital of the Ivory Coast.

Lyrics and their translation

On t’invite à la magie, y a pas de raccourci,/ We invite you to the magic, and there are no shortcuts
Oublie tes soucis, viens faire la folie / Forget your worries, and come and join the madness
Feel the magic in the air, allez allez allez,/ Feel the magic in the air, go on, go on, go on
Levez les mains en l’air, allez allez allez.
/ Raise your hands in the air, go on, go on,

References:
1. Magic in the Air – Wikipedia

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Main Title Theme (Billy) (1973) – Bob Dylan

“Pat Garrett and Billy The Kid”

Few Dylan fans know of the music that Dylan wrote and performed for the Pat Garrett movie. The instrumental Main Title Theme (Billy) which opens this soundtrack album ‘Pat Garrett & Billy The Kid‘ is my favourite track from the record. Most people will be familiar with the second song on side 2 of the album – Knocking on Heaven’s Door which is renowned as one of Bob Dylan’s greatest songs, however I have always been more drawn to listen to the Main Title Theme (Billy) and it’s off-shoots Billy 1, Billy 4, and Billy 7.

I go way back with Main Title Theme (Billy). I was so attached to it that I wrote my own lyrics to it as a teenager. Even when I hear the song now, I still sing the words I wrote for it which I will not relay here to avoid inevitable embarrassment. I also learnt to play part of this on guitar. I adore this album and like the Sam Peckinpah film a lot.
When Pat Garrett and Billy the Kid was released, it received mixed reviews, but in later years after critical re-evaluation the film has led many to regard it as one of Peckinpah’s finest achievements. Bob Dylan makes a brief appearance in the film, and you can watch it here.

Wikipedia: Pat Garrett & Billy the Kid is the twelfth studio album and first soundtrack album by American singer-songwriter Bob Dylan, released on July 13, 1973 by Columbia Records for the Sam Peckinpah film, Pat Garrett and Billy the Kid. Pat Garrett & Billy the Kid reached No.  16 US and No.  29 UK.

Pat Garrett and Billy the Kid scriptwriter Rudy Wurlitzer was a previous acquaintance of Dylan’s, and asked him to provide a couple of songs for the movie. Dylan performed “Billy” for director Peckinpah, who found the performance very moving and offered Dylan an acting part on the spot…..Dylan and his family moved to Durango, Mexico, where filming took place.

At Untold Dylan:

The Main Title Theme is an instrumental which relies on an acoustic guitar and a melody improvised by a second acoustic.    Plus, although there are only three chords used, there is variation which, after the first minute when the second guitar begins to play a more fulsome melody, gives a deeper sense of the music having a meaning of its own.

Later a bass guitar enters and instead of just emphasising the chord sequence takes on a melodic line of its own.  It is played by Booker T Jones – of Booker T and the MGs.  It’s worth hearing just for that; there ain’t many people who could do what Booker T does.

I have seen comments about Main Title Theme ranging from talk about having had it played while walking down the aisle at a wedding to being the music played over and over again after a tragic death.  Somehow despite the fact that it is clearly improvised and very simple it seems to have a deep, deep impact.  Even if you never listen to anything else from this album, do take in this song in peace and quiet.  Just play it, sit there and close your eyes.  The work demands nothing less.

References:
1. Billy 1 4 and 7 and the Main Title theme from Pat Garrett. Forgotten moments of genius. – Untold Dylan

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