Majesty (2008) – Michael W Smith

Majesty is the fifth song here from Michael W Smith and was released on his 2008 album A New Hallelujah. I wrote articles about ‘Grace‘ which is the focal point of this song: I Won’t Forget and Every Passing Minute is Another Chance to Turn it all Around.
A New Hallelujah is Smith’s third live praise collection. He and a conglomerate of musicians, singers, and stagehands took to one of America’s biggest megachurches, Joel Osteen’s Lakewood Church in Houston, to sing praise choruses, an assemblage of covers and Smith originals that, in one way or another, attempt to replicate the tone and tenor of his mega-sellers Worship and Worship Again

[Chorus 1]
Singin’ Majesty
Majesty
Your grace has found me just as I am
Empty handed but alive in Your hands
We’re singing, Majesty
We’re singing, Majesty
Forever, forever I am changed by Your love
In the presence of Your Majesty

[Chorus 2]
We’re singing Majesty, Majesty
Your grace, Your grace has found me just as I am
Empty handed but alive in Your hands
We’re singing Majesty, Majesty
Forever I am changed by Your love
In the presence of Your Majesty

I am a huge fan of Christian music in particular Hillsong, Marcela Gandara and Michael W Smith. I was baptised in 2003 by the Mornington Baptist church in Victoria, Australia. I was introduced to a plethora of Christian artists and groups whose music I still hold very dear. Michael W Smith was one such figure who stood out. I am no longer a firm believer in any one theistic doctrine, but I do hold high regard for the Judaeo-Christian concept of The Logos, moral-truths and archetypes / meta-heroes.

Ben Shapiro raised a point in his discussion at 3.20 with Russell Brand which I wrote about here in April this year about how Christians and Jews act out their faiths. Shapiro even admits before he goes on, that this is his Jewish interpretation. Personally, I feel so attuned with what he said and yet I imagine few people are cognizant of it. I’ll quote parts of Ben’s message below:

What Judaism says, you are a human being with a capacity for great good and great evil….These things a battling in you literally at all times. And what your job is to do, regardless of what you believe, you do the thing. The thing that is front of you is the thing that you do. So, we have these arcane set of rules to reify (?) the presence of God in your life. Even if you don’t recognise that is what it’s doing, by you doing these things over and over you are cultivating virtue through action. So it’s like you reach God by doing the thing.

I think Christianity comes at it from the other way. There’s reward in it and a risk in it. Christianity says you believe the thing, then you do the thing. Judaism says you do the thing therefore you believe the thing…. The access point for Christianity is a lot easier..you experience a transcendent moment and the moment is supposed to animate your life. The danger is transcendent moments disappear real fast…5 minutes from now you are not feeling God. That’s the book of Exodus. They receive the ten commandments and five minutes later they are building a golden cow.

But I think the gap has been sort of closed in the sense Christianity re-ritualised a lot of things. Christians still go to church even if they are not feeling it that day. They are still going to give charity even if they are not feeling it that day…all discipline is this.

Reference:
1. A New Hallelujah – All Music.com

Tagged with: , ,
Posted in Music

Piano Concerto No. 2 Mov. 2 (1901) – Sergei Vasilyevich Rachmaninoff

Image result for Piano Concerto No. 2 Mov. 2 - Rachmaninov

I presented Movement 1 of this Piano Concerto masterpiece in October 2019, now I am excited to present to you Rachmaninoff’s Piano Concerto No. 2 Mov. 2. This and Mozart’s Requiem are my 2 favourite classical pieces. This article because it is of the same ‘Concerto’ will be a repeat of my previous article:

Piano Concerto 2 in C Minor Op 18 premiered on November 9, 1901 and is one of his most enduring and popular pieces.  It is said this piece established his fame as a concerto composer and saved his career. Its premiere was given to great acclaim in Moscow with the composer himself as piano soloist. I was a relative latecomer to appreciating Rachmaninoff, but I now listen to his music all the time. I first heard of Rachmaninoff and his music when academy award winner Geoffrey Rush wowed audiences playing David Helfgott in the Australian movie – Shine.

According to the Britannica.com web site: This piano concerto contains themes that, throughout the 20th century, which would be reborn as the melodies of several popular songs, including Frank Sinatra’s 1945 “Full Moon and Empty Arms” and Eric Carmen’s 1975 “All by Myself.” It was made most famous when set as the haunting motif of David Lean’s 1945 film Brief Encounter.

To get some sense why this Piano Concerto is so highly regarded one need only look at how it reshaped Rachmaninoff’s life. After the premiere of Rachmaninoff’s first symphony in 1897 he went into a deep depression. Although that symphony is now considered a significant achievement, the contemporary critics derided the Symphony. As wikipedia states: His second piano concerto confirmed his recovery from clinical depression and writer’s block, cured by courses of hypnotherapy and psychotherapy and helped by support from his family and friends. The concerto was dedicated to Nikolai Dahl, the physician who had done much to restore Rachmaninoff’s self-confidence.

The movie Shine seems to allude to what the Britanica article has to say regarding Rachmaninoff’s music not being for the faint of heart at least for the pianist:
As a virtuoso pianist, Rachmaninoff composed for the instrument not only according to his own tastes but to his own strengths as well. He was, for example, a tall and lanky man with an astonishing reach to his hands. Pianists of small proportions need not apply, and even those of average size will find his work challenging. The great pianist Vladimir Ashkenazy observed in an interview with England’s Gramophone magazine that for playing Rachmaninoff, he wishes his fingers were a centimeter longer. Moreover, as Rachmaninoff could play both lightning-fast runs and powerful chords with equal mastery, he includes both in his piano parts, requiring a highly varied technique.

The above article also contains a very detailed and illuminating breakdown of the Concerto which is well worth reading.

Listen below to Rachmaninoff play his beloved Piano Concerto 2, Mov. 2:

Tagged with: ,
Posted in Music

Lullaby (2012) – Leonard Cohen

This is the fourth song to be presented from Leonard Cohen’s 2012 album Old Ideas. Leonard Norman Cohen CC GOQ was a Canadian singer-songwriter, poet, and novelist and is back to entertain us again. This becalmed meditation of surrender is built around a simple guitar arpeggio and a lonely harmonica. While the recording of Old Ideas began in earnest in January 2011, an early version of Lullaby was demoed in 2007, and the song was performed live during Cohen’s 2008-10 world tour.

Sleep, baby, sleep
The day’s on the run
The wind in the trees
Is talking in tongues

(If your heart is torn)
I don’t wonder why
If the night is long (if the night is long)
Here’s my lullaby
Here’s my lullaby

Well, the mouse ate the crumb
Then the cat ate the crust
Now they’ve fallen in love
And they’re talking in tongues

Interestingly on the tour mentioned above, some older songs made their way into the set, most notably the song Alexandra LeavingIt was performed in every show entirely by Sharon Robinson after a short introduction by Cohen. In my last article of Love Itself, I sent a version of Sharon’s sublime performance. The tour received universal praise from media and fans alike. Guido Lauwaert (Knack) wrote about opening night “The 78-year-old poet and singer seems 50 years younger for the duration of the concert. What strikes me is a total lack of false feelings…”

Especially Cohen’s appearance on stage found praise by many reviewers. Craig Jones of eGigs (UK) states of the concert at the Wembley Arena:

“He may refer to himself on the self-deprecating Going Home as “a lazy bastard living in a suit”, but Cohen is in fact quite the opposite. Just two weeks away from his 78th birthday, the fact that he is still able to deliver a three and a half hour set of intense beauty, melancholy and drama is quite a feat. He may be promoting ‘Old Ideas’, but still after all this time, those ideas remain the very best.”

For more information about the album itself you can find my previous entries from Old Ideas.

References:
1. Old Ideas – Wikipedia

Tagged with: , ,
Posted in Music

5/6 – 11/6/23 – Original ‘The Office’, How to Get Pitt and Dicaprio to be Friends & Old Hungarian Women

Welcome to Monday’s News on the March – The week that was in my digital world.

Best of Meetings | The Office

There are three principal performances that I’ll outline below by Ricky Gervais that raised my appreciation of him, but first – off I want to allude to his courage by just telling the truth in the face of the ‘virtue signaling and moral exhibitionist’ movement so pervasive in modern culture. Now onto his performances:

  • The original The Office series (British version!). This video will give you a good idea about it if you haven’t already seen it. The Gervias character leads into this wanting to play a practical joke on his receptionist to impress his new employee..After that, the discussion of small people… ‘So, what’s an elf‘?
  • The Golden Globes Speeches. Of course, these are now considered legendary, but let’s take a look back for ol’ time sake of just some of the highlights. Each Golden Globes performance by him is worth viewing in their entirety.
  • Gervais on Larry David’s Curb Your Enthusiasm‘s episode called The Hero in Season 8. The irony is Gervais plays a pretentious pr%ck but he is loved by all and sundry except Larry. Here is when Ricky met Larry in the show. ‘Three and a half hours‘ Haha.

Quentin Tarantino. How to get Pitt and DiCaprio to be friends? (Documentary Volume 3)

Any love for Quentin Tarantino’s latest film ‘Once Upon a Time in Hollywood‘? Well if so, then this is the place to be. This documentary hooked me after about 10 minutes and I found myself absorbed throughout. Once Upon a Time in Hollywood is not nearly one of my favourite films by him, but I enjoyed watching the connections of Quentin’s ensemble and events and performances in movie history.

Old Hungarian Women

Theodora Goss (born September 30, 1968) is a Hungarian-American fiction writer and poet. Her writing has been nominated for major awards, including the Nebula, Locus, Mythopoeic, World Fantasy, and Seiun Awards. I don’t know what most of that means, but my blogger friend Sharon and I sure indeed love reading her poetry! Her short fiction and poetry have appeared in numerous magazines and anthologies, including Year’s Best volumes.

Old Hungarian Women
by Theodora Goss

I see them sometimes, walking
along the street, pulling
wheeled shopping baskets behind them,
or standing in the doorways
of apartment houses, talking
to one another. They wear scarves
on their heads, or hats they have knitted
themselves. They wear sensible shoes.

I see them, the old women,
and I am convinced
that they are witches, every one of them.
That they know (maybe they are
the only ones who know)
what’s going on — with the weather,
the war, the political situation.
They don’t interfere — they just watch,
knowing, having seen it all before,
having lived through a war already,
through assorted revolutions,
through socialism, capitalism, all the other
isms you can think of. They have striped cats
that lie blinking on their windowsills
behind lace curtains, and flower boxes
filled with red geraniums. They make jam
from plums and syrup from elderberries.
They have magic in the tips of their fingers,
which they embroider into pillows,
doilies. They make strudel
with dough folded out of thin, flaky air,
bread rolls like clouds, paprikás
for which angels sin and fall from heaven.
They can turn into crows, gray and black,
parading around the city parks,
holding conventions.

I myself am a little scared
of the old women. I am convinced
they can see into my soul. I am not at all
sure that I have been good or clever
or polite enough to avoid their curses —
or disapproving glances, which,
to be honest, might be even worse.

Maybe someday they will let me
join them — but I would have to become
a great deal wiser, practice
how to make jam, transform myself
into a crow, the magical art
of endurance.

news on the march the end
Tagged with: , , , , , , ,
Posted in News

Lucky Town (1992) – Bruce Springsteen


If it is down and haggard Bruce you are looking for, then you have come to the right place. This is the title track from Bruce’s second of the double release albums Human Touch / Lucky Town. The more stripped down, folk-based sound on the Lucky Town record is my preferred of the two and contains many excellent songs including today’s. The song Lucky Town is the second song on the record after Better Days and the fourth song from the record presented here.

When this song was released, it failed to chart, which surprised me to read that, but I think Lucky Town (The song) captures Bruce at his rudimentary best. I like his worn voice and no-nonsense approach. It’s not a dolled-up Bruce, let’s just say that. I think time will treat it kindly. I have heard this song for more than 30 years and I never grow tired of it. It’s really good stuff and even though I was apprehensive and condescending of these records when they came out, I’m not now.

[Verse 1]
House got too crowded, clothes got too tight
And I don’t know just where I’m going tonight
Out where the sky’s been cleared by a good hard rain
There’s somebody callin’ my secret name

[Chorus]
I’m going down to Lucky Town
Going down to Lucky Town
I wanna lose these blues I’ve found
Down in Lucky Town
Baby, down in Lucky Town

[Verse 2]
Had a coat of fine leather and snakeskin boots
But that coat always had a thread hangin’ too loose
Well, I pulled it one night and to my surprise
It led me right past your house and on over the rise

Lucky Town is the tenth studio album by Bruce Springsteen. The album was released on March 31, 1992, the same day as Springsteen’s Human Touch album. I agree with the The Chicago Tribune who wrote that Lucky Town was “highly underrated…containing some of the strongest songwriting of Springsteen’s career and ranks as one of his most completely realized albums.” I even underestimated it going into this music project. I have realised over time there are just so many great songs on it, including my personal favourites:

  • Better Days
  • Lucky Town
  • If I Should Fall Behind
  • Leap of Faith
  • Living Proof
  • Beautiful Reward

Lucky Town focuses on more specific events in Springsteen’s life. It is an ambitious collection addressing many of Springsteen’s major concerns and moving on forward. He discussed in this interview about making Lucky Town and Human Touch.

Bill Wyman of The Chicago Reader compared it favorably to Human Touch, calling Lucky Town “obviously the superior work” and “a much more interesting beast, primarily because of the potency of the first three numbers [which] could have made a respectable anchor to a strong album.

Reference:
1. Lucky Town – Wikipedia
2. Lucky Town (Song) – Wikipedia

Tagged with: ,
Posted in Music

Low Light (2022) – Art Block

The bittersweet “Low Light” is both captivating and melancholy. Art Block’s vocals are downright heartbreaking here, perfectly conveying the intense pain and heartache of a relationship or friendship that’s falling apart, but not wanting to come to terms with it just yet: “A friendship ooh has crumbled. Ooh we’ve stumbled, as we break into dust. A fear I don’t wanna see. A light I don’t want feel. A low light I don’t wanna see. A change I don’t wanna make tonight.” 

Eclectic Music Lover (Art Block White Horses EP)

I learnt about Art Block and their White Horses EP at Jeff’s blog Eclectic Music Lover. I really enjoyed today’s featured track Low Light which Jeff described above. He has already reviewed Art Block at least three times, so I point you to his excellent blog dedicated to mostly current music. He’s definitely in the know and has personal connections with many of the artists presented there.

Art Block is an alternative folk singer-songwriter and multi-instrumentalist based in East London, England. A prolific artist, he’s been making beautiful music for a number of years, and has released an impressive number of singles, EPs and remixes since early 2015, beginning with his debut L.A.-inspired single “Los Feliz”. 

Eclectic Music Lover (Art Block White Horses EP)

Reference:
1. Home – Art Block
2. Art Block – White Horses EP – Eclectic Music Lover

Tagged with: , , ,
Posted in Music

Lowdown – Orphans (Brawlers) (2006) – Tom Waits

This is blue’s music! It’s been over six months since I posted a Tom Waits song and it feels like now, is the time to get ‘lowdown‘. This song was released as the second song of a three-disc edition in 2006 (image above) in which the first disc this song appears is ‘blues and rock-based‘. The second and third contain other genres and styles. Orphans: Brawlers, Bawlers & Bastards was listed as one of the highest-scoring albums of the year in Metacritic and was nominated for a Grammy Award for Best Contemporary Folk Album.

She’s a crooked Sheriff in a real straight town
She opened the door shake shake the lights go down
Clover honey and the Jimson Weed
Red leather skirt way up above her knees
Oh yeah, my baby’s lowdown

She’s a gone lost dirt road
There ain’t no way back I been told
Well she’s a story they all tell
She’s a rebel, she’s a yell
Oh yeah, my baby’s lowdown

Just as an aside: A couple of weeks ago, my kids and I were watching the Western anthology film The Ballad of Buster Scruggs written and directed by the Coen brothers. In one vignette called All Gold Canyon, Tom Waits appears as an astute and hearty gold digger determined to find a grand fortune of gold in a lovely valley which is irrepressibly captured on screen. Tom is a gifted actor, and I reminded the kids of Tom’s music which they hear on occasion.

Waits has described the Orphans: Brawlers, Bawlers & Bastards collection as:

A lot of songs that fell behind the stove while making dinner, about 60 tunes that we collected. Some are from films, some from compilations. Some is stuff that didn’t fit on a record, things I recorded in the garage with kids. Oddball things, orphaned tunes

I really like the lyrics in today’s featured track Lowdown and also how it sounds. I’m amazed there isn’t any article I could find about it. Lowdown reminds me of the vibe of Bob Dylan’s New Pony from his Street Legal record (1978). I think Dylan himself would have been proud to have written these lyrics by Tom. It feels a privilege to present this track to you. Thank you for reading.

Reference:
1. Orphans: Brawlers, Bawlers & Bastards – Wikipedia

Tagged with: ,
Posted in Music

Love Minus Zero/No Limit (1965) – Bob Dylan

Just like the last song I posted on Dylan – Long and Wasted Years, today’s featured track Love Minus Zero/No Limit has no musical chorus or bridge. Dylan recites 8 four-line verses about what the singer thinks is his perfect woman and how she brings a needed zen-like calm to his chaotic world. Effectively this is a poem in the form of a song, and one of Dylan’s best of the period, and that’s saying a lot considering the quantity of outstanding music he was unveiling to the world. Love Minus Zero/No Limit is read “Love Minus Zero over No Limit, so it’s intended to be read as a fraction.

[Verse 1]
My love she speaks like silence
Without ideals or violence
She doesn’t have to say she’s faithful
Yet she’s true, like ice, like fire

[Verse 2]
People carry roses
And make promises by the hours
My love she laughs like the flowers
Valentines can’t buy her

[Verse 3]
In the dime stores and bus stations
People talk of situations
Read books, repeat quotations
Draw conclusions on the wall

[Verse 4]
Some speak of the future
My love she speaks softly
She knows there’s no success like failure
And that failure’s no success at all

A lot of the following information is from various parts of the Wikipedia reference below which intrigued me:

Love Minus Zero/No Limit is a song on his fifth studio album Bringing It All Back Home, released in 1965. The song uses surreal imagery, which some authors and critics have suggested recalls Edgar Allan Poe’s “The Raven” and the biblical Book of Daniel. Critics have also remarked that the style of the lyrics is reminiscent of William Blake’s poem “The Sick Rose“. The initial title of the song was “Dime Store“, in a reference to an included lyric; it was also briefly referred to as “(Tune Z) Dimestore” on the recording sheet.

Clinton Heylin suggested that the lyrics reflect the Zen-like detachment of the singer’s lover through a series of opposites, for example, that she “speaks like silence” and is both “like ice” and “like fire“. Another famous line from the song that captures this dichotomy is, “She knows there’s no success like failure, and that failure’s no success at all.” In a 2005 reader’s poll for Mojo magazine, “Love Minus Zero/No Limit” was listed as the #20 all-time greatest Bob Dylan song, and a similar poll of artists ranked the song #32.

References:
1. Love Minus Zero/No Limit – Bob Dylan

Tagged with: , ,
Posted in Music

I Won’t Share You (1987) – The Smiths

I only heard this ‘The Smiths‘ song by chance a few months ago. I didn’t know what to think, which is the same way I have thought about nearly all their music after first listen. Then I realise I have to dive into it again to grasp it. For me, that’s what great music does for me. I listen to it, but I have to hear it again to inculcate its significance. After hearing ‘maybe’ 90% of songs I get a sudden realisation of ‘yeh I get it‘, but with The Smiths I need to hear their music again and often it resonates more the second time and there-on. This is the seventh song presented here so far from The Smiths, not including Morrissey’s solo works.

[Chorus 1]
I won’t share you, no
I won’t share you
With the drive
And ambition
The zeal I feel
This is my time

[Verse 1]
The note I wrote
As she read, she said
“Has the Perrier gone
Straight to my head
Or is life sick and cruel, instead?”
“Yes!”
No – no – no – no – no – no

It’s like right now, I’m hearing this song again and I pondered initially over whether I should post about it. Then there there is some magical line or melody which just wins me over, like just what happened as I’m writing this. I don’t know what’s good about it, but I like it somehow. I feel compelled to experience that sound and unique moment in subsequent listens. ‘I Won’t Share You‘ is the final song on the final The Smiths LP.

On the Genius Lyrics site it states: “I Won’t Share You” Morrissey let’s his inner egoist show, shamelessly breaking up with his lover whom he sees as burden. The “lover” can be interpreted as Smiths’ guitarist Johnny Marr. But this is highly unlikely as ‘Johnny and Angie’ have been an item since they were 14. And Angie got along very well with Morrissey. Also, it was Johnny Marr who decided to leave the band.

Night and Day wrote at Song Meanings:

It amazes me that most people keep on discussing who the song is about but pay no attention to something far more striking: he is not saying that he won’t share the person with someone. He says:

“I won’t share you with the drive and ambition. The zeal I feel. This is my time.
I won’t share you with the drive and the dreams inside”

References:
1. Song Meanings – I Won’t Share You

Tagged with: ,
Posted in Music

Flower of Scotland (2012) – Amy Macdonald

In April this year I wrote a post about the movie Local Hero (1983) and I recalled how I watched Amy Macdonald’s rendition of Flower of Scotland with my kids. Scotland had just beaten Spain in the Euro qualifiers so we were ‘happy chappys‘. My family ancestry partly originates from Scotland, so I have always had a penchant for anything Scottish. I remember in my young adulthood enthralled watching Billy Connolly’s World Tour of Scotland over and over again.

I was in a cafe / restaurant here in Bogota maybe a year or so ago and I heard a song come on the speakers, which just blew me away. I scrolled down some of the chorus so I could look it up later. The song is This is The Life by Amy Macdonald which I will review when we get down into the ‘T’s of the alphabet of songs in this Music Library Project. God knows when that might be, since I’m still onto the ‘L’s and sometimes I backtrack adding new songs to the list such as today’s featured track.

O Flower of Scotland
When will we see your like again?
That fought and died for
Your wee bit Hill and Glen
And stood against him
Proud Edward’s Army
And sent him homeward tae think again

The Hills are bare now
And Autumn leaves lie thick and still
O’er land that is lost now
Which those so dearly held
That stood against him
Proud Edward’s Army
And sent him homeward tae think again

I was captivated watching this performance, but it didn’t occur to me initially that it was Amy Macdonald the Scottish singer – songwriter whose song I had recently heard in that cafe. When I woke up and realised it was her, well that raised my appreciation of this even more. There is so much to like about this video. Apart from her stupendously powerful delivery, there are five ‘quirky’ things in it that I always like revisiting. This will take me some time to unpack, so excuse my long windedness.

OK here goes: To set the scene.. it’s ‘Hampden Park’, Glasgow and I remember Billy Connolly doing a bit on how fervent and audacious the football fans are in Scotland and also how bitterly cold and windy it can get.

1. Now watch, how with each exhalation from Amy turns into a cloud of mist due to how frickin’ cold it is.

2. The elation on the kids’ faces when the camera scans over them especially the girl in the penultimate position. Her beaming smile is gorgeous.

3. Ok, it is my understanding there is this thing with their national anthem, and it is / was common. When it is sung ‘And stood against him‘. The crowd bellows, ‘Against Who?’ and then ‘Proud Edward’s Army‘. This is when many chant ‘Basterds‘. I have watched many recent anthems of Flower of Scotland and the TV coverage or audio never captures this in their footage or it may be that people can’t / won’t say that anymore.

4. If you watch the actual paying fans, they are so windswept in the occasion and at 1:00 they show some delegate, politician or official in suit and tie singing it like, ‘Shit do I have to do this again‘?

5. Amy Macdonald concludes her magnificent performance yelling ‘Come on Scotland‘! But her walk-off grin and humility in her persona (very Scottish.. mind you) is the stuff you don’t see often from popular commercial artists.

Flower of Scotland is an unofficial national anthem of Scotland. The song was composed in the mid-1960s by Roy Williamson of the folk group the Corries. You could compare it to Australia’s unofficial anthem, ‘I am Australian‘ which I wrote about in August last year. In July 2006, the Royal Scottish National Orchestra conducted an online poll (publicised by Reporting Scotland) in which voters could choose a national anthem from one of five candidates. 10,000 people took part in the poll, in which “Flower of Scotland” came out the winner with 41% of the votes.

Reference:
1. Flower of Scotland – Wikipedia

Tagged with: , , ,
Posted in Music

Follow Blog via Email

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 753 other subscribers

← Back

Thank you for your response. ✨