Fever (2022) – Christina Perri

When I first heard the Zen like xylophone in the introduction, I didn’t know what to think apart from that it was cool. Then Perri unleashes into what she does best and finds an addictive melodic pattern and her voice is second to none. As the song progresses, the percussion and drum rhythm advances to something, ‘higher, higher‘ and its pretty f/&king amazing.

What I like about her music (above all) is just when I think I have worked it out, I actually haven’t. It gets better each listen, and the ear adapts. The polyphonic finale is one for the ages.

[Verse 1]
I dream about you, but I’ve never even seen your face
I’m thinkin’ constantly about the way I feel to have you near
I wanna hold you in the darkness, never let you slip away
I wanna feel the beating rhythm of your heart inside of me

[Chorus]
You’re like a fever in my body and my mind
And I’ll burn until I have you by my side
No one knows and nobody can see
You’re like a fever in me
Burning, burning, burning in me

[Verse 2]
In this delirium, I swear I hear you whisperin’ to me
It’s like you’re sending me a secret message from another time
That you would wait however long it’s gonna take me to decide
But I can’t sleep and I can’t breathe until I meet you in real life

To quote Tim H about his experience with the music of Perri:

I wish that I had found your music sooner! I’m a metal music guitarist so I don’t really explore much else…but I can’t stop listening to your music! Omg- it grips me deep into my soul and it’s a presence I never want to let go! Your music is angelic and the most moving I’ve ever heard!

Reference:
1. Distance (Christina Perri Song) – Wikipedia

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Dreams (1992) – The Cranberries

Can we all go back to the 90’s now? To me, the music from the Cranberries, in particular today’s song Dreams, reflects the breeziness of this age. I had almost forgotten about adding the Cranberries to my collection until I saw their name in an old CDR music collection. I think today’s song and their other big hit Linger are my favourites by them although I’m no doubt forgetting other songs by them. I liked Zombie when it came out, but not as much anymore.

Dreams is the debut single by the Irish rock band. It was originally released in 1992 and later appeared on the band’s debut album, Everybody Else Is Doing It, So Why Can’t We? The song reached the top 50 of the US Hot 100 and the top 30 of the UK Singles Chart.

[Refrain]
Oh, my life
Is changing every day
In every possible way
And oh, my dreams
It’s never quite as it seems
Never quite as it seems

[Chorus 1]
I know I’ve felt like this before
But now I’m feeling it even more
Because it came from you
Then I open up and see
The person falling here is me
A different way to be

According to (recently departed) lead singer Dolores O’Riordan, Dreams was written for an early love; she explained, “I wrote that about my first love when I was living in Ireland … It’s about feeling really in love for the first time“. The song was later released on a demo tape with Linger that helped generate excitement for the band.

Guitarist Noel Hogan said of the song:

It’s only really since Dolores passed away that I’ve grown a proper appreciation for songs like ‘Linger’ and ‘Dreams’. They were just songs in the set list for us; everybody else was losing their mind about them. And when I listen to them now, I realise how great they are for someone so young, which I never, ever appreciated until a year ago. We must have played it a gazillion times in our lives and it just becomes a part of the set, but it’s different now. We’re so lucky to have left that behind, to have that legacy.

Reference:
1. Dreams (The Cranberries Song) – Wikipedia

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Distance (2011) – Christina Perri

The appearance of a Christina Perri song seems to be a weekly occurrence here. I’m a huge fan of her music which will come as no surprise to many. Today’s song Distance features Jason Mraz who’s song I’m Yours featured here recently. The version of Distance presented below seems to be an unembellished take from a backroom of a club and it’s my favourite version of the song. It highlights the prowess of both artists without sound editing and all the goodies. That which is typical in a Perri song, there is a part in this at 3:00 where she sings ‘And Your Not Listening‘ and I find myself in complete awe.

[Verse 1]
The sun is filling up the room and I can hear you dreaming
Do you feel the way I do, right now?
I wish we would just give up
‘Cause the best part is falling, call it anything but love

[Chorus]
And I will make sure to keep my distance
Say “I love you” when you’re not listening
And how long can we keep this up, up, up?

[Verse 2]
Please don’t stand so close to me, I’m having trouble breathing
I’m afraid of what you’ll see, right now
I’ll give you everything I am
All my broken heartbeats until I know you’ll understand

Distance is the third official single taken from the deluxe version of Christina’s debut studio album Lovestrong. It was written by Perri and co-written and produced by David Hodges. The song received generally favorable reviews from music critics, with most praising their “emotional vulnerability and engagement” and their chemistry.

Perri remarked about the song:

“I wrote it about being in love with someone and not being able to tell them. All of my songs are so specific. They’re a story in my life or something I went through which I pull from. I wrote this about the summer of 2010. I fell in love with someone, and we had to work pretty closely together. I had to pretend I didn’t like him which was the hardest thing for me because I’m not good at lying [Laughs]. The song is about the feelings and swimming in that kind of tension when you’re around someone and trying to keep it cool. That’s what it means for me. Instead of telling him I loved him, I wrote it to him in a song. That’s where I go.”

Reference:
1. Distance (Christina Perri Song) – Wikipedia

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Special Edition Post – Lysenkoism (James Lindsay)

I wrote about Lysenkoism in the above article on the 11th of January this year. The following mini-audio podcast just came out from James Lindsay. I wrote in response to it:

The whole of the modern environment movement and the COVID reaction is awashed in Lysenkoism. The mainstream science community has conformed to this ideological undertaking. It’s the pressure by the major players coached by the World Economic Forum that have driven everything. Don’t expect this to go away overnight.

And more below by James Lindsay in his video:

One of the most notorious names almost nobody in the West remembers is Trofim Lysenko. His horrific ideas about agriculture and biology, derived mostly from crackpot Marxist Socialist and Soviet Theory, led to the starvation and deaths of tens of millions of people in the Soviet Union and Communist China. Opposing or challenging his ideas was a one-way ticket to cancellation, reeducation, or destruction. Lysenkoism, therefore, is the enforced application of an ideological lens that distorts science, and thanks to Woke Marxism and the “Sustainability” agenda, we’re facing our own looming (and unfolding) Lysenkoist catastrophe right now throughout Western nations. Host James Lindsay breaks it down for you in this episode of New Discourses Bullets. Join him to understand an important facet of what’s happening around you and the history behind it. It’s not the first time in human history we’ve made this technocratic, scientistic mistake.

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Dream of a Ghost (2014) – Diary of Dreams

Diary of Dreams in Moscow 2016

Anyone up for German Darkwave music? The computer says ‘yes’! Rightio then, today’s song is called Dream of a Ghost released on German Darkwave band Diary of Dreams‘ 2014 album Elegies in Darkness. The lead singer and founding member Adrian Hates has produced most of the albums. He is a classically trained guitarist and pianist who started out as the guitarist for Garden of Delight. He initiated the Diary of Dreams project in the late 1980s, taking the name from one of his early classical guitar compositions, “Tagebuch der Träume.”

Don’t say it’s getting better
The ghost of you – unborn
Am I blind enough to see?
We’re running out of time

Don’t say it’s getting better
All those endless days go by
A wishful dream comes true
We wasted so much time

When all is gone
I wonder what is left for me
When all is gone
I wonder what is left of me

Hates claims he was influenced, both lyric wise and artwork wise, by German 1909-1935 expressionism and the “beauty of ugliness” in the course of his work. His recollections below when he was in New York 35 years ago reminded me of when I took some classical guitar lessons in Mornington, Victoria Australia.

I was living on a farm in upstate New York. I had two pianos, and one of the kids in the house played piano and that totally got me hooked. I really started taking lessons during my time in New YorkI started to get forced into playing classical guitar…We played the stupidest lines for weeks and weeks and weeks, just finger training. It was not like learning classical guitar at that point, at least not with the teachers that I got to know. It was not about having fun with an instrument, but about being very intensively trained‘.

Adrian Hates observations below about the state of music today in this social media circus are revealing:

I feel very sorry for today’s artists that are getting started now because they need to be A&R specialists, graphic specialists, and need to be perfect in studio work. I don’t think I could sell our first album today because I think people would be so specific and would be so much more into criticizing something. Imagine all these Amazon reviews that you get. People are so brutally honest and so brutally destructive at the same time. I think in the ’80s and ’90s you could do a debut album and people would say, “Hey, this is quite a cool album. There’s some really good stuff on there. We’ll give this band one or two albums to develop and to grow up a little.” I don’t think anybody gives bands these days a second shot or a third shot even. So you do your debut album, people like it or not, and then then the subject is over. That’s really, really sad. And I really think that bands today have to deliver too much and offer too much. The whole social media stuff is, in my eyes, insane. Sometimes I read the stuff, sometimes I don’t. Sometimes I’m angry, sometimes I’m not. Sometimes I try to give the person that writes these lines a face and then I try to make this person look really ridiculous. Then it’s easier to digest that. But I think 99% of what is said online would never be said face to face, and that’s a shame.

Reference:
1. Diary of Dreams – Wikipedia
2. Adrian Hates Discusses His Odyssey With Diary Of Dreams – Brian Reesman

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Cuando No Estás (2013) – Andrés Calamaro

I’m surprised to find Cuando No Estás (When You Are Not Here) is the first song post here from Argentine rock-great Andrés Calamaro. My seven-year-old daughter Katherine introduced me to his music a little while back and I have been a fan ever since. Like a woman possessed, she played his tremendous ‘Flaca‘ (Skinny) over and over again. Kat also put me onto Calamaro’s Te Quiero Igual (I Love You Just the Same). I’ll never forget the first time I heard that one because I shouted to her, ‘That’s Dylan‘! If you watch that video it appears Calamaro is doing a pretty sweet Bob Dylan tribute even using his signage imagery from Subterranean Homesick Blues.

Today’s song Cuando No Estás also has a steeped Dylan-esque vibe. It’s a brilliantly manufactured song. It has almost everything I love about contemporary music wrapped in just one song. The first time I heard this was when I was with my daughter in a double decker tourist bus on our way to the Carribean Coast. The front seats had the mini Tv screen and you could select between music, movies, and games etc. That’s where I saw Top Gun Maverick for the 4th time and loved it just the same. Anyhows, in the music section appeared an Andrés Calamaro album. My daughter and I popped our headphones in and towards the latter section I heard Cuando No Estás and I was blown away.

A loose English translation follows (the first verses):
When you are not here
I am in another part of the world
When you’re not here I’m wrong every half second
When you’re not here, loneliness advises me badly


When you’re not there, the parachute doesn’t open and I jump anyway
And I get lost in empty rooms
When you’re not, when you’re not with me


When you’re not there, the empty house asks when you’ll be back
And I write cruel verses
When you’re not here I’m waiting for you to come back

Andrés Calamaro is considered one of the greatest and most influential rock artists in Spanish. He is also one of the most complete artists for his wide range of musical styles, including funk, reggae, ballads, boleros, tangos and jazz. In 1996 Calamaro began composing song after song. In six months, he had over 100 songs ready to be released. Thirty-seven of these found their way to his next album, Honestidad brutal. The album included hits such as: Te quiero igualPalomaLos avionesCuando te conocí and La parte de adelante. The album also contains a collaboration with Diego Maradona.

In the following years, Calamaro made many guest appearances in concerts and recordings. He posted unpublished songs from 2001-2002 for free download over the Internet, saying that “Music belongs to those who want to hear it; and to nobody else“.

Reference:
1. Andrés Calamaro – Wikipedia

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To have Pussy, or not to have Pussy, that’s the Question

This is a Reflections – follow up post to my 2014 article – I got Some Pussy Today, regrettably as it turns out:

When I’m not thinking of or listening to the music of Christina Perri, sometimes I have my kids with me.

We were in Centro Commercial Cedritos, Bogota on Saturday and celebrating my son’s 13th Birthday. There was a cute little pet store there, ala fish tanks, mice and rabbits; where you have to tell your kids not to tap and smudge the glass; and they do it again, and again and again – reminiscent of Perri singing this at 1:30 in Time of Our Lives.

You know that kind of place; where 7-year-old girls have to leave the store with a new pet and if not, you are in for the sh%t long walk home?

In one part of the cute-nothing pet store; there were two little rabbits pined together trembling, and my daughter Katherine glazed at me and I looked at her besetted by their cuteness.
That rabbit is ours… and I don’t mean for dinner which her ancestral; just a generation back licked their chops over. I’m talking – owning and keeping a rabbit as a pet.

I always thought a rabbit meant you have a rabbit in your place and that’s that – it puffs into the air from your sofa. I enquired and was told: You have to buy this straw and replace it it weekly, and stuff feed in used toilet paper roll tubes and give it these vegetables on alternate days or your house will smell like Rabbit’s urine.

Oh man..their cuteness dissipated into a ‘Oh F%ck that!
I know Katherine thought, by way of my curiosity and questions that she was all set. But I was unsettled and soon dragged the kids for the exit.
That wasn’t so bad‘.

At the moment we left the store, Katherine’s eyes were effusing so many tears I was concerned for the passersby behind us. Also, her tears seemed to emit a sound – ‘My father is a pr/ck‘.

The one hour walk back nearly did my head in. I reassured her that I’d always thought about having a cat. So, she ushered us into every potential kitty haven ie pet store we passed and there were many.

Finally, we found one who introduced us to the neighbour next door that was looking for an owner of the following heterosexual ginger cat:

So, do I or don’t I?

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Clementine (2012) – Neil Young & Crazy Horse

Clementine is the second song on Young & Crazy Horses 2012 Americana record. It is the 31st studio album by Canadian / American musician Neil Young. “Oh My Darling, Clementine” is a traditional American western folk ballad from 1884. In Clementine the verses are so dark. Young was quoted as saying:

Almost every one (of the songs on Americana) has to do with people getting killed, with life-or-death struggles. You don’t hear much about that; they’ve been made into something much more light. So I moved them away from that gentler interpretation. With new melodies and arrangements, we could use the folk process to invoke the original meanings for this generation.

[Verse 1]
In a cavern, in a canyon
Excavating for a mine
Dwelt a miner forty niner
And his daughter clementine
Light she was and like a fairy
And her shoes were number nine
Herring boxes, without topses
Sandals were for clementine

[Chorus]
Clementine! Clementine!
Oh my darling, clementine!

It is said below: the lyrics were written by Percy Montross in 1884, based on an earlier song called “Down by the River Liv’d a Maiden”, printed in 1863. The origin of the melody is unknown. In his book South from Granada, Gerald Brenan claims that the melody was from an old Spanish ballad, made popular by Mexican miners during the California Gold Rush. It was best known from Romance del Conde Olinos o Niño, a sad love story very popular in Spanish-speaking cultures.

It is unclear when, where, and by whom the song was first recorded in English, but the first version to reach the Billboard charts was that by Bing Crosby recorded on June 14, 1941.Bobby Darin recorded a version of the song in 1960, with lyrics credited to Woody Harris, in which Clementine is reimagined as a 299-pound woman. After she falls into the water, Darin suggests that Clementine could be mistaken for a whale and calls out to those on the high seas to watch for her, in a rhythm and style reminiscent of Darin’s rendition of “Mack the Knife”.

Reference:
1. Americana (Neil Young & Crazy Horse album) – Wikipedia
2. Oh My Darling, Clementine – Wikipedia

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The AnkiDroid Collection (Part 34) – Mao, The Bible & The Enlightenment

Ankidroid additions related to Science, History and Philosophy. More information about Anki can be found in this article.

Founder and Chairman of the PRC

Mao Zedong (also known as Chairman Mao) in 1959

Mao led as founder and chairman of the People’s Republic of China (PRC) starting with the taking of Beijing in 1949. In 1958 he launched a program aimed to rapidly transform China’s economy from agrarian to industrial. It was called the ‘Great Leap forward‘. Agricultural land was distributed from private ownership to collective plots, and it caused violent class struggle and an unprecedented famine leading to the death of 45 million. For more information view: The Human Cost of Mao’s ‘Great Leap Forward’ | Mao’s Great Famine

Who Translated the Bible into English after the Reformation?

William Tyndale, Father of the English Bible

William Tyndale is arguably the most important figure in English language. In 1525 he translated the Bible from Hebrew and Greek. Afterwards he was burned at the stake. When King James VI of Scotland became King James I of England in 1603 he authorised a committee in 1604 between scholars. They took Tyndale’s interpretation and tried to improve it. 92 % of the finished product still contained Tyndale’s original interpretation.

Which Range of Ideas is the Enlightenment Centred on (17th and 18th Centuries)?

Sovereignty of reason, the evidence of the senses – primary sources of knowledge, ideals such as liberty, progress, toleration, Constitutional Government and Separation of Church and State.

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Posted in politics, Reading

Special Edition Post – Cindy Bruchman’s post IMO: I Can’t Write & James Lindsay’s ‘Stakeholder Capitalism and the End of History’ podcast.

I just finished reading fellow blogger Cindy Bruchman’s post IMO: I can’t write. Cindy wrote:

When I was working on my MFA in Creative Writing, my first manuscript concerned an African American family in 1900. I asked my mentors, “How do I realistically create African American characters? How do I know how they felt?” Their answer for portraying people of color, gender, Jews, Asians, and Native Americans was to reveal the universal qualities intrinsic to us all. I took that to heart. So I created a Native American character in my second book. In the third novel, I’m creating Jewish sisters and exploring Japanese racism in the Pacific theater of World War II. Apparently, that’s a big no-no.

In the last decade, there is a backlash to my privileged life as a white woman. In fact, I am told, I am unqualified to write about diverse characters because I will inherently instill tropes and stereotypes that are insulting. Read entire post here.

This very sad post reminded me of the podcast by James Lindsay I just heard last night titled Stakeholder Capitalism and the End of History:

In 1844, Karl Marx explained that Communism, “as the positive transcendence of private property as human self-estrangement” is “the riddle of history solved, and it knows itself to be this solution’. In 2016, 172 years later, Klaus Schwab’s World Economic Forum put forth a bold future-casting video proclaiming that by the year 2030 “you will own nothing, and you will be happy.” These, of course, are the same assertion. Flashing back, in 1964, in the book ‘One-dimensional Man’ Herbert Marcuse explained that to move forward with the Marxist project, socialism had to figure out how to become productive without abandoning its core values and capitalism had to be reined in to curb its inherent unsustainability...

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