My Beautiful Reward (1992) – Bruce Springsteen

Posted on August 3, 2023 by observationblogger — 14 Comments


As I wrote in my previous entry Lucky Town, reflecting on the dual album – Human Touch / Lucky Town ‘The more stripped down, folk-based sound on the Lucky Town record is my preferred of the two and contains many excellent songs‘.
Today’s featured track ‘My Beautiful Reward’ is one such song that compared to some songs which didn’t make it as studio releases. My Beautiful Reward and With Every Wish (from Human Touch) are the ones that didn’t get away. Never mind, the ones that did get away like Happy and Loose Change. They have been presented here in all the glory I could muster. They ain’t going anywhere!

My Beautiful Reward

[Verse]
Well I sought gold and diamond rings
My own drug to ease the pain that living brings
Walked from the mountain to the valley floor
Searching for my beautiful reward
Searching for my beautiful reward

[Verse]
From a house on a hill, a sacred light shines
I walk through these rooms, but none of them are mine
Down empty hallways, I went from door to door
Searching for my beautiful reward
Searching for my beautiful reward

[Verse]
Well your hair shone in the sun
I was so high, I was the lucky one
Then I came crashing down like a drunk on a barroom floor
Searching for my beautiful reward
Searching for my beautiful reward

Lucky Town is the tenth studio album by Bruce Springsteen. The album was released on March 31, 1992, the same day as Springsteen’s Human Touch album. I agree with the The Chicago Tribune who wrote that Lucky Town was “highly underrated…containing some of the strongest songwriting of Springsteen’s career and ranks as one of his most completely realized albums.” It focuses on more specific events in Springsteen’s life.

This song My Beautiful Reward is about the journey of life….trying to find that thing, that place, that person that will make you entirely happy…. albeit hopefully one day. My Beautiful Reward is another way of saying eternal reward or Heaven. We go through life looking for satisfaction from material things, but it never works. (“my own drug to ease the pain that living brings“).

The man knows, through experience in verse 1 – that fulfillment can’t be found in material things. He seems to have come up empty with religion in verse 2. In verse 3 he finds that romantic love is not the ultimate fulfillment either. Verse 4 simply shows a guy who hasn’t given up on the search. And so the cycle continues.

Searching for my beautiful reward

Reference:
1. Lucky Town – Wikipedia
2. Lucky Town (Song) – Wikipedia

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Mutineer (1995) – Warren Zevon

Posted on August 2, 2023 by observationblogger — 4 Comments

I know Lawyers, Guns and Money and Werewolves of London gets all the plaudits and deservedly so – they are unforgettable songs even after first listen, but Warren Zevon’s Mutineer as presented on the Dave Letterman show (10-30-02) is my Desert Island choice of the one song from his music cannon, I would take away with me. I try to watch his Mutineer here without crying and it’s a hard task.

The description of the video reads:

Warren Zevon was dying of mesothelioma when he appeared on David Letterman’s “Late Show” to pull off one of the best versions of one of the best songs ever.

I can see why Bob Dylan covered Mutineer a number of times in concert after Zevon’s passing. It’s a cracker of a song and the lyrics are nothing short of spectacular. The line that gets me every time is – ‘Ain’t no room on board for the insincere‘. You get the sense this song was very autobiographical for Warren.

[Verse 1]
Yo-ho-ho and a bottle of rum
Hoist the mainsail, here I come
Ain’t no room on board for the insincere
You’re my witness, I’m your mutineer

[Verse 2]
I was born to rock the boat
Some may sink but we will float
Grab your coat, let’s get out of here
You’re my witness, I’m your mutineer

[Verse 3]
Long ago we laughed at shadows
Lightning flashed and thunder followed us
It could never find us here
You’re my witness, I’m your mutineer

Mutineer is the ninth studio album by American singer-songwriter Warren Zevon. He apparently grew to enjoy working on his own, and for 1995’s Mutineer, he recorded the bulk of the album in his home studio, handling most of the instrumentation himself and bringing in some friends to help sweeten some of the tracks.

Zevon’s reflections on enjoying what time you have left included the phrase “enjoy every sandwich.” A tribute album to the late Warren Zevon titled Enjoy Every Sandwich included famous singer – songwriters like Dylan, Springsteen and Don Henley. Warren Zevon has always seemed a bit of an enigma to me. I have gotten to know his music, but at a snail’s pace and nearly everything I hear I like.

You can dig deeper of course on Warren and find stuff like how he had a phobia with doctors and after his diagnosis began to drink again after 17 years of sobriety or where he may have been exposed to asbestos. Warren Zevon said: “I might have made a tactical error in not going to a physician for 20 years.” It was during this broadcast that, when asked by Letterman if he knew something more about life and death now, he first offered his oft-quoted insight that people need to “enjoy every sandwich.”

Reference:
1. Mutineer (album) – Wikipedia
2. All Music – Mutineer
3. Warren Zevon – Wikipedia

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Must Be Santa (2009) – Bob Dylan

Posted on August 1, 2023 by observationblogger — 14 Comments

In case you were wondering at the time of my drafting this article how many days there were until Christmas:

That’s nothing. It’s like a nanosecond of a dream within a dream. What I look forward to most of all at Christmas is Santa’s arrival. And those that don’t believe in him, then I point you to this article – ‘I act as if Santa Claus Exists‘:

People have often asked me (especially around this time of year) if I believe in Santa Claus… and I don’t like that question because it’s an attempt to box me up, to put a bow on me in a sense. It’s like, what do you mean, “believe”? We know what Santa looks like. We know what he sounds like. We know how he behaves. We put up pictures and statues of him. We even make offerings to him! Do I believe the man at the mall with the white beard is the one and only Santa? Crowds are addressing him as Santa and he is responding to the name “Santa” and answering AS Santa as such, so to some extent at least, he is real. To the degree he is a “good” Santa he is transcending his material substrate to give rebirth to the neurological patterns of the eternal spirit of Santa as it has descended across time. It’s like, is that “real” enough for you? In the Jungian sense you could argue that in that moment he is more real than real.

I believe Bob Dylan had this axiom in mind, when he recorded ‘Must Be Santa‘. Derr, it’s a Christmas song written by Hal Moore and Bill Fredericks and first released in November 1960 by Mitch Miller.

[Verse 1]
Who’s got a beard that’s long and white?
Santa’s got a beard that’s long and white
Who comes around on a special night?
Santa comes around on a special night

[Chorus 1]
Special night, beard that’s white
Must be Santa, must be Santa
Must be Santa, Santa Claus

[Verse 2]
Who wears boots and a suit of red?
Santa wears boots and a suit of red
Who wears a long cap on his head?
Santa wears a long cap on his head

[Chorus 2]
Cap on head, suit that’s red
Special night, beard that’s white
Must be Santa, must be Santa
Must be Santa, Santa Claus

[Verse 3]
Who’s got a big red cherry nose?
Santa’s got a big red cherry nose
Who laughs this way: “Ho, ho, ho”?
Santa laughs this way: “Ho, ho, ho”

The ‘Advent‘ in Catholicism means the beginning of XMAS which is 4 weeks before the 25th of December (Christ’s birth). That’s when Dylan’s album ‘Christmas in the Heart‘ is reborn and gets a good ol’ merry replaying on the turntable. Don’t even get me started on his version of Little Drummer Boy – big.. huge fan of that one!

In November 2009, Bob Dylan released a version of the song in a polka-meets-klezmer style (based on an arrangement by Brave Combo, whose version he had played on Theme Time Radio Hour) for his Christmas album, Christmas in the Heart. 11 years after its release, Must Be Santa placed 24th in a Rolling Stone article about the “25 Best Bob Dylan Songs of the 21st Century” where critic Amanda Martoccio called the song “zany” and the “centerpiece” of Christmas in the Heart.

References:
1. Must Be Santa (song) – Wikipedia

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Musetta’s Waltz (1896) – La Bohème / Giacomo Puccini – (Moonstruck Soundtrack)

Posted on July 31, 2023 by observationblogger — 11 Comments

Have you ever seen a full moon as big as this one in Moonstruck? It’s comparable to the one presented in The Truman Show. I haven’t seen any like those; they are so big and illustrious. Take for example the Hadean epoch between 4.5 and 4 billions years ago. The blood-red moon appeared 15 times bigger than it is now. It was just 20000 miles away, but drifted away from Earth 4cm a year.

This piece from the Moonstruck movie soundtrack is a modern orchestration of the famous aria Musetta’s Waltz, from the opera La Boheme by Giacomo Puccini. The title of the movie says it all really. It captures the essence of ‘love’ and a heart’s contentment in the wake of the ‘pull’ and majesty of the full – moon.

This is the third musical piece to feature here from Italian composer Giacomo Puccini and the second from his Opera La Bohème. The classic opera La Boheme shows the Bohemian lifestyle (known in French as “la bohème“) of a poor seamstress and her artist friends. La Bohème is an opera in four acts composed between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on Scènes de la vie de bohème (1851) by Henri Murger.

La Boheme premiered in Turin in 1896, and although it was not an immediate success, it soon became one of the most popular and frequently performed operas in the world. This scene takes place in Act IIat the Café Momus. Shortly after Mimì, Rodolfo, and their friends have taken seats for a drink, Marcello’s former girlfriend, Musetta, shows up with her current patron, the elderly Alcindoro. They quarrel for a bit, then the episode begins as Musetta initiates her move on Marcello. She grabs the spotlight, musically speaking, for a short self-promoting aria (Quando me’n vo’). It is a song directed at the people in the café as much as at the audience in the theater

English Translation of ‘Quando me’n Vo‘:

When I walk
When I walk all alone in the street,
people stop and stare at me
and look for my whole beauty
from head to feet …

And then I taste the slight yearning
which transpires from their eyes
and which is able to perceive from manifest charms
to most hidden beauties.
So the scent of desire is all around me,
it makes me happy!

And you, while knowing, reminding and longing,
you shrink from me?
I know it very well:
you don’t want to express your anguish,
but you feel as if you’re dying!

Regarding Puccini’s original composition as seen in the second video, I couldn’t help but forward this comment from YT by Michael Klimetz:

This magnificent composition will forever evoke the memory of my dear maternal grandmother. She was cultured, loving and refined woman who adored Italian opera. My earliest recollection of Musetta’s Waltz was as a young child, while sitting on her lap as she rested from preparing one of her legendary dinners. As the music filled her kitchen, the room bathed in afternoon sunlight, she scooped me up, held me with both arms in her signature warm embrace, and began to dance. She would gently whisper how beautiful I was and give praise to God for my presence in her life.

Reference:
1. Quando me’n vo’ – Wikipedia

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Great Sporting Moments 6 – 2023 World Cup Colombia vs Germany (2-1)

Posted on July 30, 2023 by observationblogger — 24 Comments

It’s 6:39 am here in Bogota, Colombia and I just got to witness the most historic Colombian football feat I have ever seen since living in Colombia. To me, this superseded the moment James Rodriguez fired in the goal of the tournament at the World Cup against Uruguay in Brazil. Even blogger friend Bernie conceded leading up to this anticipated match that Colombia was facing the Goliath of World Football in Germany at the Women’s World Cup hosted by Australia and New Zealand.

I was on the edge of my seat the whole time and the quality of football was outstanding. Colombia and Germany were intense in pressure, not so much in offensive play, but in the mark they exerted on the rival to avoid progression and danger in each of their areas.

I saw one of the premier Colombian women’s – domestic football team in ‘Millionarios‘ train a few months ago alongside my son’s team. I took some videos of the ladies because, to put it frankly, I was staggered by their footballing prowess. I even caught a stupefying header – goal from about 25 meters distance by one of the participants, which I still have somewhere.

Today, the Colombian national team, with goals from Linda Caicedo and Manuela Vanegas, defeated the favorite Germany in the Women’s World Cup. This sporting moment is one for the ages and signifies a ‘huge’ turning point in Colombian football (masculine and feminine alike). Colombia is a very ‘macho’ society and even in the Colombian matriarchy few tolerate football played by Women. For instance, the mother of my kids won’t let my daughter Katherine play football.

I just found here on my computer desk, a stealthy ‘Spanglish’ message by Kath this last weekend at my place; directed at me I presume.
‘Ser futbolista’ (to be a footballer):

Let’s go with the ‘silver lining’ and see in real time people’s attitudes changing towards the acceptance and even adoration of Women’s football. This is why I hold ‘Sports’ in such high regard.

I couldn’t find it more befitting than adding this match to my ‘Great Sporting Moments‘. Colombia is without doubt, the ‘surprise team’ so far in this World Cup and I couldn’t be more elated for my Colombia – Australian children. Good luck finding two goals better in one game of football masculine than those two by Linda Caicedo and Manuela Vanegas in Colombia’s victory.

Now for the icing on the cake in added time, and against all odds:

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Elastic (2023) – Chief Springs

Posted on July 29, 2023 by observationblogger — 16 Comments

‘The Time to Take Time, to Take Time’

Elastic by Chief Springs was recently released on Jeff’s Eclectic Music Lover blog. What stood out for me first-listen was the singer’s striking voice and I asked Jeff who it was. He told me it was the band’s vocalist Josh Coyne, and he agreed his voice is spectacular. Soon after I presented Elastic to my son, and unfortunately, we were in a bit of a hurry to do something else, and he told me: ‘Papa, this is a great song‘, and his instant reaction left an indelible mark on my memory.

I’ve heard Elastic many times since and realised – You just don’t hear this kind of song / sound in today’s mainstream – music anymore. Elastic has got 30 – something views since the time of its release on YT. What is going on? Music – art like this was once considered ‘Gold‘.

Over to Jeff at Eclectic Music Lover:

Opening track “Elastic” touches on all the conflicting and sometimes incorrect news we’re fed, leaving us confused, disoriented, and not knowing what’s truth or fiction: “All of the things you ought to know, are no longer showing / Because the posters in the window, they serve as proof of how far they can stretch this elastic truth. All of the stories rearrange you / How far can they stretch this elastic truth? A time to take time to take time.” The instrumentation is impeccable and honest, with gorgeous jangly guitars bathed in shimmer, accompanied by a deep bass groove and real drums that lend rich textures to the track.

There is a lot more you can find out about the band Chief Springs at Jeff’s article:

Chief Springs have really outdone themselves with the creation of this exquisite little EP. Time to Take Time is not only a beautiful feast for the ears, it’s meaningful lyrics give us lots to think about. Great work guys!

I feel fortunate to have read the article and subsequently added this song Elastic to my Music Library Project.

References:
1. Chief Springs – EP Review: “Time to Take Time”

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Munjana (1990) – Archie Roach

Posted on July 28, 2023 by observationblogger — Leave a comment

Australian Aboriginal singer Archie Roach has appeared here before with his song about the homeless called Down City Streets. I have written about him also in conjunction with other Australian music – artists David Bridie and Paul Kelly. If there was any song by their lyrics alone which grab you ‘hook, line and sinker‘ then today’s featured track Munjana is it.
It all started for Archie when Paul Kelly invited him to open his concert early in 1989, where he performed Took the Children Away; a song telling the story of the Stolen Generations and his own experience of being forcibly removed from his family. His performance was met with stunned silence, followed by shattering applause.

Munjana is the story of Beverley Whyman, and her son Russell Thomas Moore, a Wema-Wema and Yorta-Yorta man from Matakupaat (Swan Hill, Victoria). Munjana means ‘trouble’ and was a nickname Beverly Whyman obtained while a child.

Times were hard in old Swan Hill
And her circumstances got harder still
The only thing this woman ever knew was pain
It seemed she’d never know sweet happiness again
Kicked around, treated bad
It’s not right for one so young to be so sad
A koori child should not have had this cross to bear
It makes me wonder if anybody really cares
Troubled woman is your name
Through no fault of yours it seems you always got the blame
And an old man’s voice calls from afar

Who will shed a tear for Munjana?

Fond memories of Moulamein
The only happy times her family had seen
Wishing that those happy times would never end
With Uncle John who at the time was their best friend
But this young girl just couldn’t win
She got in to trouble in Deniliquin
Had a lovely child way down in old Fitzroy
Then the Welfare came and took her baby boy
Baby Russell was his name
They took him from her arms and made her feel ashamed
Took him away to America

Just like Archie’s previous entry Down City Streets, Munjana is storytelling at its finest. If you want to get a sense of how it was like to be part of the Stolen Generation families, then this is the go-to-song at least based on what I’ve heard. The Stolen Generations are Aboriginal and Torres Strait Islander children who were forcibly removed from their families and communities by the government. This was a race-based policy that lasted from 1910 to the 1970s and aimed to assimilate Indigenous children into the dominant culture.

I have presented two videos below. The first is the studio track recording and the second is Archie Roach explaining how the song Munjana came to being. When I learned that Archie had passed away 30 July 2022, I was a wreck. He was one of my biggest musical influencers in my young adulthood. His album Charcoal Lane is one of my favourite Australian albums.

I highly recommend this video when Australian Prime Minister Kevin Rudd on the 13th of February 2008 in the Australian House of Representatives, apologized for the government programs which took children from Aboriginal families, the “stolen generations”.

Archie Roach said about today’s song Munjana:

One of the places in Fitzroy, Alexandra Parade..they took babies away from all sorts of mothers: black, white, it didn’t matter. If you were unmarried and a young woman sometimes you were sent to these places; these so called ‘sisters’ would take the babies away from their mothers. And their mothers never even saw them. And so that’s what happened to this young man. Ended up in America. Unfortunately ended up in prison in Florida for a pretty terrible crime. But that’s not so much what the song is about. It’s about Beverly (his mother)….
So she’s telling me this story and I couldn’t believe it….Beverly’s nickname was Manjana which means ‘trouble‘. So I thought about that…I sat down and these words kept coming to me..It’s a horrific story really about this young fella. I can’t condone what he ended up going to prison for. And I don’t try in this song. And I don’t condone what happened to him as a little fella. And that’s what this song is about: His mother Beverly Munjana ‘trouble’, so that’s how the song came to be. ‘Troubled Woman’.

You can see the ‘trouble’ and pain in Archie’s face as he’s recalling this. The impact such immoral and abhorrent policies / practices have had on a whole communities and races of people (even those seemingly unaffected by the policies directly) is so apparent in this story. It deserves repeating:

It makes me wonder if anybody really cares
Troubled woman is your name
Through no fault of yours it seems you always got the blame
And an old man’s voice calls from afar

Who will shed a tear for Munjana?

References:
1. Archie Roach – Wikipedia

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Mujer Amante (1990) – Rata Blanca

Posted on July 27, 2023 by observationblogger — Leave a comment

Mujer Amante (Lover Woman) is by Argentinian hard rock and heavy metal group – Rata Blanca (White Rat). It is one of the most famous songs by the group. The song was composed by Adrián Barilari (see image inset) in his bathroom, which is a better place than any. Just ask James Blunt. He wrote Goodbye my Lover in Princess Leia’s bathroom. I imagine when James walked out, there appeared a goldmine.
This song Mujer Amante along with several from the album Magos, Espadas y Rosas (Wizards, Swords and Roses) was going to launch them to massive fame in Argentina and took them to tour America and parts of Europe.

Rata Blanca formed in 1985 in the Bajo Flores area, a neighborhood located south of the city of Buenos Aires. It is considered one of the most important and influential of hard rock and heavy metal in Spanish, although during their career they also incorporated heavy riffs with melodic and harmonic structures of classical music. Over the years they have been classified into different subgenres, however the group is considered simply “metal rock“.

A loose English translation follows:

I feel the warmth of all your skin
in my body again
Shooting star,
ignite my thirst
Mysterious woman

With your sensual love, how much do you give me
make my dream come true
Give me your soul today, do the ritual
Take me to the world where I can dream
Whoa! I have to know if it’s true
somewhere you are
I will look for a sign, a song
Whoa! I have to know if it’s true
somewhere you are
Only the love that you give me will help me

At dawn your image leaves
Mysterious woman
You left in me total lust
beautiful and sexy

Adrián Barilari had only been in the group for a few months, and he asked Walter Giardino the possibility of composing. They reached an agreement, and the guitarist offered him a double pedal speed metal song that had neither lyrics nor a name, so Barilari wrote about the piece of music and named it Shooting Star. However, when Giardino saw the result, he decided the lyrics would be more suitable for another melody that was hanging around in rehearsals.

Originally, they only played it in rehearsals, and it was not going to be part of Magos, Espadas y Rosas as it contrasted with the characteristic sound of the band, but they decided to include it as filler when they saw that the album lasted less than 40 minutes and, as it was released on vinyl, and they needed a minimum of 45′.

According to Barilari account: “It was a ballad that clearly didn’t have much to do with the record, and for that reason it generated a lot of reluctance to include a part-tempo song on a work that had a rather hard-sounding sound.” Walter Giardino said: “It didn’t identify us too much. We thought it was a nice song… Period. We never imagined that it could have as much crossover as the one it had and reach unexpected places. The truth is that at one point it bothered us that they identified us all the time with that song, because it doesn’t coincide at all with the rest of Rata’s work, but not even close“.

According to the words of Adrián Barilari in a radio interview with Rock & Pop in 2005, after including the ballad to complete the album’s minutes, the band initially refused to perform it live and whether it be a broadcast cut or a single. Despite this resistance, the song also ended up being a massive success on the radio, transcending all social strata and inserting Rata Blanca into the Spanish-American market and part of the European market, thus achieving popularity that was unimaginable until then for an Argentine metal group.

References:
1. Mujer Amante – Rata Blanca
2. Rata Blanca – Wikipedia

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Mrs. Potters Lullaby (1999) – Counting Crows

Posted on July 26, 2023 by observationblogger — 29 Comments

Mrs. Potters Lullaby has a distinct Bob Seger sound and that can only be a good thing. It is steeped in music ‘Americana’ and to me is commensurate with the experience of watching a road trip movie in the cinema – breezy air and terrain – The memories will be so thick they’ll have to brush them away from their faces (Field of Dreams).
Counting Crows is an American rock band from San Francisco, California. Formed in 1991, Counting Crows gained popularity following the release of its first album, August and Everything After (1993) and the breakthrough hit single Mr. Jones (1993).

In my last article – Prelude, Op. 28, No. 15 Raindrop (1838) – Frédéric Chopin, I quoted in the comments section Dylan’s lyric: ‘Fortune or fame, you must pick one or the other, though neither of them are to be what they claim.’ What do we have here in this song? See in the lyrics below: ‘Walking a tightrope of fortune and fame‘. That’s uncanny.

Well, I woke up in mid-afternoon ’cause that’s when it all hurts the most
I dream I never know anyone at the party and I’m always the host
If dreams are like movies
Then memories are films about ghosts
You can never escape
You can only move south down the coast

Well, I am an idiot
Walking a tightrope of fortune and fame
I am an acrobat swinging trapezes through circles of flame
If you’ve never stared off into the distance
Then your life is a shame
And though I’ll never forget your face
Sometimes I can’t remember my name

Hey, Mrs. Potter, don’t cry
Hey, Mrs. Potter, I know why
But, hey, Mrs. Potter, won’t you talk to me?

Most of the following was sourced from the Wikipedia articles below:

Mrs. Potter’s Lullaby is the second track on their third album, This Desert Life. The song reached number three on the US Billboard Adult Alternative Songs chart. In April 2022, American Songwriter ranked the song at number three on their list of “The Top 10 Counting Crows Songs“. The band’s frontman, Adam Duritz stated that the song was written about actress Monica Potter.

Duritz, who has based other songs on real people, explained that this song was influenced by an imaginary version of the actress, based on seeing her onscreen in Con Air (1997) and Patch Adams (1998). They ended up meeting for the first time at dinner with entertainment industry friends on the day the band was recording the song, and Potter returned to the studio with Duritz to watch them work. At the end of the session, a production assistant gave Potter a recording of one of the takes. Afterwards, Duritz told Potter the song was being dropped because over production after the recording session had ruined it. She gave him her copy, which was the fourth of eight takes that had been recorded while she was in the studio. This version was subsequently added to the album.

References:
1. Mrs. Potter’s Lullaby – Wikipedia
2. Counting Crows – Wikipedia

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Physics Teacher Dr Brian Keating explains Oppenheimer – Special Edition Post

Posted on July 25, 2023 by observationblogger — 12 Comments

Save yourself a movie ticket and watch this.
I’m kidding of course since Dr Brian Keating even described Nolen’s movie ‘Oppenheimer‘ as spectacular. This video and the movie probably go hand in hand. I would also point readers to Reely Bernie’s movie review: Oppenheimer (2023).

Dr Brian Keating just responded to my comment on his fantastic video:

‘Lol. You owe me…’

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