Lawyers, Guns and Money (1978) – Warren Zevon

This is the second song to appear here from the underrated Warren Zevon. I doubt I have heard another song like Lawyers, Guns and Money. I hold it in such high regard, and I never grow tired of listening to it. It is a tongue-in-cheek tale of a young American man’s adventures in Cold War-era Latin America. Some of the lines are indelible like Send lawyers, guns, and money, The sh/t has hit the fan. It is the closing track on his 1978 album Excitable Boy. Bob Dylan’s son Jakob Dylan (The Wallflowers) did a version of this song on the Dave Letterman show.

[Intro]
(One, two, three, four)

[Verse 1]
I went home with the waitress
The way I always do
How was I to know
She was with the Russians too?

[Verse 2]
I was gambling in Havana
I took a little risk
Send lawyers, guns, and money
Dad, get me out of this
Ha!

I always mistook the line ‘Dad, get me out of this’ for ‘They’ll, get me out of this‘.
Excitable Boy includes the single Werewolves of London, which reached No. 21 and remained in the American Top 40 for six weeks. The album brought Zevon to commercial attention and remains the best-selling album of his career. It was considered macabrely humorous by some critics. More music will come from Warren Zevon.

Reference:
1. Lawyers, Guns and Money – Wikipedia
2. Excitable Boy – Wikipedia

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Last Night (1988) – The Traveling Wilburys

The Traveling Wilburys were perhaps the most accomplished supergroup that ever formed. Their five members were all future Rock and Roll Hall of Famers: Tom Petty, George Harrison, Bob Dylan, Roy Orbison and Jeff Lynne. I have posted many of their songs here where you can find a lot more information about their formation and accomplishments.

It is written in Songfacts: Last Night was one of the first tracks they came up with, putting it together by throwing out ideas and making sure not to overthink it. This is obvious in the lyrics, where they rhyme like pre-schoolers.
Despite its simplicity there is a certain charm and arresting quality to it.

She was there at the bar
She heard my guitar
She was long and tall
She was the queen of them all

Last night
Thinking about last night
Last night
Thinking about last night

She was dark and discreet
She was light on her feet
We went up to her room
And she lowered the boom

Last night
Thinking about last night
Last night
Thinking about last night

Songfacts also states: Session man Jim Keltner played drums on the album and came up with opening clangs, which sound like he’s banging on kitchen items with a drumsticks. That’s because he was. They recorded at the home studio belonging to Dave Stewart of Eurythmics. The studio itself was very small, so they did a lot of recording in his kitchen, where Keltner improvised.…Tom Petty sang the verses on this one, with Roy Orbison taking the chorus. According to Petty, when the Wilburys wrote a song, they would each try singing lead and George Harrison would decide who sounded best.

Last Night peaked at No 5 on the US charts.

Reference:
1. Songfacts – Last Night

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Here is what the COVID Vaccine for young children looks like

The video at the bottom of this post specifically from 27:20 reminded me of this snippet video I posted back in November ’21. It was when my daughter Katherine received a mandatory vaccine which she knew full-well as did I; was totally unnecessary for children let alone healthy adults.

I wrote: Case in point: This morning Jesus and his 6 year old sister Katherine Rose (seen above) just got vaccinated so they can enter a cinema, eat in a restaurant, even go to school…. they haven’t even studied presential in a school for 2 years because of the regime.

My daughter knew that. Katherine finished crying ‘Pobrecita yo‘ which means ‘Poor Me‘.
There aren’t words to describe how bad these people are.

Here is the video – Out of Creative Control: Bret Speaks with Matt Orfalea on the DarkHorse Podcast. Below that is an amusing but disturbing video made by Matt Orfalea of Children of the COVID.

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Got the Life (1998) – Korn

Today’s feature track Got the Life is a far departure from the music of Christina Perri, but what the heck, here goes. I like it because of the music and not for what is depicted in their official video. It has a mixture of styles between alternative metal, heavy metal, and rap–metal. To me it has a Prodigy vibe which honed me in. At 1:15 in the video below, the music with the man dancing dressed in a white shirt really did it for me. It’s good stuff..

Got the Life is by the American band Korn and released on their third studio album, Follow the Leader. The band decided they would release the song as a promotional single after each member found that there was something special about the song. I’ll give them that..there is something there, but it’s not pretty.

Hate something sometime someway
Something kick on the front floor
Mine? Something inside
I’ll never ever follow
So give me something that is for real
I’ll never ever follow

Get your boogie on
Get your boogie on

Hate something someway, each day,
Feeling ripped off again
Why? This shit inside
Now everyone will follow
So give me nothing just feel
And now this shit will follow

According to wikipedia below, Got The Life…. had “phenomenal success”, and its music video was requested more than any other video on MTV’s TRL, making it the first officially “retired” music video. Got the Life did not receive much attention in the music press; however, the song was rewarded a gold certification in Australia by ARIA.

For trivia buffs: Got the Life originally contained an audio sample at the very beginning – a piece of dialogue spoken by actor Dom DeLuise in the 1974 film Blazing Saddles. Warner Brothers would not allow its usage, however, so it was removed prior to the song’s release.

Reference:
1. Got the Life – Wikipedia

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Louis C.K – “Letting You Live Was Medical Malpractice”

I have been watching Louis CK’s latest special at Madison Square Garden. The subscription to the show was a good investment of my money and we’ll just leave it at that.

The following video: Like a lot of Louis’ material can feel uncomfortable to many and is off the beaten track. At first, I thought it was an actual ‘real’ interaction, but it was part of his TV series.

Anyhow’s I hope you kind of like it, but I didn’t say that.

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Factory (1978) – Bruce Springsteen

In November last year, I wrote in the article Independance Day, ‘I didn’t really understand it back then but listening to it now (Independence Day); Springsteen is alluding to his father’s life. It reminds me of what he sings about in Factory from the record Darkness on the Edge of Town‘. Some of what I consider Springsteen’s most underrated tracks feature on that record. I always enjoyed hearing his low melancholic voice which is present on Factory, Something in the Night and Racing in the Street – my three favourite songs from the record.

[Verse 1]
Early in the morning factory whistle blows
Man rises from bed and puts on his clothes
Man takes his lunch, walks out in the morning light
It’s the working, the working, just the working life

[Verse 2]
Through the mansions of fear, through the mansions of pain
I see my daddy walking through them factory gates in the rain
Factory takes his hearing, factory gives him life
The working, the working, just the working life

Springsteen said in 2010 about the Darkness record:

The record was of its time. We had the late -’70s recession, punk music had just come out, times were tough for a lot of the people I knew. And so, I veered away from great bar band music or great singles music and veered towards music that I felt would speak of people’s life experiences.

Darkness on the Edge of Town was a big departure from his previous theatrical and up-vibe Born to Run record and today’s track Factory seems to epitomize Springsteen’s remarks about the record’s solemn and personal nature specifically regarding the father-son relationship. When writing the album’s songs, Springsteen was influenced by numerous outside sources, particularly works that focused on themes of individuals confronted by outside forces that resonated with the singer-songwriter; these included the John Steinbeck novels The Grapes of Wrath (1939) and East of Eden (1952) and country artists such as Hank Williams and Woody Guthrie.

Factory provides commentary on the repetitive aspects of the working life, depicting a factory-worker father, whose life is consumed by his job, but works to provide for his family. A partial tribute to Springsteen’s father, Springsteen said the song asks the question: “How do we honor the life that our brothers or sisters and parents lived?” Musically, Factory is a rock and country-influenced ballad.

Reference:
1. Darkness on the Edge of Town – Wikipedia

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Fever (2022) – Christina Perri

When I first heard the Zen like xylophone in the introduction, I didn’t know what to think apart from that it was cool. Then Perri unleashes into what she does best and finds an addictive melodic pattern and her voice is second to none. As the song progresses, the percussion and drum rhythm advances to something, ‘higher, higher‘ and its pretty f/&king amazing.

What I like about her music (above all) is just when I think I have worked it out, I actually haven’t. It gets better each listen, and the ear adapts. The polyphonic finale is one for the ages.

[Verse 1]
I dream about you, but I’ve never even seen your face
I’m thinkin’ constantly about the way I feel to have you near
I wanna hold you in the darkness, never let you slip away
I wanna feel the beating rhythm of your heart inside of me

[Chorus]
You’re like a fever in my body and my mind
And I’ll burn until I have you by my side
No one knows and nobody can see
You’re like a fever in me
Burning, burning, burning in me

[Verse 2]
In this delirium, I swear I hear you whisperin’ to me
It’s like you’re sending me a secret message from another time
That you would wait however long it’s gonna take me to decide
But I can’t sleep and I can’t breathe until I meet you in real life

To quote Tim H about his experience with the music of Perri:

I wish that I had found your music sooner! I’m a metal music guitarist so I don’t really explore much else…but I can’t stop listening to your music! Omg- it grips me deep into my soul and it’s a presence I never want to let go! Your music is angelic and the most moving I’ve ever heard!

Reference:
1. Distance (Christina Perri Song) – Wikipedia

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Dreams (1992) – The Cranberries

Can we all go back to the 90’s now? To me, the music from the Cranberries, in particular today’s song Dreams, reflects the breeziness of this age. I had almost forgotten about adding the Cranberries to my collection until I saw their name in an old CDR music collection. I think today’s song and their other big hit Linger are my favourites by them although I’m no doubt forgetting other songs by them. I liked Zombie when it came out, but not as much anymore.

Dreams is the debut single by the Irish rock band. It was originally released in 1992 and later appeared on the band’s debut album, Everybody Else Is Doing It, So Why Can’t We? The song reached the top 50 of the US Hot 100 and the top 30 of the UK Singles Chart.

[Refrain]
Oh, my life
Is changing every day
In every possible way
And oh, my dreams
It’s never quite as it seems
Never quite as it seems

[Chorus 1]
I know I’ve felt like this before
But now I’m feeling it even more
Because it came from you
Then I open up and see
The person falling here is me
A different way to be

According to (recently departed) lead singer Dolores O’Riordan, Dreams was written for an early love; she explained, “I wrote that about my first love when I was living in Ireland … It’s about feeling really in love for the first time“. The song was later released on a demo tape with Linger that helped generate excitement for the band.

Guitarist Noel Hogan said of the song:

It’s only really since Dolores passed away that I’ve grown a proper appreciation for songs like ‘Linger’ and ‘Dreams’. They were just songs in the set list for us; everybody else was losing their mind about them. And when I listen to them now, I realise how great they are for someone so young, which I never, ever appreciated until a year ago. We must have played it a gazillion times in our lives and it just becomes a part of the set, but it’s different now. We’re so lucky to have left that behind, to have that legacy.

Reference:
1. Dreams (The Cranberries Song) – Wikipedia

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Distance (2011) – Christina Perri

The appearance of a Christina Perri song seems to be a weekly occurrence here. I’m a huge fan of her music which will come as no surprise to many. Today’s song Distance features Jason Mraz who’s song I’m Yours featured here recently. The version of Distance presented below seems to be an unembellished take from a backroom of a club and it’s my favourite version of the song. It highlights the prowess of both artists without sound editing and all the goodies. That which is typical in a Perri song, there is a part in this at 3:00 where she sings ‘And Your Not Listening‘ and I find myself in complete awe.

[Verse 1]
The sun is filling up the room and I can hear you dreaming
Do you feel the way I do, right now?
I wish we would just give up
‘Cause the best part is falling, call it anything but love

[Chorus]
And I will make sure to keep my distance
Say “I love you” when you’re not listening
And how long can we keep this up, up, up?

[Verse 2]
Please don’t stand so close to me, I’m having trouble breathing
I’m afraid of what you’ll see, right now
I’ll give you everything I am
All my broken heartbeats until I know you’ll understand

Distance is the third official single taken from the deluxe version of Christina’s debut studio album Lovestrong. It was written by Perri and co-written and produced by David Hodges. The song received generally favorable reviews from music critics, with most praising their “emotional vulnerability and engagement” and their chemistry.

Perri remarked about the song:

“I wrote it about being in love with someone and not being able to tell them. All of my songs are so specific. They’re a story in my life or something I went through which I pull from. I wrote this about the summer of 2010. I fell in love with someone, and we had to work pretty closely together. I had to pretend I didn’t like him which was the hardest thing for me because I’m not good at lying [Laughs]. The song is about the feelings and swimming in that kind of tension when you’re around someone and trying to keep it cool. That’s what it means for me. Instead of telling him I loved him, I wrote it to him in a song. That’s where I go.”

Reference:
1. Distance (Christina Perri Song) – Wikipedia

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Special Edition Post – Lysenkoism (James Lindsay)

I wrote about Lysenkoism in the above article on the 11th of January this year. The following mini-audio podcast just came out from James Lindsay. I wrote in response to it:

The whole of the modern environment movement and the COVID reaction is awashed in Lysenkoism. The mainstream science community has conformed to this ideological undertaking. It’s the pressure by the major players coached by the World Economic Forum that have driven everything. Don’t expect this to go away overnight.

And more below by James Lindsay in his video:

One of the most notorious names almost nobody in the West remembers is Trofim Lysenko. His horrific ideas about agriculture and biology, derived mostly from crackpot Marxist Socialist and Soviet Theory, led to the starvation and deaths of tens of millions of people in the Soviet Union and Communist China. Opposing or challenging his ideas was a one-way ticket to cancellation, reeducation, or destruction. Lysenkoism, therefore, is the enforced application of an ideological lens that distorts science, and thanks to Woke Marxism and the “Sustainability” agenda, we’re facing our own looming (and unfolding) Lysenkoist catastrophe right now throughout Western nations. Host James Lindsay breaks it down for you in this episode of New Discourses Bullets. Join him to understand an important facet of what’s happening around you and the history behind it. It’s not the first time in human history we’ve made this technocratic, scientistic mistake.

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