I’ll Feel a Whole Lot Better (1965) – The Byrds

I’ll Feel a Whole Lot Better is one of the most buoyant sounding songs about a break-up I have heard. It was released in 1965 as a B side to All I Really Want to Do (Bob Dylan). The Byrds were going to town on Dylan’s songwriting, achieving unprecedented success with their version of Mr. Tambourine Man which I enjoy listening to especially Roger McGuinn’s version at Bob Dylan’s 30th Anniversary concert. I’ll Feel a Whole Lot Better charted (even though a B Side) and was included on their debut album Mr. Tambourine Man. It has been covered by a host of artists and is considered one of their best songs by fans.

The reasons why, oh, I can’t say
I have to let you go, babe, and right away
After what you did, I can’t stay on


And I’ll probably feel a whole lot better
When you’re gone

The song was written by band member Gene Clark, who also sings the lead vocal. How Clark ended up writing the song is quite whimsical..He remarked: “There was a girlfriend I had known at the time…and everything was changing so fast..and I knew we were becoming popular. This girl was a funny girl … and she started bothering me a lot. And I just wrote the song, ‘I’m gonna feel a whole lot better when you’re gone,’ and that’s all it was, but I wrote the whole song within a few minutes.” There you go, and that’s a hit.

I just have to say here, I love the sound of Roger McGuinn’s jangling 12-string Rickenbacker guitar. I remember watching him talk about it in an interview decades ago and I could understand why he was so obsessed by its sound. On the Tambourine Man recordings, it sounds especially impressive. Rolling Stone magazine ranked I’ll Feel a Whole Lot Better at number 234 on their list of The 500 Greatest Songs of All Time.

References:
1. I’ll Feel a Whole Lot Better – Wikipedia

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I’ll Be Your Man (2010) – James Blunt

The Brit Awards 2010

I always enjoyed James catchy tunes and the opening jingly acoustic arrangement here. I’ll Be Your Man was released as the fourth single from his third studio album, Some Kind of Trouble. This is the fourth song presented here from James Blunt. I’ll also be blunt and admit this isn’t a great song. It’s as though James is getting in touch with his inner teen idol, but I did enjoy listening to it when it came out.

So many voices
Too many noises
Invisible lies keeping us apart
So many choices, but they’re all disappointment
And they only steal me away from you
Climb into our own private bubble
Let’s get into all kinds of trouble

The music video below released featured footage of Blunt’s Some Kind of Trouble tour. In an interview Blunt said of the album: “After the last tour, I tried writing at the piano, but I found I was repeating myself, writing sad songs about poor old me...My new songs are more optimistic. In another interview he said: What I really like about it is its energy and optimism – it’s completely positive. The critics weren’t so much – the album receiving an aggregate score of 45/100 from Metacritic. One critic described the album as a Shallow, soulless and strangely cynical, Some Kind of Trouble is a thoroughly depressing listen. Ouch.

So, on that note, I’ll leave you with this thoroughly depressing track…’I’m Your Man‘.

References:
1. I’ll Be Your Man – Wikipedia
2. Some Kind of Trouble – Wikipedia

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I’ll Be Gone (1987) – Tom Waits

I’ll be Gone was released on Franks Wild Years – the tenth studio album by Tom Waits. It was written by Waits and collaborators (mainly his wife, Kathleen Brennan) for a play of the same name. The shared title of the album and the play is an iteration of “Frank’s Wild Years“, a song from Waits’ 1983 album Swordfishtrombones. The play had its world premiere at the Briar St. Theatre in Chicago, Illinois, on June 22, 1986, performed by the Steppenwolf Theatre Company.

Tonight I’ll shave the mountain
I’ll cut the hearts from pharaohs
I pull the road off of the rise
Tear the memories from my eyes
In the morning I’ll be gone

I drink a thousand shipwrecks
Tonight I steal your paychecks
I paint the sheets across my bed
The birds will all fly from my head
And in the morning I’ll be gone

I’ll Be Gone on the surface (and pertaining to the play it was written) is about a man called ‘Frank’ contemplating suicide and / or eventually acting it out. He paints a depressing fantasy and eventually (in his dreams) takes on Vegas and Broadway. When I read the lyrics and heard the song before knowing the context and background of the album, I gathered it was principally about ‘deprivation‘, whether it be from individuals (losing their senses, themselves and lost ones), Governments or Corporations. Such is with great poetry many different interpretations can be construed.

This song came out well before the World Economic Forum initiative (in response to the COVID crises) – The Great Reset, and I’ll Be Gone was interpreted as exemplary dreamlike imagery with great accordion, trombone, xylophone and guitar accompaniment. I get that and agree…But I elucidated in our current epoch this song as not just imaginary, but a reflection of what is actually happening now regarding the Multinational power-hungry elite juxtaposed with the heavy burden on the suppressed individual obsessing to have that same power but falling into the abyss. To illustrate this, I want to highlight this comment from You Tube:

‘In order to stay part of the control group (vaccines)… I was bullied out of my job, my 20 year marriage broke down, I no longer have contact with my family and I lost 99% of my friends. But my gut instinct was so strong I had to listen to it. I still have my 2 adult children (in their 20’s) in my life and one friend. Interesting how these times have changed a whole lifetime of trust and belief.‘

References:
1. Franks Wild Years – Wikipedia
2. I’ll Be Gone – Song Meanings

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25/09 – 2/10/22 – Lawsuit against the US Federal Government, Former Pharmaceutical Rep & Transformation of the Church

news on the march

Welcome to Monday’s News on the March – The week that was in my digital world.

To open today’s article, I wanted to present the following image. I’ve lived a little but Brett and Heather’s latest podcast is a first for me regarding the animal kingdom and especially purveying podcasts:

This Saturday gone podcast by the husband-and-wife biological team was one of my favourites by them. There is a chucklesome moment when Heather says, ‘Maybe you can slow down the snoring a bit‘. And Brett replies, ‘It’s not me, it’s him (pointing at the dog)’.

Jay Bhattacharya: The Legal Case Against Anthony Fauci
Video interview at UnHerd

In October 2020, the Great Barrington Declaration was published by three academics – Jay Bhattacharya, Sunetra Gupta and Martin Kulldorff – who appeared on UnHerd to break the story. It marked a watershed moment in the pandemic, but the authors found their criticisms of COVID policy were increasingly censored on social media. 

Now, Bhattacharya is taking his case to the courts to prove collusion between the Biden administration and Big Tech to silence skeptics like the signatories of the Great Barrington Declaration. (View video interview here)

Former Pharmaceutical Rep Details How Oxycontin Took Over
Video podcast interview at PowerfulJRE

Brigham Buhler is the founder of Way2Well, a functional and regenerative care clinic – focusing on health, wellness, and restorative medicine. (Watch video podcast interview here)

Paulo Freire and the Marxist Transformation of the Church – James Lindsay
Audio presentation at New Discourses

The churches are under attack, not just from without but also from within. Marxist subversion has been brought deeply into them, and they are already falling. The model for how this is being accomplished mirrors the model used to steal education, so it’s little surprise that the Brazilian Marxist educator Paulo Freire is at the bottom of it. In this episode of the New Discourses Podcast, host James Lindsay picks up out of the Critical Education Series. (Audio presentation here)

news on the march the end
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I’ll Be Faithful to You (1984) – Don Williams

Don Williams music has been very prevalent here lately. I don’t think I’ve heard a mediocre song by him. He was an American country singer, songwriter, and 2010 inductee into the Country Music Hall of Fame. His straightforward yet smooth bass-baritone voice, soft tones, and imposing build earned him the nickname “The Gentle Giant“. You can find more biographical information about Don in my earlier posts. Today’s song I’ll Be Faithful to You was written by English singer-songwriter Paul Kennerley. It was released on Don’s 1984 album Cafe Carolina which peaked at number 13 on the Billboard Top Country Albums chart.

I can see your heart is achin’
He hurt you more than he knew
But should you ever want to love again
I’ll be faithful to you

You’ve been crying like a willow
When the night bird sings so blue
Trust was broken but hearts will heal
And I’ll be faithful to you

It’s strange that a man born and raised in England would become such a prolific composer for some of the biggest names in American Country music. Paul Kennerley composed many songs for various artists including Johnny Cash, Emmylou Harris, Waylon Jennings & Don Williams (featured below). In 1976 when he was working in advertising in London, he heard the song “Let’s All Help the Cowboys Sing the Blues” by Waylon Jennings. “It really excited me…I immediately hunted down every Waylon record I could find.”

Paul Kennerley quit his job in advertising and allowed himself three months to develop his talents as a songwriter. In 1983, he moved to Nashville, Tennessee, where he started working with Harris on her semi-autobiographical concept album, The Ballad of Sally Rose, co-writing and producing the album.

References:
1. Cafe Carolina – Wikipedia
2. Paul Kennerley – Wikipedia

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If You Leave Me Now (1976) – Chicago

US rock band Chicago posing in Amsterdam, Netherlands in 1976

There weren’t many entertainment outings our family enjoyed in my youth where If You Leave Me Now wasn’t played. Actually, I didn’t like it for years and I don’t know why, but now when I hear it, I really enjoy it. Call it nostalgia, but I understand why the adults were revelling. It’s a really mature song by a band so young. It is so craftily developed and has magnificent band arrangements.

There’s a nice story communicated on You Tube by Courtney Gibson Jr about this song: ‘I remember I played this after this woman broke up with me. This old guy (my neighbor) saw me crying. He came to me and we had a long talk. I remember one thing he said, “Don’t worry about it, you’re a strong young man and you have a whole life ahead.” He was such a nice old man. He’s gone now. But I will never forget that long talk with him.‘

A love like ours is love that’s hard to find
How could we let it slip away
We’ve come too far to leave it all behind
How could we end it all this way
When tomorrow comes and we’ll both regret
The things we said today

The song was at the top of the charts in so many countries. The song was so pervasive on radio upon its release that, reportedly, those tuning in within New York could hear the song playing on four different stations. The album Chicago X sold sold 1.4 million copies in the United States alone. It was written and sung by bass player Peter Cetera and released July 30, 1976.

References:
1. If You Leave Me Now – Wikipedia

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If You See Her, Say Hello (1974) – Bob Dylan

If you want to hear Dylan at the height of his singing and lyrical prowess then look no further than If You See Her, Say Hello. It is the second Bob Dylan track to appear here from his masterpiece record – Blood on the Tracks. The inflections and timbre of his voice are so striking and demonstrate in part, why he is so revered. It doesn’t sound like any other song I have ever heard. The lyrics are phenomenal, and instrumentals possess a strong Latin influence, at least to my ear.

If you get close to her, kiss her once for me
Always have respected her for doing what she did and gettin’ free
Oh, whatever makes her happy, I won’t stand in the way
Though the bitter taste still lingers on from the night I tried to make her stay

When Dylan’s divorce from Sara was imminent, he went into beast-mode in his songwriting and revived his status as the legendary singer-songwriter from the 1960’s. Prior to this he was having fun releasing albums like Nashville Skyline and Self Portrait with a crooning voice and dulcet sound. Then on Blood he went all out again, but in a 70’s mode of sound and personal topics. This revival period of Dylan between Blood ’74 and Street Legal 78 is one of the most cherished by his fans.

If You See Her, Say Hello is one of five on the album that Dylan initially recorded in New York City in September 1974 and then re-recorded in Minneapolis. The later recording, made on December 30, 1974, was produced by Dylan’s brother David Zimmerman, who was not credited. The recording later became the album track and the B-side of the “Tangled Up in Blue” single, released in February 1975.

These musicians in Minneapolis were based locally and Dylan had not met them before they started working together on December 27, 1974. But, by golly did those musicians deliver! He struck gold. In his 2004 memoir Chronicles: Volume One, Dylan says that Blood on the Tracks was “an entire album based on Chekhov short stories. Critics thought it was autobiographical – that was fine“. Dylan performed the song live 88 times up to July 2009.

References:
1. If You See Her, Say Hello – Wikipedia

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If You Could Read My Mind (1995) – Don Williams

The ‘gentle giant’ Don Williams was one heck of a country artist who would do community service when he got bored. You can read more about that in the I Recall a Gypsy Woman article. Here he covers the classic Gordon Lightfoot If You Could Read My Mind. Lightfoot wrote the lyrics while he was reflecting on his own divorce saying they came to him as he was sitting in a vacant Toronto house one summer. I have heard both versions many times, but I remain most fond of Williams’ version which appeared on his 1995 album Borrowed Tales. This is a song I have never grown tired of.

If you could read my mind love
What a tale my thoughts could tell
Just like an old time movie
‘Bout a ghost from a wishin’ well
In a castle dark or a fortress strong
With chains upon my feet
You know that ghost is me
And I will never be set free
As long as I’m a ghost you can’t see

When Don Williams covers a song, he seems to do them some serious justice! There is something so tranquil hearing his voice. It’s soothing and he seems to get to the heart of the matter without any fuss or bitterness. I can see why my father was fascinated by his voice. He is one of the best country singers I have heard. You can read more about Don William’s biography in my previous two articles on him. Don passed away in 2017, but his music will be greatly remembered. He amassed 17 number one country hits! And yet I couldn’t find one article about his rendition here or the album it came from. Maybe ’cause he kept a low profile according to my friend Max who lived in his vicinity in Nashville and had even met him!

I am into the weeds of internet searching. This CD gets its title ‘Borrowed Tales‘ because Don ‘covers’ well-known pop/country hits of others. The other thing I found was a comment ‘My cassette copy of this music melted together long ago and I’ve had trouble finding a copy of any form. I ordered a used copy in cd form and it is perfect‘. So now, that just goes to show ya how useful internet surfing can be.

References:
1. If You Could Read My Mind – Wikipedia

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Ikaw at Ako (You and I) (2019) – Tina Siuagan’s version of Moira Dela Torre, Jason Hernandez’s original

Moira Dela Torre

Today’s featured song Ikaw at Ako (You and I) is a special music entry in the Music Library Project. A Philippine lady Tina Siuagan who followed my blog sent me her rendition of Ikaw at Ako. She wrote the following description of her cover version seen at the end of this post:
‘After working from home and to use some extra time, I and my brother, Joshua, thought of singing a cover of Moira Dela Torre’s and Jason Hernandez’ “Ikaw At Ako”. We hope you like this simple rendition.‘

I was so impressed by their lovely version (which includes many funny bloopers), I wanted to track down the Philipine original. I was smitten by it as well and added it to my music project. From what I could glean in the video comments and the google translation is the original song is about someone wishing for love and after waiting so long and overcoming obstacles to find each other; thankful they now have love in their lives, and only want to love each other and nurture what they have….. But I warn you this story doesn’t end well.

A loose English translation of part of the song is below:

The fate I’ve found
In your love
Is what will cause this love
Of ours to last
 

And now, you’re there
I can’t explain what I feel
I’m ready for forever
I won’t lead you on
I won’t hurt you
From then (from then)
Until now
You and I

Moira Rachelle Bustamante Dela Torre is a Filipino singer-songwriter. She rose to fame for her covers of Imago’s “Sundo”, Moonstar88’s “Torete”, and the Himig Handog-winning single “Titibo-tibo”. Dela Torre is a devout Christian but has said “I don’t like imposing my convictions on other people.” She considers writing and performing worship songs her passion. In 2019, she made a wedding song for Jason Hernandez which is today’s featured song “Ikaw at Ako” (below). Jason Hernandez announced his separation with Dela Torre on May 31, 2022, admitting his unfaithfulness to her during their marriage.

References:
1. Moira Dela Torre – Wikipedia

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If You Belonged to Me (1990) – The Traveling Wilburys

If You Belonged To Me from the Traveling Wilburys’ Volume III album is a whimsical and high-spirited song. I wasn’t so enamoured with their post Orbison output, but there are some good tracks on it, like today’s featured song. Their Volume I album seemed more focused and spotlighted each songwriter’s talent. Volume III seemed less well-honed and frivolous in its endeavour. And that’s fine and considering the recent departure of Orbison, I imagine the individuals in the group were not up to making another masterpiece rather settling for ‘mixing it up a bit and see what happens’.

You say, “Let’s go to the rodeo
And see some cowboy fall”
Sometimes it seems to me you’ve
Got no sympathy at all

You keep on going on and on
About how you’re so free
You’d be happy as you could be
If you belonged to me

Traveling Wilburys Vol. 3 is the second and final studio album by the Traveling Wilburys. I always thought Vol. 2 was skipped in memory of Roy Orbison, but according to Jeff Lynne, “That was George’s idea. He said, ‘Let’s confuse the buggers‘. After Roy’s passing the remaining 4 members adopted new pseudonyms for Vol. 3 – Spike (George Harrison), Clayton (Jeff Lynne), Muddy (Tom Petty) and Boo (Bob Dylan). 

The album was less positively received than Vol. 1, yet still saw a fair measure of success. In the United States, “She’s My Baby” and “Inside Out” became radio hits, charting at number 2 album rock and number 16 album rock, respectively. The album peaked at number 14 in the UK and number 11 in the US, where it was certified platinum.

References:
1. Traveling Wilburys Vol. 3 – Wikipedia

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