The End of the Innocence (1989) – Don Henley

This is simply one of the greatest songs I’ve ever heard. It made such a huge impression on me as an adolescent that I tried writing the lyrics of it to give to a girlfriend. My first ever girlfriend was Tonia Anderson and I was smitten with her. You could find us at Colo High School smooching at the entryway of the Year 12 building in 1989 or thereabouts, which undoubtedly repulsed our fellow students having to enter.

The day Tonia would come to my house on a date, my old man tried to set me straight on …you – know, umm kind of a hybrid of birds and bees and don’t impregnate your girlfriend in my house‘ type of warning. It was funny how he tried. ‘I get it Dad‘! Eventually my parents headed out and Tonia and I had the whole place to ourselves. ‘Yes’!!!!. So we were on my bed downstairs and listening to some Elton and I produced these lyrics I transcribed from today’s featured song and gave them to her.

This is a true story…. I wrote in my lyric interpreting today’s song as I heard it – the Chorus – ‘End of the Andersons‘. Not the true lyric ‘The end of the Innocence‘. Andersons for Innocence. Even now when I hear the song I hear ‘End of the Andersons‘.
You want to know stupidity? Well, it never occurred to me her family name was Anderson, but I gave the lyrics to her anyhow. As Tonia was reading them learning about the end of her family, she didn’t look too impressed if I remember, much to my dismay.

Separating my stupidity from all the above, what are the chances I decide to write a lyric for someone where the song title could be misinterpreted as the family name of the girl I was trying to court? And not just that, but it suggests her family’s demise. I mean one in a thousand, million, perhaps billion? Anyway, I have some backstory with this song to put it mildly.

The End of the Innocence not the Andersons, is the title song from the third solo album by Don Henley. I think it’s one of the best lyrical compositions I have heard and despite having reheard it over the decades it never grows old to my ears. So without further to do, below is The End of the Andersons…. Innocence rather.

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Posted in Music

Muriel’s Wedding (1994) – P.J. Hogan (Friday’s Finest)

Someone asked me the other day, who are your favourite actresses? Last week’s protagonist Cate Blanchett in Blue Jasmine is one and the Swedish blonde lass with sunglasses who heads this blog – Bibi Andersson in one of the all – time greatest films – Persona (1966) is another. The third actress I adore is Toni Collette who came to fame in today’s featured film – Muriel’s Wedding. Most cine-goers will know of Toni in The Sixth Sense (Bruce Willis), About a Boy (Hugh Grant) & Hereditary where she killed it.
‘Like an Angel‘ scene from The Sixth Sense.

I have a penchant for Australian movies and actresses. So when Toni’s breakout movie Muriel’s Wedding came out in my homeland and was adored by all and sundry, then we we were all wondering where would Toni go from here? Well stardom, that’s where folks!
Muriel’s Wedding like the recent small-budget Australian movie featured here – The Castle captured homegrown Australian audiences like few others. After Muriel, ABBA music became celestial especially in Australia. It and Elton John’s music were on many family’s shelves.

IMDB Storyline:
Muriel finds life in Porpoise Spit, Australia dull and spends her days alone in her room listening to ABBA and dreaming of her wedding day. A slight problem is she never had a date. Then she steals some money to go on a tropical vacation, meets a wacky friend, changes her name to Mariel, and turns her world upside down.

I like how it’s described on critical consensus -‘An Awkward Comedy‘. But this movie is much meatier than it appears to be. There is some life-growing substance to it and often it makes you question what kind of movie you are watching. Apart from the natural performances I really like the storyline – how a girl gets from living in her family house with her ABBA posters to living her dream although she connivingly concocts it.

The director P.J. Hogan based Muriel’s personality on himself, but Muriel’s actions were inspired by his sister, who embezzled $15,000 from their father and then disappeared to Sydney to live with a friend.

Below is one of the iconic scenes from the movie:

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Posted in Movies and TV, Music

Emotionally Yours (1985) – Bob Dylan

ABC TV interview with Bob at his home September 1985

(In the year this song was written..a singer-songwriter steadfast in their conviction and humble in their manner, see above)

This is the second song to appear from Dylan’s maligned 1985 record Empire Burlesque. I reviewed the last track Dark Eyes here not so long ago and it is the stand-out on the record, but Emotionally Yours isn’t far behind. His delivery of it live below with Tom Petty and the Heartbreakers at Farm-Aid really does it for me. It’s as though he was there break-of the morning and pleasing some early birds, but the reality wasn’t that..and I don’t care.

I never grow tired of seeing this Emotionally Yours performance, even though Dylan said in the above video interview that they couldn’t hear and didn’t have monitors at Farm Aid. You can actually see him remonstrating during the performance. They had it against them as he put it.

Still Dylan had a conviction and a no-nonsense manner in his approach and that remarkable intonation and inflection of voice to carry the message. It may not resonate well with the general listening public unlike his commercially released video of the song, but I generally prefer his Burlesque songs live than on the record.

Come baby, shake me, come baby, take me, I would be satisfied
Come baby, hold me, come baby, help me, my arms are open wide
I could be unraveling wherever I’m traveling, even to foreign shores
But I will always be emotionally yours
.

As I wrote in the Dark Eyes article, Empire Burlesque is an overly produced 80’s churn-out session, but when the songs are interpreted live they are really solid. The only track in my estimation on the record which can’t be superseded live is Dark Eyes. Dylan by 1985 was well out of his gospel-song stage and exploring a new world in songwriting.

Emotionally Yours was played just 19 times in concert. As the marvellous Untold Dylan blog states:

And does he remember what he was going through with all the religious music of five years before? Well, maybe not…

‘It’s like my whole life never happened
When I see you, it’s as if I never had a thought
I know this dream, it might be crazy
But it’s the only one I’ve got.’

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Posted in Music

The AnkiDroid Collection (Part 5) – Monolith, Neo-Liberalism & Microbes

Ankidroid additions related to Science, History and Philosophy. You can find more information about Ankidroid in my post – Learning a Second Language and Ankidroid.

Monolith

A large impersonal, political, social or corporate object regarded as indivisible and slow to change.
Or a large single upright of stone serving as a pillar or monument.


Neo-Liberalism

Below includes the first results I got from searching Neo-liberalism in Google images. Let that sink in!

19th century ideas associated with Laissez faire-economic liberalism and free market capitalism.
This reminds me of the presentation below by Jonathan Haidt: Questions for a Resilient Future: Culture, Conscience, & Capitalism

Microbes

At a later date this will lead to the Last Universal Common Ancestor (LUCA).

A bacterium causing disease or fermentation. A living organism too small to be seen to the naked eye. They live in water, soil and air. They make us sick or can make us healthy.

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Posted in politics, Science

El Niágara en Bicicleta (1998) – Juan Luis Guerra

El Niágara en Bicicleta (Niagara Falls on a Bicycle) is a song written and performed by Dominican singer-songwriter Juan Luis Guerra. It is the fifth song to appear here so far from this immensely popular Latin music-artist. El Niágara en Bicicleta is a merengue rap song and peaked at number two on the Billboard Hot Latin Songs. It was also the best-performing tropical song of 1999 in the USA. It also won the Grammy in 2000 for best tropical song – ‘tropical’ being that from Spanish-speaking Caribbean countries.

The song’s title Niagara Falls on a Bicycle refers to a Dominican Republic idiom meaning “one is suffering economic misery“. There are many idioms/regionalisms like this in the Latin culture including here in Colombia ‘Ganarse la papa‘ (Earn the Potato) – ‘to bring home the bacon‘ or to earn a living and ‘Sigo en la lucha‘ (I’m still in the fight) – ‘I’m keeping on keeping on‘ or ‘putting up a good fight‘.

This song is based on Juan’s experience he had in a hospital Guerra following a high bilirubin diagnosis. He recalled “I told the doctor when I was getting out of there that I was going to write a song about my experience. After that, I wrote ‘Niagara en Bicicleta‘. In the lyrics, the protagonist finds himself in an emergency room only to “confront the tragicomic miseries of health care in the island“. Due to a lack of supplies however, the person is asked to wait for his turn in a long line of people. The narrator is in disbelief about the lack of medical supplies and the nurse cannot perform an electrocardiogram due to common blackouts. ‘Ben Gay’ refers to a pain relief ointment that a lot of Dominicans use.

A loose English translation of the lyrics follows:

[Verse 1]

I had a fit one Sunday morning when I least expected it.
I fell flat, like a soursop, into the gutter.
Is it my blood pressure, or is my bilirubin high?
And I got a fever, and I started turning white as a mothball.
They took me to a hospital full of people, supposedly In the Emergency Room,
the receptionist was listening to the lottery (Thirty thousand pesos!)
“Someone take pity on me!” I screamed, losing consciousness.
And a nurse leaned close to my ear and said, “Calm down, Bobby, calm down.”

[Verse 2]
She stroked me with Ben Gay ointment and said, “What’s wrong, athlete?”
And I told him in great detail what had happened to me.
“We need to check your blood pressure, but the room is full,
and, my dear, There’s no light in this hospital for an ultrasound.”
I opened my eyes like a full moon and grabbed my head.
Because it’s very hard to cross Niagara Falls on a bike.

[Chorus]
Don’t tell me the doctors left (Woh-oh-oh)
Don’t tell me they don’t have anesthesia (Woh-oh-oh)
Don’t tell me they drank the alcohol (Woh-oh-oh)
And that the sewing thread was embroidered on a tablecloth
Don’t tell me the tweezers were lost (Woh-oh-oh)
That the stethoscope is celebrating (Woh-oh-oh)
That the X-rays fused (Woh-oh-oh)
And that the serum was already used to sweeten the coffee

[Verse 3]
I leaned on her shoulders like a lame man on his crutch, and I said: “What do I do, princess?”
And on a prescription slip, she wrote very sweetly: “I’m sorry, athlete.” (My princess, what will become of me?)
she caressed me with Ben Gay ointment and went on his way.
And I heard clearly when he said to another patient: “Calm down, Bobby, calm down.”
I lowered my eyes to half-mast and held my head.
Because it’s very hard to cross Niagara on a bicycle.

References:
1. El Niágara en Bicicleta – Wikipedia

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29/11 – 5/12/21 Systemic Racism, Irish Hair & Vaccine Mandate

news on the march

Welcome to Monday’s News on the March – The week that was in my digital world.

Systemic Racism’s Greatest Hits – Glenn Loury and John McWhorter – The Glenn Show
Video interview by the The Glenn Show

I have been a regular viewer of Glenn Loury podcasts with guest John McWhorter. These 2 Uni lecturers – ‘the black guys’ (as they call themselves) come from different sides of the political spectrum and approach issues from obtuse angles, but have a great chemistry and respect for each other. It boggles the mind how few views this video entices, yet Loury talks about how he was a crack-cocaine addict in his 20’s at 39.30 in the video below. They don’t have any pretences in how they present themselves or where they are at in their lives. It’s always a pleasure to watch them and this one is definitely in the ‘greatest hits category’. (Watch entire discussion here)

Dylan Moran on Irish Hair
Comedy skit at Univeral Comedy

I’m surprised I haven’t mentioned Dylan Moran more in this blog. I wrote about Dylan, at the beginning of last year who is one of my favourite here about a Black Books episode. I downloaded his comedy specials many moons ago and I could not begin to repay the debt the joy his insights brought to me. I hope you enjoy this short excerpt from one of those specials called Monster. (View the comedy skit here)

No Exceptions: A Story of Medical Tyranny in Australia
Video interview by Bret Weinstein

Betty Pezzimenti runs her own food truck and catering business (Melbourne, Australia). She is facing a vaccine mandate with which she can not comply for health reasons, and from which she cannot seem to get an exemption.

This video takes a a little while to get-going as young Betty discusses the specific nature of her allergies and medical history. If you can’t watch the whole interview then I recommend tuning into the extremely moving post-interview discussion which starts at 1:25:35  (Watch full video interview here)

news on the march the end

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Posted in Health, News, politics

El Mismo Cielo (2009) – Marcela Gandara

El Mismo Cielo (The Same Sky / Heaven) is from the outstanding Mexican – Christian singer Marcela Gandara who has featured here twice before. Marcela’s music is so popular here, I hear people singing it outside my door in the street for ‘propina’ (tips). I’m a huge fan of Marcela and today’s song is about being reborn and seeing the divinity in nature.

Me haces vivir (You make me live),
Me haces reir, (You make me laugh)
Y respirar (and breathe).

El Mismo Cielo is the title track of her 2009 album. She has produced 6 albums in total. Marcela sings here about walking down the same streets, but proclaiming she is not the same – rather a tourist seeing everything anew because she is with her saviour. The sea and stars are expressed to her in this voice and even in the silence her epiphany reminds her to stay close.

Christian music is one of my favourite music genres. The melodies and passion in the performances are really second to none, as far as I have appreciated them. I mentioned in the post Agnus Dei by Michael W Smith that after I was baptised in 2003 by the Mornington Baptist church I was introduced to a plethora of Christian artists and groups whose music I still hold very dear.

I learnt of Marcela’s music after I came to Colombia and by good fortune heard her music one day in a perfumier. The fragrances took a back-seat to her intoxicating voice. I had to hear her again after I got home, which I did and every song on her 1 hour music list floored me. I hope you enjoy today’s song El Mismo Cielo (The Same Sky):

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Blue Jasmine (2013) – Woody Allen (Friday’s Finest)

This is Woody Allen at the top of his A-game in terms of writing and directing. I’d be embarrassed to mention how many times I have seen this movie and even if it popped on now I would lay down all tools and watch it. It’s just such a smart-social critique of our times, that I feel privileged to see it. The nuance in the writing and performances is so life-like that you could think you are watching a documentary. Blue Jasmine is the 5th Woody Allen film to appear here, but it’s my favourite of his comedy-dramas although arguably his darkest. (Match Point could throw a spanner in this too).

IMDB Storyline:
Jasmine French used to be on the top of the heap as a New York socialite, but now is returning to her estranged sister in San Francisco utterly ruined. As Jasmine struggles with her haunting memories of a privileged past bearing dark realities she ignored, she tries to recover in her present. Unfortunately, it all proves a losing battle as Jasmine’s narcissistic hangups and their consequences begin to overwhelm her. In doing so, her old pretensions and new deceits begin to foul up everyone’s lives, especially her own.

Last week I found myself seconded to watch most of The Lord of the Rings trilogy since I hadn’t seen it since its premiere. My father and I watched the first Fellowship of the Ring at the cinema in Mornington, Melbourne and he was riveted by it, although I was nonplussed. Now, the first film is my preferred of the three. Anyhows, I ventured here to reveal how captivated I was by the Australian actress Cate Blanchett as Lady Galadriel (one of the first-born elves) which leads us on to Jasmine.

Apart from another Australian actress Toni Collette (notably Muriel’s Wedding (next week’s movie), The Sixth Sense, Hereditary and About a Boy), Cate Blanchett is the ants-pants in my estimation as far as acting goes, but Emma Thompson in Remains of the Day is on par with Cate in Blue Jasmine.
Anyone that doubts that an actor deserves their dues should see Blue Jasmine. Blanchett was awarded the gong for her performance. This all reminds me of the reflections of fellow Australian actor Hugh Jackman on how he got to be where he is in a recent interview.

This is such a classy movie, but simultaneously shits on class. That’s what makes it a stand-out. The director is at the top of his game; like a surgeon of society who can see through all the superficiality and make incisive cuts for the public to see in full-view. Blue Jasmine is this.

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Posted in Movies and TV

Egmont Overture Op 84 – Ludwig van Beethoven

Beethoven – 1814

This piece was incidentally set for the 1787 play of the same name by Johann Wolfgang von Goethe. It’s light in the beginning and gorgeously drawn-out and then becomes a swash-buckling finale. It was written between 1809 and 1810. It was composed during the Napoleonic Wars when the First French Empire had extended its domination over vast swathes of Europe and Beethoven found himself having to leave Vienna because of it. Coincidently I just added Napoleon to my Ankidroid and now he was cause of Beethoven’s reason to escape his home-land!

Beethoven wasn’t a big fan of the French conqueror Napoleon Bonaparte. He expressed his own political concerns through the exaltation of the heroic sacrifice of a man condemned to death for having taken a valiant stand against oppression. The subject matter of the Egmont rebellion and triumph over tyranny was of deep concern to the composer. Count Egmont is a historical personage of the 16th century and he was entrapped imprisoned and finally beheaded. In the final moments of the play, Egmont realizes that his death will signal a rebellion against tyranny and oppression. He said:

“Defend your land! And to liberate your loved ones, give yourselves joyfully, as I have given you an example!”

Just at the darkest moment after a slow introduction by Beethoven, he adds in the final section, very quietly at first but soon building to a glorious fortissimo. This is one of Beethoven’s finest triumphant endings.

References:
1. Wikipedia – Egmont (Beethoven)
2. The Story Behind Beethoven’s Overture from “Egmont” – Rhode Island Philharmonic Orchestra.

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The AnkiDroid Collection (Part 4) – Stoicism, the Druze People & Agrarian Societies

Today continuing with the Ankidroid additions related to Science, History and Philosophy. You can find more information about Ankidroid in my post – Learning a Second Language and Ankidroid.

Stoicism

A school of Hellenistic philosophy about personal ethics informed by its system of logic and views on the natural world. The one only thing one should care about is that they meet their moral obligations. Virtue is its own reward. We do not need need wealth or sexual gratification.

Marcus Aurelius – ruler of the Roman Empire wrote a book called Meditations laying out the philosophy before it was even coined. He is the only ruler in the western tradition who remotely resembled Plato’s philosopher King.

2. The Druze People

An Arabic speaking esoteric-enthnoreligious group originating in Western Asia who self-identify as Unitarians (An Abrahamic monotheistic syncretic religion).

Jethro of Midian is considered as an ancestor of the people on the Mountain of Druze and he is revered as a spiritual prophet and founder.

3. Agrarian Societies

A community whose economy is based on maintaining crops and farmlands. Its main means of production is the cultivation of lands. It was an advancement on the Hunter-Gatherer form of living.

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