Always on My Mind (1987) – Pet Shop Boys

I know some musical purists are going to have a bee in their bonnet over my ‘version selection’ of this classic American ballad, but I always liked what The Pet Shop Boys did here with the pronounced synth-pop sound of the 80’s. I normally loathe rebooted cover versions or excerpts of old classics to appease younger audiences as so often occurs these days. But, that 80’s sound which gets chastised so often such as with Bob Dylan’s Empire Burlesque record, is sometimes honed towards a good place that ages well. I think The Pet Shop Boys achieved that here in their rendition of Always on My Mind.

[Verse 1]
Maybe I didn’t treat you
Quite as good as I should
Maybe I didn’t love you
Quite as often as I could

[Pre-Chorus]
Little things I should have said and done
I never took the time

[Chorus]
You were always on my mind
You were always on my mind

Always on My Mind is a ballad written by Wayne Carson, Johnny Christopher, and Mark James, first recorded by Brenda Lee, and first released by Gwen McCrae (as “You Were Always on My Mind“) in March 1972. Elvis Presley’s recording was the first commercially successful version of the song. I remember liking Willie Nelson’s grammy award winning version as well. The Pet Shop Boys‘ interpretation went to UK Number 1 and top 10 in the US.

A TV special in the UK (1987) commemorated the tenth anniversary of Elvis Presley’s death and the programme featured various popular acts of the time performing cover versions of his songs. The Pet Shop Boys’ performance was so well-received that the duo decided to record the song and release it as a single. In November 2004, The Daily Telegraph placed the version at number two in a list of the 50 best cover versions of all time. In October 2014, a public poll compiled by the BBC saw the song voted the all-time best cover version.

References:
1. Always on My Mind – Wikipedia

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Long Train Runnin’ (1973) – the Doobie Brothers

When I was in my late teens, I had this fascination taking photos of anything relating to trains, mostly scenic images of train-tracks running off somewhere. Like the one I took inset at Timbertown, a popular tourist attraction at Wauchope on the mid north coast of New South Wales, Australia.

Where I live now, the sole train-track in Bogota, Colombia passes just a few blocks from my house. I hear the train’s mighty air-horn at least twice daily. Often, I have to pass the ‘level crossing’ and a gulf of traffic to get to where I am going. I often look down the track and hope I can just make out a train in the distance, but of course I never do otherwise the gates would have come down and a siren blaring.
Now that’s a ‘moment’ at a level crossing, when you have to wait for a train to pass and watch the big machine roll by just a few feet away. It gets me giddy just thinking about it.

This nostalgic fascination for Trains or train – tracks is not uncommon and it leads us nicely to today’s song Long Train Runnin’ by the Doobie Brothers. It’s strange that two of their songs appear here in quick succession, just like one train after the other I suppose. Their previous entry Listen to the Music made me reminisce the classic line in Romancing the Stone – ‘Dammit man, the Doobie Brothers broke up! Sh*t! When did that happen‘? Today’s track threw me onto them train – tracks.

[Verse 1]
Down around the corner
Half a mile from here
You see them long trains runnin’
And you watch ’em disappear

[Chorus]
Without love
Where would you be now?
Without love

[Verse 2]
You know I saw Miss Lucy
Down along the tracks
She lost her home and her family
And she won’t be coming back

Long Train Runnin was included on the band’s 1973 album The Captain and Me and was released as a single, becoming a hit and peaking at No. 8 on the US Charts. The tune evolved from an untitled and mostly ad-libbed jam that the Doobies developed onstage years before it was finally recorded. Its working title, according to Johnston, was “Rosie Pig Moseley” and later “Osborn“. “I didn’t want to cut it” Johnston later confessed. “…I just considered it a bar song without a lot of merit“. Record Producer Teddy Templeman convinced Tom Johnston (founder and lead guitarist and vocalist of the Doobie Brothers) to write words to the song.

Below the original studio recording of Long Train Runnin’, I have presented a scene from one of my favourite ‘coming of age’ movies Stand By Me. As the 4 boys trek by a train track to search the body of a who has been missing for several days they decide to cross a railway bridge, but there is nothing but a deep ravine below. Anyone fascinated by all the aforementioned yearning of trains and what – not will find few other scenes in movie history that encapsulate that fervor more acutely.

Reference:
1. Long Train Runnin’ – Wikipedia

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8/5 – 14/5/23 – Space Edition

news on the march

Welcome to Monday’s News on the March – The week that was in my digital world.

What is Space? | Brian Keating on Lex Fridman’s Podcast
Video interview at Dr Brian Keating

What is cosmic dust and how does it affect our understanding of the universe?

Brian Keating is an experimental physicist at the UCSD, author of Losing the Nobel Prize, and host of the Into the Impossible podcast. (Watch video interview excerpt here)

The Living Universe is Unimaginably Big and You’re a Part of it!
Presentation at Wisdom for Life

How big is the universe? Let’s take a journey from Earth to the solar system, closest stars, the Milky Way, and the observable universe. Along the way we will stop by the Oort cloud, Alpha Centauri, radiosphere, Andromeda galaxy, Virgo supercluster, and Laniakea.

(Watch full presentation here)

The Final Architecture
Book Review at Self Aware Patterns

Adrian Tchaikovsky’s The Final Architecture trilogy…is an epic space opera in the spirit of James S.A. Corey’s The Expanse, featuring a ragtag spaceship crew finding themselves embroiled in a war between different species and empires, and an overall struggle for intelligence in the universe to survive. (Read entire review here)

news on the march the end
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Posted in News, Science

Long and Wasted Years (2012) – Bob Dylan

Long and Wasted Years is the first song to appear here from Bob Dylan’s 2012 album Tempest. It is an introspective monologue about someones’ longing for a lost love, juxtaposed with a sense of pride that they ‘wouldn’t do anything different given their time back‘. I have always loved this song as I do the whole first half of the Tempest album up to Pay in Blood. Like much of Dylan’s 21st-century output, he produced the song himself using the pseudonym Jack Frost.

[Verse 1]
It’s been such a long, long time
Since we loved each other, when our hearts were true
One time, for one brief day, I was the man for you
Last night I heard you talking in your sleep
Saying things you shouldn’t say, oh baby
You just may have to go to jail someday

[Verse 2]
Is there a place we can go, is there anybody we can see?
Maybe it’s the same for you as it is for me
I ain’t seen my family in twenty years
That ain’t easy to understand, they may be dead by now
I lost track of ’em after they lost their land

[Verse 3]
Shake it up, baby, twist and shout
You know what it’s all about
What are you doing out there in the sun anyway?
Don’t you know, the sun can burn your brains right out

Unusually for a Dylan song, Long and Wasted Years has no musical chorus or bridge and there is no lyrical refrain. Dylan recites 10 four-line verses over a “descending chord progression that becomes relentlessly more intense” as it repeats for nearly four minutes.

I like what musical journalist Greil Marcus said about Long and Wasted Years:

I have to tell you I haven’t listened to the words at all. I have no idea what story is being told. I love the way he speechifies through the song. He sounds like Luke the Drifter, Hank Williams’s religious alter-ego. He sounds like Elmer Gantry. He is a preacher, a con man; he is lying through his teeth. And he believes every word he’s saying. For me this is just a declamatory voice, and it breaks the mold of this record

In researching this song, I found a version sung in Spanish which is spectacular, and I have added it below the original version. The Spanish version almost sounds like a form of Deep AI of Bob singing in Spanish but with a different instrumental version.

Thanks for reading.

References:
1. Long and Wasted Years – Bob Dylan

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The AnkiDroid Collection (Part 40) – Salsa Rosa, Hormones & Hermeticism

Ankidroid additions related to Science, History and Philosophy. More information about Anki can be found in this article.

Salsa Rosa

Last week we discussed the Cuplé which is a Spanish musical style, light and popular, which could sometimes be risqué and spicy by the standards of the time. This week we turn to Salsa romantical or colloquially known as Salsa Rosa (Salsa Rose). Salsa Rosa is also referred to as this:

Pink Sauce

Today we look at the colloquial meaning of Salsa Rosa with respect to the style of Salsa music. I imagine the Rose (flower) is used because it is delicate and in general these types of Salsa songs raise emotions of romance and sex and how men try to entice or capture women with Roses. So, it is a mix between ballads and orchestral music that is adorned with sensual, sexual, flirtatious and romantic lyrics. In fact, many lovers of this rhythm consider August 22 as the international day of romantic salsa. Two Salsa Rosa songs have featured here so far: Eddie Santiago’ with’s Lluvia (Rain) and Jerry Rivera’s Amores como el Nuestro (‘Loves’ like Our One).

Hormones

This is related to last week’s Cortisol post and the week before the Pituitary Gland.

Hormones are chemical messengers secreted directly in the blood which carries them to organs and tissues in the body to exert their functions.

Hermeticism

Hermes Trismegistus

Hermeticism or Hermetism is a philosophical and religious system based on the purported teachings of Hermes Trismegistus.

Hermeticism and Gnosticism are two of the more ancient ‘secret’ religions, if you will, which have been making a comeback in the Modern West (such as ‘Woke Denunciation’) as described in the video below. ‘They are very old religions in a new set of clothes‘. For example, if you want to see Gnosticism laid out and performed on the big screen, I point you to The Banshees of Inisherin nominated for an Academy Award this year.

The significance of Hermeticism is broad and obfuscated – perhaps intentionally, but I’ll do my best to describe its essence:

  • They operate on negative theology. You cannot possibly describe God for what he is; you can only explain him for what he is not.
  • Knowing how to denounce something in a specific way that announces the possibility for something different without having to say what it is.
  • It is insulated or protected from outside influences.
  • It is difficult to understand because it is intended for a small number of people with specialised knowledge.
  • It is fundamental to understanding or gnosis that cannot be taught.
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Lonesome Day (2002) – Bruce Springsteen

After the double album release Human Touch and Lucky Town (1992), I found sprinkles of Bruce magic released on the Tracks record which contained mostly never-before-released songs recorded during the sessions for his many albums. Songs like Happy which has already featured here and Loose Change soon to be discussed, really impressed me. There was also his solo – acoustic era with tracks like Dead Man Walkin’ which was the title track for the movie starring Sean Penn and Susan Sarandon and Devils and Dust and The Ghost of Tom Joad.

The record The Rising (2002) which today’s song Lonesome Day introduced couldn’t be more aptly titled as far as Springsteen’s music career was concerned. This was Springsteen’s Rising after his scattering of greatness throughout the 90’s to a full-blown powerhouse record despite its solemn subject matter.

The Rising record was released after the attack on the twin towers in New York. This record was a dedication to the victims and survivors of that terrible day. The Rising was symbolically named to praise the heroism of the firefighters and emergency teams heading up the stairwells of the Towers before they collapsed…Springsteen said he got the inspiration for the album a few days after the 9/11 attacks, when a stranger in a car stopped next to him, rolled down his window and said: “We need you now”.

[Verse 1]
Baby, once I thought I knew
Everything I needed to know about you
Your sweet whisper, your tender touch
I didn’t really know that much

[Pre-Chorus 1]
Joke’s on me, but it’s going to be okay
If I can just get through this lonesome day

[Chorus]
Lonesome day

[Verse 2]
Hell’s brewing, dark sun’s on the rise
This storm will blow through, by and by
House is on fire, vipers in the grass
Little revenge and this too shall pass

Lonesome Day is the opening track of The Rising and sets the tone for the record as one of many songs on the album with lyrics that appear to be inspired by the September 11, 2001 attacks. In my previous entry from Bruce on this record – Countin on a Miracle I wrote that I thought that song contained one of the most magnificent ‘Bridge’ stanzas I have ever heard.

Since its initial appearance on The Rising, Lonesome Day has appeared on several subsequent Bruce Springsteen releases. A live performance from The Rising Tour was included on the DVD Live in Barcelona which is presented below. This is one of my favourite concert performances I have had the good fortune to see many times on DVD.

Reference:
1. Lonesome Day – Wikipedia

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1/5 – 7/5/23 – The Cosmic Rose, Woke & Violets

news on the march

Welcome to Monday’s News on the March – The week that was in my digital world.

NASA’s James Webb Space Telescope: Stunning new images captured of the universe | 60 Minutes
Video interview at 60 Minutes

‘The Cosmic Rose’

An Early Deep Dive into the Cosmos with Astrophysicist Brant Robinson at the University of California, Santa Cruz

As NASA’s Webb telescope scours the universe to find light from the first stars and galaxies, it is also capturing the universe like never before. Scott Pelley got an inside look at Webb’s new discoveries. (Watch video interview here)

James Lindsay at European Parliament – Woke Conference
Presentation at Paul Boonefaes

I watch nearly everything from James Lindsay and he is no stranger to this blog. He was one of the three academics who are in retrospect heroes of modern times because they industriously learnt and exposed the radical possession of the ‘Left’ in the Universities and mainstream media in the Grievance Studies Affair.

James Lindsay has since become an advocate for public education about the dangers of Post Modernism and Neo Marxist cults, Social Emotional Learning in our schools and Universities and more broadly the new world order (The Great Reset) orchestrated by the UN.

The above presentation is one of my favourites from him, not just because of its succinctness and James articulation, but the message couldn’t be timelier. Woke, a culture war against Europe. This conference was organised by the “Identity and Democracy Foundation“. (Watch full presentation here)

Planting Violets in the Rain – Theodora Goss
Poem at Theodora Goss

(The image is Lady with a Bowl of Violets by Lilla Cabot Perry.)

Planting Violets in the Rain
by Theodora Goss

The difference between me
and a crazy old woman planting
violets in the rain is — I’m not that old yet.

But there I was, planting violets,
while rain ran down my hair and left water drops
on my glasses. I had been waiting
for the rain to stop, but it had not stopped
for three days, and the violets,
sitting in their cardboard box, roots
wrapped in a damp paper towel, upright
in their plastic bag, open at the top
so they could breathe, were getting impatient.
Lift us out of here, they said. We want
to stretch our toes in the mud,
we want to get cold and dirty,
feel the water on our heart-shaped leaves,
send our purple flowers skyward.
We are delicate, yes, but we are strong —
we were made for storms.
We come back year after year, we invade
your garden with beauty.

What could I say after that?
I was afraid they might invade me,
so I went out in the rain
and planted them, although I was not at all sure
whether I was made for storms,
whether I would come back if a late frost
killed me down to the soil, neither as beautiful
nor as delicate as their nodding stems,
not sure of myself or my ability
to put down roots wherever I was planted,
thinking, if anyone walks by, they will wonder,
who is that crazy woman?

But like them, I was willing
to take my chances.

news on the march the end
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Posted in News, politics, Reading, Science

Lodi (1969) – Creedence Clearwater Revival

This is the first song to appear here from Creedence Clearwater Revival. They were formally named the Golliwogs and I’m not kidding. The band’s most prolific and successful period was between 1969 and 1971 and performed at the 1969 Woodstock festival as the first major act signed. CCR disbanded acrimoniously in late 1972 after four years of chart-topping success.

Like the ‘Dude’ from The Big Lebowsky I would classify myself more a Creedence fan than the Eagles:

Come on, man. I had a rough night and I hate the fuckin’ Eagles, man!

But, I do think Don Henley’s solo output is the bee’s knees, but any-hows where were we? Oh yeh, Creedence. Lodi was released four months before the album Green River, as the B-side of Bad Moon Rising. I was reminded of today’s song from Max’s post at his blog PowerPop.

[Verse 1]
Just about a year ago
I set out on the road
Seekin’ my fame and fortune
And lookin’ for a pot of gold
Things got bad and things got worse
I guess you know the tune
Oh Lord, stuck in Lodi again

[Verse 2]
Rode in on the Greyhound
I’ll be walkin’ out if I go
I was just passin’ through
Must be seven months or more
Ran out of time and money
Looks like they took my friend
Oh Lord, I’m stuck in Lodi again

Lodi is a city in California located in the central valley, about 38 miles south of Sacramento and 87 miles away from Oakland. John Fogerty (founder and lead singer) later said he had never actually visited Lodi before writing this song, and simply picked it for the song because it had “the coolest sounding name.”

References:
1. Lodi (Creedence Clearwater Revival song) – Wikipedia

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Whiplash (2002) – Damien Chazelle (Friday’s Finest)

I mentioned J.K Simmons (image above) imposing bit part in the movie Up In the Air two weeks ago. Today we get to revel in what he is truly capable of as an actor. This independent psychological drama is as brutal to watch as it is engrossing in nearly every scene. Damien Chazelle (pictured left) is one of the most astute and admired young directors going around. He wrote the script of Whiplash in 2013 when he was just 28 years old. He drew upon his experiences in a “very competitive” jazz band in high school.

IMDB Storyline:

Andrew Neiman, a 19-year-old jazz drummer is determined to rise to the top of the country’s most elite music conservatory. Plagued by the failed writing career of his father, Andrew hungers day and night to become one of the greats. Terence Fletcher (J.K. Simmons, Juno), an instructor equally known for his teaching talents as for his terrifying methods, leads the top jazz ensemble in the school. Fletcher discovers Andrew and transfers the aspiring drummer into his band, forever changing the young man’s life. Andrew’s passion to achieve perfection quickly spirals into obsession, as his ruthless teacher continues to push him to the brink of both his ability and his sanity.

There is a very fine line between mentor / motivator and abuser. This movie seems to draw that line and expose it for all its worth. I lived as cadet in a Military Academy run by other cadets. Lord of the Flies if you will. I think what this film achieves is a good thing, but since perhaps 2000 I believe our educators have gone too soft and there exists an ‘Everyone is a winner‘ mentality in Education that started from Herbert Marcuse’s ‘Repressive Tolerance‘ book and thereafter Paulo Freire’s push towards critical pedagogy. Meritocracy has in many respects been shown the door. AI such as Chat GPT 4.0 and other such information intelligences could render Meritocracy obsolete in months / years.

Whiplash was initially sponsored as a short film but was backed by the production companies Right of Way Films and Blumhouse Productions to be made into a full feature. It premiered at Sundance in 2014 and won the Audience Award and Grand Jury Prize for drama. The film ended up grossing grossed $49 million on a $3.3 million budget making it Chazelle’s highest grossing feature until La La Land (2016). It was shot in just 19 days.

There are other absorbing facts below from the Wikipedia article:

While attending Princeton High School Damien Chazelle was in the “very competitive” Studio Band and drew on the dread he felt in those years. He based the conductor, Terence Fletcher, on his former band instructor (who died in 2003) but “pushed it further”, adding elements of Buddy Rich and other band leaders known for their harsh treatment. Chazelle said he wrote the film “initially in frustration” while trying to get his musical La La Land off the ground.

Early on, Chazelle gave J. K. Simmons direction that “I want you to take it past what you think the normal limit would be,” telling him: “I don’t want to see a human being on-screen anymore. I want to see a monster, a gargoyle, an animal.” Many of the band members were real musicians or music students, and Chazelle tried to capture their expressions of fear and anxiety when Simmons pressed them. 

Having taught himself to play drums at age 15, the protagonist Teller performed much of the drumming seen in the film. Supporting actor and jazz drummer Nate Lang, who plays Teller’s rival Carl in the film, trained Teller in the specifics of jazz drumming; this included changing his grip from “matched” to “traditional”. For certain scenes, professional drummer Kyle Crane served as Teller’s drum double.

References:
1. Whiplash (2014 film) – Wikipedia
2. Whiplash – IMDB

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Posted in Movies and TV

Lluvia (1970) – Eddie Santiago

We have been going down a path of classic songs from Latin artists and today’s featured track ‘Lluvia‘ (Rain) won’t disappoint listeners. This is pure ‘Salsa Rosa‘ music which means Salsa music romantical which garnered notoriety since the mid-1980s.

I wrote a post of Puerto Rican Jerry Rivera’s hit Amores Como el Nuestro (‘Loves’ like Our One) which is also a pure ‘Salsa Rosa‘ song. Eddie Santiago (born Eduardo Santiago Rodríguez, 1955) like Jerry Rivera is a salsa singer from Puerto Rico (see map left).

There are few followers of Salsa music who don’t know the words of ‘Lluvia‘ interpreted by Eddie Santiago. ‘Lluvia‘ was composed by the Argentine writer Luis Ángel and he deserves big accolades here because these words in any language are A1 Masterclass level.

(A crude English translation follows)

[Verse 1]
Don’t tell me anything, I already knew
That our romance would end
Don’t tell me anything, I don’t want any more words
Because even being yours they hurt me

[Pre-Chorus]
Don’t tell me anything and go away
Don’t call your hypocrisy love
Don’t tell me anything, the fool here was me
They hurt me, rose, your thorns

[Chorus]
Rain Rain
Your cold kisses like rain (Rain)
That drop by drop they were cooling (Rain)
My soul, my body and my being
Rain Rain)
Your hands cold as rain (Rain)
That day by day they were cooling (Rain)
My burning desire and my skin

The song is inspired by a story of heartbreak by Luis Ángel, in which he captures how the woman he loved used to treat him very badly and could not understand how, after so much mistreatment, he was still by her side, but the answer seems to be very simple: he believed was the love of his life.

When the Argentine writer was asked about the identity of this woman who made him suffer, he was silent. Which is already irrelevant with the success that was ‘Lluvia‘, a song that marked the sensual and romantic sauce and that was engraved in the hearts of inveterate romantics.

References:
1. Eddie Santiago: Conoce la historia detrás de ‘Lluvia’ – Radio Mar

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