Lighthouse Keeper (1996) – My Friend the Chocolate Cake

Lighthouse Keeper is the sixth song presented here from my favourite Australian music group – My Friend the Chocolate Cake and the twelfth song by ‘founder‘ – Australian singer-songwriter David Bridie. The only other singer-songwriters that have been as prolific at Observation Blogger up to this point in the Music Library Project are Bob Dylan, Leonard Cohen, Bruce Springsteen and Christina Perri. So that puts David Bridie into an esteemed mix of contemporary music heavyweights, at least according to my humble opinion.

I wrote in my penultimate article on the Cakes: I Guess It Don’t Get Much Better Than This (2002):

At the time this post is written, this song has just 570 views since it was released on You Tube in 2014. So you could say that the song title I Guess It Don’t Get Much Better Than This says it all. I always loved the Cake and they have featured here so much, but the love isn’t reciprocated by the public nor in this blog. I’m sure many of you have had that realisation when something you hear delights you but isn’t received by someone else with the same fervour. Well, that’s always been my case with the music of Bridie and the Cake. This song was released on the magnificent 2002 record Curious by the Cake.

Today’s song Lighthouse Keeper is one of, if not the Cake’s most cherished and familiar song although that’s not saying much since the Cake are scarcely known in Australia. It is undoubtedly in my Top 3 songs by them and I never grow tired of listening to it. My Friend the Chocolate Cake like their former compatriot band The Go – Betweens who feature here regularly, share a lot in common. They encapsulate that ‘quintessential Australian sound‘ like few other groups I have heard. Not consummate with international commercial hot-shots ACDC or way back when INXS.

In my estimation this Australian musical masterpiece Lighthouse Keeper is on par in with The Go-Betweens exemplary Finding You. The Cake’s music is untamed and unspoilt and appears only revered in the music industry and by Independent urban music enthusiasts.

[Verse 1: David Bridie]
Let me be your lighthouse keeper
Protect you from the angry seas
In the storm in times of trouble
When there’s no visibility

[Refrain: David Bridie & *David Bridie & Rebecca O’Mara*]
*When you can’t see out past the first wave*
To what lies behind the flying wall
There’s a *bright light spiraling round tonight, tonight
Turn, turn*
Yeah

[Verse 2: David Bridie]
Come and be my lighthouse keeper
Protect me from the kitsch parade
Come shelter me when all around
Is hollow plastic and ready-made

Lighthouse Keeper was released on The Cake’s third album, Good Luck in 1996 and was co-produced by Bridie and Mountfort with Jeremy Allom. It peaked at No. 44 on the ARIA Albums Chart. Critics claimed it among the band’s most accomplished and direct statements to date. At the ARIA Music Awards of 1997, it won ARIA Award for Best Adult Contemporary Album. The group played a sell-out show at Edinburgh Festival in Scotland and toured Europe. They followed with a live album, Live at the National Theatre, in December 1997.

I hope you enjoy Lighthouse Keeper and I would love to read your thoughts on it. Cheers all!

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Let´s Stick Together (1988) – Bob Dylan

Let’s Stick Together is a song from Bob Dylan’s 25th studio album Down in the Groove in 1988. The album is definitely not one of Dylan’s most celebrated achievements, but it was one of the first cassettes I purchased when I started following him. And no one’s gonna tell me that now, When Did You Leave Heaven?, Ninety Miles an Hour (Down a Dead End Street) and Shenandoah aren’t required music.

In my article Making The First Step – Dylanholics Anonymous back in 2014, I confessed to the whole world (well the 3 people who read my article) ‘I knew I had a serious problem when I listened to Down in the Groove and started to dig it‘. Nothing has changed much since then in terms of my musical obsession or my readership.

I’ll tell you how inconsequential today’s featured version of the classic track Let´s Stick Together was. It wasn’t even’t mentioned as a cover version in the wiki reference below. Instead, a wiki search-bot found a literary reference to a book Bob Dylan All the Songs: The Story Behind Every Track and that’s where Bob’s song here gets a look-in.

[Verse 1]
Well, a young marriage vow, you know, it’s very sacred
The man put us together, now, you wanna make it
Stick together
Come on, come on, stick together

[Verse 2]
You know, you made a vow, not to leave one another, never
Well, ya never miss you water till your well runs dry
Come on, baby, give our love a try, let’s stick together
Come on, come on, stick together
We made a vow, not to leave one another, never

I was reminded of Let´s Stick Together by Max’s article at Powerpop. I also like the other versions Max mentions in his article. Max told me ‘I immediately learned it (Dylan’s version) and played it with our band when I got the album…it was something different from him‘. I told him that I thought Dylan’s harmonica playing here was superb.

References:
1. Let’s Stick Together (song) – Wikipedia

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3/4 – 9/4/23 – Nick Cave, Paul Rosolie & Russell Crowe

news on the march

Welcome to Monday’s News on the March – The week that was in my digital world.

Some enticing video interviews came to my YT news feed in recent days including the following from three of my favourite podcasts:

Nick Cave: Christ, the Devil and the Duty to Offend
Video interview at UnHerd

Nick Cave’s song Bright Horses dedicated to the memory of Cave’s son Arthur remains the most viewed post on my blog with 2000 views in the past year. I’m proud that song ‘headlines’ my blog as far as popularity.

Faith, Hope & Carnage: Join legendary musician and bestselling writer Nick Cave as he discusses his new book and beyond with UnHerd’s Freddie Sayers. (Watch entire interview here)

Paul Rosolie: Amazon Jungle, Uncontacted Tribes, Anacondas, and Ayahuasca | Lex Fridman Podcast #369
Video podcast interview at Lex Fridmen

I always enjoy hearing stories from bold adventurers and this one didn’t fail to impress. It reminded me in part of Christopher McCandless’s story showcased in the Sean Penn movie Into The Wild which I wrote about here.

There is a part in Rosolie’s story you can view here where he suffered a dire MRSA infection and literally called his Mummy to help him get out of the Amazon Jungle. If he didn’t receive ‘immediate’ western medical attention he would most likely have been insect-food and compost.

Paul Rosolie is a conservationist, explorer, author, filmmaker, real life Tarzan, and founder of Junglekeepers which today protects over 50,000 acres of threatened habitat. (View entire video interview here)

Drinker’s VIP Lounge – Russell Crowe
Video interview at The Critical Drinker

I have been an admirer of Russell Crowe’s acting since he stood out in the independent Australian film – The Sum of Us. My favourite performances from him are The Insider (1999) and mathematician John Forbes Nash Jr. in the biopic A Beautiful Mind (2001). Master and Commander: The Far Side of the World (2003) and the crime drama American Gangster

In this episode of VIP Lounge, I had a few beers and a chat with Russell Crowe about his life and career, some of his biggest and most memorable roles, and his upcoming supernatural horror The Pope’s Exorcist. (View entire video interview here)

news on the march the end
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Posted in Movies and TV, Music, News, Sport and Adventure

Let My Love Open the Door (1980) – Pete Townshend 

Let My Love Open the Door is a song written and performed by Pete Townshend from his 1980 album Empty Glass. That year, it reached number nine on the Billboard Hot 100, but less successful in Britian reaching 46. Cash Box called it a “joyous, blissful tune [that] features a stirring keyboard-synthesizer melody and multi-tracked high harmonies.” Initially, Townshend’s manager despised the track due to it “not sounding like Townshend“.

[Verse 1]
When people keep repeatin’
That you’ll never fall in love
When everybody keeps retreatin’
But you can’t seem to get enough

[Pre-Chorus]
Let my love open the door
Let my love open the door

Peter Dennis Townshend is an English musician and co-founder, leader, guitarist, second lead vocalist and principal songwriter of the Who, one of the most influential rock bands of the 1960s and 1970s. While known primarily as a guitarist, Townshend also plays keyboards, banjo, accordion, harmonica, ukulele, mandolin, violin, synthesiser, bass guitar, and drums; he is self-taught on all of these instruments. 

Despite the song’s critical and commercial success, Pete Townshend did not consider it one of his best songs. He told Rolling Stone that Let My Love Open the Door was “just a ditty” also claiming that he preferred his minor U.S. hit A Little Is Enough from the same album.

References:
1. Let My Love Open the Door – Wikipedia

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Good Vibrations (1966) – the Beach Boys

It has taken me more than 30 years to appreciate the grandeur of Good Vibrations. I was always more-down for Don’t Worry Baby, Barbara Ann and I Get Around in my youth. Good Vibrations is undoubtedly my son’s favourite Beach Boys song. He just loves watching the Lost Studio Footage of the recording (seen below). It’s where Brian Wilson tests everyone’s patience by putting all band members and musicians through the ringer to create the ‘right’ arrangement, harmony, and sound.

It was the most expensive single ever recorded. Good Vibrations later became widely acclaimed as one of the finest and most important works of the rock era.

[Verse 1]
I-I love the colorful clothes she wears
And the way the sunlight plays upon her hair
I hear the sound of a gentle word
On the wind that lifts her perfume through the air

[Chorus]
I’m pickin’ up good vibrations
She’s giving me excitations (Oom-bop-bop)
I’m pickin’ up good vibrations (Good vibrations, bop-bop)
She’s giving me excitations (Excitations, bop-bop)

I watched again the Elton John biopic Rocketman on cable where he learned that he would be launching his American tour playing at the Troubadour at Hollywood, but he was hugely intimidated to be playing in front of The Beach Boys in audience. Who can blame him?

The title Good Vibrations was derived from Brian Wilson’s fascination with cosmic vibrations; as his mother would tell him as a child that dogs sometimes bark at people in response to their “bad vibrations“. He used the concept to suggest extrasensory perception, while Love’s lyrics were inspired by the nascent Flower Power movement. Engineer Chuck Britz is quoted saying that Wilson considered the song to be “his whole life performance in one track“.

Wilson recorded a surplus of short, interchangeable musical fragments with his bandmates and a host of session musicians at four different Hollywood studios from February to September 1966, a process reflected in the song’s several dramatic shifts in key, texture, instrumentation and mood. Over 90 hours of tape was consumed in the sessions, with the total cost of production estimated to be in the tens of thousands of dollars. 

References:
1. Good Vibrations – Wikipedia

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Local Hero (1983) – Bill Forsyth (Friday’s Finest)

In my article of Mark Knopfler’s Going Home instrumental, I had intended writing a review of Local Hero in ‘Friday’s Finest’.

Going Home which ends the soundtrack is one of the most inspirational songs I’ve heard. It raises to a phenomenal Saxophone crescendo which always gives me goosebumps. I remember back in the early nineties my guitarist friend Malcolm telling me when we were listening to this song – ‘Listen to Knopflers guitar zinging when the Saxophone is prancing ‘. That’s a good ear.

My family ancestry partly originates from Scotland, so I have always had a penchant for anything Scottish. I remember in my young adulthood enthralled watching Billy Connelly’s World Tour of Scotland over and over again.

Just this past weekend my kids and I watched Amy Macdonald’s rendition of Flower of Scotland as part of what could be considered the world’s greatest National Anthem mix. Scotland had just beaten Spain in the Euro qualifiers so we were ‘happy chappys‘. Whitney Houston’s stupendous performance of Star Spangled Banner at the 1991 Superbowl is definitely there. Can I add another? Delta Goodrum at the AFL of Advance Australia Fair. Down all tools if you haven’t seen these three! Haha.

Where am I? Oh, Local Hero. I haven’t seen this movie in eons, but it made a great impression on me, not just because of Knopfler’s stellar soundtrack. It’s a movie that often goes amiss in movie discussion circles, but I think ‘time’ is gonna treat this film very well, when ninety percent of most films are forgotten, this will continue to rise in the ranks of the remembered.

IMDB Storyline:

Oil billionaire Happer sends Mac to a remote Scottish village to secure the property rights for an oil refinery they want to build. Mac teams up with Danny and starts the negotiations, the locals are keen to get their hands on the ‘Silver Dollar’ and can’t believe their luck. However, a local hermit and beach scavenger, Ben Knox, lives in a shack on the crucial beach which he also owns. Happer is more interested in the Northern Lights and Danny in a surreal girl with webbed feet, Marina. Mac is used to a Houston office with fax machines but is forced to negotiate on Bens terms

Scottish director Bill Forsyth allows us to see the environment not as something to possess or control but as a privilege granted to all. Ironically, it is the villagers who are captivated by the prospect of the money and more aggressive in its pursuit than Big Mac (Peter Rieger). Oh, and the performance by Peter Rieger is one of best low-key performances of all time. Local Hero is best savoured in isolation, as if you were 1000 miles from home and with nothing.

Great writing; a dozen well-developed characters. Gentle good humor, without demeaning anyone. Local Hero was made in the 80’s, yet it goes against the grain of movies made during that decade for a simple-minded lowest common denominator audience. It not only respects it’s audience but seems to show an against-all-odds affection for humanity that includes the audience. Bill Forsyth seems to care about every character that inhabits his film, and in a very gentle, open-handed way he seems to want to share his characters with the audience so that the audience might see the best of themselves in some aspect of those characters.

References:
1. Local Hero (film) – Wikipedia
2. Local Hero – IMDB

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Given to Fly (2017) – Pearl Jam

Given to Fly is a song by the American rock band Pearl Jam. Featuring lyrics written by vocalist Eddie Vedder and music written by guitarist Mike McCready, Given to Fly was released to radio on December 22, 1997, as the first single from the band’s fifth studio album, Yield.

[Verse 1]
He could’ve tuned in, tuned in, but he tuned out
A bad time, nothing could save him
Alone in a corridor, waiting, locked out
He got up outta there, ran for hundreds of miles
He made it to the ocean, had a smoke in a tree
The wind rose up, set him down on his knee
A wave came crashing like a fist to the jaw
Delivered him wings, “Hey, look at me now”
Arms wide open with the sea as his floor
Oh, power, oh

[Chorus]
He’s.. flying
Whole
High.. wide, oh

Given to Fly proved to be the album’s most popular single. The song topped the US Billboard Mainstream Rock Tracks chart and eventually peaked at number 21 on the Billboard Hot 100. Worldwide, the single charted well, reaching number five in Finland, number six in Norway and Spain, and the top 20 in Australia, Iceland, Ireland, New Zealand and the United Kingdom.

McCready on the song:

It was snowing here in Seattle, which it rarely does, and so they kind of shut down all the streets and I couldn’t get my car out of the driveway. And I have a Volvo and you’d think those would be able to drive in the snow, but no, it wasn’t going anywhere, so I was kind of stuck in my condo. And I wrote that riff [for “Given to Fly”] and the “Faithfull” riff that day

References:
1. Given to Fly – Wikipedia

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Friday I’m In Love (1992) – The Cure

There was no other song I sung louder before going out on a Friday night than Friday I’m In Love. I mentioned in a recent post that Eric Claton’s Let it Grow whetted my appetite to enjoy the night ahead, but today’s feature track was the bees-knees as far as venturing the town. The jangly-rustic guitar intro and then Robert Smith’s salty voice ‘I don’t care if Monday’s blue‘ always got me rockin’. There is another song by The Cure that I adored growing up called Pictures of You.
Later in life, I came round to enjoying a similar sounding English rock band – The Smiths.

I don’t care if Monday’s blue
Tuesday’s grey and Wednesday too
Thursday, I don’t care about you
It’s Friday, I’m in love
Monday, you can fall apart
Tuesday, Wednesday, break my heart
Oh, Thursday doesn’t even start
It’s Friday, I’m in love

Friday I’m in Love was released as the second single from their ninth studio album, Wish. The song was a worldwide hit, reaching number six in the UK and number 18 in the United States. Robert Smith, the song’s primary writer, described it as both “a throw your hands in the air, let’s get happy kind of record” and “a very naïve, happy type of pop song.

In the early process Robert Smith became convinced that he had inadvertently stolen the chord progression from somewhere, and this led him to a state of paranoia where he called everyone he could think of and played the song for them, asking if they had heard it before. None of them had, and Smith realised that the melody was indeed his.

The video below, directed by Tim Pope, features the band performing the song in front of various backdrops on a soundstage, in homage to French silent filmmaker Georges Méliès: the video features the appearance of characters from his The Eclipse, or the Courtship of the Sun and Moon.

Reference:
1. Friday I’m in Love – Wikipedia

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Forever Young (1973) – Bob Dylan

This is one of Bob’s most endearing songs. Dylan is quoted as saying that he wrote Forever Young in Tucson, Arizona, “thinking about” one of his sons and “not wanting to be too sentimental“. I like all versions of this song I have heard; including the original below from Planet Waves, the whimsical version from The Band’s The Last Waltz and Joan Baez’s sacred conveyance of Bob’s songwriting also presented below.

May you always know the truth
And see the lights surrounding you

Most songs from Dylan are raw and individualistic in nature, but Forever Young (like for example: Blowing in the Wind or The Times They Are a-Changin) encapsulate a universal message of perfect reason. Forever Young is pliable for any parent trying carefully, but boldly to impart their insights on anyone young, impressionable – growing up in the world.
I think that’s what makes Bob Dylan such an exceptional poet and songwriter is he seamlessly hones into a weighty core of a theme and unveils its texture and resonance to appear as brilliant as the light of day.

May your hands always be busy
May your feet always be swift
May you have a strong foundation
When the winds of changes shift

May your heart always be joyful
May your song always be sung
And may you stay
Forever young

According to the Wikipedia reference below: (Forever Young) was written as a lullaby for his eldest son Jesse, born in 1966, Dylan’s song relates a father’s hopes that his child will remain strong and happy. It opens with the lines, ‘May God bless and keep you always / May your wishes all come true‘, echoing the priestly blessing from the Book of Numbers.

Dylan performed the song live 493 times between its live debut in 1974 and its last outing in 2011.This includes a duet with Bruce Springsteen at the Concert for the Rock and Roll Hall of Fame in 1995.

References:
1. Forever Young (Bob Dylan song) – Wikipedia

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Special Edition Post – Jordan Peterson’s Use and Understanding of AI and ChatGPT

This is a follow – up to my post 20/3 – 26/3/23 – Chat GPT 4.0, but it was super interesting to hear Jordan Peterson’s take on his use of this AGI which is going to envelope the world in no – time.

Someone wrote in response to Peterson’s remarks in the video below:

We’ve been getting warned about AI for decades, and now that it’s here, we’re openly embracing it…..even when we know it’s not in our best interest. Literally, 90% of my friends were uploading AI self-portrait paintings onto social media just several weeks ago. “Wow! Look! Isn’t it cool? Yey! I want one too!” They didn’t even flinch or bother to question where that art comes from, nor did they read the terms of agreement in the app’s contract when they downloaded it. Nobody gives a toss. We are perpetual children when it comes to technology. We barely even waited a month after we finalized the design of the first atomic bomb before we used it on a city. Anybody who thinks we have a grasp on balancing our relationship with technology is full of it.

Below Peterson’s insights is Douglas Murray; a regular spokesperson on this blog who described how even the creators of this AI are calling for a six-month suspension of AI development. They are worried and this, in itself is unprecedented.

If you want to see first-hand how good GTP 4.0 is, then look at the concluding video by Dave Lee in What happens when AI takes over 1 million humanoid robots?

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