Tár (2022) – Todd Field (Friday’s Finest)

During and after the Pandemic I went into a movie appreciation hiatus. Then the flame was rekindled when I read fellow blogger Cindy Bruchman’s article of Tár. I wondered why I hadn’t seen this already since Cate Blanchett is my favourite actress of modern times. I lost count how many times I saw Blue Jasmine, so I have Cindy to thank for getting me back into the saddle especially after seeing Tár. What better film for the re-initiated could there be than seeing someone’s script written during a 12-week sprint in the lockdown stage of early COVID?

I went into the movie knowing zero apart from Cindy’s article and that Blanchett was in it. I watched the whole movie believing the main story was a biopic such was the premise of the story and attention to detail.

IMDB Storyline:

Having achieved an enviable career few could even dream of, renowned conductor/composer Lydia Tár, the first female principal music director of the Berlin Philharmonic, is at the top of her game. As a conductor, Lydia not only orchestrates, she manipulates. As a trailblazer, the passionate virtuoso leads the way in the male-dominated classical music industry. Moreover, Lydia prepares for the release of her memoir while juggling work and family. She is also willing to take up one of her most significant challenges: a live recording of Gustav Mahler’s Symphony No. 5. However, forces that even the imperious maestro can’t control slowly chip away at Lydia’s elaborate facade, revealing the genius’s dirty secrets and the insidious, corrosive nature of power. What if life knocks Lydia off her pedestal?

I recently described the Wheel of Fortune Christian symbolic meaning and how John Lennon in his song Watching the Wheels was just content to sit there in the centre and watch those wheels roll. To my mind Tár also sits in the centre, but of a triangular prism with movie spokes of ‘Kubrick, Tarkovsky and Bergman’ because there is a linear structure to the madness. As a movie aficionado I was enthralled watching this prism bend and warp in Tár.

As has been mentioned in other reviews, the technicality of discourses when watching a professional composer do her thing can feel a little dull and out of scope for those uninitiated with classical music. But we as flies on the wall witnessing something so distinct from our own little microcosm and insecurities aside can just sit there and witness art, if it so pleases you.
Tár is an exemplar of ‘Art’ in the cinematic and musical form.

Some IMDB Trivia for y’all:

  • Scenes of the orchestra playing are completely, 100 percent real. Cate Blanchett was actually conducting the Dresden Orchestra.
  • Todd Field wrote the film specifically for Cate Blanchett and would not have made the film without her. They had previously planned to work on a different film that Field could not acquire financing for.
  • When Lydia’s tour guide tells her that she cannot swim in the river due to the presence of crocodiles, he mentions that “a Marlon Brando movie” brought them to the location and that they have been there ever since. He is referring to the film “Apocalypse Now,” which was shot in the Philippines.

References:
1. Tár – Wikipedia
2. Tár – IMDB

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Posted in Movies and TV

Born in the USA (Live Amnesty International) 1988 – Bruce Springsteen

Born down in a dead man’s town
The first kick I took was when I hit the ground
End up like a dog that’s been beat too much
‘Til you spend half your life just covering up now

Born in the U.S.A (born in the U.S.A)
I was born in the U.S.A (born in the U.S.A)
I was born in the U.S.A (born in the U.S.A)
Born in the U.S.A (born)

Got in a little hometown jam
So they put a rifle in my hand
Sent me off to a foreign land (foreign land)
To go and kill my fellow man

I video-taped the fantastic Amnesty International music concert (below) from TV when I was an adolescent. I watched it more times than what is considered healthy. I digress…. this article will venture down a garden path of my youth which I have strong memories about; so please forgive me for its verbosity and intention of therapeutic reciprocity.

My parents and brother had heard Springsteen and Dylan blaring from my room for a few years by then and I had got some flak for it.
I remember my mother mocking me constantly singing Congratulations by accentuating Dylan’s nasal delivery and my father was insistent that Dylan wasn’t the consummate music artist with a voice like his.. ‘OK Dad‘.

Then a miracle happened. My mother actually watched the Amnesty concert with me one day and she was gobsmacked. She told me, and I’ll never forget it: ‘That Springsteen ran the show and was excellent‘. I could tell she was hooked from then on.

My father, many years later, contacted me when I was at the Officers Mess in a Naval institution in Sydney and he’d just seen Dylan live (On TV in Sydney) at his Oscar winning performance of Things of Changed. I had seen Dylan live at Centennial Park in Sydney just the day earlier.
My father told me after seeing the ceremony or words to the effect, ‘Dylan’s eyes penetrated the screen like nothing I have ever seen‘.
To me, my father seemed kind of awe-struck or perhaps I was left more awestruck by what he had just said. Either way his comment was in the ‘lock and load’ position awaiting this post two decades later.

Anyhow, back to basics;

I felt when watching Springsteen performing Born in the USA below, that this special (which Mama loved so much) should never be forgotten. It’s said (and they may be just urban myths) that when Springsteen released Born in the USA, politicians on the campaign trail wanted to use his song as a Patriotic anthem of sorts and the Boss dismissed it, stating it was a ‘protest’ song. Another one I told people is that Born in the USA was the second best-selling album of all time behind Michael Jackson’s Thriller, which I had read once or thought that I had read.
Anyway, now that is all said and done—onto the grand finale:

SONG & PERFORMANCE 1, 2…1, 2, 3, 4! BOOM

Reference:
1. Born in the USA – Wikipedia

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Posted in Music, Reflections

The AnkiDroid Collection (Part 33) – Vincent Van Gogh, Chicken or the Egg & Joseph Overton

Ankidroid additions related to Science, History and Philosophy. More information about Anki can be found in this article.

Vincent Van Gogh’s Fateful Night

Self-portrait with bandaged ear and pipe, 1889

Vincent Van Gogh was a Dutch post-impressionist painter (1853 – 1890). He took up painting in 1881 and created 860 oil paintings mostly painted in the last 2 years of his life. He was commercially unsuccessful during his lifetime.

On the night of the 23rd of December 1888 in Aries (South France), the following occurred:

  • Fellow artist (but very successful unlike Van Gogh) Paul Gauguin left Van Gogh’s house and they feuded. Also, Van Gogh had just received a letter from his brother Theo (who had always financially supported him and his art) announced his engagement to a woman.
  • In response to these events, Van Gogh cut off his ear lobe and handed it to a prostitute Rachel at a brothel. He said to her ‘take it in remembrance of me‘. He killed himself a year later by shooting himself.

The Van Gogh Museum is in Amsterdam, Netherlands.

I couldn’t recommend more highly the following audio documentary by Mind Palace:

Vincent Van Gogh Documentary to Fall Asleep To

Eggs which are female sex cells evolved more than a billion years ago. Whereas Chickens have been around for 10000 years

The Joseph Overton Window

American policy analyst – Joseph Overton frames a range of policies that a politician can recommend without appearing too extreme given the climate of political opinion. He opined that it is the responsibility of think-tanks to propose policies outside the window and shift the window.

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Posted in Reading

Blueberry Hill (1956) – Fats Domino

If I had to guess the first song I ever heard which I was in complete awe of; it would be today’s featured track – Blueberry Hill. It was first published in 1940 but is best remembered by Fats Domino’s version in the 1950s. I have heard some hip artist names before, but I think Fats Domino takes the cake and this song exudes that same coolness. The music was written by Vincent Rose and the lyrics by Larry Stock and Al Lewis. It was recorded six times in 1940. Even Louis Armstrong’s 1949 recording charted in the Billboard Top 40, reaching number 29 but it was an international hit in 1956 for Fats Domino and has become a rock and roll standard. 

[Verse 1]
I found my thrill on Blueberry Hill
On Blueberry Hill, when I found you

[Verse 2]
The moon stood still on Blueberry Hill
And lingered until my dream came true

[Bridge 1]
The wind in the willow played
Love’s sweet melody
But all of those vows you made
Were never to be

[Verse 3]
Though we’re apart, you’re part of me still
For you were my thrill on Blueberry Hill

Blueberry Hill reached number two for three weeks on the Billboard Top 40 charts, becoming his biggest pop hit, and spent eight non-consecutive weeks at number one on the R&B Best Sellers chart. The version by Fats Domino was also ranked number 82 in Rolling Stone magazine’s list of the 500 Greatest Songs of All Time. In terms of popular culture, on the American television show – Happy Days (which I watched incessantly growing up), this was Richie Cunningham’s favorite song. That’s most likely where I first heard it.

Fats Domino was an American pianist, singer and songwriter. Born in New Orleans to a French Creole family, Domino signed to Imperial Records in 1949. He is one of the pioneers of rock and roll music, selling more than 65 million records. His first single The Fat Man is cited by some historians as the first rock and roll single and the first to sell more than 1 million copies. Domino was shy and modest by nature but made a significant contribution to the rock and roll genre. Elvis Presley declared Domino a “huge influence on me when I started out” and when they first met in 1959, described him as “the real king of rock ‘n’ roll“.

Reference:
1. Blueberry Hill – Wikipedia
2. Fats Domino – Wikipedia

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Posted in Music

30/1 – 5/2/23 – Her Mind, Vladimir Lenin & Gnosticism

news on the march

Welcome to Monday’s News on the March – The week that was in my digital world.

She Speaks Her Mind
Poem by Theodora Goss

Theodora’s poems often pass this way. She wrote in her biography page:

If I were to teach an undergraduate class in poetry, I would not start with workshopping at all. No, I would say, first we’re going to start by doing exercises. You’re going to write poetry in different forms: ballads, sonnets, villanelles. Because when Picasso was your age, he was imitating Velasquez. That’s how he eventually became Picasso. And it’s going to be bad, because you’re all going to be terrible at writing formal poetry — most people are. But it’s going to make you better poets, whether you’re writing in forms or in free verse. And we’re going to study the history of poetry, particularly in English but also in translation because you need to look beyond your own literary tradition. In this class you’re going to work . . . That’s the class I wish I’d had, a class that would have taught me about poetry in a deep way. That’s the sort of class I think would have inspired me.

Now for her poem She Speaks Part of It (or part of it):

I am too old
to fall in love for the first time,
to scrape my knee on the slide or break my ankle
roller skating, although I once did these things,
too old to sit on the swings
in the playground failing to properly smoke
my first cigarette, or spend summer afternoons
lying on the grass in the back yard, staring
alternately at the sky and the veined insides of my eyelids,
dreaming of things that haven’t happened yet.

I am too old
to save my money for the popular brand of blue jeans
or long for the actors on the movie screens
of my childhood, for Peter Pan and Robin Hood
and the Scarlet Pimpernel, for the heaven and hell
of adolescence, too old for acne,
for making cassette tapes of my favorite bands.
Time slips like a slinky through my hands
and I can count the years I have left like the rings in a tree
core sample studied in biology class.

(Read the entire poem at Theodora Goss Poems)

Lenin & The Russian Revolution Documentary
Video documentary at The People Profiles

This was an excellent documentary; step by step historical insight into Lenin and what led to the implementation of communism in Russia. (View video documentary here)

Gnosticism in the Modern West
Audio presentation at New Discourses

Marxism is not a philosophy. Neither are its derivatives, like “Wokeness” (Woke Marxism). These are a strain within a broader category of cult religious movements that pose as economics, sociology, and politics. The broad name for these Esoteric cult religions is “Gnosticism,” but that’s a confusing label for a number of reasons. The first of these reasons is that “gnosticism” as a term, either as a descriptive or proper noun, means several things at once, which requires clarification. Another is that as economic, social, and political movements, they don’t look at all like the pre-modern spiritualist and mystical movements that go by those names. In this groundbreaking episode of the New Discourses Podcast, host James Lindsay clarifies the term “gnosticism” and unmasks what amounts to a huge “New Age” movement in the Middle Ages as the source of a thread of Gnostic cult belief that has shaped every facet of the West for at least the last three hundred years. He also explains how the shift from the Middle Ages to the Modern period included a shift in the Gnostic project, out of overt spiritualism and into exactly those society-building realms of economics, sociology, and politics. Join him to gain a completely new understanding of these dangerous movements and how they’re relevant to our lives today. (Listen to audio presentation here)

news on the march the end
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Posted in Movies and TV, News, politics, Reading

Beautiful Boy (Darling Boy) (1980) – John Lennon

Beautiful Boy was written for Lennon’s son, Sean, his only child with Yoko Ono. Paul McCartney has stated this is one of his favourite songs composed by Lennon. It was used as the B-side of Happy Xmas (War Is Over) to promote the compilation album The John Lennon Collection in November 1982. I wrote about the impact of the Lennon Collection on my youth in the article – Jealous Guy.

I don’t know how many times I put the needle down on this record but it was a lot. We had one of those old wooden turntables which look like a dresser, and I remember sitting at the front of the fireplace and putting down the needle on this thing.

Beautiful Boy is another one of those songs from the collection I liked listening to. The song is devoid of any kind of ego – instead, it’s a heartfelt love letter to his son Sean, letting him know exactly how loved he was and how much joy he brought to John’s life. It’s quite a lot like a lullaby, and he’s really just a father comforting his son. I’m not sure how John’s first son Julian feels about the whole thing, but I hope he finds solace in it as well.

I also really liked the use of this song in Mr. Holland’s Opus (1995). In this movie, Beautiful Boy is sung and signed in American sign language by the title character (played by Richard Dreyfuss) to his deaf son, Cole.

[Bridge]
Out on the ocean sailing away
I can hardly wait
To see you come of age
But I guess we’ll both
Just have to be patient
‘Cause it’s a long way to go
A hard row to hoe
Yes it’s a long way to go
But in the meantime

[Verse 3]
Before you cross the street
Take my hand
Life is what happens to you
While you’re busy making other plans

[Chorus]
Beautiful, beautiful, beautiful
Beautiful boy
Beautiful, beautiful, beautiful
Beautiful boy

Reference:
1. Beautiful Boy (Darling Boy) – Wikipedia

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Last Kiss (1999) – Pearl Jam

I always enjoyed listening to this cover version of Last Kiss by Pearl Jam. The Last Kiss was originally recorded by Wayne Cochran in 1961 on the Gala label. It failed to do well on the charts. It was later revived by J. Frank Wilson and the Cavaliers in 1964. The song was one of several teen tragedy songs from that period. Soon after I arrived in Colombia I heard the widely popular 1989 Latin version El Ultimo Beso sung by Argentine Leo Dan.

Eddie Vedder found an old record of the song at the Fremont Antique Mall in Seattle, Washington. They recorded it exclusively for their fan club, but radio stations got ahold of it and began airing it. Eventually the song went all the way to #2 in the summer of 1999 in the US. It remains their biggest pop-crossover success. The proceeds from sales of the single went to to benefit refugees in Kosovo.

[Chorus]
Oh where, oh where can my baby be?
The Lord took her away from me
She’s gone to heaven, so I got to be good
So I can see my baby when I leave this world

[Verse 1]
We were out on a date in my daddy’s car
We hadn’t driven very far
There in the road, straight ahead
A car was stalled, the engine was dead
I couldn’t stop, so I swerved to the right
I’ll never forget the sound that night
The screaming tires, the busting glass
The painful scream that I heard last

Last Kiss would later appear on the group’s 2003 rarities album Lost Dogs. This version was successful, especially in Australia, where it topped the ARIA Singles Chart for seven weeks. It also reached number one in Iceland for six weeks and as aforementioned peaked at number two in the United States and Canada, making it the band’s highest-charting single in either country.

The band spent only a few thousand dollars mixing the song. Bassist Jeff Ament said, “It was the most minimalist recording we’ve ever done.” Christopher John Farley of Time said, “It’s a spare, morose song with Vedder’s voice warbling lovelorn over a straight-ahead drum beat. Going back to basics has put Pearl Jam back on top.” Guitarist Stone Gossard said, “You can try album after album to write a hit and spend months getting drum sounds and rewriting lyrics, or you can go to a used record store and pick out a single and fall in love with it.“

References:
1. Last Kiss – Wikipedia
2. About – Last Kiss – Genius

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I Know the End (2020) – Phoebe Bridgers (Alex and Jo Music)

Alex and Jo on their You Tube page

At the time I was delving into Christina Perri’s material, You Tube sent me Alex and Jo’s version of Perri’s Back in Time. To say I was moved would be an understatement. I sent it to all in a blink of an eye. Alex and Jo told me 6 days ago they are huge fans of Perri:

Haha, it’s impossible Christina Perri can’t have any bad songs, every song is masterpiece she’s that brilliant… thank YOU for listening. Sending your family much love and happiness

Since I saw Alex and Joanna’s Back in Time, I have enjoyed other versions by the Serbian twins including today’s featured track I Know the End by Phoebe Bridgers and Lorde’s Liability. My family and I are big admirers of Lorde’s Team which will feature here when we work down the alphabetical list of songs in the project. Also, Alex and Jo do an amazing job of At My Worst – Pink Sweat$.

Somewhere in Germany, but I can’t place it
Man, I hate this part of Texas
Close my eyes, fantasize
Three clicks and I’m home
When I get back I’ll lay around
Then I’ll get up and lay back down
Romanticize a quiet life
There’s no place like my room

[Chorus]
But you had to go, I know, I know, I know
Like a wave that crashed and melted on the shore
Not even the burnouts are out here anymore
And you had to go, I know, I know, I know

I was saying to Alex and Jo with respect to their version of today’s song I Know the End (which I prefer much more btw than the original) that ‘The way you break your voices at just the right parts is a stroke of genius. For example, the lines ‘Like a wave’ & Burnouts’ Wow!’ I hope one day these sisters are recognised.

They wrote in the description of their YT channel:

Hi! We are twins with passion for music and this is our journey thru singing, hope you come along and join us! Love, Alexandra and Joanna 😉

Reference:
1. I Know the End – Wikipedia

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Take Shelter (2011) – Jeff Nichols (Friday’s Finest)

I saw Take Shelter a few times in the year it came out. I was roused by this highly original story and appreciated how it doesn’t play down to the audience and the acting is nuanced, but impactful. It explores the themes of masculinity, mental illness, and the lengths people go to protect the ones they love. The plot as outlined below drew me in from the get-go and escalates in tension until it reaches its ambiguous climax.

IMDB Storyline:

Curtis, a father and husband, is starting to experience bad dreams and hallucinations. Assuming mental illness, he seeks medical help and counseling. However, fearing the worst, he starts building an elaborate and expensive storm shelter in their backyard. This storm shelter threatens to tear apart his family, threatens his sanity and his standing in the community, but he builds it to save his family’s life.

Take Shelter written and directed by Jeff Nichols and starring the underrated actor Michael Shannon and Jessica Chastain. It premiered in January 2011 at the Sundance Film Festival, and Sony Pictures Classics acquired rights to distribute the film in North America, Latin America, Australia, and New Zealand. The film also screened at the Cannes Film Festival, where it won the 50th Critics’ Week Grand Prix.

Take Shelter received critical acclaim. It has a rating of 92% on Rotten Tomatoes, based on 168 reviews, with an average score of 8/10. The consensus states “Michael Shannon gives a powerhouse performance and the purposefully subtle filmmaking creates a perfect blend of drama, terror, and dread.”
Michael Shannon purposely didn’t read up on mental illnesses before taking on the role as Curtis, as this is something the character himself knew little about. Also, in playing the role of Samantha, Jessica Chastain was paid just $100 per day.

Director Jeff Nichols reflected: “I had a very strict idea of what the end of Take Shelter was. I know exactly what happens, and it’s fascinating to see people respond to it in their own ways. The beautiful part of storytelling is that you’re not just telling people a story, they’re also telling you something about themselves too through their reactions. In that situation you’re in a conversation with your audience. I really can’t think of a more rewarding or fulfilling result for something you’ve written. It’s active, kinetic, and really humbling.”

References:
1. Take Shelter – Wikipedia
2. Take Shelter – IMDB

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Las Caleñas Son Como La Flores (1990) – The Latin Brothers

I wouldn’t class myself a connoisseur of Salsa music, even less an aficionado of Salsa dancing, but I prefer the more traditional and distinguished Salsa over the modern material. Las Caleñas Son Como La Flores (The Caleñas are like Flowers) is one such example of Salsa music I like listening to called ‘Tropical Music‘, although there are many different styles of Salsa some of which have been presented in this blog.

Las Caleñas Son Como La Flores heralds from the home of Salsa music in Colombia, Cali seen in the map above. This song was written to attract audiences to salsa’s capital city and its beautiful dancing women, Las Caleñas. What this title expresses is that Women from Cali are similar to the flowers because they always dress very colourful like the woman below of a thousand colours:

“The woman of a thousand colors”: the Ensálsate show that opens at the Cali Fair

(A loose english translation is below)

Cali!
Land of pretty and beautiful women

The Caleñas are like flowers
What dresses are in a thousand colors
They never give their love
If their love is not reciprocated


Walking they go along the sidewalks
Waddling they carry their waist
they move their hips
like the sugar cane in the wind

The following are excerpts from the informative article referenced below:
The origins of salsa music are often attributed to New York City’s relationship with the Puerto Rican territory and the nation of Cuba, however its popularity throughout the mid-twentieth century generated from Colombian radio broadcasts and recordings of cumbia folk music.

The Colombian record label Discos Fuentes, one of the oldest labels in Latin America, if not the world, was established in the 1930s by Antonio Fuentes Estrada and produced many timeless recordings that are still sought after by vinyl collectors. In response to the global boom of salsa music, Fuentes created The Latin Brothers in 1974.

Las Caleñas Son Como Las Flores is credited to Arturo Jorge Ospina, however the production credits of this recording are not as obvious. The 2-trombone horn section is somewhat unique while still traditional to the marching brass parades heard throughout South America, as well as a reminder that the power of salsa comes from its complementary rhythms that solidify the groove, rather than the flashy, extended, solo melodies of latin jazz.

References:
1. “Las Caleñas Son Como Las Flores” – The Latin Brothers – Trombone Alex

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